Académique Documents
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Broz
Not Reading:
The 800-Pound
Mockingbird in
the Classroom
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convince students to
accept the invitation to
read the books.
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May 2011
Not Reading
Recognize that knowing what happens in any particular
book, even canonical books such as To Kill a Mocking
bird, is of little importance compared to deieloping stu
dents abilities to read and make meaning from text. It is
the transformative ritual of actually reading TKM
that makes the book important, not knowing who
killed Bob Ewell. TKM still engages me, enlight
ens me, instructs me, and transforms me during
every subsequent reading, though I have known
what happens in the book for four decades. As with
our writing pedagogy that focuses on teaching
composing processes, in teaching literature we are
teaching reading and interpretive processes, not
right answers about a particular book.
Some students actually say to me, I did read
several books in high school, but I am already a se
nior in college and no professor in college has asked
me about those books, What was the point of read
ing theml Teachers who try to sell books with the
line You have to know this stuff for college are
part of the problem. Secondary students who will
William J. Broz
English Journal
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May 2011
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William i. Broz
English Journal
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Notes
Works Cited
Broz, William, The Green Knight Should Be Green:
Graphic Response to Literature. English Journal
99.3 (2010): 5763. Print.
Reasons for Writing/Reasons for Grading: Con
ceptual Approaches for Processing Student Papers in
English Classes. doie iUi to Handle the Paper Load.
Ed. Jeff Golub. Urbana: NCTE. 2005. 90101.
Print.
Daniels, Harvey. Literature Circlej: Voice and Choice in Book
Clubs and Reading Groups. Portland: Stenhouse, 2002.
Print.
Ericson, Bonnie. Introducing To Kill a Mockingbird wins a
Collaborative Group Reading of Related Young
Adult Novels. Adolescent Literatmv as Complement to
the Classics. Ed. Joan F. Kavwell. Norwood: Christo
pher-Gordon. 2000. 112. Print.
Kaywell, Joan F. Adoleicent Literature ai Complement to the
Classics. Norwood: Christopher-Gordon, 2000. Print.
Marshall, James D., Peter Smagorinsky, and Michael W.
William J. Broz taught high school English in Iowa for 25 years and has been a professor of English education since 1997. He
is assistant professor in the English department at the University of TexasPan American. His publications address composition
pedagogy, literature pedagogy, censorship, and young adult literature. He may be reached at brozwj@utpa.edu.
READWRITETHIN K COHNECTION
Facilitating Student-Led Seminar Discussions with The Piano Lesson uses August Wilsons play The Piano Lesson
to invite students to ask a number of questionsbig and smallabout the characters, setting, conflict, and symbols
in the work. After reading the first act, students learn how to create effective discussion questions and then put
them to use in student-led seminar discussions before the second act and again at the end of the play. http://www
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May 2011
Inspired by thefanfiction
Building Fantasy
Worlds Together with
Collaborative Writing:
Creative, Social, and
Pedagogic Challenges
Countless new planets, new worlds, and new lands have been created by science fiction and
fantasy authors. Theyve given us heroic pasts and dystopian futures. Theyve taken us to
distant galaxies and across magical landscapes. And in learning about those worlds, we may
gain a little insight into our own. To help us better understand how authors in these genres
craft their worlds, students in Swords & Spaceships are building their own.
hese words along with a digital
movie teaser appear on Joshs class
wiki (Caton) as an invitation for
students to enroll in his elective
English course, Swords & Spaceships. In the class,
students read fantasy and science fiction, as well as
participate in Building Worlds, a writing project in
which students create a fantasy world to learn about
the choices fantasy authors make when telling a
story. For example, the students read excerpts from
J.R.R. Tolkiens Si/marl//ion and The Lord of the
Rings to consider how to build a fantasy world from
the top down (macro-micro), creating languages,
races, and setting before writing the stories of the
world; the students also read Ursula K. Le Gums
A \Vizart/ oJ Earthsra and the foreword to Ta/es from
Earthsea to consider bottom-up (micro-macro)
world building, discovering a world along with
your characters through the telling of tales.
