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FRANCISCO TARREGA
4 WALTZES
Va l s so b r e u n tema d e S tra u s s
L a s d o s H e rma n itas
Va l s e n la M a y o r
Va l s e n re M a y o r
Guitar solo
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VALS
Tema de Strauss
Francisco Tarrega
Moderato
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Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.
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VALS
En re mayor
Francisco Tarrega
Moderato
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-2-
PRELUDE
(In D Minor)
Francisco Tarrega
Moderato
4
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2
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1
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1
2
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VI
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a tempo
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14
12
-4-
PRELUDE
(In E Major)
Francisco Tarrega
Andante sostenuto
II
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22
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1113
-6-
PRELUDE
(In G Major)
Francisco Tarrega
Allegretto
1
3
8
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VII
4
1
2
3
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1
2
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54
36
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-8-
PRELUDE
(In A Minor)
Francisco Tarrega
Andante
V
III
3
4
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2
4
II
4
1
3
4
1
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1
1
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4
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4
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V
VI
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1
3
poco rit.
16
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2
3
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13
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19
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4
1
2
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2
4
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2
1
2
1
35
1
6
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3
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a tempo
32
&
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#
n
2
1
0
2
0
1
29
3
0
2
- 10 -
PRELUDE
(In E Major)
Francisco Tarrega
IX
Allegro
1
&
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8
1
3
2
4
1
4
3
2
3
1
1
1
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4
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1
2
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2
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2
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3
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3
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3
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5
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21
&
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2
3
0
1
2
1
3
3
1
2
4
3
2
1
4
27
XI
XI
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1
1
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IX
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33
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4
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40
&
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IV
II
IV
47
.
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1
2
4
3
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2
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4
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53
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1
2
4
1
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1
IV
58
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1
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3
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1
#
1
IX
64
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IX
IV
70
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4
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76
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IV
II
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- 12 -
PRELUDE
(In A Major)
Francisco Tarrega
VII
Andante
V
1
1
I
I
2
4
&
4
3
IV
#
&
4
3
2
1
j
#
#
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1
3
2
3
2
0
3
1
IX
VII
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b
1
2
1
1
4
4
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cresc.
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1
3
VII
II
IV
4
0
1
4
II
11
3
4
II
1
2
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1
6
16
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#
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1
2
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4
2
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2
3
3
4
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2
2
3
2
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2
3
2
3
II
IV
2
5
26
II
1
2
IX
III
V
#
1
2
21
XI
4
3
2
- 13 -
30
&
1
3
2
2
4
1
0
2
0
1
1
3
4
2
I
4
3
&
1
1
3
1
4
1
II
&
0
2
0
0
2
0
3
4
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1
2
XI
48
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n
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IX
#
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IV
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#
57
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3
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2
0
3
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2
II
53
III
VII
1
4
IX
&
VIII
44
VII
40
IV
35
- 14 -
ENDECHA - OREMUS
(Preludes in D Minor)
Francisco Tarrega
Andante
1
2
b
4
&
1
3
&
&
&
..
1 #
2
4
2
1
3
1
1
3
3
4
0
2
2
1
1
0
1
3
{
0
4
2
3
1
2
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.
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1
2
3
0
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1
2
0
1
3
2
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4
3
1
1
1
P
1113
2
3
1
2.
0
1
2
III
&
2
3
1.
17
13
2
3
1
1
2
j
1
j
2
=D
VII
2
3
III
4
2
4
3
1
4
2
1
0
- 15 I
III
20
&
1
b
1
1
4
III
&
4
3
1.
4
23
2.
4
2
3
26
&
30
&
VII
0
2
2
1
33
&
..
36
&
0
#
1
#
2
4
1
1
2
2
1
3
1
4
5
1113
2
3
1
III
4
1
I
4
0
1
2
J
j
j
4
2
3
-3-
LAGRIMA
Preludio
Francisco Tarrega
Lento
#
# 3
4
&
IX
&
0
0
&
0 #
J
{ {
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&
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3
4
3
4
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4
1
3
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VII
1
2
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#
VII
rit.
