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Group Attraction
M a n i f e s t o
M E HOW
www.mehow.tv
www.groupattraction.com
888-mehow-tv
—mehow
v
T est i m o n i als
“
After we’ve been disillusioned with the so
called ‘natural game’, which in-infield evidence
showed to be nothing more than acting drunk and
getting nowhere with it, Mehow strikes again
with even more power than before.
-- PUARatings.com
w w w . g r o u p at t r a c t i o n . c o m vii
“
Mehow’s Group Attraction... let me tell you this
guys, this one blows me away how good it is! This
WILL be the standard for the next generation of
PUAs! This is really exciting and powerful stuff
guys!”
-- Vince-Charming
-- StayAlive
-- TomSawyer
“
Mehow has been the first one to understand that
you need to read, watch and hear at the same
time, to make the learning process almost 100%
complete. I must credit him that brilliant
innovation... Congratulations and thanks for
your great work, Mehow!”
-- Jasons
w w w . g r o u p at t r a c t i o n . c o m ix
lot of things that I do subconsciously when I am
successful... He basically made a fan out of me.”
-- Ghost
-- J, from France
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
x testi m o n ials
“
Mehow should rise out of the floor with smoke and
strobes!”
“
Mehow was awesome at explaining things. He really
got a lot of stuff to click in my mind that other
MPUA’s could not!”
-- Babyface
w w w . g r o u p at t r a c t i o n . c o m xi
first PUG who shows a pick up step by step with
100% real infield footage!
-- Stefan
--JT
“
Group Attraction is the NEXT LEVEL of pick up.
Mehow has stripped out all of the unnecessary
limitations of existing systems (ie: arbitrarily
picking a target) and taken the parts that work
and broken them down to a new level of detail and
clarity. Not to mention the innovations on top of
those (PureKino, Microloops, etc).
w w w . g r o u p at t r a c t i o n . c o m xiii
mPUAs have been telling us for years to have
‘good’ body language,vocal tonality, eye contact,
etc, but haven’t been able to convey the exact
way to do it, not to mention how to operate on
all of these channels simultaneously.
w w w . g r o u p at t r a c t i o n . c o m xv
C o n t e n ts
1.2 Prerequisites 9
1.3 How to Use This Book 17
w w w . g r o u p at t r a c t i o n . c o m xvii
History of GA 44
The Group Attraction Model and The Mehow Model 49
Group IOIs and IODs 49
The Group Attraction Model 53
Where can you use GA? 60
Group Attraction and Direct vs. Indirect Opening 61
How Group Attraction Works 68
Microloop Theory Basics 71
IOIs, IODs, and Giving Value 83
Advanced Microloop Theory: Multiple Channels &
Instant Compliance 86
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
xviii co ntents
The Stance 188
The Opening Material 189
Multi-Channel Timing 191
Kino Pinging 192
Group Compliment Openers 194
Group Love/Hate Teasing 197
More Timing and Sequencing 200
Material 203
False Time Constraints 208
Transitionary Compliments 209
Putting It All Together 210
w w w . g r o u p at t r a c t i o n . c o m
xix
N o n-D i s clos u re
NDA
Ag reem e n t
Security Reminder
w w w . g r o u p at t r a c t i o n . c o m 1
the print edition are in Appendix D: Terms and
Conditions. Per the Non Disclosure Agreement in
Appendix D, you can discuss the contents of this
book only with other people who have been granted
access to this book by us and who are bound to
treat this material subject to the Non-Disclosure
Agreement and the Terms and Conditions. If you
don’t agree to the Terms and Conditions delete all
digital copies and return any printed copies back
to us before reading. The Terms and Conditions
contain the applicable instructions. We reserve
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
w w w . g r o u p at t r a c t i o n . c o m
3
one day), Alec (you don’t need any game if you
are an agent), Eileen (thanks for sticking with
me!), Steve (every once in a while it’s ok to
not sarge), Tim, Gerry (“Dude, I have to show you
this one burrito place, it’s bomb.”), George,
Kamouflage (“you’d be even more amazing at PU if
it weren’t for CS”), Julian (that sushi place you
took me to is still #1), Debbie (I love not having
to pay my own bills), Andre (one day . . . I’ll
dress as fly as you), and Greg. I know I’m leaving
many folks out . . . but it’s important that your
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
—mehow
w w w . g r o u p at t r a c t i o n . c o m
5
interactions with women. Many guys have
seen so much improvement that the Get the
Girl! book was all they needed to change
their lives.
social evolution.
6 Letter from M eh ow
Get the Girl! Manual. This technology will
permanently change your nightlife game and
get you operating on a whole new level
in terms of how you are able to attract
and interact with the women you desire.
You will control group dynamics with ease
and will always get monster quantities of
attraction. Most importantly, you will
be able to choose the girl you like the
most after spending some time with her
and her friends so that you know you are
putting your life energy into a woman you
actually like! And finally, by practicing
the methods contained in this book, your
ability to kino escalate and “get the
girl” will skyrocket to new heights.
w w w . g r o u p at t r a c t i o n . c o m
7
I n tro d u ct i o n—
G r o u p At t r a c t i o n ™
a n d Pu re K i n o™
1
1.1
ere is w hat y o u r f u t u re
H
attraction phase w ill look like:
w w w . g r o u p at t r a c t i o n . c o m 9
and sex. Yes, it’s the smell of sex appeal . . .
and it permeates the city like a cloud.
“Hello Jeff”
10 I n t r o d u c t i o n — G r o u p At t r a c t i o n ™ a n d P u r e K i n o ™
“
Do you know what you started/
I just came here to party /
But now we’re rockin on the dance floor /
Acting naughty . . . ”
Action.
“Heeyyyyyyy”
w w w . g r o u p at t r a c t i o n . c o m
11
silent with a steely gaze and self-assured smile,
communicating nothing and everything at the same
time. Time is slowing down.
My grin widens.
“You’re funny.”
Giggles.
12 I n t r o d u c t i o n — G r o u p At t r a c t i o n ™ a n d P u r e K i n o ™
“Jack”
“Bobby”
“Jack HAMMER”
“YES!”
“Buck Wild”
w w w . g r o u p at t r a c t i o n . c o m
13
Welcome to my reality. Life is good.
14 I n t r o d u c t i o n — G r o u p At t r a c t i o n ™ a n d P u r e K i n o ™
no mind controller tractor beam sucking the girls
in...they merely make the choice to continue the
interaction because of the mind-boggling, value-
giving coolness that oozes from you. Women make that
choice second-by-second and the longer that occurs,
the more it becomes a permanent reality.
w w w . g r o u p at t r a c t i o n . c o m
15
you’re doing is simply being an incredibly positive,
dominant alpha male who channels his personality
through the methods I describe in this book.
