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1+ 2 — Piano Grade 5 Pieces & Exercises for Trinity Guildhall examinations 2012-2014 Contents GROUP A Purcell Prelude from Suite in C, Z.666 2 Ame Minuet with Variations from Sonata Vill 4 Haydn Allegro (Ist movt from Sonata in C, Hob. XVI/1) a Beethoven Bagatelle in G minor, op. 119 no. 1__. eee oe Pinto March, little soldier! (Marcha, Soldadinho) from Scenas Infantis (Memories of Childhood) 12 GROUP B Debussy Page d'album __ se aed Cornick Last Summer Milne wl Nickol Slink (no. 3 from Night Thoughts) — pees 20 Exercises Alternative pieces for this grade GROUP A JSBach Prelude in D minor, BWV 935, no. 3 from Sechs kleine Praludien fiir. Wiener Urtext UT 50041 + Anfainger auf dem Klavier (from J S Bach ~ Little Preludes and Fugues) Heller Sanfter Vorwurf (Gentle Reproach), no. 2 of Fiinf Lieder ohne Worte Universal UE 3516 (from Music Book For Small Folks And Grown-ups op. 138 book 1) McCabe Sports Car (from Afternoons and Afterwards) Novello NOV100246 Pleyel Sonata | B. 571, 2nd movt: Adagio (from 2 Sonatas) Doblinger DM 1410 Zachau Vom Himmel hoch, da komm ich her Peters EP 4451 (from Little Piano Book: Masters Before J S Bach) GROUP B Rodney Bennett Two Turtle-Doves (from A Century of Piano Music Grades 1-4) Bosworth BOEOO5I25 MacDowell ‘Summer Song op. 7 no. 3 (from American Piano Repertoire level!) Faber 978-0-S7152078-7 ‘Shostakovich Gavotte (from Dances of the Dolls) Boosey BH 2407 Tchaikovsky ‘Sue Tréumerel (Sweet Reverie) (from Kinderalbum op. 39) Wiener Urtext UT 50134 All pieces in this volume have been edited with regard to current concepts of performance practice. Fingering, dynamics, articulation and pedalling hhave been suggested to assist candidates and their teachers in developing their own interpretations. Markings in square brackets are editorial Recommended metronome markings are given as a useful, but not definitive, performance guide for al pieces. Repeats of more than @ few bars should be omitted in the examination unless otherwise instructed in the syllabus or in this Trinity music book, but ‘all da capo and dal segn instructions should be observed. Every effort has been made to trace and acknowledge the copyright owners. f any ight has been omitted or if any details incorrect, Trinity College London apologises and will rectify ths in any subsequent reprints folowing notification, “Trinity College London would lke to thank John Kember, Pamela Lidiard, Michael Round, Peter Wild and John York for their work on this series. Music typeset by Moira Roach and New Notations London. Important Candidates and teachers must refer to the Information & Regulations booklet (www.rinityguildhall.co.uk/essentialinformation) for all examination requirements and regulations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative or Trinity's London office. GROUP A Prelude from Suite in C, Z. 666 Henry Purcell (1659-1695) Dynamics and staccato markings are editorial 2 Copyright © 2011 Trinity College London GROUP A Minuet with Variations from Sonata VIII Thomas Arne (710-1778) Variation 1 Q) & Wiig alias « © seit The trill in Variations 2 and 3 should be played as mordents. Realisation of figured bass in the theme and all dynamics are editorial. This edition uses the first part ofthe original Minuet only. 4 Copyright © 2011 Trinity College London Variation 3 0 GROUP A Allegro ‘Ist movement from Sonata in C, Hob. XVI/1 Franz Joseph Haydn Allegro [J= 100-116] (17321809) (1) 4321 E se : 2 ; : ‘ ° Dynamics are editorial Copyright © 200 Trinity College London 7 GROUP A Bagatelle in G minor op. 119 no.1 Ludwig van Beethoven (770-1827) Allegretto [- = 92-104] —S ‘The repeats should be played in the examination. 10 Copyright © 2011 Trinity College London w GROUP A March, little soldier! (Marcha, Soldadinho) from Scenas Infantis (Memories of Childhood) Octavio Pinto (1890-1950) Briskly [2 = 108-120] f Trés retenu ee et . 5 2 aes 35 Mouvement GROUP B Last Summer Mike Cornick Andante [+ = 80-88] (born 1947) {a tempo — alla bossa nova) ee Lento freely Soka = = = a — 4 i Pe a | 5 B 7 ‘Composer's metronome mark in bar 2 4=c. 88. See ay ee a 16 © Copyright 1998 by Universal Edition (London) Ltd, London. Reproduced by permission. All rights reserved 30 7 GROUP B Vendetta Elissa Milne Tango [/ = 69-76] (born 1967) 13 Si 4s © hm! 8 Pa. * ‘Composer's metronome mark J= 72-76. Copyright © 2006 by Faber Music Ltd, London, WCIB 3DA. 18 Reproduced from Pepperbox Jazz ~ Book 2 by permission of the publishers. All rights reserved. GROUP B Slink no. 3 from Night Thoughts Peter Nickol (born 1946) Sinister and bluesy. [-.= 72-80] f i = Composer's metronome mark 4.=c. 76. Copyright © 2004 Peter Nickol 20 _wwnimpulse-music.co.uk/peternickolntm lunga tempo a PP (but clear) 21 Exercises ta. Loops and Leaps - tone, balance and voicing Allegretto f (leggiero) 5 1b. Run and Jump - tone, balance and voicing Allegro giocoso - = 69-80 3 4 45 — nf 2 Copyright © 2011 Trinity College London 2a. Espressivo - co-ordination Andantino J.= 40-46 3 P 5 ‘3 ‘asso ben sastenuto 2b. Aperto - co-ordination Allegro «= 60-72 (1) Copyright © 2011 Trinity College London 23 Te 3a. Lament - finger & wrist strength and flexibility Lento espressivo Uh. Uh 3 3b. Fun and Games - finger & wrist strength and flexibility Tempo giusto /=58-69 rh, Copyright © 2011 Trinity College London Pieces - Three pieces to be performed Piece t: Group A piece (rom this book or from those in the alternatives list) Piece 2: Group B piece (rom this book or from those in the alternatives list) Piece 3: Group A or Group B piece or candidate's own composition (see current sylabus for details) 1) Seal Technical Work ~ All sections and options to be prepared the examiner will request a selection in the examination band B major Bb and G# minor (candidate's choice of either harmonic ‘or melodic minor) legato or two octaves staccato anes harmonic minor contrary motion scale hands together Ti) Arpeggios - the examiner will request a selection in the ‘examination band B major Bb and G8 minor legato or seal two octaves sop Diminished 7th starting on B hands together li Exercises ~ candidates to prepare 1a or 1b; 2a or 2b; and 3a or 3b (three exercises in all) Ja.Loops andLeaps or tb. Run and Jump {or tone, balance and voicing 2aEspressivo or __2b.Aperto for co-ordination 3a. Lament or __3b.Funand Games for finger & wrist strength and flexibility ‘Supporting Tests ~ Two tests are to be chosen from: Sight Reading ‘Aural Improvisation Please refer to the current syllabus for detalls on all elements of the examination.