1

Linearity
NA (em relao a C)
Cromatismo

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Duplo Cromatismo

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3
Cromatismo + Vizinhana

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Cromatismo + Duplo Cromatismo ou Vizinhana + Duplo Cromatismo

============================
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5
Usar tambm em II V I menor

CL 3
1

G Cmaj

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Cl 5

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CL 7

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1

===========================
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10

CL 9

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11

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12

===========================
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CL 11

#
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13
CL 13

_ _
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14

# n
===========================
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b
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Numa progresso ver VL (para cima e para baixo entre tidas as

notas) e aplicar ferramentas: arpejos, FM, NA, CL, CQL,
Octave Displacement e Escalas Bebop (para cima e para baixo)
VL Turn
1

Aplicar tambm em Turn Menor

15

#
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===========================
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16
VL Turn Menor
b
Am7( 5)

===========================
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1
Cm7

11

b13

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============================
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17
Arpejos Turnaround
A7b9b13

#
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===========================
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3
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18
FM Turn

#
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===========================
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19

===========================
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20
4 CQL 1 FM 4 notas Turn

===========================
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1

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21
4 CQL 2 FM 4 Notas Turn

===========================
&
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1

#
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============================
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_ _
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#11

_ _
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============================
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b13

22
Octave Displacement Turn
1

#
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===========================
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9 _
7
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============================
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Aplicar tambm em II V menor

23

VL II V
b7

===========================
&
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b3

b9

b7

b
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============================
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11

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#9

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============================
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b13

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13

============================
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============================
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24
VL V I
1

===========================
&
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G7

Cmaj7

b7

============================
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#11

13

#11

#5

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============================
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============================
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VL extra V I

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============================
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25
Arp II V

#

=l

===========================
&
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1

Dm7

b3

#11

9
b7
b

============================
&
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b7

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#9

============================
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b9

Inverso muito usada

3
_

============================
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5

============================
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============================
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26
Utilizao do arpejo diminuto
Arp V I (1)
1/3
_

b
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b
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_
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_

ww

===========================
&
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1

1/ 6

b7

_
============================
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3

b9

3/1

b7

============================
&
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=l
Utilizao dos arpejos do substituto de trtono de G7 (Db7)

Arp V I (2)

7 / 13
#11 / 13
b7
b
_

n
_

_ _ __
b _ n__
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b

l
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1

13 / 1

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5
#11
3
b b _ n__
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9/1

13 / 7

b
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1

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9/1 9

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13

============================
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27
FM II V

===========================
&
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=l

b7

b
=l
============================
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b9

#9

#11

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28

===========================
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29

w
w
w
w

===========================
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1

b7

#
b
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============================
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============================
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30
FM V I

=l
===========================
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3

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l
l
=l
1

#5
E
_
b
_

b

E

=l
l
l
l
============================
&
9

#11

31

===========================
&
l
l
l
=l
3

============================
&
=l
l
l
l
#11

#5

_
_

_
b
_

_
_

_
b
_

b


b

============================
&
l
l
l =l
1

#5
__ _ b _ #11#
b_ b

b


#

l
l
l =l
============================
&
6

============================
&
l
l
l
=l
============================
&
l
l
l
=l
============================
&
l
l
l
=l
============================
&
l
l
l
=l

