Dienda

Score

As heard on Sting: "...All This Time (Live)"

Kenny Kirkland
Justin Binek

Medium Slow Jazz Waltz q = 96

& b 43

Soprano

3
&b 4

Baritone

? 3
b 4

Voice

3
& b 4 .
..

F /G

Piano

? b 43
.
? 3 .
b 4

F /G

Bass

Drum Set

3 y
4

( )
..
.

F add9 /A

F (add9)/A
.

y y

( )
b

G b M7 #11

b .
G b M7 (#11)
b .
y

F a dd 9 /A

...

F/G

( )
..
.

F/G

F (a dd 9)/A
.

y y

F/D b

..
.

F/D b

b.
y

F a dd9 /A

...

b.

F /G

( )
..
.

F /G

2009 JGB Music

F (a dd9)/A
.

y y

( )
b

G b M7 #11

b.
G b M7 (#11)
b.
y

F add9 /A

...

F/G

( )
..
.

F/G

F (add9)/A
.

y y

F /D b

..
.

..
.

b.

Y.

F /D b

b.

.

3

& b .. .

10

1.How

& b ..

F/G

Bass

D. S.

.. y

& b

drawn
D m11

?b

?
?

18

D. S.

to this

D m11

B b m/D b

that some

y
3

wind
A 9sus 4

fin

car-ried

gers had

.
n ..

A 9sus 4

( )
..

( )
n b ....

( )
b ..
..

3 the
as

just

n b ...

b just

G 13 # 11

G b M9 #11

day,

G b M9 (#11)

G 13 # 11
day,

.
(# )
b G 13 .11

b

3

leaves
F m11

had

as the trees
b had
b

.
.

turned

b ..
b ..

( )

..

( )
..
..

F/E b

C add9 /E

F m11

( )

y y
.

down
F m9/B b

b ..

b ..

found.

b .
b ...
.

F m9/B b

y
.

..

B b/G b

b ..

B b/G b

.
b ...
b.

B b/G b

b.

y y .
.
J

y
.

from
F m9

y y
.

..

F m9

..
..

the

()

Win - ter seems to

()
.
b ...

F m9/E b D m7 b 5

b . .
b ... ...
. b.

.
F m9 F m9/E b D m7 (b 5)
. b.
.

.
y y y
3

y.
.

y.
.

an
o - pen win - dow
F m9/E b D m7 b 5
4

b . ..

Now

C add9 /E

y.
.

pane.
E (#9)/C

b n ..

..
b n ..

..
n ..

stay

.
y.
.

too

E (#9)/C

C 7(alt)

y
.

.
.

C 7(alt)

I was

F/E b

long...

I was

b.

oh...
C 7(alt)

# b ....

b.

b b ..

C6

E (#9)/C

y y

And

..
.

j b.

gold.

F m11

F/E b

gold.
C add9 /E

( )

turned

G b M9 #11

F m9/B b

A 9sus 4

in

sound

D m9

that the

sound
B b M7/D

in a

..
.

b ...

D m9

gone

B b M7/D

be

D m9

..
..

gone

b.

B b M7/D

& b ...

18

Bass

drawn

D m11

18

Pno.

to a

to be

F/D b

&b

b.

F/G

18

? ..
b

Dienda

to

..
.

? ..
b

10

F/D b

...

10

Fall

F/G

10

Pno.

the

Fall
F/D b

the

like

? b ..
& b ..

like

2.How

..
..

b

b

t t t

t t y

& b .

28

How

& b .

F m9

? b .

?
?

har - mo - ny
B bM7(#5)/A

& b b
?b

Pno.

?
?

36

Bass

36

D. S.

win- dow

is

B bM7(#5)/A

& b b .. ...
.. .

36

b .

B bM7(#5)/A

or a
3

D b6(#11)

.
.

t t t

b.

( )

rings
B b M7 #11 /D

closed,

y

3
3

with the

B b M7 (#11)/D

..
..

.
( )
.

B b M7 #11 /D

t t t

and the

y y

pro - mise
C/A b

of

it

ques-tions

C/A b

..
.

b.

C/A b

b.

...

.
.

t t t

Spring
D b M7

posed,
b
b
D b M7

lin

.
. .
on a Brook - lyn
street...
3
F /GF (a dd9)/A G b M7 (#11)
b
..
. ..

b .
b ...

on

..

Brook - lyn

( )
... ...

b ..

street...

( )
b

F /GF a dd9 /A G b M7 #11

. .

b.

b.
F /GF (a dd9)/A G b M7 (#11)
. . b.

t t t

y. y.
. .

D b M7

b.

y y y

af - ter

Second Time Through

Go To Measure 49

Second Time Through

Go To Measure 49

. .

( .)

Second Time Through

..

street...

( )
... ...

