(curatorial in (ter) vention): 2

1)
(, 2542: 458)
(wikipedia) curator
curare curator (overseer)
(keeper)
( )



(curators of digital data objects) (biocurators) ( : https://
en.wikipedia.org/wiki/Curator)

(agenda setter)
cult of personality
(Harald Szeemann) (advocacy) (promoter)

(star curator)
(Flores, 2008: 108-109 )

(mediator)

2540


- hub

1


19
5 (.. 1897)
.. 2546



(ism) (Bourdieu, 1993: 70-71)
(agenda) 1950
.. 2517-2519
(Clark, 2011:
120-122)

ASEAN
-

(particularlities)
(universalism)
(contestation)
(western canon)
4


(Clark, 2011: 124)

(post-exotic)
2

 (Apinan, 2008: 132) (Somporn

Flores, 2008: 150-151)


(Supangkat, 1996: 26-28)


(momentum)

2)
2-3


2480
( .. 2492)



.. 2504
..
2517


.. 2508
( .. 2505) ( .. 2507) .. 2506-2509
(Apinan,
1992: 99)

3) : 2
3








.. 1993 Aperto
Inbetween: National Internationalism and International Nationalism
Thai Pavilion .. 2546
()

(multimodernisms) (Supangkat,2012: 114-115)
1950



(, 2527: 42)
"





(, 2546: 37)


2540

4

Do It (2539) (2541) Alter Ego (2542) (Cities on the Moves) (2542)

9 (2539)

100 About Art Related
Activities ()
-
(culture
sphere) (Phattarawadee, 2007) 2540

(, 2547: 64)
Past Peripheral Curation in Southeast Asia (2008) The Curatorial Turn in Southeast
Asia and Afterlife of Modernism (2008)
(Patrick D. Flores)


(cubism)
2
(gathering)
(Flores, 2008: 7)


(prestige) -

(nomadic)

(cultural goods broker) (gatekeeper)
(agenda)
(who is in and who is out) (Apinan Flores,
2008: 153)

5




(mainland)
2 (Flores, 2008: 108)
(gateway)

-
(transnational)

(Flores, 2008: 30)
(represent) (dictate)


(Nanjo, 2005: 92)
1950 artist collectives

(representation)

(hegemonic power)

1950-1980 (Storer Flores, 2008: 6)
(advocacy)
6




(form of multiculturalism) (capitalist integration)
(democratization)
(Apinan Flores, 2008: 58)


3 (Phattarawadee,
2007)
(Josef Ng)
(David Teh)
Little Sweet Not Too Sour (2007)
About Installation (2006)

2540


(
Saigon Open City
(2007) (Phattarawadee, 2007)

(interweaving cultures)



(, 2548: 96)
(producer)
(organizer)

7

 (research-based project)
(artist in residency) (traveling project)

(Gridthiya Flores, 2008: 161)

4)

(cultural goods)

aesthetic arbiter
(Apinan Kuoni, 2001: 135)




(provocation of memory)
The Ceremony of Declaring Peoples China
(representation)
(genre) 1980 (Clark, 2011: 284-286)


(urbanity)


(activist)


(hegemonic role) (trust making)
(charisma)
8

 (creative disposition)

. .. 2475 (Art since 1932). ,

2527
Bourdieu, Pierre. The Field of Cultural Production. Edited and Introduction by Randal Johnson.
New York: Columbia University Press, 1993.
Kuoni, Carin. Words Of Wisdom: A Curator's Vade Mecum. Independent Curators
International, New York (2001)
Clark, John. Editor. Modernity in Asian Art. The University of Sydney Asian Series, (1993)
_______. Asian Modernities. Chinese and Thai Art Compared, 1980-1999. POWER PUBLICATION,
(2010)
_______. Modern Asian Art. University of Hawai'i Press, 1998.
Melissa, Chiu and OBrien, Elaine. Editor. Modern Art in Africa, Asia and Latin America An
introduction to Global Modernism., Wiley-Blackwell, 2012
Flores, Patrick D. Past Peripheral Curation in Southeast Asia, NUS Museum, Singapore, 2008.
Poshyananda, Apinan. Modern Art in Thailand. Oxford University Press, 1992

The Nation. Editor. CULTURE SPHERE New curators refresh the contemporary Thai art scene.
Available from http://www.nationmultimedia.com/2006/11/18/opinion/o pinion_30019290.php