16 I n t r o d u c t i o n — G r o u p At t r a c t i o n ™ a n d P u r e K i n o ™
time you go out. Ultimately, my goal is to make
this knowledge totally intuitive and to give
you unconscious competence3. As a beneficial side 3. Unconscious Competence
(n): The most advanced of
effect of practicing GA and PK you will also learn the 4 stages of competence
how to intuitively escalate in any situation. in psychology. It refers to
ingrained or instinctive
ability.
In the end, you will become a “super-natural”
...a guy who combines the intuitive skills of
a “natural” with a guy who is consciously aware
of everything that’s goes on. When you put both
together you get something super indeed.
1. 2 P rere q u isites
w w w . g r o u p at t r a c t i o n . c o m
17
Another product which will be tremendously
helpful is Infield Exposed, my 9 hour video demo
and narration compilation. Seeing how things are
supposed to be done is crucial to learning it
yourself. Back in the “old days” we all had to
learn from the occasional demo by a master but it
was mostly a trial-and-error process. You can get
Infield Exposed at www.infieldexposed.com.
18 I n t r o d u c t i o n — G r o u p At t r a c t i o n ™ a n d P u r e K i n o ™
them. If you skip around you won’t get the full
benefit of the system.
Let’s Begin.
w w w . g r o u p at t r a c t i o n . c o m
19
G r o u p At t r a c t i o n ( G A ) —
T h e o ry a n d P r a ct i c e 2
In this chapter I’m going to present the
structure of Group Attraction and its theoretical
underpinnings. After finishing this section you’ll
understand in detail how and why all this works.
This will give you incredible insight into not
only how to perform Group Attraction, but many
other types of game as well. What we’re going to
get into are the foundational building blocks
of game. This understanding will thus apply to
online game, day game, D2s, and much more. You’ll
also gain significant insight into the secrets of
escalation.
w w w . g r o u p at t r a c t i o n . c o m 21
We’ll start off with a refresher on the Mehow
Model™ from the Get the Girl! Nightlife Edition
Manual and explain how Group Attraction fits into
that paradigm.
22 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Once you attain a higher consciousness, I’ll
explain how to put all of this knowledge into
practice so that you become a babe-magnet-ninja.
T he M eho w M odel
Attraction
Comfort
Kino Sex
Plowing
w w w . g r o u p at t r a c t i o n . c o m
23
Manual. After the isolation phase, simply return
to the structure as described in the GTG Nightlife
Edition Manual.
24 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Books are great at explaining theoretical concepts
because you can easily review the concepts
multiple times before going on to the next
section. Video is invaluable in its ability to
show you the subtle nuances involved in delivery,
tonality, and body language. This is why we’re
including both infield and classroom demo video
in this product. These resources can also include
Homework Exercises to strengthen your intellectual
and intuitive understanding.
w w w . g r o u p at t r a c t i o n . c o m
25
and utilize the power of the subconscious mind
to invoke positive change. Finally, the “Light
Consciousness Exercise” from page 17 of the GTG!
Manual is reprinted at the end of this chapter and
allows you to focus in on one part of your game
while still remaining “in the moment.”
26 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Learning Plan:
Similar to drills, Learning Plans are structured
blueprints which function as knowledge maps to
help you maximize absorption and efficiency.
Timing, order, and direction are all critical
elements to the learning process which Learning
Plans help to optimize. For example, the learning
plan for Group Attraction involves reading this
book in its entirety and then following the
procedures in it. Learning Plans will also show
you how to maximize the use of other tools such
as Drills, Infield Practice, State Alteration
Exercises, etc. We’re going to give you the full
Learning Plan for GA at the end of this chapter.
w w w . g r o u p at t r a c t i o n . c o m
27
The best practitioners will always be those who
take the best from every style and combine them
into their own. Instead of dogmatically sticking
to only one training method we present all of the
useful ones to you so you learn at a maximum rate
with maximum results.
Routine Stacking:
Routine Stacking is the polar opposite of dogmatic
natural game. It is a rehearsed and practiced
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
28 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
go according to plan, the presence of the plan is
always of great benefit. In the end, we all want to
be naturals. That is, we want to have unconscious
competence. We don’t want to be always thinking
about what to do or say next. We want the skill set
to be ingrained. But you have to start somewhere.
Routine stacking facilitates you becoming this
monster “natural” by giving you structure and good
habits, teaching you mechanics and a game plan,
and enabling you to have thousands of positive
interactions in an incredibly short period of time.
Infield Practice:
Infield practice is absolutely key to everything
else. It is the glue that binds every technique,
concept, and theory together. Preparation without
execution is simply a colossal waste of time.
Infield experience is the training ground where
you’ll naturalize new behaviors, eliminate
sticking points, generate loads of new material,
and learn the most about women.
w w w . g r o u p at t r a c t i o n . c o m
29
on a deep level and can result in positive change
and erase negative thoughts and feelings. They
are the province of inner game work but also
useful for outer game. I won’t be giving you any
NLP/Hypnosis as a part of this product, but I
highly recommend the “Get the Girl! Reinforcement
Programming” trance by my good friend and master
hypnotist Hypnotica. It can be found in the Get
the Girl! Manual Nightlife Edition Collector’s
Set. (Available at http://www.mehowgetthegirl.com/
CollectorsSet)
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
HOME STUDY
DISTANCE LEARNING
STATE EXCERCISES
DRILLS
NATURAL GAME
ROUTINE STACKING
INFIELD
NLP/HYPNOSIS
ETC...
Fig 2
30 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
In principle, if the correct information is wired 6. Refers to being in a
present state of mind, a
into your subconscious when you “get in the now6,” concept extensively discussed
you should reflect 100% attractive material and in Eckhart Tolle’s The Power
of Now. See glossary for more
body language in the form of OUTPUT as shown in information.
the diagram below. (See Fig 3.)
TRAINING
Now
Output
In this diagram, the books (knowledge and theory) and Fig 3. Mehow Training
The Now (being in the present) both affect and train Method—Feedback Loop
your subconscious. This results in Output of more
effective and successful interactions. Feedback on this
Output is then related back to a better understand
of the knowledge and theory (books), and the training
cycle continues.
w w w . g r o u p at t r a c t i o n . c o m
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There’s one problem though—when learning, and
even after attaining mastery, you will still make
mistakes and the wrong output will come out.