( .)

b.

y y y

y. y.
. .

b.

y y

Though the

y
#
.. n # #

.. n # # #

.. n # # #

( )

... ...
3

F /GF a dd 9 /A

. .

( .)

y. y.
. .

Second Time Through

Go To Measure 49

the

y. y.
. .

And

F /GF a dd 9 /A

b.

b Through F/GF add9 /A G bMaj7

Second
F/GF add9 /A
F/DTime
Go To Measure 49

G bbM7 (#11)

G m11

Brook - lyn

b.

( )
.
b ...

G b M7 #11

. .

. .

gone.

..
..

b Through F/GF add9 /A G bMaj7

Second
F/GF add9 /A
F/DTime
Go To Measure 49

..
.

G m11

( )

G b M7 #11

..

F m/A b

end.
G m11

it's

b.

Second Time Through

Go To Measure 49

( )

... ...
3

the

F m/A b

af - ter
F m/A b

b.

Bb m

b ...
.

.
b b ..

G b/B b

long

Bb m

b.

D m9/C

b
J

3 long
ger

ger

b.

3
j
b

b ..
..

..
..

Bb m

G b/B b

D m9/C

b ..
J
to

D m9

j b ..

mel - o - day,

..
.

lin G b/B b

to

sad

D m9

b.

mel - o - day,
D m9/C
3

D b6(#11)

sad
D m9

or a

song

F m9

&b

36

like

..
..

28

D. S.

Dienda

song,
D b6(#11)

& b b ...
b .

28

Bass

like

F m9

28

Pno.

How

y y y

F /D b

..
.

..
.

b.

Y.

F /D b

b.

#
.. n # #
.. n # # #
.. n # # #

..
3

49

&

&

&

###

? ###
49

Pno.

###

###

( )
... ... n

A/BA a dd9 /CB# b Maj7

? ### . .

b .

( )
.

... ... ..

A/BA (a dd9)/CB# b Maj7

? ### . .

b .

49

D. S.

62

&

&

###

#
F m11

###

one

? ###

? ###
? ###

62

Bass

62

D. S.

y. y.
. .

y y y

who is

Doon
F # m11

##
& # ...

62

Pno.

y. y.
. .

F # m11

(doon)

.
.

(doon)

..

(doon)

Da

Doon (doon)
D M7/F #

D M7/F #

A/B

.
.

(doon)

..

(doon)

Da

C # 9sus 4
Doon

.
# ..

j
# ..

dow is

Ah

day,

( )
# n ....
.

( )
.

n . .
n ... b ...
. b.

A m9/D D/B b

. b.
y y .
.
J

( )

B b M9 #11

B 13 # 11

..

Ah

pen...

( )
n ..
..

#
E add9 /G

A m11

When ev' - ry - thing

B b M9 #11

Ah
Ah
A m9/D D/B b

(doon)

n. .
. b.

(doon) (doon)

y y y

A m9/D D/B b

..

n
3

y yy
3

y y y

C # 9sus 4

n.

F # m9

B 13 # 11

#
C 9sus 4
win

in

..
.

A/F

F # m9

D m/F

n.

y yy
..

3 the
that

to re - turn

.. n ..
.
.

..

Spring

A/F

..

hopin'

..
...

..
..

the

( )

B 13 # 11

A/B

Y.

D M7/F

..
How like

..
.

. . n.
A/BA (a dd9)/C # A/F
. . n.

A/F

..

A/BA a dd9 /C # A/F

..

49

Bass

( )
B b M9(#11)

#
F m9

Dienda

A/B

to

y yy

y y y
()

#
A m9 A m9/G F m7 b 5

. .

n
4

n
4

n . . .
n ... ... n ...
. n.

.
#
A m9 A m9/G F m7 (b 5)
. n. .

y y y y. y.
. .
3

y.
.

G (#9)/E

G #(#9)/EE 6

.
.
y.
.

y y y

Brook-lyn street a - gain,

A m9 A m9/G F # m7 (b 5)

( )

E add9 /G #

. .

Brook-lyn street a - gain,

. .

..
..

( )
..
..

new...
A/G

..
.

n.

A/G

n.

y y y
.

.
.

E 7(alt)

and

Here's
3 some-

j n.

oh...

j n n ..

..

n
....

..
..

and

.. ..
n # .. # ..

t t t

.
.

oh...

E 7(alt)

G #(#9)/E

Ev' - ry-thing seems

E add9 /G #

On that

On that

new....

A m11

be

seems
A m11

n ..
n ..

A/G

E 7(alt)

t t t

t t y

3

72

&

&

###
###

like a

? ###
? ###

A m9

? ###

F 6(#11)

n.

Pno.

