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Bell Work: page 44

Positive space: The objects within a


composition.
Negative space: The empty space that
surrounds the objects within a composition.
Learning Targets:
1-Identify and create the illusion of space.
2-Identify the arrangement of colors on a color wheel
and color schemes/harmonies.

Bell Work, page 44:


Composition: The arrangement and
placement of all the elements and/or
objects in an artwork.
Overlapping: A way of organizing objects in a
composition. When an object is behind, it will
appear further away from the viewer. While the
object in front will appear closer.
Learning Targets:
1-Identify and create the illusion of space.
2-Identify the arrangement of colors on a color wheel
and color schemes/harmonies.

Worksheet: page 43
Space: The element of art that refers to the emptiness
that surrounds objects in a composition.
Non-linear perspective: Showing the illusion of depth
on a flat surface.
Atmospheric perspective: Showing the illusion of
depth on a flat surface by making objects in the
background look blurry and less colored.
Learning Targets:
1-Identify and create the illusion of space.
2-Identify the arrangement of colors on a color wheel
and color schemes/harmonies.

This is Linear Perspective

Learning Targets:
1-Identify and create the illusion of space.
2-Identify the arrangement of colors on a color wheel
and color schemes/harmonies.

Atmospheric Perspective

Learning Targets:
1-Identify and create the illusion of space.
2-Identify the arrangement of colors on a color wheel
and color schemes/harmonies.

Looking at the photo, answer


the questions on page 43.

Background

Middle-ground
Foreground

Foreground

Middle-ground
Background

Peter
Max

Letting the Mind Soar


I was painting and
drawing and there
was this amazing
phenomenon going
on. My style just
seemed to take hold.

In February 1964, The Beatles made their


first appearance on American television.

Young Americans
were caught up in
Beatle-Mania.
Guys started to
grow their hair
longer, and girls
began wearing
their skirts short.

In a
reflection
of this
new
young
American
culture;
an artist
named
Peter
Max came
to create
colorful
images

That
mirrored
this fad.
The bright
colors and
patterns of
flowers,
birds and
stars
captured
the interest
that Max
had in
Astronomy.

Peter Maxs
childhood was
filled with travel
and adventure.
He was born in
Germany in
1937; and while
still a baby, his
family boarded
an ocean liner
and moved to

Shanghai, China. In
Shanghai, Peters
father ran a
successful
department store,
while his mom
designed clothing.
The family lived in a
neighborhood filled
with many different
cultures, and their
home was a pagoda.

Petes mothers would


leave art supplies out
for him to use, and
thus he came to love
art. He became
fascinated with comic
books, especially
American comics,
and he started to
copy their drawing
styles.

Throughout his
childhood, Peters
family traveled to
many different parts
of the worldTibet,
Israel, South Africa,
India, Italy, France
and then finally New
York City.

While living in Israel, Peter


studied art and attended
astronomy classes.

In New York, Peter joined the Art Students League


in Manhattan and studied realism art. After opening
his first studio, his graphic design talents were
discovered. He won numerous awards for record
albums and book jackets.

record album cover

book jacket

His realism evolved


into a highly original graphic style.

The 1960s were a time


of social and political
upheaval.

Young people,
who were against
conventional society
became known as
hippies
or
flower
children.

Peter Maxs became so popular


that he was in constant demand.
72 companies manufactured
products with his
designs and sold
hundreds of millions
of dollars worth
of merchandise.
From
G.E. clocks to
Burlington
socks

Max became a
pop-culture icon.

Can you think of


anything now that is
a pop-culture icon?

In 1970, Max decided to withdraw from the


public eye, and went into seclusion to do
what he loved most, paint.

He developed a
more painterly
style, noted for
quickly applied
expressionistic
brush strokes.
Today, Peter Max
has a studio in
New York,

https://www.youtube.com/watch?v=0oU5Zu2g8cg

He has painted for 6 U.S. Presidents;


his art is on display in Presidential libraries
and U.S. Embassies.
https://www.youtube.com/watch?v=NRPFYfuzJHA

Max has painted


an image of the
Statue of
Liberty every
year since 1976.
A collage of his
Liberties was
featured on the
cover of the
Verizon phone
book.