-Women-
It’d be really great if you could have an honest
conversation with the women you’ve met and ask,
“How did I do?” and she would respond, “Well
32 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
your conversational ratio in comfort should have
been closer to 50%/50%, and I didn’t like how you
didn’t lead when we went to look for my friends,
and I wish you didn’t get weird when I gave you
that shit test about the shoes (and I really
didn’t like your shoes) … bottom line, you could
have taken me home but because you fucked up xyz I
only gave you my number.”
w w w . g r o u p at t r a c t i o n . c o m
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If you’re new, it’s tough to learn anything at
all from female negative feedback. Thus, most men
typically rely on positive feedback as indicators
that they are doing something right. But trying to
figure out what to do in terms of evolving your
own personal curriculum is generally a guessing
game without more help.
-Forums-
If you look at any given seduction forum, the
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
34 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
1. The posters often don’t tell the whole
story because of ego or not being able
to remember critical details.
2.
We can’t see what’s actually going on
in the set with the women.
3.
We have no clue what the
subcommunications of the poster are.
5.
Problems are frequently so vast that
they can’t be fixed with a post reply.
-Wings-
The next step in the evolution of feedback
is feedback from wingmen. This can be fairly
effective but it often relies on the expertise of
the wing and still contains a variety of other
limitations:
1.
Very few wings are experts, even those
who claim to be.
3.
Many genuine experts are poor instructors.
4.
Most experts don’t want to go out with
beginners.
5.
Most of the time the wing can’t hear
what you’re saying.
w w w . g r o u p at t r a c t i o n . c o m
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6. The wing is usually out to pick up
with you, not sit down and teach you.
Thus, he’s out to have fun and your
instruction and feedback are limited.
-Live Training-
Live training is largely considered to be the
current state-of-the-art feedback system. In
this type of training you have a professional
instructor observe your sets and give live
feedback. In addition to instructors knowing
exactly how to listen in on sets without
“tainting” them, our staff also utilizes exclusive,
remote audio technology to hear all of the
details from afar, even in a loud dance club. The
professional instructor can give you loads of live
feedback and a report on what he observed, but
there are still limitations:
36 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
2.
Most instructors can’t be close enough
to the set without affecting it.
5.
Boot camps are relatively expensive and
frequently require time off, travel,
and travel expenses.
w w w . g r o u p at t r a c t i o n . c o m
37
improve your game. Without accurate feedback you
won’t progress fast enough and you’ll run the risk
of stagnating, getting discouraged, and quitting. In
short, you’ll never get what you wanted out of this.
38 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
In this product we have included elements from
each of the aforementioned categories to help
you in your development. Things like Drills
for the approach and the Group Attraction/Pure
Kino, Routine Stacking over interrupts, a State
Alteration Exercise for
getting in the moment,
and a myriad of classic
instruction through
classroom and infield
video, text, and audio
along with plenty of
Homework Exercises.
G ro u p Attraction vs.
Target Attraction
w w w . g r o u p at t r a c t i o n . c o m
39
A target only needs to exist if you’re alienating
9. Active Disinterest (n): A her through active disinterest9 and indirect game.
concept developed by Mystery
which involves approaching But what we’re about to show you is pickup through
and attracting a target by the giving value paradigm, which operates on a
demonstrating higher value
and simultaneously conveying
whole different level.
disinterest.
In many conventional pickup models, attraction
is designed for a specific target by utilizing
10. Individual False individual false disqualification10 (often referred
Disqualification (n): Theory
developed by Mystery which to as “negs”), active disinterest, and social
attempts to convey disinterest value manipulation. Group dynamics are controlled
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
40 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
finding out your target is married to the
bartender, or insufficient early kino.
w w w . g r o u p at t r a c t i o n . c o m
41
they start competing for you and gaming
themselves into being even more into you.
42 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
to suspected romantic interactions
being one-on-one things that it really
haven’t caught on to the “one-to-many”
Group Attraction methods.
W h i c h At t r a ct i o n T e c h n i q u e s t o U s e ?
qualities about oneself without
appearing to brag. See glossary
for more information.
There’s a pretty wide variety of attraction tech-
13. Push-Pull (n): Technique
niques available to us. All of them give emotional popularized by Swinggcat
value via subcommunication. Attraction techniques involving a highly emotionally
stimulating combination of
include demonstrations of higher value (DHV)12
interest and disinterest. See
stories, emotion-based communication, push/pull13, glossary for more information.
w w w . g r o u p at t r a c t i o n . c o m
43
14. Credit: Mystery cold reading, future/past/present projections
44 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
was essentially a mid-30s, balding, pale, dancing
monkey. I would get a lot of spiky20 attraction and 20. Refers to buying
temperature spikes. In other
sometimes get the girl by using this to isolate words, spiking her emotional
and then do the real work in comfort. state but lacking any real
attraction to the individual.
Back in those days I was rolling a lot with my
good friend and wing, Lovedrop.
w w w . g r o u p at t r a c t i o n . c o m
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Super-tight ‘I live on planet Mehow and it’s a
wild and fun place to be’ subcommunications.
46 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
escalation skills that you can easily improvise at
any moment. This allows you to bring all of your
other pickup skills to new levels as well. Hello
exponential game growth.
w w w . g r o u p at t r a c t i o n . c o m
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Group Attraction also came about from practicing
PureKino in field. I noticed that when I used it,
I didn’t need to have a target and all the girls
were attracted. This got me thinking about how to
make all of my game work on attracting groups of
women. So I stopped negging or singling out the
‘target’ and started group teasing. I also stopped
telling DHV stories in attraction (energy was too
low and I lost the set too much) and changed my
future projections from one girl (the target) to
all the girls.
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
48 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
T he G ro u p Attraction M odel
and T he M eho w M odel
PureKino (PK)
w w w . g r o u p at t r a c t i o n . c o m
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The Meh ow Mo del
Attraction
Comfort
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
Kino Sex
Plowing
Group Attraction
Fig 4. Group Attraction Types and examples of group IOIs (gIOIs) are:
inside The Mehow Model
ino (touching)—Any simultaneous
K
touching and/or sequential touching of
the people in a set. Examples include
group hugs, dancing with more than
one girl, handshakes, high-5s, ‘Give
me the rock!’ (with more than one
girl), and any group touching, either
simultaneously or in sequence (PureKino
contains a lot of this).
