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SALEM-KEIZER GENERAL MUSIC CURRICULUM- 0

Salem-Keizer Public Schools

General Music
Curriculum
Promoting Music Literacy
Standards and Assessment Rubrics

20152016

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 1

Music Standards- Kindergarten


Rhythmic Literacy - Fall
Anchor Standard: Students become rhythmically literate. Students are able to perform, creatively use, and
communicate rhythmic elements.
Essential Question: How are rhythm and meter created and communicated?
Enduring Understandings
Rhythm is the duration of sound. Steady beat is the foundation for rhythmic learning and exploration. Rhythm
and beat can be organized into groups called meter.

Know
K.R.Ka. Music has a steady beat
K.R.K.b. A note is a symbol for sound.
K.R.K.c. A quarter note has a head and a stem
Perform
K.R.P.a. Steady beat alone and with others
K.R.P.b. Steady beat on a variety of classroom instruments
K.R.P.c. Steady beat while singing a variety of music (CFA)
Create
K.R.C.a. Improvise and create movement to represent the steady beat
Respond/Connect
K.R.R.a. Listen and respond to the steady beat in the works of classical composers (CFA)
K.R.R.b. Identify non-musical things that keep a steady pulse.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 2

Kindergarten Rhythmic Rubrics

K.R.R.a. Listen and respond to the steady beat in the works of classical composers (CFA)
4 Student actively listens and anticipates changes and can identify other elements while responding to
the steady beat.
3 Student actively listens and responds to the steady beat while listening to music.
2 With redirection and help from the teacher or another student, student will attempt respond to the
steady pulse while listening.
1- Student does not or refused to respond to the steady pulse while listening.

K.R.P.c. Steady beat while singing a variety of music (CFA)


4 Student sings and maintains a steady beat with body or simple instrument independently. Student
could lead the class in steady beat activity
3 Student sings and keeps a consistent steady beat with the body or simple instrument while following
the teacher or another student.
2 With redirection and help from the teacher or another student, student will attempt to keep a steady
pulse with the body or simple instrument while singing.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 3

Music Standards- Kindergarten


Melodic Literacy - Winter
Anchor Standard: Students become melodically literate. Students can perform, creatively use, and communicate
melodic and harmonic elements.
Essential Question: How are melody and harmony created and communicated?
Enduring Understandings
Music is organized sound. Melody is organized pitch. Melody is also organized by direction and duration. Harmony is
created when two or more sounds are produced together.
Know
K.M.K.a Music lives on a staff
K.M.K.b.A note can live on a line or in a space
K.M.K.c. Identify and trace the staff and treble clef
Perform
K.M.P.a. Demonstrate high and low pitch with the body and a variety of instruments (CFA)
K.M.P.b. Sing a variety of songs to develop in-tune singing and range (CFA)
KM.P.c. Use an ostinato to accompany a song or poem
Create
K.M.C.a. Improvise high and low sounds both vocally and on a variety of instruments
Respond/Connect
K.M.R.a. Sing songs from a variety of cultures and for varied seasons
K.M.R.b. Respond to music in relationship to history and culture

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 4

Kindergarten Melodic Rubrics

K.M.P.a. Demonstrate high and low pitch with the body and a variety of instruments (CFA)

4 Student easily manipulates high and low pitch with their own voice, instrument,
without promptings from the teacher.
3 Student correctly demonstrates high and low pitch with their body or an instrument.
2 With help and redirection from the teacher, student will attempt to demonstrate pitch
with their body or an instrument.
1 Student cannot or refuses to demonstrate pitch with their body or an instrument.

K.M.P.b. Sing a variety of songs to develop in-tune singing and range (CFA)
4 Student consistently matches pitch and can match pitch beyond a normal kinder range
(d-a).
3 Student participates in singing and matches the appropriate pitch most of the time.
2 Student makes an effort to participate in the singing, but is not matching pitch.
1- Student refuses to sing or make no effort to match pitch.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 5