32
CQL II V

_
_

===========================
&
l
l
l
=l
1

============================
&
l
l
l

=l
3

l
l
l
============================
&
=l
5

l
l
l
============================
&
=l
b7

b
b

b =
b
============================
&
l
l
l
l
b9

b
b

b =l

============================
&
l
l
l
#9

#
#

#

#

============================
&
l
l
l =l
#11

b
b
b
b

l
l
l
============================
&
=l
b13

33

=l
===========================
&
l
l
l
1

============================
&
l
l
l =l
3

l
l
l =l
============================
&
5

=l

============================
&

l
l
l
b7

b
b

b
b =l

l
l
l
============================
&
b9

b
b
b
b
============================
&
l
l
l =l

#9

#
#
#
#

=l
============================
&
l
l
l
#11

b
b
_ b
_ b

=l
============================
&
l
l
l
b13

34
CQL V I

===========================
&
l
l
l =l
1

============================
&
l
l
l
=l
3

_
_

============================
&
=l
l
l
l
5

=l
l
l
l
============================
&
7

============================
&
l
l
l
=l
9

#
#
#
#

============================
&
l
l
l
=l
#11

#
# =l
============================
& #
l #
l
l
#5

=l

============================
&

l
l
l
6

35

===========================
&
l
l
l =l
1

3

_
_
============================
&
l
l
l =l
5

============================
&
l
l
l
=l

l
l
l =l
============================
&

=l
============================
&
l
l
l
9

#
#
============================
& #
l #
l
l
=l
#11

============================
&
l
l
l
=l
6

============================
&
l
l
l
=l

36
Displacement de Oitava II V I

l _w
===========================
&
l l
=l
1

w
l
l
============================
&
l
=l
_w

b _

w

l

============================
&
l
l
=l
3

b _
w

============================
&
=l
l w
l

l
_
_ __ b _ _
w

l
l
============================
&
=l
l w
5

__ _ b _
w

============================
& b l w
l
l
=l

w
============================
&
_ l _w
l
l
=l
b7

_ _
_ _ ___ ___ __ __ _w

l
l
============================
& l w
=l

37

w
===========================
& b l w
l b l
=l
9

w
b l
b l
============================
&
=l
l
w

#
# _ _ #w

#w

l
l l
============================
&
=l
11

#
# _ _ #w
l #w
============================
&
l l
=l
_ _

w
w
============================
&
l
l
l
=l
13

w

============================
& l w
l _
l
=l
_
_
b _
w

l w

============================
&
=l
l
l
Outline 3 Ligon

_
b_
w

l
l
============================
& l
=l

38

CL Escalas
Bebop II V

Para II V I menor usar lcria

no m7b5, b9b13 no 7 e olica
no m7. Os mesmos
princpios mantm-se.

Quando as ligaes das escalas

no se acertam usar saltos de
terceira, cromatismo extra,
mudanas de direco ou
semnimas para corrigir.

Quando se comea numa extenso (9 11 13) ir o mais

depressa possvel (por graus conjuntos ou com
cromatismos) para um chord tone (1 3 5 7) num
downbeat. Para comear num upbeat usar aproximaes
(cromatismo ou vizinhana) aos chord-tones.

