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were able to live on in the afterlife without having to work. Faience was
a universally used art form that represented the afterlife, The
Egyptian word for faience was tjehenet which means 'gleaming or
'shining and the faience was thought to reflect the light of
immortality.3 The meaning of faience was a literal portrayal for how it
would help the Egyptians. The Egyptians used all kinds of art and
architecture to ensure they would make it to the underworld/afterlife
and have a good life there, Adequate provisioning for the afterlife was
a paramount concern to Egyptians of every social and occupational
class.4
This piece was made during the Middle Kingdom of Egypt during
the reign of Senwosret I and Senwosret II in the Twelfth Dynasty.5 It
was after Amenemhet Senworset Is father had been assassinated. The
middle Kingdom started when the upper and lower parts of Egypt were
united into one country by Mentuhotep II. During this time Mentuhotep
II made Thebes a central city glorifying the works of art that were
tombs set into the sides of cliffs. As stated earlier this was made
around the time of 1961-1878 B.C. during the middle of the middle
kingdom when the kingdom was at its height. The pyramids during
this went from being empty buildings to having secret passages and
trap doors for hiding the body and all it was buried with. The
geographical location of Egypt gave it some advantages to other
countries of the time. On two of its sides it was bordered by red land
what the Egyptians referred to the dry desert land that protected them
from the west as, and on the other two sides it was surrounded by
water, the Red Sea and the Mediterranean Sea. This gave the
Egyptians an advantage because it was easily accessible for trade and
commerce through the Nile, Mediterranean Sea, and Red Sea but was
also protected from attackers by the barren deserts. These deserts also
gave Egyptians access to a source of precious and semiprecious
gemstones and metals. These gemstones were an important part of
5 "Figure of a Hippopotamus | Middle Kingdom," The Metropolitan
Museum of Art, I.e. The Met Museum, section goes here, accessed May
17, 2015, http://www.metmuseum.org/collection/the-collectiononline/search/544227.
Egyptian society and hierarchy but were not always easily accessible
It is thought that the Egyptian artisans perfected faience in an
attempt to imitate turquoise and other hard to find gem stones.6
Faience was an easy way for the Egyptians to imitate the color and
royalty of gemstones like Lapus Lazuli a stone that was connected to
rebirth and the afterlife, Lapis Lazuli was a particularly popular
gemstone, as the Egyptians believed that its blue color was
reminiscent of the heavens and symbolized creation and rebirth. 7 Blue
and green in Egypt were commonly associated with the rebirth and the
afterlife because it resembled the blue sky/heavens. The Figure of a
Hippopotamus was found in the tomb B of the nomarch Senbi II at Meir
this was about 30 miles away from the modern city of Asyut. It was dug
up as a part of the Khashaba excavations on 1910.
People were so concerned with being able to live their lives after death
in the underworld that they would do as much as they could to make it
there and have power in the world.
Today in the 21st century we see things that utilize the ideas of
rebirth in their slogans and meanings. A few of these things from the
21st century include: recycling, and Botox. Although these three things
seem to have nothing in common they all share common themes.
Recycling is turning something old and used and coming full circle to
something new, and Botox takes wrinkled skin and makes it youthful
again.