Editing isa variable concept to making athriller movie very powerful. ne ofthe popular editing techniques, ‘which can be symbolism forthe thriller genrg,iflach cutting. Thisieashort quick shots; producing aweary or, ‘jumpy stmospharic mood on the target audience. Mimicking sheartbast of the target audience or pratagonis lis technique of lighting crestesavery dark ‘dow lke effact acrosethe frame. By ‘ducing shadowsin scenes; itcreatesillusions id highlights key features adding ension and spense, This isan important convention for 2 Filler movie-itisusually used in disequilibri clearly Sighify @quilibtium and disruptionof juilibfium to restrict information from the idignce about the antagonist. Having = intras of low kay and high key lighting it can zke a clear division between the protagonist id antagonist rules [A Montage Gf shots is used to juxtapose shots in afast-pace nature that compressestime and conveysalot of information in ashort time period. Again thiscan imitate the fast heartbeat ofthe audiance or protagonists == ‘the fansion builds through disruption and recognition sages f disaqullibrilm. Montage shots can also signily some subliminalUts asthe fast pace of the cutsmay reveal hidden information, which istoo quickfor the human eve vother lighting techniqueused highly in tril ‘oductions is Desaturated lighting; thiscrestes pale over-cartto the atmosphere. This mantles any elemantsof any confusion on target audience believing the moviecanget comedic affect, From an audiencey’ point of ew thisgonnate foreshadowing ofbad events ‘atmosphere, which may be fepresanted later disequilibrium Sound is important in thrillerswhen needed to build up tension, nonegetic deep muted sounds do this, making th target audience engage more tothe Ratrativg or even creating apsychological relationship between the Drotagonist, antagonist or other characters Deep sounds ‘connate to the audiance arto when abed even will occur. af p ofr sot od tthe rg cond ole lis RBPativa syle isused mainly in thrillers only allows minimal information for the target Soundsin thrillers are most powerful when Sjmhronasto Point of view ESmEPaWER; directly placesthe ‘dienes inthe film, making them nervousasit ‘urnstham into the character. idienee. Overall building up tension and vgaging the audiance more, cresting enigma © them. ‘The ideaot = ESRLEA SABIE to make the illusion of confusion or something isn’t ight-thisftsin with ‘he genre thriller arit buildsup tension forthe [peakof the film. rachronis modular narratives use flashbacks or ish forwards to craste confusion inthe idience ‘the movie; meaning they are in time. Once the target ‘diane have developed sense ofthe rhythm they are able 10 tell whan the naxt tensed scene willocur. Palla sounds ae used to focus the sound and image ‘together allowing the target audience to produce alink ‘between the two; letting more tension and SUSpeRSS build ‘up.