1
2
D. C. al Fine
11054
-4-
ADELITA
Mazurca
Moderato
4
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& 4
.
P
4
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1
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1
3
3
4
2
3
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3
3
4
IV
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3
1
2
poco cresc.
VII
j
4
3
4
2
3
2
3
3
4
VII
2
3
IV
&
2
3
Francisco Tarrega
3
1
2
ritard.
m
4
4
3
3
0
4
1
21
1
2 2
1
1
3
IX
####
m
1 4 1 2
3
2
2
1
3
4
1
VII
IV
poco rit.
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VIII
U
m
4 1
2
4
.
1
# .
3
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molto ten. f u
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####
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.
4
&
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4
F a tempo
1
&
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#
P
2
3
2
3
#
#
2
3
2
3
3
4
3
4
II
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.
0
rit.
3
4
4
1
3
1
VII
a tempo
&
0
0
3
3
4
3
4
#
3
rit.
1054
#nnn
m
1
2
2
poco cresc.
3
1
2
-5-
SUEO
Mazurca
2
Moderato
30 .
4
& 4 . #
3
F
m
&
2.
# .
1 .
0
# .
0
. 4
.
&
0
4
3
.. #
2.
# .
1 .
0
# .
0
2
U
4
2
31
3
u
1
43
2
&
&
f
0
0
2
2
4
m
0
. 4
2
1
4
0
III
m
0
. 4
2
24
3
3
#
2
1
p
Fine
. 4 4
3
2
2
1
3
41 42
3
J
poco rit.
1
3
0
4
4
0
2
#
1
.
&
a tempo
&
4
0
2
. 4
.
Francisco Tarrega
U
4
4
2
1
3 3
u
rit.
2 2 2
#
1 3
1
rit.
harm 7
D. C. al Fine
a tempo
1054
-6-
PAVANA
4
#
## #
c
&
F
Francisco Tarrega
II
3
2
VII
IV
&
# # # # 1 ..
1
2
4
3
3
II
3
2
1
4
3
1
2
4 23
3
0 0 4 2 IV
1
1 3 4
####
&
1
0
1.
II
3
1
2
2.
3
1
####
Fine
m
3
4
# # # # 3
# { 21
&
p
4
&
####
1
2
II
II
4
2
3
1.
4
3
#
2
1
2
1
m4
# # # # m
1
&
3
3 4 1
pizz
libremente
1
1 4
2
3
m2 3 4 0 2 4 1
1
2 3
1
3
1
2.
rit.
1054
# # # # 41
#
&
IV
harm 12
####
D. S. al Fine
-2-
MARIETA
Francisco Tarrega
Lento
1
&
V
2
3 .
2
4
IV
4
2
1
&
.
1
2
2
4
1 2
b
1
3
.
I
.
.
.
J
1
3
harm. 12
4
&
0
1
1
0
0
4
#
#
3 .
rit.
a tempo
V
10
&
4
1
..
..
1
3
2
1
4
1
3
1 2
3
0
13
3
&
0
2
0
.
1
1
0
I .
3
6
1 2
1051
.
3
2
4
-3V
16
&
VII
1 3
1
0
2
0
1
1
2
4
&
g
g
2
0
4
3
1
2
VII
1
1
1
2
1
1
4
3
Fine
1 4
19
harm. 7
1 2
4
3
5
6
22
&
VII
1 3
2
0
0
g
g
3
4
rit.
25
VII
II
#
1
1
3
4
&
g
g
a tempo
VII
4
2
28
&
11
1
1
2
&
g
g
V
31
VII
V
1
1 3
2
0
0
0
2
rit.
1051
1
1
3
4
D. C al Fine
-4-
MAZURKA
Francisco Tarrega
3
4
&
2 4
0
0
1
2
3
3
5
.