50 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
ompliments—Any verbal compliments to
C
the group as a whole such as, ‘You
guys are fun!’, ‘You guys have a cool
energy!’, ‘You guys are sort of fun
though’ and ‘You guys are special’ etc.
w w w . g r o u p at t r a c t i o n . c o m
51
otherwise) in a group of people. In pickup terms,
gIODs are generally verbal or nonverbal cues that
you give to indicate a lack of interest. These
cues range from subtle indifference (looking away,
not caring about the outcome of the interaction)
to deliberately walking away from the set.
52 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
here.’ This is typically accompanied
by a non verbal component where you
give negative body language to convey
the same communication. It’s usually
effective to utilize at least one FTC in
the interaction, preferably early on.
w w w . g r o u p at t r a c t i o n . c o m
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The overall structure of Group Attraction is to
Open, then attract through PureKino and Future
Projections while sporadically using gLHT.
1. Opener (IOI)
4. Transitionary Compliment.*(gIOI)
5. Continue to Attraction
54 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
When you “group-erize” the above structure, you
end up with the Group Attraction opening model
which looks like this:
Table 2 G r o u p At t r a c t i o n O p e n i n g
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55
Q&A:
Q: “Hey, Mehow … didn’t you already teach us the exact same thing in the
Get the Girl! Nightlife Edition Manual?”
A: “Yes and No. I did teach you the structure, but recall that you were
teasing the loudest girl, not the group in the Get the Girl! Nightlife
Edition Manual. I also didn’t teach you the underlying group dynamics.
The GTG! Manual was my deliberate effort to start giving you the
intuitive abilities to perform group attraction while keeping it
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
simple. If you have been practicing these techniques then you’ll have
no problem transitioning to Group Attraction.”
1. gIOI
2.1 gIOI
2.2 gIOD
2.1 and 2.2 combine to
3. gIOD
form a Group Love/Hate
4. gIOI Tease.
56 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
To further simplify things, were going to break
the opening down into smaller parts shown below in
Table 4:
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In fact, the Group Attraction example I gave
in the introduction corresponds to the Table 5
example.
58 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Table 6b attr act i o n, s h o rt V ers i o n
Table 7 G A M o d e l, S h o rt V e rs i o n
5.
Group Projection or PureKino with more
gIOI/gIOD
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Group Attraction follows a basic structure and
HO M EWO R K as long as you understand it, you can modify and
EXERCISE: create your own combinations and stacks to fit your
“Read the sample personality and communication style.
Group Attraction
stack in the
Where can y o u u se G A?
Introduction on
page 9-15 and Group attraction is most effective when used
label all the in day or nighttime party situation where you
gIOIs and gIODs. are cold approaching a set. Cold approaching
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
Then label the means you are talking to women whom you have
gIOIs and gIODs never met before. Examples are daytime parties
into their (street fairs) or any bar or nightclub at night.
relative phases If the energy of the environment is very low or
(e.g. Opening “loungey,” you’ll want to tone down some of the
Material, Group techniques and use less kino. Group Attraction
Love/Hate Teasing, can also be used in non-party day game situations
FTC, Transitionary but without PureKino (Use the Group Teasing and
Compliment and Projections instead). Day time kino is much
PureKino or Group more subtle and low-key so calibrate to your
Projections). surroundings. Remember the cardinal rule of always
opening with slightly higher energy level than
22. Credit: Neil Strauss/ that of the set.22
Style
60 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
G ro u p Attraction and D irect vs .
I ndirect O pening
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the benefits of each style while minimizing the
drawbacks.
62 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Table 8 o p e n i n g st y l es
1.
‘Pure Direct’ -- direct body language with direct verbals (e.g. Get the
Girl! and GA Method).
2.
‘Pure Indirect’ -- indirect body language with an indirect opener (e.g.
Mystery’s game).
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approach is that you’re talking to the set because
“they happened to be standing there,” not because
you’re interested in them.
in di r ect D ir e c t
Fig 4
In general, direct tends to be more dominant and
‘alpha’ because of the subcommunications behind
walking directly up to a group and stating your
64 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
intent or interest. The more direct your approach
is on the scale, the more attraction you can
create right off the opener due to dominance. But
direct also has a number of disadvantages. The
first being that the more direct you approach,
the more your first appearance/first impression
matters. This is why tall, good looking naturals
with great subcommunications often approach very
directly (see The Basic Rule of Direct/Indirect
below) Direct forces the set to make up their
mind about you almost immediately. If your first
impression does not fit into the stereotype of
at least ‘acceptable’ to the set, you’ll be
immediately in damage control and more likely to
be immediately blown out. The other rule is that
the more disqualified you are in the venue (e.g. 50
years old in a young college crowd), the harder
you have to work using direct. A well-dressed 21-
year-old at a college-scene bar can open with an
IOI. A 50 year old man with grey hair will have to
work much harder to achieve the same results with
an IOI opener. Much of this comes from the social
pressure women feel to not be associated with a
disqualified male.
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The Basic Rule of Direct and Indirect:
66 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
from Brad Pitt than they will from a fat, balding,
middle aged man in a club. So in general, we
advocate approaching direct in most venues as it
tends to build attraction faster
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The reason I prefer direct opening versus anything
else is because it lets me sub-communicate more
attractive qualities (alpha behavior, dominance,
confidence, etc) and gets me to attraction much
faster in the majority of social situations...
thus increasing my social hook point percentage.
H o w G ro u p Attraction Works
68 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
1.
Verbal Emotional Value Giving: Giving
value on the verbal channel (e.g. humor,
attractiveness, confidence, etc).
2.
Kinesthetic Emotional Value Giving
from You: Touching the girls.
Recall that touching spikes buying
temperature.
3.
Kinesthetic Emotional Value Giving
from the Girls to Girls: Buying
temperature is spiked even when it
doesn’t originate from you.
5.
Frame control: This is a form of
dominance and confidence and thus both
demonstrates and gives value.
6.
Jealousy and AMOGing: Both of these
things spike buying temperature.
Jealousy often makes her realize that
she’s attracted to you.
7.
Backwards Rationalization: This is the
process whereby women rationalize that
the reason they complied has to be
because they are attracted to you. In
essence, they convince themselves that
they’re attracted to you.
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8. Chase Cycling: Positive reinforcement
for compliance and negative
reinforcement for non-compliance.
9.
Value Giving and Takeaways: The
unpredictable nature of intermittent
rewarding gives value by making you
appear inherently attractive as well
as conditioning her to invest in
the interaction. Takeaways serve to
create scarcity, thereby exponentially
raising your value in her eyes. This
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
70 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Microloop Theory Basics
All pickup interactions can be modeled via
Microloops. They are the building blocks of social
interactions. A Microloop is defined simply as a
value exchange. A basic model is shown in Fig 5.