Music Standards- Kindergarten
Expressive Elements - Spring
Anchor Standard: Students recognize signs and symbols for musical expression. Students can effectively use and
manipulate expressive elements.
Essential Question: How does a musician use the elements of expression to communicate their music? How can I use
the elements of expression to express my own ideas and feelings?
Enduring Understandings
Musicians express themselves through the use of tonality, form, dynamics, tempo, style, and instrumentation. Learning to
manipulate these elements helps to communicate our musical ideas with others.
Know
K.E.K.a. Understand the concepts of loud and soft
K.E.K.b. Understand the concept of fast and slow (CFA)
K.E.K.c. Understand that music has patterns
K.E.K.d. Know the names of various classroom (rhythm) instruments
K.E.K.e. Recognize and identify a variety of voices (man, woman, child)
Perform
K.E.P.a. Perform songs and poems with contrasting dynamics
K.E.P.b. Perform songs with poems with contrasting tempos
K.E.P.c. Demonstrate a whisper, speaking, singing, and calling voice
Create
K.E.C.a. Use an element of expression to manipulate songs, poems, and stories
K.E.C.b. Create movement to represent sections of a piece of music
Respond/Connect
K.E.R.a. Listen and identify elements of expression in a variety of classical/folk music
K.E.R.b. Respond to various vocal, instrumental and other musical sounds (CFA)

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 6

Kindergarten - Expressive Elements Rubrics

K.E.K.b. Understand the concept of fast and slow (CFA)


4 Student can demonstrate the concept of fast and slow in a variety of ways
(vocally, with movement, when listening to examples).
3 Student can demonstrate the concept of fast and slow during a teacher guided
lesson.
2 Student can demonstrate the concept of fast and slow after being redirected or
helped by the teacher.
1 -Student is unable to demonstrate understanding of the concept of fast and slow.

K.E.R.b. Respond to various vocal, instrumental and other musical sounds (CFA)
4 Student can create their own appropriate responses to musical sounds.
3 Student respond appropriately to musical sounds.
2 With assistance from the teacher or other students, student will respond to
musical sounds.
1 Student does not respond appropriately to music sounds.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 7

Music Standards- 1st Grade


Rhythmic Literacy - Fall
Anchor Standard: Students become rhythmically literate. Students are able to perform, creatively use, and
communicate rhythmic elements.
Essential Question: How are rhythm and meter created and communicated?
Enduring Understandings
Rhythm is the duration of sound. Steady beat is the foundation for rhythmic learning and exploration. Rhythm
and beat can be organized into groups called meter.
Know
1.R.Ka. Define steady beat
1.R.K.b. Symbols: quarter note, quarter note rest, two eighth notes
1R.K.c. Value for the symbols above
Perform
1.R.P.a. Steady beat alone and with others
1.R.P.b. Chant and clap 4 beat patterns
1.R.P.c. Read and decode 4 beat patterns as parts of songs/poems
1.R.P.d. Read/play 4 beat patterns as parts of songs/poems
Create
1.R.C.a. Improvise 4 beat patterns, call and response style
1.R.C.b. Create 4 beat patterns using quarter note, quarter rest, and two eighth notes (CFA)
1.R.C.c. Share original patterns with others
Respond/Connect
1.R.R.a. Listen, identify and write four beat rhythm patterns (CFA)
1.R.R.b. Listen and respond to the steady beat and rhythmic patterns in the works of famous composers.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 8

First Grade Rhythmic Rubrics

1st Grade 1.R.C.b. Create 4 beat patterns using quarter note, quarter rest, and two eighth
Rhythmic notes
Literacy
Students can use manipulatives, white boards and markers, or manipulatives to
demonstrate this skill.
4

The student can create the 4 beat pattern and can play, clap, or speak the pattern with
fluency. The student can create many variations of the 4 beat pattern.

The student can create 4 beat patterns using the appropriate notes values.

The student can write the notes, but does not comprehend the value of the notes

Students are unable to notate rhythm patterns

1st Grade 1.R.R.a. Listen, identify and write four beat rhythm patterns
Rhythmic
See assessment provided
Literacy

Student is able to correctly identify all rhythmic patterns and can take from dictation
simple 4 beat patterns.

Student correctly identifies 4-5 rhythms patterns

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

Music Standards- 2nd Grade

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 9

Rhythmic Literacy - Fall


Anchor Standard: Students become rhythmically literate. Students are able to perform, creatively use, and
communicate rhythmic elements.
Essential Question: How are rhythm and meter created and communicated?
Enduring Understandings
Rhythm is the duration of sound. Steady beat is the foundation for rhythmic learning and exploration. Rhythm
and beat can be organized into groups called meter.
Know
2.R.Ka. Review rhythmic notes and values from 1st grade
2.R.K.b. Identify and understand the value for the half note and half rest
2.R.K.c. Recognize the strong beat in sets of 2 and sets of 3
Perform
2.R.P.a. Play/sing/move to songs that contain the half note/rest
2.R.P.b. Read from notation songs that contain the half note/rest
2.R.P.c. Use movement to show the strong beat in meter of 2 and 3
Create
2.R.C.a. Create/perform original 4 beat patterns
2.R.C.b. In groups of 2 or 4 combine/arrange and perform original 4 beat patterns with others (CFA)
Respond/Connect
2.R.R.a. Listen to then choose or take from dictation 4 beat patterns that contain quarter/eighth/half notes/rests
(CFA)
2.R.R.b. Listen and respond to the steady beat and rhythmic patterns in the works of famous composers.
2.R.R.c. Discuss how rhythm is present in other content areas such as reading or sports