2
4
1
2
3
.
.
#
#
VIII
j
3
1
2
&
III
4
3
rit.
&
#
#
1
1
1
&
0
1
harm. 5
1
2
1
3
1
3
.
.
1
2
rit.
1
2
4
1
.
1
III
&
VIII
0
1
III
1 #
11
II
1
III
1
3
III
1
2
a tempo
V
6
1 4
4
3
1
2
# #
1051
#
n
3
a tempo
4
2
2
3
4
3
-5-
14
&
2
1
j
4
1
2
n
n
# #
Fine
j
VII
17
&
0
.4
1
0
1
2
1
2
0
0
0
0
1
4
&
0
1
0
1
2
#
#
II
20
VII
23
1
2
1
3
&
VII
1
2
1
1 4
0
.
0
1
2
rit.
1
0
1
2
1
a tempo
j
26
2
0
&
1
4
&
1
1
2
#
#
#
2
n
3
1
#
2
3
5
VII
2
1
3
1
2
1
0
0
.
.
1
4
2
molto rit.
5
1051
II
29
D. C. al Fine
-6-
MARIA
Francisco Tarrega
Gavota
1
2
4
&
1
2
3
2
4
3
&
2
1
3
4
4
1
2
1
&
1
2
1
2
3
4
2
3
1
2
4
3
#
#
#
3
2
3
cresc.
1
3
2
3
cresc.
1051
22
2
4
3
dim.
2
4
3
&
1
4
3
18
&
cresc.
1
1
2
VIII
IV
13
4
3
&
VII
4
1
1
1
3
1
3
dolce
-7U
4
26
2
3
2
3
III
4
2
1
2
2
1
&
2
1
2
4
1
2
1
2
b
6
b
2
3
1
2
#
2
1
4
pizz.
1051
4
2
3
harm. 12
&
46 2 b
1
42
harm. 12
F a tempo
1
3 #
rit.
&
2
3
harm. 7
34
38
F a tempo
1
1
2
3
30
&
&
&
4
3
1
-8-
MINUETTO
Francisco Tarrega
VII
&
# #
#
3
42
3
1
4
1
4
3
.
.
IX
VII
.
.
&
II
1 4 4 1 4 1
4
4
4
1
# #
# # 3
2
1
1
3
2 #
4
3
IX
1
4
.
.
IX
VII
7
VII
4
&
.
.
II
1
4
3
1
2 4 2 4 1 4 1 4
2
1
3
2
1
2
3
J
VII
II
10
&
1
2
1
3
2
3
12
&
VII
a
3
0
i m i
II
IV
1
1
1
p i p i p i p i
i m i
dim.
VII
15
&
2
#
0
3
1
2
1
1
F
1051
4
2
-9VII
II
18
&
1
2
1
3
2
3
20
&
1
2
VII
a
&
j
#
&
0
3
0
4
2
IX
VII
.
.
.
.
IX
VII
&
IX
1
4
cresc.
VII
dim.
p i p i p i p i
25
II
IV
p
V
22
4
4
4
4
4
28
#
1
#
3
2
# # 3
1
1
3
II
2#
4
3
1
4
.
.
IX
VII
31
&
.
.
II
&
1
4
4
#
3
2
1
0
1
rit.
1051
II
34
- 10 -
ROSITA
Francisco Tarrega
Moderato
# 2
4
&
=D
4
2
J
3
4
3
&
4
1
1
1
2
harm. 12
II
4
4
2
3
1
2
IX
V
6
harm. 12
V
1
10
&
4
3
&
4
3
18
#
{
f
cresc.