T/D
S ta r t
GV GV here
Legend
T/D
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71
reaction in you and is one example of her giving
you value. Conversely, when you kino or make her
laugh, she’ll feel those emotions—that is you
giving her value.
72 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
the directive. Hence, Directives are sometimes
called Compliance Requests or Compliance Tests.
1. Y
ou’ve successfully attracted her by
giving value and using the tools and
elements described in this book as well
as the Get the Girl! Nightlife Edition
Manual.
2.1 Y
ou subtly lean back, away from
her. This is a Takeaway. You are
subcommunicating that maybe you are not
interested.
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73
2.2 Y
ou: “What did you want to be when you
were 7?”—This is a Directive. You are
simultaneously testing for compliance
and giving her direction on what she
should do next.
4 Y
ou: “That’s awesome! I actually wanted to
go to space camp just so that I could go in
that gravity chamber where you can float!”
—This is You Giving Her Value in exchange
for her work. It is a psychological reward
for her investment. She now associates
complying with your requests with feeling
good. This raises BT/A.
5.1 Y
ou briefly look around the club and say
“But I don’t know about girls from space
camp … ” This is another Takeaway.
Takeaways make you a challenge and
create scarcity when used correctly.
5.2 Y
ou: “Are you going to whip out your
slide rule when I take you home to Mom?
“—This is a combination of giving value
(via humor), Takeaway (subtle IOD) and
74 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Directive (for her to answer or qualify
herself).
2.1/2.2
5.1/5.2
T/D
S ta r t
GV GV here
3 1
Legend
4
T/D
But Microloop Theory goes beyond this simple Fig 6: Microloop Theory
example. It models everything that happens in Example
social interactions and even in relationships. And
therein lies its power. Once I understood this
principle my abilities really became amazing.
w w w . g r o u p at t r a c t i o n . c o m
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Microloops are the atomic building blocks
of all human interactions.
76 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
2.1/2.2
5.1/5.2
S ta r t
3 1 here
4
Legend
she will eventually give up and assume that you Fig 7: Value Buckets
don’t like her.
But …
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77
few interactions lots of interactions
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78 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
she has you, it means her bucket is full and yours
isn’t. It’s why a large amount of un-calibrated
IOIs toward a woman often stops attraction and
turns her off.
Fig 9:
Tease
Microloop
Diagram
w w w . g r o u p at t r a c t i o n . c o m
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In the particular case of a Tease, the Giving
Value segment is an IOI (“You girls were the
hottest…”) though you can give value in a
variety of different ways. This works because
an IOI from an un-needy, high social value guy
gives emotional value. This is precisely why our
approach and subcommunications are so important—if
we don’t nail the opener, the tease may not work
if the IOI doesn’t hold any emotional value.
80 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
they’re very important for modeling
certain interactions. We’ll get to
those in Vol 2: Chapter 6—Contingencies
and Interrupts.
C
hase Cycling: Similar to the basic
Microloop, the chase cycle skips the
aforementioned T/D and instead focuses
in on rewarding her for working for
you.
C
alibrating Friendliness: When you
calibrate friendliness, you are giving
friendly value in return for hers,
usually with the only directive being
that you each stop talking in order to
cue each other. Being friendly is about
value exchange--her friendly value for
your friendly value or other types of
equivalent emotional value.
K
ino:Kino is an interesting concept
because it gives emotional value both
to the giver and the receiver. For
example, when you initiate kino, that’s
a directive from you to her (reach for
her hand). When she puts her hand in
yours, she is now giving you emotional
value by complying and establishing
kino. Then you touching her hand gives
her value back. Then when you let go of
her hand, you are doing another subtle
w w w . g r o u p at t r a c t i o n . c o m
81
takeaway to optionally start the entire
cycle over again.
L
ove/Hate Teasing: This variation is
modeled by figure 9. In other words,
you do a takeaway and give value to her
without waiting for her to give value
back.
82 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
much emotional value as possible. However, there’s
another important concept to keep in mind:
“
Keep Her Suspended Between Hope and
Doubt”
—Lovedrop
1.
Give enough emotional value so that
the set complies with your next
directive or otherwise works for you
or chases you.
2.
Keep a balance of IOIs/IODs and gIOIs
and gIODs which keep the set uncertain
of where things are going. They’re
constantly wondering how much you
like them– right up until sex with
the target. This ambiguity makes you
a challenge and builds massive sexual
tension.
w w w . g r o u p at t r a c t i o n . c o m
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aforementioned goals: Giving value and suspending
between hope and doubt.
84 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
to take on value. If you’re in comfort twenty
minutes into a solid interaction, either of the
aforementioned IOIs/IODs will suddenly take on
great emotional meaning for her. Similarly, over-
the-top IOI-IOD combinations will also give value,
even if you’ve just met her. Note that excessive
IODs will blow you out largely because you are
taking too much value away.
“
You guys must be the absolutely …
HOTTEST(IOI) … hall monitors in middle
school (IOD) … I can see you with your
clipboards checking off everybody … How
did you guys get into this club (IOD).”
w w w . g r o u p at t r a c t i o n . c o m
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Despite the punch line of this tease being an IOD,
A D V A N C ED it still gives massive emotional value because of
NOTE the humor and emotional stimulation. The other
elements which make this work are delivery-
Not only does based. Just like standup comedy, timing, facial
balancing your value- expressions, tonality, and other subcommunications
giving with IODs keep are all critical to creating the desired effect.
her “suspended,” but Although performing an IOI does not necessarily
the pairing of GV and give value, giving value is always a subtle IOI.
IODs creates even more Thus, if you give value over extended periods
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
emotional value. i.e. of time, that becomes a big IOI. Whenever you
GV + IOD = more GV. give value, you’re investing and working for
More on this later. the girl on some level. This is always a subtle
IOI. So even if you never explicitly verbally or
kinesthetically give any IOIs, you still need to
balance your value-giving with IODs in order to
keep her “suspended between hope and doubt.”
86 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Channels, for our purposes, are simply different
mediums of communication (verbal, kinesthetic,
etc.). I denote channels using abbreviations such
as P(v). The “P” represents you, the participant.
The letter(s) in parentheses represent the
channel, such as Verbal (v), Kinesthetic (k), or
Eye Contact (ec).
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87
Channels are simply different ways to give value.
The 4th and 5th channels are subcommunication-based,
which will be explained in the next section.