His art has graced the body


of Continental Airlines 777
Super Jet

a 600-ft stage backdrop for the


Woodstock Music Festival, 1999

guitars for the


Rock & Roll
Hall of Fame

He has
created art
for
Taylor Swift

Toms shoes

magazine photo
shoots

and yes, even


NASCAR!

5 Super Bowls

The Spirit of America

Largest canvas project for


Norwegian Cruise Linedebuted April, 2013

Turn to page 39.

Monochromatic

tints and
shades of
one color.

Monochromatic

Complimentary
2 colors
opposite
each other
on the
color wheel

Complementary

Triad
3 colors
evenly
spaced
around
the color
wheel.

Broadway Boogie-Woogie by Piet Mondrian

Which triad color


scheme is used?

Analogous

3 colors
next to
each other

Poppies by Georgia OKeeffe

Split-Compliment

3 colors
split from
a compliment.

The Dance by Henri Matisse


What are the colors used to make a split-complement?

Double-Split
Compliment
4 colors
split from a
compliment.

Poppies by
Vincent van Gogh

What are the colors


used to make a
double splitcomplement?

The inspiration for


this project comes
from the artwork Max
created for the Beatles
albums.

At the bottom of page 46, create a different


pattern in each empty box. These patterns
will be used on your project.

Learning Targets:
1-Identify and create the illusion of space.
2-Identify the arrangement of colors on a color wheel
and color schemes/harmonies.

Bell Work
Page 47
Liberty by
Peter Max
description
part only

Bell Work
Page 47
Liberty by
Peter Max
analysis
part only

Page 47:
Bell Work:
Peter Maxs
Liberty
interpreting
part only

Page 47:
Bell Work:
Peter Maxs
Liberty
judgment
part only

Proportion scale for the


smallest manikin (background),
is on page 45 in your
art folder.
Pose the classroom manikin to your
desire, and in the 6 spaces
provided below, accurately draw to
proportion that chosen pose. Your
drawings head must touch the top
line, and the feet must touch the
bottom line. If it helps, create a
gesture-style drawing first, then
refine your drawing by erasing and
cleaning up lines. This drawing will
be traced onto the final paper. It will
be used the in background of your
final composition.
For a 4: Instead of drawing a posed
manikin, draw an actual person
either from direct observation or
from a photo.
Drawing courtesy of Brady Terry

Proportion scale for the


largest manikin
(foreground),
and the
medium manikin
(middle ground).

Proportion scale for the


largest manikin
(foreground),
and the
medium manikin
(middle ground).

Drawings courtesy of Brady Terry

Trace the foreground


manikin onto a new,
fresh sheet of
drawing paper.
YES, you must show the
whole figure, from
head to toe!

Using overlapping as a
method of showing
SPACE, next trace the
middle ground.
YES,
you must OVERLAP!

Thirdly, still using


overlapping as a
method of showing
SPACE, trace the figure
from page 45 in your art
folder into the
background. Erase any
line that is not
necessary for the
overlapping to be
visually correct.
YES,
you must OVERLAP!
Drawings courtesy of Brady Terry

Remember those
patterns from page 46
in your art folder?
Use those patterns to
fill in all the spaces of
the manikin bodies.
See examples on the wall.

Keep in mind, a large


variety of patterns is
the criteria
expectation.
Drawings courtesy of Brady Terry

An easy way to make your coloring look


sic (super insane cool) and not sad
Outline the shape then
lightly fill in with color

Make sure every pattern is colored


using specific colors to a
Color Harmony.
The color harmony chart is listed
on page 45 in your folder.
Monochromatic

Complementary

HORIZON LINE
Triad
Analogous

Split
Complement
Double-Split
Complement

Last day to work in class.


1) Complete page 37 as instructed.
2) Re-read pages 38-39.
Answer the questions at the
bottom of page 40.
3) Complete the
Color Harmony Assessment
on pages. 48-49.
4) Turn-in project on the counter.

These are the 6


Color Harmonies

These are examples


of the harmonies

Learning Target 1.3 on the Scoring Guide

Within the section titled:


Learning Target 1.3, complete
the sections as directed.
See the example on the wall.

Complementary

Split
Complement

Monochromatic
Triad
Split
Complement

Double-Split
Complement

Analogous

Complementary
Analogous
and
Monochromatic

Analogous
Triad

Every pattern MUST be colored with 1 of the 6 color harmonies.


You will use all 6 color harmonies listed on page 32 of your folder.

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