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 10

2nd Grade Rhythmic Rubrics


2nd
2.R.C.b. In groups of 2 or 4 combine/arrange and perform original 4 beat patterns
Grade
with others
Rhythmic
Literacy
4

The student can combine/arrange and perform original 4 beat patterns with others,
taking a leadership role in the group

The student can combine/arrange and perform original 4 beat patterns with others.

The student can combine/arrange and perform original 4 beat patterns with others but is
not consistently accurate.

The student is unable to perform 4 beats rhythm patterns with the group.

2nd
2.R.R.a. Listen to then choose or take from dictation 4 beat patterns that contain
Grade
quarter/eighth/half notes/half rest
Rhythmic
See assessment provided
Literacy
4

Student is able to correctly identify all rhythmic patterns and can take from dictation
simple 4 beat patterns.

Student correctly identifies 4-5 rhythms patterns

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 11

Music Standards- 3rd Grade


Rhythmic Literacy - Fall
Anchor Standard: Students become rhythmically literate. Students are able to perform, creatively use, and
communicate rhythmic elements.
Essential Question: How are rhythm and meter created and communicated?
Enduring Understandings
Rhythm is the duration of sound. Steady beat is the foundation for rhythmic learning and exploration. Rhythm
and beat can be organized into groups called meter.
Know
3.R.Ka. Review rhythmic notes and values from 1st -2nd grade
3.R.K.b. Identify and understand the value for the whole note and whole rest and dotted half note
Perform
3.R.P.a. Play/sing/move to songs that contain the whole note/rest
3.R.P.b. Read from notation songs that contain the whole note/rest and dotted half note
3.R.P.c. Use movement to show the strong beat in meter of 2 and 3
Create
3.R.C.a. Create/perform original rhythmic patterns with 3 beats per measure and 4 beats per measure. Compare
and contrast compositions
3.R.C.b. In small groups, combine/arrange and perform original rhythmic patterns using 2,3,or 4 beats per
measure
Respond/Connect
3.R.R.a. Recognize the strong beat in sets of 2 and sets of 3 (CFA)
3.R.R.b. Listen to then choose or take from dictation 4 beat patterns that contains notes learned in 1st-3rd grades
(CFA)
3.R.R.c. Listen and respond to the steady beat and rhythmic patterns in the works of famous composers.
3.R.R.d. Discuss how rhythm is present in other content areas such as reading or sports

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 12

3rd Grade Rhythmic Rubrics

3rd
3.R.R.a. Recognize the strong beat in sets of 2 and sets of 3
Grade
Rhythmic See assessment provided
Literacy
4

Student is able to correctly identify all examples and can easily demonstrate through
movement the difference between 2 and 3.

Student correctly identifies 4-5 examples.

Student correctly identifies 2-3 rhythms examples.

Student correctly identifies 1 or does not identify the examples.

3rd
3.R.R.b. Listen to then choose or take from dictation 4 beat patterns that contains
Grade
notes learned in 1st-3rd grades.
Rhythmic
See assessment provided
Literacy
4

Student is able to correctly identify all rhythmic patterns and can take from dictation 4
beat patterns.

Student correctly identifies 4-5 rhythms patterns

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

Music Standards- 4th Grade

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 13

Rhythmic Literacy - Fall


Anchor Standard: Students become rhythmically literate. Students are able to perform, creatively use, and
communicate rhythmic elements.
Essential Question: How are rhythm and meter created and communicated?
Enduring Understandings
Rhythm is the duration of sound. Steady beat is the foundation for rhythmic learning and exploration. Rhythm
and beat can be organized into groups called meter.
Know
4.R.Ka. Review rhythmic notes and values from 1st -3rd grade
4.R.K.b. Identify and understand the value for sixteenth notes
4.R.K.c. Recognize and understand the meter signatures of 2/4, , and 4/4
Perform
4.R.P.a. Play/sing/move to songs that contain sixteenth notes
4.R.P.b. Read from notation songs that contain sixteenth noted
4.R.P.c. Use numbers to count note values in 2/3, , and 4/4 meter (CFA)
Create
4.R.C.a. Improvise rhythms to accompany a chant or song
4.R.C.b. Create a rhythmic composition of 4 measures. Share compositions with peers for performance and
evaluation opportunities
Respond/Connect
4.R.R.a. Listen to and choose or take from dictation 4 beat patterns that contains notes learned in 1st-4th grades
(CFA)
4.R.R.b. Listen and respond to the steady beat and rhythmic patterns in the works of famous composers.
4.R.R.c. Discuss how rhythm is present in other content areas such as reading or sports