Kino
Verbal
Male Female
Figure 10 The Simultaneous
Microloop
88 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Microloops model kinesthetic communication as
well as they model verbal interactions. This
is fortunate as Group Attraction often has you
simultaneously or sequentially microlooping29 29 Doing microloops (e.g.
value exchanges) with the girl
on multiple channels. If you’re confused, keep or the set either on multiple
reading--we’re about to explain what that means. channels or one right after
another. Oftentimes both.
Let’s look at a simple, real-world example of Fig
10 in action. Here’s my “Space Alien” tease which
is very effective once I’ve chosen a target:
What we’re doing here is cycling IOIs and IODs to example, a general
w w w . g r o u p at t r a c t i o n . c o m
89
Because I’m giving value verbally while giving a
directive with kino, she will always comply with
the directive. In this case, that means complying
with the sideways hug. This is the very essence of
solid escalation—giving value in some way every
time we escalate the interaction, either via kino
or verbally.
Subcommunication &
Two-Channel DNA CodeTM
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90 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Multi-Channel Notation fixes this. We accomplish
this by specifying an attractive quality to
subcommunicate along with the appropriate delivery
instructions in parentheses. For example, here is
the notation for higher energy/Fun:
Higher energy/Fun
(louder, big smile,
energy slightly higher than the set)
“
You are the HOTTEST higher energy(louder,
big smile) … space alien I’ve met all
night chill(flat voice tone, smiling) …
no, seriously … THIS GIRL is GORGEOUS
mischief(I’m messing with you guys voice
tone) (sideways hug on SHB space alien)
for being green on the inside chill(flat
voice tone, smiling) … did she pee on
the carpet (release hug) when you guys
first adopted her genuine (warm voice
tone) … because mine did.”
w w w . g r o u p at t r a c t i o n . c o m
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“You are the HOTTEST higher energy(louder,
big smile) GV … space alien I’ve met all
night chill(flat voice tone, smiling) T …
no, seriously … THIS GIRL is GORGEOUS
mischief(I’m messing with you guys voice
tone) GV (sideways hug on SHB space alien)
for being green on the inside chill(flat
voice tone, smiling) T … did she pee on
the carpet (release hug) when you guys
first adopted her genuine (warm voice tone)
T+D(I’m asking a question) GV
… because mine did .”
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
92 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
(verbal, kino, subcom, etc) is presented on its
own bar, exactly the way each instrument in a
symphony is shown on the sheet music. If you’re
not a music person or don’t get that analogy,
don’t worry, it’ll become clear in a minute.
P(v) “You are the HOTTEST …space alien I’ve met all night…no, seriously…”
(sub) higher energy (louder, big smile) Chill (flat, relaxed, constant pitch and tonality).
w w w . g r o u p at t r a c t i o n . c o m
93
Now let’s further simplify this notation by
omitting the delivery details (e.g. “louder, big
smile”) since they always stay the same, and
adding the microloop labeling as follows:
P(v) “You are the HOTTEST … space alien I’ve met all night … no, seriously … ”
P(v) “Did she pee on the carpet when you guys first adopted her?”
94 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
monstrously important as it’s often these tiny
details which make or break a borderline set.
w w w . g r o u p at t r a c t i o n . c o m
95
For now, pay attention to the patterns you see in
the notation—noticing these patterns will allow
you to intuitively learn them over time so that
eventually your subcommunication will allow you
to talk about nothing and still sound absolutely
fascinating.
HO M EWO R K D r i l l :
Now you’ll get a chance to listen to
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5 Channel DNA Code—P(v), P(k),
P (v-sub), P (k-sub), S(v)
In the 2 channel example above I showed you
a notation that allows for understanding the
precise, coordinated timing of subcommunication
delivery and verbals. That in itself will improve
your game … but we need more tools so that you
know exactly when and how to escalate.
w w w . g r o u p at t r a c t i o n . c o m
97
Note: Blank cells indicate no conscious
communication on that channel at that point in time.
P(v) “You are the hottest … space alien I’ve met all night … no, seriously …”
P(v) “Did she pee on the carpet when you guys first adopted her?...”
98 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
In order to keep thing simple we’ve only shown the
kino channel when it was happening.
w w w . g r o u p at t r a c t i o n . c o m
99
any reasonable kino request when plowing
value, your request will always be granted.
This routine’s extremely high level of
effectiveness is derived by following that
law.
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You’ll be using this pattern constantly until
you can initiate kino and always get compliance
without having to say anything. But until that
happens, everything works with this pattern.
P(v) “You are the hottest …space alien I’ve met all night…no, seriously … ”
P(v) “Did she pee on the carpet when you guys first adopted her?...”
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That’s the beauty of the notation - you can depict
certain channels and ignore others in order to
focus on specific aspects of the game. Or you can
depict the entire interaction all at once as if
you are reading the music for a symphony. This is
very appropriate as truly skilled pickup is a one-
man symphony of multi-channel communication.
P(v) “You are the hottest” “…space alien I’ve met all night…no, seriously…”
(D) (GV)
P(k-sub) Dominance (firm, unshaky kino) _____________ _________________
S(v) “Totally … ”
102 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
end of their responses. This keeps control of
the set and further subcommunicates dominance
while discouraging interruptions. It takes
field practice to perfect the timing, but it’s
ultimately very important. When you wait too long,
you‘ll feel the “uncomfortable silence” effect.
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In essence, the whole is greater than the sum of
its parts. The only critical difference between
standard target-based teasing and Group Teasing is
that Group Teasing is done on the entire set.
P(v) “You guys are the CUTEST … hall monitors in middle school.”
104 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
how to maintain dominance on the alpha female
without directly addressing her verbally:
P(v) “You guys are the CUTEST” … hall monitors in middle school.”
(GV-1)
P(bl-sub) Un-needy _________________________________________________________
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Eye contact by itself conveys dominance, but
Q&A: when you do it while saying some crazy gIOD, it
amplifies the original effect. To the alpha girl,
Q: “Why do you
the fact that someone can stare her down while
maintain gaze in the
busting on her means he must have balls of steel.
left eye?”
And the simple act of holding someone’s gaze
A: “There’s no also directly stimulates emotions. This applies
scientific proof universally, meaning that extended eye contact
that maintaining gives value from you to her and vice versa, much
eye contact with like the value exchange loop of any extended kino.
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106 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
with body language and eye contact on the other two
channels and then do another takeaway with body
language. This is a great example of mixing GV and
IOIs with Takeaways and IODs on several channels at
once. The end result is an emotional effect greater
than the sum of its parts.