Bass

D. S.

sweet

3 - o - day,
mel

F # m9

F # m9

E/C

y
F M7

y y

to

F # m9/E

..
.

lin

b.

F # m9/E

B b/D

( )
( )

#
A/B A a dd9 /CB b M7 #11

A m/C

ger long

af - ter

n ..
..

B b/D

...
.

B b/D

it's

gone...

b.

A m/C

y y

n.

Let the
Second Time Through
Go To Measure 93

( )
.
b ...

y y

#
A/B A a dd 9 /C B b Maj7

A/F

Second Time Through

( )

Second Time Through

B b M7 #11
Go To Measure 93

Second Time Through

B b M7 #11
Go To Measure 93

B m11

Second Time Through

3
Go To Measure 93

( )

A/B

B m11

n.

Dm

..
..

A m/C

n ...
.

.
n n ..
Dm

( )

Second Time Through

B b M7 #11
Go To Measure 93

B m11

Second Time Through

Go To Measure 93

..

A/B

A/F

..

..

? ### .

Dienda

80

#
F m9/E

? ### .
80

#
F m9

# #D M7(#5)/C
& # b ... ....
.

80

n.

#
#
D M7 (#11)/F
# # #D M7(#5)/C
&

3 a
or

..
..

##
& #

song,

80

F 6(#11)

F 6(#11)

##
& # n ....
n

72

D. S.

How

A m9

72

Bass

? ###
72

Pno.

A m9

D M7(#5)/C #

t t t

( )
..
..

D M7 #11 /F #

.
D M7 (#11)/F #
.

t t t

..
.

E/C

...

n.

n.

E/C

t t t

n .
n ...
F M7

n.
F M7

n.

t t t

( )
( )
... ... n

A/B A a dd9 /CB# b M7 #11

. .

b.

( )

... ...

( )
( )

.
.

b.

A/B A a dd9 /CB# b M7 #11

y. y.
. .

y y y

A/B A a dd 9 /C # A/F

. .

..
.

n.

( )
.
. n.

A/B A a dd 9 /C # A/F

y. y.
. .

y y y

( )
... ... n

A/B A a dd 9 /C #B b Maj7

. .

b .

( )
.
. b .

A/B A a dd 9 /C #B b Maj7

y. y.
. .

y y y

( )
... ...

A/B A a dd9 /C # A/F

. .

..
.

..
.

n.

( )
.
. n.

A/B A a dd9 /C # A/F

y. y.
. .

Y.

.
Y

..
..
..
..
3

93

&

###

( )

D M7 #11 /F #

/C
# # #D M7(#5)

b

&

? ###

har - mo - ny

? ### .

? ### .

93

Bass

D. S.

105

&

&

&

###

..
.

E/C

( )
.

lyn

n.

A/B

A (add9)/C #

b.

B b M7 (#11)

y.
.

y.
.

win-dow

D M7(#5)/C #

n .
n ...
n .

D M7(#5)/C #

F M7

n .

(Dienda
)

#
D M7 #11 /F

is

b .. ...
.. .

t t t

t t t

closed,

( )
..
..

D M7 #11 /F #

A/B

...

b.

A/B

A (a dd 9)/C #

y.
.

y.
.

( )
..
.

..
.

n.

n.

E/C

t t t

Brook

n
n

F M7

F M7

U
Y

U( )

D M7 #11 /F #

A/B

A (a dd9)/C #

B b Maj7

y.
.

y.
.

E/C

n
ring,
with the pro - mise
U

U
U

On

F M7

of

Spring...

b ..

b.

( )
..

.
.

D M7(#5)/C #

B b M7 #11

B b Maj7

..

Let the har - mo - ny
b

( )
..
.

A a dd9 /C #

...

A/F

posed...

street...

A/B

n.

lyn

..
.

( )
..

A a dd9 /C #

F M7

...

E/C

A/B

A/F

it

n.

ques-tions

t t t

A a dd 9 /C #

E/C

and the

.
D M7 (#11)/F #

Though the

( )
n

F M7

( )
.

B b M7 #11

n n

B b M7 #11

street...

Spring...

t t t

( )
..
.

...

E/C

A add9 /C #

A/B

F M7

...

n.

t t t

? ### .

105

D. S.

Brook

? ### .
105

Bass

###

E/C

A add9 /C #

A/B

? ###
105

Pno.

###

3 the
with
pro-mise of
n

.
D M7 (#11)/F #

t t t

D M7 #11 /F #

D M7(#5)/C #

93

( )
..
..

/C
# # #D M7(#5)

.
b

&
.. ....
.

93

Pno.

ring

D M7(#5)/C

A/B

...

b.

( )
..
.

A a dd 9 /C #

A/B

A (a dd 9)/C #

y.
.

y.
.

U
A /F

..
.

n.
U

A/F

n.

U
Y.