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Name:______________________

Directions
:Readandannotatethefollowingarticleaboutarthistory.

Introduction:WhatisArtHistory?

Exceptwhenreferringtothemoderncollegeclass,peopledo
notoftenputthewordsartandhistorytogether.Theytendto
thinkofhistoryastherecordandinterpretationofpasthuman
actions,particularlysocialandpoliticalactions.Mostthinkofart,
quitecorrectly,aspartofthepresentassomethingpeoplecan
seeandtouch.Ofcourse,peoplecannotseeortouchhistorys
pasthumanevents,butavisible,touchableartworkisakindof
lastingevent.Oneormoreartistsmadeitatacertaintimeand
inaspecificplace,evenifnoonetodayknowsjustwho,when,
where,orwhy.Althoughcreatedinthepast,anartwork
continuestoexisttoday,livinglongerthanitscreators.Thefirst
paintersandsculptorsdied30,000yearsago,buttheirworks
remain,someofthemexhibitedinglasscasesinmuseumsbuilt
onlyafewyearsago.

Modernmuseumvisitorscanadmiretheseobjectsfromthe
remotepastandcountlessothershumankindhasproduced
throughouttimewithoutanyknowledgeofthereasonsthatled
tothecreationofthoseworks.Thebeautyorsheersizeofan
objectcanimpresspeople,theartistsuseofordinaryorcostly
materialscandazzlethem,orthesubjectdepictedcanmore
them.Viewerscanreacttowhattheysee,interprettheworkin
thelightoftheirownexperience,andjudgeitgoodorbad.
Theseareallreasonableresponsestoaworkofart.Butthe
enjoymentandappreciationofartworksinmuseumsettingsare
relativelyrecentphenomena,asisthecreationofartworks
solelyformuseumgoingaudiencestoview.

Today,itiscommonforartiststoworkinprivatestudiosandto
createpaintings,sculptures,andotherobjects
commercial
art
gallerieswillofferforsale.Usually,someonetheartisthasnever

Questions/Comments/Vocab

Whendidpeoplestartsharingart
inmuseums?

Commercial:
meansmodernart
galleriesthatwillsellart.

metwillpurchasetheartworkanddisplayitinasettingtheartist
hasneverseen.Thispracticeisnotanewphenomenoninthe
historyofartanancientpotterdecoratingavaseforsaleata
villagemarketstallprobablydidnotknowwhowouldbythepot
orwhereitwouldbehousedbutitisnotatalltypical.Infact,it
is
exceptional
.Throughouthistory,mostartistscreated
paintings,sculptures,andotherobjectsforspecificpatronsand
settingsandtofulfillaspecificpurpose,eveniftodaynoone
knowstheoriginalcontextsofmostofthoseworks.Museum
visitorscanappreciatethevisualandtactilequalitiesofthese
objects,buttheycannotunderstandwhytheyweremadeorwhy
theyappearastheydowithoutknowingthecircumstancesof
theircreation.Art
appreciation
doesnotrequireknowledgeof
thehistoricalcontextofanartwork(orbuilding).Art
historyd
oes.

Thus,acentralaimofarthistoryistodeterminetheoriginal
contextofartworks.Arthistoriansseektoachieveafull
understandingnotonlyofwhytheseeventsinartlooktheway
theydo,butwhytheeventhappenedinthefirstplace.Thestudy
ofhistoryisthereforevitaltoarthistory.Andarthistoryisoften
veryimportanttothestudyofhistory.Artobjectsandbuildings
arehistoricaldocumentsthatcanshedlightonthepeoplewho
madethemandonthetimesoftheircreation.Furthermore,
artistsandarchitectscanaffecthistorybyreinforcingor
challengingculturalvaluesandpracticesthroughthetheobjects
theycreate.Thus,thehistoryofartandarchitectureis
inseparablefromthestudyofhistory,althoughthetwoclasses
arenotthesame.

Questions:

Whatisthemaingoalofarthistory?

Wheredoyouthinkartwaskeptbeforemuseums?

Exceptional:
notnormal

Doyouhavetounderstandapiece
ofarttosaywhetherornotyouthink
itisgoodorbad?Why?

Howdoyouthinkartcanaffecta
culture?

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