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The article point out the phenomenon in North America of the wrong pedagogy in music education. The "elements" of european music may not all be applicable on other music, for example African Music. Asking students about "what they heard" can be "another version of the elements"
The article point out the phenomenon in North America of the wrong pedagogy in music education. The "elements" of european music may not all be applicable on other music, for example African Music. Asking students about "what they heard" can be "another version of the elements"
The article point out the phenomenon in North America of the wrong pedagogy in music education. The "elements" of european music may not all be applicable on other music, for example African Music. Asking students about "what they heard" can be "another version of the elements"
Repositioning The Elements: How Students Talk about Music
Leslie Stewart Rose and June Countryman
The article point out the phenomenon in North America of the wrong pedagogy in music education. It is true that music education is dominated by classical european music. Eurocentric way of thinking about music as mentioned in the first paragraph under the title Naming the elements as a framework of dominance, that is the dominated pedagogy in North America. The elements of European music may not all be applicable on other music, for example African Music. Whats more, if music classes only focus on one genre, the opportunity for students to explore and appreciate other music will be deprived. Asking students about what they heard can be another version of the elements as mentioned in the article. Thinking in a different way, the elements of music can become an assistant for students to express what they here from a piece of music. The elements can also help students to understand why would the music sound in that way and what is the reason to involve that element. Also, the elements may also assist the students to listen to the music more in-depth. That could inspire students to think more the reason for the composer to write the music, the emotions of the composer, and the images or message delivered when the music is played. The effective way for student to learn and appreciate music is to lead them to explore more about different kinds of music and ask for their own thoughts about music. Interested in music, students will try to discover more from music and learning elements will be helpful to understand. As pointed out by the writers,students built connection and community through many affirmations of shared resonance that accrued from collective music listening open-ended, student-directed, inquirybased listening sessions. For example, writing a concert report is a practical way to understand music because students need to express their own feelings and opinion about the concert with what they heard. On the other hand, the educators should encourage students to attend different performances every time, for example, operas, Chinese Orchestras, Classical Orchestras, and pop concerts etc. . The more they explore, the more they learn. The elements of music are necessary during the process of learning music. Those elements, however, should not be the main focus of the courses. Instead, music appreciation is a more significant element to be taught. Meanwhile, the elements of music can be used to support students thoughts of music.