G
_ 5Cmaj
b
_

_
5

# # #
===========================
&
l
l
l
=l
1

Dm7

5
# b # # n
============================
&

=l
l
l
l
3

__ __ _ _

_
__ __

_
_
_

_
_

_
_

_
_

l
l
l
============================
&
=l
3

b7

b3

# b

l # l # n =

l
============================
&
l
b3

b7

_
# n #

l
============================
& __ _ _ # _ l
l
=l
6

# _ # n b

#
l

l #
l
============================
&
l
=
1

b _

# l # =
l
============================
& _ # _ l
l
b7

l
============================
& _ # _ l b b _ l _ # l # n =
b7

39

b b
#
l
l #
l
===========================
&
l #
=
1

5
__ b__ __ _ _
3

l b l # l # n =
l
============================
&

l # l # n l # =
l
============================
&

b7

b3

b7
___ ___ __ b __ __ _ _
3
b # # n
l
l
============================
&
=l
l
b3

5
3
_ b
b
_

# #
l
============================
&
l
l
=l
5

1
_ b

b b # # n
============================
&
l
_ l _
l
=
l
5

5
3
__ _ _
b
_

#
# l #
l

l
=
============================
&
l
b7

1
__ _ _

b
# n =
b _ l _ #
l
l
============================
&
l

b7

40

# b_

# #
===========================
&
l
l
l
=l

1

l
============================
& l b b _ l _ # l # n =
1

b _ _ _

# #
============================
&
l
l
l
=l
5

b3

# b # # n
============================
&
l
l
=l
l
b3

___ ___ __ __ _ _
5
_

__ __
_

_
_

_
_

============================
&
l
l
l
=l
b7

# b # # n
============================
&
l
l
l

=l

b7

_ # n

l
============================
&
l
=l
_ # _ # l
b7

# n

#
l
============================
& l b l # l
=
b7

41

b7
3

# n # # n #
===========================
&
l

l
l
=
1

1
3
__ # __ n__3 _ _ b7

l # l # n =
l
============================
&
l
3
# b _
# n

# #
l
l
l
============================
&
=l

5

b3

# n b b # # n
============================
&
_ l _
l
=
l
l
3

b3

b _
_

# # #

l
l
l
============================
&
=l
5

1
_

b b # # n

============================
&
l
_ l _
l
=
l
5

5
5
__ _ _

b
_

_
_

# #

============================
&
l
l
l
=l
b7

3
__ _ _
5
b

l
============================
&
l l # l # n =
b7

42

#
_ # n

===========================
&
l
l
l
=l

1

5
_ # n

#
l
============================
&
l b l # l
=
1

# b _

# l # =
l
l
l
============================
&
b3

b b # # n
============================
&
_ l _
l
l
=
l
b3

b _ _ _

# #

l
l
============================
& l
=l
5

b # # n
============================
&
l

l
l

=l


5

l
============================
&
_ # _ l # l # n l # =
b7

b7

# b # # n

============================
&
l
l

=l
l
b7

b7

43

#
_ # n

===========================
&
l
l
=l
l
1

__ __ _ _ 1
5

# n

#
l
============================
&
l # l # l
=
1

# b _
l
# l # =
l
l
============================
&
b3

b b # # n
============================
&
_ l _
l
l
=
l
b3

_ 5 # b _ _ _
# #

l
l
l
============================
&
=l
5

3
_

b # # n
============================
&
l

l
l

=l

5

3
b7

# # n #

============================
&
l
l

l
l

=
b7

b7

3
__ _ _ b7

l # l # n =
l
============================
&
l

44

# # n #
===========================
&

l
l
l
=
1

b7

l # n l # =
l
============================
&
l
1

b7

#
_ # n

l l
l
============================
&
=l
b3

_ # n

b # #

============================
&
l
l
=l
l
b3

b _
# # #
============================
&
l
l
l
=l
5

1


b b # # n
============================
&
l
_ l _
l
=
l
5

b _ _ _

# l # =
l
============================
& l
l
b7

b # n #

l
============================
&
l
l

l
=
b7

45

# b_

# #
===========================
&
l
l
l
=l
5

l
============================
& l b b _ l _ # l # n =
3

# b _ _ _
# l # =
l
============================
& l
l
5

b3

b3
b # # n
============================
&
l
l
=l
l
5

l # l # n l # =