&
1
2
harm. 12
IX
14
4
1
1
2
1
3
2
4
0
4
2
3
2
3
1051
j
#
1
1
2
- 11 -
X
VII
4
22
&
4
2
#0
0
1
2
3
harm. 12
1
3
3
5
&
1
2
1
4
III
1
2
3
0
30
&
3
0
&
1
2
VI
1
4
#2
&
n
#
1
3
1
1
3
1
2
1
1
2
III
38
2
3
VII
III
34
1
1
2
Fine
26
2
4
3
1
2
1
2
0
0
0
4
D. S. al Fine
1051
- 12 -
EL COLUMPIO
Francisco Tarrega
Lento
1
# 2
4
&
6
1
2
1
3
=D
1
2
1
3
2
3
P
1 4
&
1 4
1
2
&
1
3
1
2
1
3
1
3
&
1
2
2
3
1
3
&
#
3
1
2
1
3
J
4
VII
IX
14
3
2
11
1
3
1 3
1
2
V
1
1
4
5
1
2
7
harm.
1051
7
7
- 13 -
17
&
2
3
&
2 4
1
2
&
#
#
&
2 4
2 4
cresc.
1 4
2
3
2
1
&
1
2
1 4
1 4
27
1
3
25
1 4
1 4
22
2
1
cresc.
1 4
2 4
2 4
2 4
19
2
4
2
3
30
&
2 4
#
1
0
0
0
2
3
1051
harm. 12
harm. 12
- 14 -
LA ALBORADA
Francisco Tarrega
Andante
4
&
2
4
2
1
2
3
1
F
6
2
3
1
&
2
1
3
2
0
1
1
2
12
19
19
16
1
2
1
IX
=D
# #
#
IX
&
harm. octava
10
# # 2
#
&
2
3
1
2
3
1
14
&
1
3
4
3
1
2
3
2
#
n
cresc.
1051
4
3
2
#
VII
1
4
1
3
1
2
3
Fine
- 15 mano izq.
&
18
# n
#
19
mano izq.
VII
4
&
&
2
3
19
19
VII
1
2
1
harm. 12
1
1
2
16
harm. octava
23
19
16
harm. octava
20
19
19
19
VI
19
16
4
1
2
16
19
3
2
#
19
X
4
cresc.
mano izq.
26
&
19
19
16
16
19
19
19
1
1
2
harm. 12
mano izq.
VII
4
29
1
1
2
1
2
1
2
3
&
4
2
19
19
VII
VII
VI
&
16
#
1
6
#
1
19
16
32
19
19
4
2
f J
cresc.
1051
D. C. al Fine
- 16 -
TANGO
Francisco Tarrega
Andante
4
&
5
6
&
4
1
3
b 2 .
4
.
=G
=D
&
1
1
1
.
..
3
1
2
1
1
1
.
..
harm. 5
12
&
1
2
15
&
.
.
.
.
2.
1.
1
1
1
.
.
1
3
1
2
.
.
1
3
1
3
.
.
1051
..
1
2
2
3
1
3
- 17 1
.
.
18
&
&
1
3
24
&
1
2
n
#
1
3
2
3
&
# #
1
2
1
2
&
.
.
.
&
.
1
2
1
2
I n
2 I
1
3
1
3
1
2
1
2
0
1
0
0
1 I
2 I
3
{
.
1051
1
3
2.
1
2
1.
1
1
1
33
..
1
3
30
4
3
1
3
1
2
.
.
27
1
3
.
.
1
2
.
.
1
3
21
3
1
2
3
0
0
D. C.
n#
F R A N C I S C O TA R R E G A
12 STUDIES
F O R G U I TA R
Eythor Thorlaksson
-3-
FRANCISCO TARREGA
STUDY 1.
Andante
&
&
&
&
{
3
V
1
4
1
I
2
&
1
&
w
3
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com
1056
0 0
-4-
STUDY 2.
Andantino
3
4
&
II
4
#
&
II
4
#
&
V
3
&
#
&
3
1
2
0
#
&
harm 12
II
4
4
1
1056
-5-
STUDY 3.