Group Projections
Group projections are fun, usually fantasy
imaginings what you would do, are doing now, or
have done in the past with the group. They’re
discussed extensively in the Get the Girl! Manual.
The only difference between the Projections in the
GTG! manual and their Group Attraction cousins
is that the projections in GA are always about
the group. Thus, we use gIOIs and gIODs almost
exclusively. Furthermore, in this book we’ll cover
not only future projections, but past and present
as well.
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Let’s get into how they work.
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And on top of that, we throw in attractive
quality subcommunications such as living in your
own reality, creativity, being unaffected, and
understanding women. Projections are also an
excellent opportunity to mix up the delivery
subcommunications as discussed in the previous
“Subcommunication and Two Channel DNA Code” section.
P(v) “If we were partying in Hollywood together,” “I could not keep you girls out of the tabloids … ”
P(v) “If we make a mess in the mansion again…the maid” “will quit…that’s the 10th one this year.”
P(v) “And you two … ” “have got to stop stalking the midget from Austin Powers … ”
P(v) “if we make the British tabloids again” … it’ll be an even bigger mess than last time.”
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Note the heavy mix of fantasy-based GV along with
T/gIODs, the varied subcommunication and delivery,
and gIOI/gIOD combinations. These elements are
what make projections effective.
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Some subcommunications are very dependent on
specific delivery (e.g. higher energy, chillness,
judging, dominant, un-needy, mischievous). We list
these on the P(sub) bars in DNA Code. I call them
tactical subcommunications.
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this section because it’s closely linked to the
elements which make Group Projections effective.
Pure KinoTM
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material. Now that I have all the tools, prepare
yourself for some amazing game growth.
S(v) “A while!”
P(v) “Did you know that you could be psychic together? …For shits and giggles we’re going to”
P(ec) scan the group ------------------------ left eye solid gaze on alpha girl___
Un-needy(GV+T)________________________________________________________________________
P(bl-sub)
S(v): “no … ”
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P(v) “find out if you guys are psychic together … give me your hands … ”
P(ec) ßscan the group------------------------ ec girl who’s hand you want to grab first ----
P(ec-sub) Judging(GV)______________________________________Dominant
(GV+T)
__________________________
P(bl-sub) Un-needy(GV+T)____________________________________________________________________
P(k-sub) Dominant(GV+D)______________________________
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solid, unwavering, baritone tonality both gives
value and issues a Directive. Because dominance is
closely linked to confidence and other attractive
traits, dominance itself makes the directive
much more likely to work. And it works on every
channel. You can even be dominant kinesthetically
by making each kino request unwavering,
unflinching, and smooth.
P(k) Kino!______________
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P(v) “Did you know that you could be psychic together? … For shits and giggles we’re going to”
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P(v): “find out if you guys are psychic together ….Give me your hands…”
P(k): Grab the two nearest girls hands …
P(v) “for this to work … you guys have to hold hands as well….”
P(k) make your hand hold firmer here relax hand hold a bit
P(v) “now we have formed a psychic circle … I can totally read your minds…”
P(k) make your hand hold more firm and start moving their hands around------------------
P(v) “Get your mind out of the GUTTER! … ok … we’re going to do this again …”
P(v) “Now … think of a number between 1 TWO … 4 … the first number that pop’s into
P(k) make your hand hold more firm and start moving their hands around ---------
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P(v) “your mind … don’t SAY it … just think it … ok girl on left … what number we’re you …”
P(v) “thinking … ok girl on right … and what number were you [left] thinking … “
P(v) “it’s those dirty thoughts of hers that messed you guys up!”
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HO M EWO R K e x e r c i s e
Before reading any further, take attention to how value was given
the routine above and write it out and how the value was used to
on paper or computer using the 8- get kino. Note all the different
channel notation from earlier in GVs, Ts, and Ds, and all the
the section. Check your answer subcommunicated value, and think
against the complete version of about both the tactical and net-
this routine in Appendix A. Pay effect subcommunications.
1.
Verbal emotional value giving—We are
constantly giving verbal value both
118 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
by saying interesting things and
subcommunicating attractive qualities.
2.
Kinesthetic emotional value giving– We
are constantly touching the girls.
Whenever you exchange touch, you are
giving value to each other, and that
value exchange in turn amplifies the
value exchanges on all the other
channels. The kinesthetic channel is
also a great place to subcommunicate
attractive qualities.
3.
Kinesthetic emotional value giving
from the girls to each other—Most
people miss this but it’s very cool.
Note that there are places in the
routine when the women are touching
each other under your direction. Those
exchanges are described using the set-
kino (S(k)) channel. When the girls
touch each other, it’s also a value
exchange which spikes their emotional
state. Now they’re increasing BT&A by
touching themselves (pun intended).
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with the person you’re addressing.
Although the material we use is for
the entire group, we’ll shift our gaze
and project our voice a few seconds
at a time toward each girl while
we’re talking. Your vocal projection
should generally follow your eye
contact. This eye contact scan is not
depicted in the DNA Code above but
it’s still important to do. Your body
language also gives value by smiling
constantly and leaning back (GV + T).
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5.
Backwards Rationalization—This is
one of the most powerful attraction
mechanisms available to us. If you’ll
recall, microlooping and giving
value allows us to escalate or issue
directives and nearly always get
compliance. Oftentimes that compliance
is rooted in buying temperature and
emotional spiking. In other words,
she’s not necessarily fully attracted
to you, she’s simply in a heightened
emotional state as a result of
PureKino or other routines you’ve
run. But an interesting phenomenon
occurs when she complies. Her brain is
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always actively attempting to avoid
cognitive dissonance, which is when
her actions aren’t in agreement with
her values. So to avoid this emotion,
she “convinces” herself that she’s
attracted to you, and that’s why she
allowed you to escalate. After all,
for her to see you as unattractive
would mean she’d have to admit to
herself that she’s “easy.” It’s much
easier to backwards rationalize you as
attractive. This process also creates
a psychological “yes ladder” which
gains positive momentum. In other
words, the more often she’s complied
(said “yes” to you), the more likely
she will be to continue doing that in
order to stay internally consistent.
And lastly, compliance means that
she’s investing or working for you.
And as human beings, we only invest in
and work for things that have value.
Thus, the logical conclusion is that
you must have value. And the counter
intuitive part is that the more she
works, the more she has invested
in you and the more she’ll chase
you to get you to invest in her. So
what we’re seeing here is backwards
rationalization working on multiple
levels to generate attraction.