The second time Josh taught Swords &
Spaceships, he decided to change Building Worlds
from an individual project to a collaboration using
Wikispaces (http:/ www.wikispaces.com), a free
wiki provider that caters to educators. By the end
of the course, twelve students, grades 912, and
Josh created their first collahorati\e fantasy world,
Erstellen. Their world was composed of maps and
drawings; historical narratives: descriptions of
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Building Fantasy Worlds Together with Collaborative Writing Creative, Social, and Pedagogic Challenges
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May 2011
Collaboration as Maintaining
Continuity across Story Lines
Most of the students provided examples of collabo
ration that involved negotiation and compromise in
the interest of maintaining continuity across story
elements of their fantasy world. Erstellen is made
up of multiple single-authored texts that relate to
one another in complex ways. Working toward re
solving in-world contradictions was a primary goal
of the project.
In the beginning of the project, relationships
between students regions of the world were medi
ated by a map graphic Austin created and posted on
the wiki. (See a full-color version of Austins map
on the cover of this issue.) After the map was
posted, students claimed areas of the world; named
and described their regions; populated their regions
with creatures and characters; and began to write
histories, stories, poetry, and lore.
Some of these storylines were related in com
plex patterns; in the interest of maintaining conti
nuity, some students negotiated revisions to each
others stories. Roger described one of these com
plex patterns as the Alliance Web, a series of story
line relationships forged by feuds and peace treaties
among the characters and regions.
As members of this Alliance Web, Amelia
and Austin created underwater elves who, despite
their common origin, do not get along. Amelia ex
plained her attempts to coordinate the writing of a
shared history with Austin. For Amelia, continuity
across the storylines was a priority and involved
coordination.
English Journal
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Pedagogic Challenges
Building Fantasy Worlds Together with Collaborative Writing: Creative, Social, and
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May 2011
Erika used pencil and water color for her depiction of Levone
and her horse, Vendeval, of the Verflutchen region within the
world Arterramar.
Collaboration in Consideration
of Social Roles
Not all students in the Building Worlds project par
ticipated in the same ways. Some students sLich as
Roger and Clark wrote lengthy descriptions and
elaborate stories. Other students contributed ideas
through class discussions but wrote little on the
wiki. Some students wrote in complex collaborative
relationships. e.g., the Alliance Veb, and other stu
dents wrote individually with little involvement in
other students storylines. When Clark was asked
about who he would have been willing to collaborate
with, he explained that what a student has contrib
uted to the project is an important consideration.
Clark explained that he would have been more will
ing to work with other prolific writers such as Roger.
Ryan: OK. But do you think that it would
matter if, say Roger, approached you versus
someone who had less to do with the project
ould that matter?
Clark: Yeah,
it
would,
English Journal
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Building Fantasy Worlds Together with Collaborative Writing: Creative, Social, and Pedagogic Challenges
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May 2011
Careins.
English Journal
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Building Fantasy Worlds Together with Collaborative Writing: Creative, Social, and Pedagogic Challenges
Ryan M. Rish is a PhD candidate at Ohio State Universitys School of Teaching and Learning; his research interests include
collaborative writing mediated by digital tools. Email him at rish.7osu.edu. Joshua Caton teaches English and drama at Lick
ing Valley High School in Newark, Ohio. Email him at catonj@lickingvalley.kl 2.oh.us,
READWRITETHINK CONNECTION
Fantastic Characters: Analyzing and Creating Superheroes and Villains asks students to analyze and discuss
familiar superheroes and super-villains to expand their understanding of character types and conventions, Students
consider social issues they confront and incorporate those issues into the creation of their own superheroes or
super-villains. http:l/www.readwritethink.org/classroom-resources/lesson-planslfantastic-characters-analyzing
creating-30637.html
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May 2011