4th Grade Rhythmic Rubrics

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 14

4th
4.R.P.c. Use numbers to count note values in 2/3, , and 4/4 meter
Grade
Rhythmic See assessment provided
Literacy
4

Student is able to correctly identify all rhythmic patterns with the correct amount of
beats. Student can accurately count using numbers varied patterns in varied meter.

Student correctly identifies 4-5 rhythms patterns.

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

4th Grade 4.R.R.a. Listen to and choose or take from dictation 4 beat patterns that contains
Rhythmic notes learned in 1st-4th grades
Literacy
See assessment provided

Student is able to correctly identify all rhythmic patterns and can take from dictation
patterns in various meter.

Student correctly identifies 4-5 rhythms patterns

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 15

Music Standards- 5th Grade


Rhythmic Literacy - Fall
Anchor Standard: Students become rhythmically literate. Students are able to perform, creatively use, and
communicate rhythmic elements.
Essential Question: How are rhythm and meter created and communicated?
Enduring Understandings
Rhythm is the duration of sound. Steady beat is the foundation for rhythmic learning and exploration. Rhythm
and beat can be organized into groups called meter.
Know
5.R.Ka. Review rhythmic notes and values from 1st -4th grade
5.R.K.b. Identify and understand the values for dotted quarter notes and single eighth notes (syncopa)
5.R.K.c. Recognize and understand the meter signatures of 2/4, , and 4/4
Perform
5.R.P.a. Play/sing/move to songs that contain dotted quarter notes and single eighth notes
5.R.P.b. Read from notation songs that contain dotted quarter notes and single eighth notes
5.R.P.c. Use numbers to count note values in 2/3, , and 4/4 meter (CFA)
Create
5.R.C.a. Improvise rhythms to accompany a chant or song
5.R.C.b. Create a rhythmic composition of 4 measures. Share compositions with peers for performance and
evaluation opportunities
Respond/Connect
5.R.R.a. Listen and choose or take from dictation 4 beat patterns that contains notes learned in 1st-4th grades
inclusing dotted quarter notes and single eighth notes (syncopa) (CFA)
5.R.R.b. Listen and respond to the steady beat and rhythmic patterns in the works of famous composers.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 16

5th Grade Rhythmic Rubrics

5th
5.R.P.c. Use numbers to count note values in 2/3, , and 4/4 meter
Grade
Rhythmic See assessment provided
Literacy
4

Student is able to correctly identify all rhythmic patterns with the correct amount of
beats. Student can accurately count using numbers varied patterns in varied meter.

Student correctly identifies 4-5 rhythms patterns.

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

5th
5.R.R.a. Listen and choose or take from dictation 4 beat patterns that contains
Grade
notes learned in 1st-4th grades inclusing dotted quarter notes and single eighth
Rhythmic notes (syncopa)
Literacy
See assessment provided
4

Student is able to correctly identify all rhythmic patterns and can take from dictation
patterns in various meter.

Student correctly identifies 4-5 rhythms patterns

Student correctly identifies 2-3 rhythms patterns.

Student correctly identifies 1 or does not identify the patterns.

Music Standards- 1st Grade

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 17


Melodic Literacy - Winter
Anchor Standard: Students become melodically literate. Students can perform, creatively use, and communicate
melodic and harmonic elements.
Essential Question: How are melody and harmony created and communicated?
Enduring Understandings
Music is organized sound. Melody is organized pitch. Melody is also organized by direction and duration. Harmony is
created when two or more sounds are produced together.
Know
1.M.K.a Experience the major scale
1.M.K.b.Demonstrate high and low
1.M.K.c. Write/draw the staff and treble clef
1.M.K.d. Identify line notes and space notes (CFA)
1.M.K.e. Demonstrate hand signs for so/mi
1M.K.f. Ostinato is a repeating pattern
Perform
1.M.P.a. Demonstrate high and low pitch with the body and a variety of instruments
1.M.P.b. Sing and play so-mi patterns in a variety of songs (CFA)
1.M.P.c. Read/decode so-mi patterns from the staff
1.M.P.d. Take dictation(traditional or non-traditional notation) using so-mi patterns
1M.P.e. Use an ostinato to accompany a song or poem
Create
1.M.C.a. Improvise so-mi patterns vocally or on pitched instruments
1.M.C.b. As a class compose/play a so-mi song,
1M.C.c. Create a ostinato pattern to accompany songs and poems
Respond/Connect
1.M.R.a. Sing songs from a variety of cultures and for varied seasons
1.M.R.b. Respond to music in relationship to history and culture

