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DANCE DRAMA LESSON PLAN - Jeremy stoll. Implementing drama into a cross curriculum study of early Australian History. Cognitive (intellectual / artistic): intellectual recognition of Australian History Psychomotor (Thinking / Physical): Affective (emotional / social / cultural): making emotional, social, and cultural relevant understandings.
DANCE DRAMA LESSON PLAN - Jeremy stoll. Implementing drama into a cross curriculum study of early Australian History. Cognitive (intellectual / artistic): intellectual recognition of Australian History Psychomotor (Thinking / Physical): Affective (emotional / social / cultural): making emotional, social, and cultural relevant understandings.
DANCE DRAMA LESSON PLAN - Jeremy stoll. Implementing drama into a cross curriculum study of early Australian History. Cognitive (intellectual / artistic): intellectual recognition of Australian History Psychomotor (Thinking / Physical): Affective (emotional / social / cultural): making emotional, social, and cultural relevant understandings.
Context: Implementing drama into a cross curriculum study of Australian History Theme: Elements: time, relationships, force Body parts: movement qualities Body actions: gesture Contrasting pattern Learning outcomes the children will be able to. Cognitive (Intellectual/artistic):intellectual recognition of Australian history Psychomotor (Thinking/Physical): Affective (Emotional/Social/Cultural):making emotional, social, and cultural relevant understandings to the time period and theme of early Australian History. Assessment Explain how you will monitor their progress (safety, artistic): I will ensure that all students have physical safety and emotional safety. In a collaborative environment people can become emotional and withdraw from participation. I will make sure the students are comfortable coming to me with any issues, and make sure the classroom is safe and the students understand my expectations. Explain where your lesson plan fits in with ACARA, AusVELS or Early Years Framework progression point and/or level of kinesthetic ability: Acara: Drama level 5/6 Students will make and present drama exploring ideas and issues, roles, and character. They will work with a range of dramatic tensions, spaces, places and times, and use varied registers of language and movement. They will develop play-building skills and experiment with scripted text, beginning to explore a range of forms. They will begin learning about staging, rehearsal and acting skills, and present informal and formal performances to audiences. Students will experience and respond to a range of drama and learn about theatrical forms, contemporary and historical concepts and conventions Ausvels: Drama level 5 in Drama, students role-play situations and events, sustaining role/character throughout their group or solo performance.
WHAT - content
HOW strategies and approaches
Warm up Kinesthetic tune-up
Introduction of the concept/theme Students discuss early Australian history, and their perception of it. Exploring and developing ideas (creating & making) Students compare their thoughts, and discuss their interests on the topics (settlement, immigration, etc)
Practicing their voice, physical (technique) and social
skills: students hop into groups and are asked to write a brief paragraph explaining Australian history in their words Development - Exploration Practicing their physical and social skills: Student volunteers spend a few minutes acting out a scene from their versions Australian History. Culminating Dance/Play - Presentation Introduction (beginning) Students are given scripts and scene directions of popular parts from Australian history (captain cook, Ned Kelly, bourke and wills. They discuss how they could represent it using props/costumes. Development (middle) Students create, collaborate and practice the production. Resolution (ending) Students perform the production to the teacher/other classes.
Discussion Memory integration
- Their physical skills: what skills did we illustrate? - Their safety skills: how was it safe/unsafe? - What could be changed/improved? - What worked well in the performance? - Their creative skills: what other perspective could you take? - How did you connect to your characters? Closure Students sit on the floor, take a breath, and discuss what they found interesting about the drama role play
Management of children in the space safely for each
activity? Students only use props when told they can, and only in the appropriate manner Teacher keeps moving and keeps track of what everyone is doing and ensures everyone is alright, and enjoying participating Establishing rules and expectations of behavior in each activity? Students move when teacher approves. Students raise hands to speak and take turns. Monitoring safe movement practice of physical skills in each activity Safe use of props, personal space, shared space Aesthetic Awareness How will you plan to facilitate the development of their movement/character response through the use of: Teacher voice: speak loudly and clearly Drama terminology and vocabulary action words verbs, adverbs, adjectives: role, character, script, scene direction Feedback to children about their movement response? (I like how you really became the character)