Allegro
3
&
&
&
Q
Q
Q
1
VII
n Q
1
Q
Q
Q
V
#
&
3
2
V
#
&
#
#
3
1
n
n
II
#
&
&
#
#
1
1056
#
#
1
II
#
-6-
STUDY 4.
(Estudio en arpegios)
Allegro moderato
#
2
4
&
1
3
&
#
2
1
2
1
#
n
2
1
3#
2
#
2
&
#
n
3
1
4
2
2#
3
n
2
#
3
1
2
3
2 n
2 #
3
4
3
poco rit.
3
0
4
2 n
2 4
3
4
2
4
3
4
1
2 #
4
4
1
n 2
2
#
2
#
3
3 #
harm 7
2
4
m i
2
4
&
m i
m i
a tempo
VII
4
&
V
1
m i
&
&
1
a
1
m i
II
4
4
2
IV
1056
m i
# n
-7a
m i
&
VII
4
&
IV
4
IX
4
&
m i
1
m i
1
&
2
0
0 4
m i
m
m a
i
H p
p
4
3 0
&
m i
a
m
i m
H p
p
0
4
#
&
#
H
&
2
0
n
n
1
1
5
1056
1
2
3
p
3
VII
m i
m i
#
3
1
0
3
4
-8-
STUDY 5.
(Estudio en forma de Minueto)
Andante
#
3
4
&
&
&
2
3
2
4
0
1
0
0
1
0
0
3
4
~~
`
3
2
&
&
&
0
0
#
&
1056
0
2
II
harm 7
-9-
&
&
####
1
4
1
# # # 1
2
3
###
0
0
1
2
###n
4
3
1
1
3 1 4
4
2
3
2
# 1 n
1
2
3
2
1
4
2
2
2
1
1
1
###
&
3 4
# 1 2 3 4 2 3
# # 2
2
3
4 0
0
1
0 0 1
1
Q
H
1
&
&
4 1 2 4
# # # # 0 1 0
0
2
2
4
3
2
4
2
3
2
4
IX
1 2 1 1 2 1
0
3 2 0 2
###
&
.
4
2
4
# # # 2
&
1
# #
0
0
1
3
4
1056
~`
~
- 10 -
STUDY 6.
(La Mariposa)
Allegro vivace
#
&
6
# 3
8
=D
II
II
4
&
3
&
&
4
2
4
1
&
1056
II
4
- 11 -
&
&
.
n #
p
m
i
n #
m
a
m
i
4
4
&
&
#
&
#
.
.
i
J
p
2
2
1056
3
4
- 12 -
STUDY 7.
(Estudio sobre un fragmento de Beethoven)
Moderato
3
&
3
3
&
0
1 #
&
&
0
4
3
IX
1
4
4
V
4
2
1
1
&
2
2
1
5
1056
- 13 IX
V
4
&
0
#
1
&
&
2
1
1
1
1 #
&
{ .
I
4
&
2
1
1
&
&
0
5
#
2
1.
0
2.
a m
2
m
i
1056
1
#
a
2
m
m
i
- 14 -
STUDY 8.
(Sobre un fragmento de Mendelssohn)
4
Allegretto
#
&
&
2
0
# 4
&
a
0
&
1
&
1
&
1
1 2 1
3
1 4
3
#
4 3
1
2
1
3
4
3
3 1 4 3
1056
2 1 4 3
IV
1
1 2
3
1 4
II
1
#
4
3
1
2
1
3
4
3
n
1
VII
2
3
n
i
VII
4
6
2
#
m m
i
i
p
a
m
2
0
a
m
a
m
2
0
2
0
3
a
m
a
m
a
m
g1
g1
g 43
g1
# 2
4
VII
n
5
- 15 V
#
&
V
#
# n
&
# n
&
#
1
&
#
.