l
============================
&
5

b7

_ 3
b # # n

l
============================
&
l
l

=l

5

b7

b _

# l # =
l
============================
& l
l
3

b7

============================
& l b b _ l _ # l # n =l l
b7

46

Quando h dois acordes por

compasso num II V, usa-se a
escala bebop do V
6
5
__ __ ___ # ___ 1 Dm

_
G
Cmaj

_
_

_
_

_
_

b l # =
l
l
===========================
&
l

1 Dm7

G7

5
___ ___ 3
_

_
b
_

_
_
#

b l # =l
============================
&
l
l
_ _
3

5
___ ___

3
3
_

b
_

_
_

_
_

l
============================
&
l
l l # =
5

3
3
__ __ b7

b #

l
=
l
l
l
============================
& #

b7

3
1
__ __
1
_

# n #

============================
&

l
l
=l
_ l _
1

3
__ __ ___ # ___

_
_

_
_

_
_

b # n #
============================
&

l
l
l
=l
3

5
___ ___
5

3
_

b
_

_
_

b #

l
=
============================
&
l
l
l
5

# b # b #

l
============================
&
l
l
=l
b7

b7

47

b # # n #
===========================
&
l
l
l
=
l
1

# b #

l
=
l
l
============================
&
_ _ l
3

#
l l b l # l
============================
&
=

b7

# b # #
============================
&
_ l _
=l
l
l
5

b7

b l # l l # l
============================
&
=

b l # =

l
l
============================
&
_ l _ #
3

l # l
_ l _ # =l
============================
&
5

# #

l
============================
&
l
l
l
=
6

b7

b7

48

Dm
G
Cmaj
_ # n b 5
b l =
l
l
===========================
&

_ _ __ # __ l
1

Dm7

G7

# b_ _ b _ b

# l
l # n =
============================
&
l
l
3

__ __ _ b _ 3

b
_

_
_

l
# l
============================
&
l
l # n =
5

3
__ __ _ _
_ _ _ _ _ b_
# n # n


l
l
l
l
============================
& #

=
b7

b7

# n

l # n l
l
# n =
l
============================
&
1

_ # n
_ b_ # n 3

# n

============================
&

l
l
l

=l
3

5
__ __ _ b _ 3
b
_

l
============================
&
l
l
l # n =
5

5
___ ___ __ __ _ b _

_
b
_

# l
#
l
============================
&
l
l
=
5

b7

49

5
_ _ b _
# n 3

# # n
===========================
&
l
l
l

=l
1

_ b_

# n

l
l
============================
&
=

l
l
3

__5 __ _ b _ 5
_

#
l
l
l
============================
&
=l
6

# b_
b7

# l
l # n =
============================
&
l
l
1

b7

1
b _

# # n

l
l
l

============================
&
=l
3

_ b_

#
# n
============================
& l
l
l
=l
1

============================
& l # n l l # n =
l
5

b7
_

# n

l
l
============================
&
l
l
=
b7

50
Escalas Bebop a partir de extenses

11 em maj7 e 7, b13 e 13 em m7
e b9 em m7b5 so notas a evitar
Usar as diferentes formas da
escala mixoldia a subir e a descer
Tratar Em7 como Cmaj7 / E

No caso de #11 em acordes

maj7 e de 7, #9 em acordes
de 7, 13 em acordes m7 e 9
em acordes m7b5, usam
escalas sem notas a evitar

Os chord-tones so 1 3 5 6 em
acordes de 7M e 1 3 5 7 em
acordes de 7m. Nos primeiros o
cromatismo est entre 5 e 6 e nos
segundos entre 7 e 1

_ _ _

===========================
&
l
l #
l
=
l
7

Cmaj7

# #
============================
&

=l
l
l
l
Dm7

11

b _ b _ b _ _ b _ b

b b # n b b
b

b l b
l
============================
& b
l
=l

11

b
Dm7( 5)

b13

_ b9 b n b b_ b
l
l b
l
b
l


============================
& #
=
9 G7

# n b b b # b
l
l # n b

l b
============================
&


=
l
b13

13

Resoluo para acordes maiores

# # n b
# # n
b l
b
l


============================
&
l
l
=

G7 (9,13) a subir

G7 (b9.b13) a descer

G7 (9,13) a subir

G7 (b9,13) a descer

Resoluo para acordes menores

G7 (9,b13) a subir
G7 (b9,b13) a descer

b b #
#n
b
# #n

b l w

============================
&
l
l
=l
G7 (9,13) a subr

G7 (9,b13) a descer)

Acorde Lcrio

b b # # n b b
l

b l w
l
============================
&
=l
Dm7b5 (9) a subir

Dm7b5 (b9) a descer