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6.
Positive & Negative Reinforcement:
The punishment and reward dynamic
implemented by takeaways and giving
value, respectively, create positive
compliance momentum by rewarding her
for working for you and punishing
her for defiance. In other words, she
feels good when she complies and bad
when she does not. This is one reason
why PureKino is so powerful—because
the kinesthetic DNA channel is most
effective for programming punishment
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and reward.
7.
Automated sequential value giving
and takeaways—This is your automatic
intermittent reward system that you
do constantly on all channels of
communication. The seemingly random
mix of validation and de-validation
(e.g. giving value and Takeaways) make
you appear unpredictable and cause her
to chase the validation when you do an
automatic takeaway. This same human
behavior is what makes gambling so
addictive and is the major reason why
PureKino is the single most powerful
attraction technique on earth.
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The bottom line on PureKino is that it hits its
audience with maximum value and compliance on
every available channel. The other techniques we
employ are largely used to get enough compliance
to start PureKino.
Group Dynamics
If you’ve been paying attention, you’ve probably
noticed that we haven’t covered two of the methods
which make Group Attraction work. Namely:
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else simply exists within it. You are the source
of all the value so everyone naturally looks to
you as the leader.
which involves managing wired to respond to value. When you are the
and being able to control
source of value, the women in the group will very
groups of people when in
social situations since quickly ignore the men and pay attention to you.
most attractive women are
This often occurs even in spite of boyfriends,
rarely in a social setting by
themselves. husbands, or other relationships. And 95% of the
time the men follow the women’s lead and stand
around like sheep while you continue to plow
value. (Chapter 6 will cover the 5% of the time
they don’t).
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Displaying social prowess and verbally defeating
the men around you is the modern day equivalent of
the male struggle for power and dominance. It is
akin to the “alpha” caveman who clubs the “beta”
cavemen over the head and steals their women.
This triggers primordial instincts in the female
emotional circuitry which is designed to mate
with—and be attracted to—the alpha male. This is
the biggest reason I love running game in mixed
34. Groups with both men and
sets34, despite the logistical problems that other women in them.
men can later present—it sure makes attraction
easier.
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P racticing G A
Learning Roadmap
Read the book and do the homework exercises. You
can also watch the infield footage and listen to
the audio book. Once you’ve completed this, you’re
ready to start practicing.
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The first step is to pick your favorite stack—
select your favorite opener, tease, projection,
and PureKino. Then perform the following steps:
1.
Write out the stack using DNA Code and
take notes during this process. Be
sure you understand exactly why you
are doing what you’re doing. If you
have questions, post it in the forums
(http://www.groupattraction.com/forum)
which you now have access to.
3.
Next, perform the Group Attraction
Mirror Drill with your new stack. That
drill is also detailed below and will
teach you correct body language and
kino.
4.
Now go out infield and deliver the
stack to 15 different sets. Right when
you arrive, open 2 warm-up sets. When
you’re finished, perform the “Mehow’s
Presence” State Altering Exercise and
then continue. If you feel yourself lose
presence at any point in the night,
repeat the exercise. By the 15th set
you should be making major progress.
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Most guys in field don’t open 15 sets
in a month. And if possible, have an
experienced wing watch you. Use the Get
the Girl! “Light Consciousness Drill”
from the GTG! Manual if you feel that
you are not addressing delivery problems
in your set. We’ve reprinted and revised
that text below.
5.
After a night of practice, take notes
on what you think you did right and
what you think you did wrong. Post
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inner game. You are already way ahead
of who you used to be!
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Video Feedback Training:
www.getthegirlhotesat.com
GA Verbal Drill
Before trying this drill you should have the
verbals of your stack written down in at least
two-channel DNA notation using P(v) and P(v-sub).
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which pause after and prompt you with a tone so
you can stay in the moment and repeat after me.
GA Mirror Drill
Now that you have your verbals down, stand in
front of a full-length mirror and deliver them as
if you were in set.
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Practice your body language and eye contact until
you feel really comfortable with it.
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the music, the sounds of laughter, the sounds
of everyone talking, the sounds of people’s
footsteps … really NOTICE all of the sounds
in the environment … if any thoughts or
feelings pop into your mind, I want you to
simply let them go…. Keep paying attention to
the sounds in the environment … Note that you
are not your thoughts or emotions. Note that
your consciousness … THE TRUE YOU … is the
observer of the sounds, your own thoughts and
emotions. Keep paying attention to the sounds in
the environment…. if any thoughts or feelings
pop into your mind I want you to simply let them
go … now as you pay attention to the sounds you
will notice a very warm feeling of positive energy
well up within you. It will come from inside. This
is you feeling the joy of your own being accessed
through your presence. Now keep paying attention
to the sounds in the environment and the joy of
your own being and when you have fully accessed
the joy of your own being … slowly open your
eyes … remain present and open the nearest set.”
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I go through this exercise at least once a night
and it alters my state to a more positive one
every time.
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not rejecting you, she doesn’t know you. She’s
rejecting your subcommunications or your approach.
Anytime anything goes wrong, briefly meditate
on what you think you can improve on and do it
again. Outcomes don’t matter—only how fast you’re
learning the skill set. If you learn the skill set
you will get results. I promise you that.
C oncl u sion
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a lot of technical details with you in the
process. But there’s one very important point
that I want you to be aware of.
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more importantly, a passion in your life. Have a
clean, working car if you’re in a driving city.
Move out of your mom’s basement. Go to the gym
and stay in shape. Have hobbies other than girls.
Ultimately, you want to work on all aspects of
yourself. Group Attraction should be a reflection
of the person that you are, not an illusion
covering up the person cowering beneath.
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Opening
3
I hate long openers. I want to start running
attraction as soon as possible. The openers in
the Get the Girl! Nightlife edition are brutally
brief, yet effective. The opening style I like to
use consists of four parts:
1. Opener
4. Continue to Attraction
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been practicing, you’ll be well prepared for
Opening with Group Attraction.
1. Opening Material
5. Continue to Attraction
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140 G r o u p at t r a c t i o n ( g a ) - - o p e n i n g
The first key to doing all this correctly is the
“Evil Clown Frame.”
Ev il C lo w n Frame
P(v): “Did you know that you could be psychic together? … For shits and giggles we’re going to”
P(ec): scan the group--- left eye solid gaze on alpha girl
P(bl-sub): un-needy(GV+T)_______________________________________________________________________
S(v): “What?”
S(v-sub): inquisitive/friendly(GV)
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