2
1
3
1
2
3
4
3
&
1
2
3
2
3
1
#
&
1
2
3
#
&
4
2
3
VII
IV
1
1
1
4
3
1
2
3
4
3
4
2
#
3
# n
2 #
1
4
1056
4
2
4
3
3
n
1
1
#
4
VII
II
3
n
1
II
4
2
VII
IV
4
2
II
VI
#
1
1
4
3
1
- 16 -
STUDY 9.
(Estudio en la mayor)
Allegro
#
2
4
&
p
2
&
n #
II
n #
# #
&
&
&
&
&
2 4
m a
1056
- 17 -
harm 12
m
a i
m
p i
H p
p
&
harm 12
&
&
2
2
2.
4
1.
1
#
&
#
0
II
&
1
2
1
1 # n
n b 1 4
n
n
# n
n b
n
n
&
#
&
# n
# n
4
2
3
1056
- 18 -
STUDY 10.
(Estudio de velocidad)
Allegro
4
&
# 2
4
3 0
&
&
II
4
1
3
1
0
0
1
2
4
2
2 4
&
1 3
# #
#
#
4
3
1
&
{
2
&
IV
n
n # #
#
3
4
1
1
2
n
#
i m
a p
a m i
i m
i m
&
2
1056
- 19 -
VIII
&
0
n 0
0 2
a
n
m
i p
#
#
&
i p
1
3
&
n #
#
#
&
# #
# #
1
&
2
&
4
1
&
4
3
&
II
4
1
3
1
1056
- 20 -
STUDY 11.
(Estudio inspirado en J. B. Cramer)
Andante
6
m i
a
4
#
&
# 3
4
p i
6
m
i m a
i
1
p i m
p i
m
i m i
&
2
1
m a
a
4
&
m i m
i
0
&
i m
p i m a
&
p i
m
i m a
&
i
3
p i
p i
a m i m
i m
0
p i m
p
4
p
0
m i
p i
m a
1056
m a
p i
i m a m
m i m a
m a m
p i
p i m
i a m i m i
p i m
m a m
m i m
p i m a
m i m
p i m
0 1
m i
i a m i m i
1
a m i m
m i m a
p i m a
p i m a
4
2
m a m
i m a m
m i m
i
m i p
i
i a m i m i
- 21 VII
a
m i
&
{
2
VII
p i m
1
2
a p i m
i m i m
IV
II
m i
1 3
IX
i m
p i m a
i m
#
1
5
6
II
a
m i
1
&
2
m i
1
&
&
i m
m i m
4
3
1
i m a
1056
a
m
i
p
p
a m
m p i m
p i m a m
II
i m
p i m a
m i
a m
m p i m
m i a m
4
p i m a m
m
p i m a
p i m
p i m a
p i
i m
p i m a
p i m a
a m i
m i m
m a m i
II
m i m
i
i a m i m i
a m
VII
m i
a
p i m a m
i m i m
IV
&
m i m
i
II
i m
m a
&
IV
i m
p i m a
p i
p i
- 22 -
STUDY 12.
