Académique Documents
Professionnel Documents
Culture Documents
FictionasFact
TheHorseSoldiers&PopularMemory
NeilLongleyYork
ChristenMangum
Dr.RogerBlomquist
AmericanCivilizations
HIST1700013
February19,2014
Mangum2
NielLongleyYorks
FictionasFact
presentsauniqueargumentabouthistorythrough
threesourcedonthesameCivilWardistraction.
ThethesisforYorks
FictionasFact
isthat
thewaythathistoryhasbeeninterpretedhasbeenchangedtofitwhatwouldinterestan
audiencemore,specificallyinthecaseoftheCivilWaroperationleadbyColonelGrierson,
firstinhistorianDeeBrownsinterpretationfromoriginaldocumentsfromthesoldiersin
hisbook
Grierson'sRaid
,whichincludedstretchinginferencesandcreatingcertain
conversationsinordertopiecetogetherastory,secondinwriterHaroldSinclairsfictional
book
TheHorseSoldiers
basedoffthehistoricalevent,wherehemoldedtherealpersonsin
theactualraidintocharactersofdifferentnamesandarchetypes,andaddedaplotlineof
contentionbetweenadoctorandGrierson'scharacterMarloweinordertoappealtoa
greateraudiencetomakeSinclairsbookmoreentertaining,andthirdinJohnFordsand
JohnMahinsmovie
TheHorseSoldiers
basedoffofSinclairsbook,wheredrasticchanges
weremade,mostnotablythepresenceofaloveinterestforGrierson'scharacterMarlowe
andacreatedeventofamarchinvolvingamilitaryschoolmarch,andonlythebasicplots
wereadheredto,inordertogainmoreinterestfromtheirmoviegoers.
Astrengthofthisbookisitsstructure.Thelayoutofthisbookfeaturessixchapters.The
firstchapterpresentsonlythehistoricalfactsofthemilitaryoperationtheGriersonledacross
Mississippi,givingthefoundationneededtounderstandtherestofthebook.Thesecondchapter
presentsthefirstbook,andthethirdchapterpresentsSinclairsbook,thefourthchapterisabout
themovie.ThefifthchapterpresentsspecificexamplesofhowthingschangedfromBrowns
GriersonsRaid
toSinclairs
TheHorseSoldiers
,andthemoviebyFord.Thesixthchapter
explainsthedynamicofhistory,historicalfiction,andtheblurredlinebetweenthem.This
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structurehelpsthereaderunderstandthebookoverall.
AweaknessofthisbookisYorkslongwindedwaysofpresentingaclaimormainpoint.
Oftenheputinquotationsorparaphrasedexcerptsfromhissources,ultimatelyendingupata
pointthatcouldhavebeentoldmuchmoreconciselywithoutsomuchinbetween.WhenYork
goesonthesetangents,itisquiteeasytoforgetthereasonwhyacertainsegmentwasso
important.
YorkaddressesFordsmovie
TheHorseSoldiers
withaviewpointonthefacts
surroundingthemakingofthemovie.Heoftenilluminatedthetugofwarthathappened
betweenthedirectorFordandhisproducerMehinoverthescript,evenafterthesupposedfinal
scriptwasmade,Fordtookthelibertyofchangingitanyway.Yorkseemedsympatheticorat
leastslightlysupportiveofFordsendeavors,whowasaloverofhistoryasdescribedbyYork,
ashechallengedMehinssuggestedchangesthatwouldtakethemovieinadifferentdirectionor
changethemeaningofthemovieitself.
Inthebook,York,throughhiswriting,seemedmoreomnipotent,lookingatthingsina
thirdcharacterpointofview,wherehepresentedothersopinions,view,andinterpretationsbut
heledthereadertohisintendedinferences.Becauseofthis,
FictionasFact
bookbringstolight
aninterestingdynamicthatishappeninginsociety,thatthehistorythatwethinkweknowis
reallyjustawhitewashedversionwithtonsofholesinit.Yorkalsomakesthebookinteresting
bybringingupahistoricaleventasinterestingasGriersonsraidthathasalsohaditstimeinthe
limelightasbothabookandamovie.Byusinghisthreemainsources,healsowritesatypeof
synthesis.
ThisisabookthatIwouldrecommendtosomeonewhowouldbeinterestedinwriting
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historicalfictionorwhowantstoinvestigateintohistory.ThesetypesofpeopleIbelievewould
beYorksintendedaudiencebecauseIdonotbelievethat
FictionasFact
couldbereadforpure
entertainmentvalue.