Defector

Tom Holland

Joe Howlett

4
&4

4
&
4

Lento

Litvinenko

4
&4

Robert Owen
Lugovoy

Lento

4
& 4 J bb

Harp
MMLOLMML

p espr.

? 44

pp one breath
& w
5

Lt.

May

R.

&

? w
w

3
4

3
4

A arp.

b
n w
w

6
8

mf matter-of-factly

6 b
8

As you can see,

b w

w

q = q.

God...

5
8

5
j
#
# n 8
the

pa - tient has suf -fered se -

q = q.

& b

Hp.

ooo
they all sip tea
o o b

b n b

n
3

3
6
4 b 8 bb #

Bb

b 3
4

piu p frenetic
F#

5
8

6
5
#

8
b
8
# #

E#

5
&8
9

Lt.

R.

5
& 8 b

vere

Lg.

5
& 8

4 U
4

q. = q

4 U
4

4 U
4

3
& 4

Lg.

Hp.

3
4
&

? 43

sfp

w
w
>

3
j 68

3
&4

3
&4

May

3
4

3
4

w

w

3
4

w

w

6
8

God...

R.

3
4

q = q.

14

Lt.

they all sip tea

E C#

? 58

3
4

p one breath

Lugovoy:
"No comment."

4 U
4

4 U

hair loss.

5
& 8

Hp.

q. = q

And

is,

6
8

9
8

as

you

b
know,

ex

9
8
-

9
8

q = q.

6
9

8
8
#

6
8

piu p frenetic

Eb F#

9
8

 9
&8
16

Lt.

9
4
& 8 # b b n 4
#
4

R.

per - i - enc - ing vom - it - ing and di - ar -rho - ea

Lg.

9
& 8

? 98

4
4

9 b b
&8
n

Hp.

# b

May God for -

too.
Lugovoy:
"No comment."

n #b 4

#bb b
#

Grave

D Fb Gb Ab B#

4 U
b

4
b

b
b
b

& nw

bw
bw

accel.

19

Lt.

4
4

Grave

give

R.

&

The symp -toms have been

Lg.

&

scribed as

accel.

free glissandi

b
b

b #
b

be - ing

? bb#

Hp.

de

g lis

s.

&
20

Lt.

R.

Lg.

&
&

Hp.

b n b

sim - i - lar

to

the late sta - ges

of

can - cer.

2
4

4
4

2
4

4
4

2 nj
4
#
No

#bb

? bb#

b#

bbb

l.v.

2
4

b
b

4U
&4
22

Lt.

R.

Lg.

4
&4

May

? 44 U

God

for

not necessarily colla voce

b#
espr.

-
b

b-

1
4

4
4

give

1
4
b

#bb

4
4

b>

The di

4
&
4
U
? 44 bb#

Hp.

1
4

4
4

com- ment.

2
4

b
b
b
1
4

1
bb-
4

b#b

Vamp under Robert Owen

&

Lt.

hold as long as possible, but take a deep,

croaky breath in if you can't hold it.

24

& b > b b>

b> b> b>

Robert Owen ignore repeats and continue straight through, in your own time

R.

ag - no - sis

? bb-
b b

#

&

4
4

& b b>

Hp.

&

ra - di - o - ac -

rit through entire vamp

bw

Lento

4
4
4
4

4
4

5
4

Lento

&

D# E F G A B# C#

5
4

Al-pha

l.v.

Lugovoy:
"No comment."

For what you...

4 nw
b

> 4 >

tive sub-stance Po-lo-ni-um 2 - 10.

Lg.

the

you.

R.

tra - tions of

Keep repeating until Robert Owen has nished

his phrase and then move to bar 27.

26

Lt.

Vamp under Robert Owen

Hp.

sug - gests high con - cen

#w
#w

## n# #
D

5
4
5
4
5
4

5
&4
30

Lt.

R.

5
&4

par - ti-cles

Lg.

Hp.

? 45

4
4

e - mit-ted can cause huge a-mounts of dam-age when the sub-stance is in

4
4

4
4

free glissandi

gliss.

4
4

##

4
&4
31

Lt.

5
& 4
5
&4

4
4

q = q.

j 68

For what you have

R.

4
&4
gest- ed.

Lg.

4
&
4

? 44

dim.3

6
8

6
8

No com- ment.

#

4
&4

Hp.

#

3

p
B

w
w

q = q.

6
8

6
8

 6
& 8

33

Lt.

done.

R.

6
&8

3
8
b

Symp -toms pro - gress

Lg.

6
&
8

3
4

3
3
8 4 b

un-til a

car -di-ac

3
8

2
4

2
4

ar - rest

cau - ses the bo - dy to

3
4

2
4

Harp is in 6/8, but the voice in 3/4

n 3 3 b jb
6 n

4
42
8
&8

Hp.

? 68

mf frenetic

2
&4

3
8 b
b
b

43 b

2
4

Rhythmically free from here,

36 tempo dictated heavily by voices

Lt.

3
4
r
# 4 #w

Not on - ly to

R.

2
& 4 j

me.

4 b 3
4

fail.

Lg.

Hp.

2 j
4
&

I am sure that Mis -ters Lu - go-voy and Kov -tun were

4
4

No com - ment.

Rhythmically free from here,

tempo dictated heavily by voices

2
& 4
? 42 b

4
4 #ww
w

colla voce, maybe improvise around a G harmonic minor scale?

4w
4w
w

&
38

Lt.

R.

b3

&

ac - ting

Lg.

Hp.

on

be - half

Hp.

ot

to

entirely calm

be

hers.

No

com

ment.

? w
w
w

bfcon molto emotion

&
&

ed

Rus

&

& #w
ww
? w
w
w

sia

And

Lg.

of

But

& #w
ww

lov

R.

&

39

Lt.

b
was

pro - bab - ly

ap - proved by

Mis - ter

Pat -


&

40

Lt.

R.

&

Lg.

&

Hp.

# b
3

And

ru

shev.

it's peo

ple.

b3 b

And pres - i - dent

Pu -

tin.

No com- ment.

& #w
ww
? w
w
w

Lugovoy: "More tea?"