(Estudio sobre un tema de Alard)
a
Allegro moderato
#
2
4
&
{__
__
H
m i m i
n
p
1
3
m i
4
3
m i
n
p
4
1
3
3
__
2
__
H
harm 7
VII
a
II
#
&
__
__
H
__
__
H
i
3
II
m
m
m
i
i
i 4
1
1
1
1
m i
p
2
2
H
3
3
5
&
VII
II
II
VII
II
a
m
2
&
3
__
__
E
1
2
__
__
H
m i
__
__
H
#
2
&
1
1 1
1 m
m
a
m
m i
p i
p
2. IV
IV
#
1. II
__
__
E
IV
__
__
H
&
#
3
# 3 1 3
m
m
i
a
#
m
p
i
m
2
2
3
#
#
{ __
#
H
4
1056
m i
p
p i m
m i
m i
- 23 VII
1
&
__
H
m i
H
m i
p i m
a i m
&
m a
a
4
m i
m i
m i
m i
a i m
pm i
p
3
&
a
3
m
0
a m
m a
&
__
__
__
H
m i
&
p i m
m i
m i
a
a i m
#
&
m i m
0
__
__
__
H
m i
__
__
__
H
m i
# n
p m i
m i
__
__
__
H
m i
m i
m i
p i m
m i
m i
n
n
1
3
1
3
3
__
__
2
2
2
2
2
__
__
__
__
H
H
i m
p i m
p
m i
m i
m i
m i
m i
m i
m i
m
3
i
4
m
1
a
2
m
0
i m i
a
0
a
4
m i m
3 2 0 2
n
1 4 2 0
4
1
3
3
4 2
__
2
__
H
m i
m i
m i
p m i
p
1056
- 24 VII
a
&
__
__
H
m i
n
1
VII
&
__
__
E
__
__
E
__
__
H
VII
4
m i
1
4
__
__
H
m i
__
__
__
H
m i
#
3
__
__
H
II
__
__
__
H
VII
&
# n
VII
&
II
1
m
1
__
__
H
VII
&
i
3
II
II
1
# m
#
i p
2
3
2
1
H
3
__
__
H
II
&
II
II
__
__
Q
Q
0
1056
n
2
__
__
Q
0
Q
0
n
2
- 25 IX
1
&
__
H
&
a
4
__
__
__
H
n __
__
H
m i
m i
m i
i m
m i
__
__
H
m i
m i
n
1
p i m
m i
m i
__
__
__
H
__
__
__
H
__
__
H
II
&
IX
a
a
&
__
__
H
#
1
i m
__
__
H
p i m
n
2
__
__
H
n
2
p i m
m i
V
#
&
#
__
__
H
II
__
__
H
IX
#
&
1
3
3
4
3
5
1
1
2
1056
-3-
CAPRICHO ARABE
Serenata
6
&
=D
Andantino
2
3
Francisco Tarrega
III
>
#
4
#
n
1
0
4
3
1
2
ten.
a tempo
Copyright 2000 by The Guitar School - Iceland
www.eythorsson.com.
1.
n
p
2.
j III
J
j
j
1
1
rit.
1026
..
poco cresc.
b .
accel.
&
J
J
III
>
j II
1
1
0 4
2 1 4 2
1 0
>
&
2
3
J4
J3
0
2 5
4
F
>
&
#
n
&
.
.
.
4 3
&
harm 7
3
b
4
&
4
1
3
-4j
III
&
3
4
b2
1
>
2
4
3 4
>
1
4 1
4
2
rit.
4
&
#
J
&
&
&
1
J3
J1
1 4
4
2
2
2 2
b
1
1 3
1
rit.
harm 7
1026
2 1 #
.
J
#
3
4
J
3 2
VII
3 0
J3 J
0
4
II
a tempo
1
3
#
n #
#
#
2
2
J3
J1
#
n
J3 J
0
4 1
1
1
J3
J1
3 5
2
4
# #
#
&
4
2
VII
molto cresc.
harm 7
0
J
J1
1
3
1
2
>
a tempo
III
3
J
..
3
J
III
&
P a tempo
>
>
-5VII
#
J
J
&
3 1
II
1
J3 J
J
J1
a tempo
II
J3
J
&
&
3 4
&
&
&
III
b .
a tempo
a tempo
1
1
>
4
4 2
J2
J3
2 4 1
#
n
..
n
p
U
j
rit.
1026
2 1
2 1
accel.
j
J
J
#
4
#
#
#
J J
poco cresc.
j
b
nb
#
J4
J3
2 5
0
4
F
# n
2
2
3
J
J1
0
2 5
1 3 1
2
3
molto rit.
U.
1 4
J
0 3 1
3
4
J3 J
1
1
VII
4
#
n
&
3 0
harm 12
ten. J
FRANCISCO TARREGA
RECUERDOS
DE LA
ALHAMBRA
Guitar solo
-3-
Recuerdos de la Alhambra
Francisco Tarrega
Andante
4
&
3
4
&
3
3
&
&
1
3
VIII
4
VIII
IX
2
1
#
1
1027
&
&
-44
b
2
&
0
(n )
#
1
1 4
&
&
2
3
2
4
&
&
&
0
&
0
1027
-5
&
0
&
IV
II 4
#
IV
&
1
&
0
2 4
1.
3
1
&
&
2.
#
&
n
2
3
0
1027
-62
&
&
0
3
0
#
{
0
n
2
&
&
1
0
&
II 1
0
3
II
#
&
0
.
p
&
m
2
4
2
3
.
.
.
2
4
rit.
1027
.
..
.
-2-
SUEO
Francisco Tarrega
Moderato
U
VII
4
3
4
&
3
g
1
2g
1 g
g
g
1
3
&
Vj
g
g
g
g
g
g
VII
6
g
g
g
g
g
g
4
2
1
3
1
4 n # #
IX
j
1
3
2
4
2
3 n
1
4
3
2
11
&
j
1
3
2 n
3
&
n
b 4
b2
3n
n
j
2
4
3#
1
1
2
&
4
1
2
2. j
1
3
2
1
2
molto rit.
a m i am i
am i
am i
21
Xj
1. j
1 n
4
2
1n
4
3
2#
1 n
4
3
4
2n
3
b .
VII
j
j
3
4
2
cresc.
I
j
16
# 31
# 2
#
#
II
VII
j
p
F a tempo
25
&
1067
#
2
-32
27
&
#
1
&
&
33
&
31
29
poco rall.
0
35
&
decresc.
37
&
1
2
# #
3
39
&
3
3
1076
-44
41
&
dim.
&
&
F
4
45
43
i
p
a m i a m i
47
&
&
a m i
a m i
51
&
2
6
a m i a m i
i 4 2
p
p
0
a m
m i
a m
a
#
i 2
p
p
#
i
p
a m
49
53
&
#
1
2
1076
-54
55
&
57
&
0
&
61
1 2
&
59
cresc.
VII
63
&
65
#
1
&
dim.
1076
p molto legato
&
67
-64
69
&
F a tempo
cresc.
&
73
p rit.
&
71
rit.
a tempo
4
75
&
{ {
F a tempo
rit.
77
&
&
81
II
2
3
&
79
2
1
1076
-70
83
&
&
85
4
4
87
&
4
4
89
#
0
&
91
&
&
F a tempo
rit.
Uj
95
2 4
&
93
3
2
0
1076
-81.
97
&
2.
#
cresc.
a m
a m i
2
2
0
&
103
&
&
101
99
2
3
cresc.
V
2
105
&
IX
107
&
XIV
U
4
109
&
#
1
perdendose
rit.
1076
Menuet Beethoven
Francisco Tarrega
(1852-1909)
Allegretto
#### 3 .
& 4
1
2
3
..
4
5
..
1
2
4
5
mf
C. VII
####
..
&
.. ..
4
5
1
2
1
3
j
j
.
4
5
sfz
#### .
&
Fin
..
.j . .
5
6
..
C. II
10
#### .
.
&
ff
C. IV
C. II
. .
. .
#### .
&
16
13
####
&
2
4
1
3
.j
. .
sfz
..
C. VII
19
####
&
.. .
0
4
5
1
2
C. IX
j # n
#### .
#
&
25
2 3
4
3
3
5
3 1
3
1
2
3
C. IV
2.
j
1.
# J # n ..
#### j .
. #
&
28
C. VII
####
.
&
f
4
C. IX
C. VII
22
C. IV
0
C. II
0
3
C. IV
j
j
####
&
J # J
31
3
1
0
3
1
2
2
4
3
2
4
D. C. al Fine
C. VII
C. VII
2.
1.
j
#
#### .
j .
.
&
J
34
2
2
4
5
4
3
0 1
2
3
0
1
2
4
5