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 18

Grade Level:
1st

Standard/Objective: Melodic Literacy Know d: Identify line and space


notes.

Student can write and identify their own examples of a line/space


note with the appropriate number.

Student is able to identify 4-5 of the line/space notes with the


appropriate number.

Student is able to identify 2-3 of the line/space notes with the


appropriate number.

Student is not able to identify line/space notes with the appropriate


number.

Grade Level:
1st-5th

Standard/Objective: Melodic Literacy Perform a: Sing and play a


variety of song that containappropriate grade level patterns

Student can perform independently, accurately and demonstrates


fluency beyond grade level

Student can independently and accurately perform song

Student can perform song but needs support

Student cannot accurately perform song even with support

Please see resource folder for examples of grade level


appropriate songs. We encourage the performance to be
on an instrument. If the performance is sung we
encourage attaching solfeg and/or handsigns.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 19

Music Standards- 2nd Grade


Melodic Literacy - Winter
Anchor Standard: Students become melodically literate. Students can perform, creatively use, and
communicate melodic and harmonic elements.
Essential Question: How are melody and harmony created and communicated?
Enduring Understandings
Music is organized sound. Melody is organized pitch. Melody is also organized by direction and duration.
Harmony is created when two or more sounds are produced together.
Know
2.M.K.a Experience hand signs for the major scale focusing on so, la, mi, and do
2.M.K.b. Draw the treble clef
2.M.K.c. Identify steps and skips and repeated notes on the staff (CFA)
2.M.K.d. Recognize so-la as a step and so-mi as a skip
2.M.K.e. Recognize ostinato as a repeating pattern
Perform
2.M.P.a. Sing and play a variety of songs that contain so, la, mi, and do (CFA)
2.M.P.b. Read and decode so-mi-la patterns from the staff
2.M.P.c. Take dictation (traditional or non-traditional notation) using combinations of so, mi, la, and do
2M.P.d. Use ostinato patterns to accompany songs or poems
Create
2.M.C.a. Improvise using a combination of so, la, mi and do vocally or on pitched instruments
2.M.C.b. As a class compose/play a song using a combination of so, la, mi and do
2M.C.c. Create an ostinato pattern to accompany and song or poem
Respond/Connect
2.M.R.a. Sing songs from a variety of cultures and for varied seasons
2.M.R.b. Respond to music in relationship to history and culture

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 20

Grade
Level: 2nd

Standard/Objective: Melodic Literacy Know c: Identify steps,


skips, and repeated notes on the staff.

Student can create and label their own examples of notes that
step, skip, or repeat on the staff.

Student can identify 4-5 examples of notes that step, skip, or


repeat on the staff.

Student can identify 2-3 examples of notes that step, skip, or


repeat on the staff.

Student cannot identify notes that step, skip, or repeat on the


staff.

Grade
Level: 1st5th

Standard/Objective: Melodic Literacy Perform a: Sing and play


a variety of songs that containappropriate grade level
patterns

Student can perform independently, accurately and


demonstrates fluency beyond grade level

Student can independently and accurately perform song

Student can perform song but needs support

Student cannot accurately perform song even with support

Please see resource folder for examples of grade level appropriate songs. We encourage the
performance to be on an instrument. If the performance is sung we encourage attaching solfeg
and/or handsigns.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 21

Music Standards- 3rd Grade


Melodic Literacy - Winter
Anchor Standard: Students become melodically literate. Students can perform, creatively use, and
communicate melodic and harmonic elements.
Essential Question: How are melody and harmony created and communicated?
Enduring Understandings
Music is organized sound. Melody is organized pitch. Melody is also organized by direction and duration.
Harmony is created when two or more sounds are produced together.
Know
3.M.K.a Experience hand signs for the major scale focusing on mi, re, and do
3.M.K.b. Identify the pitch of the lines and spaces for the treble clef (CFA)
3.M.K.c. Identify steps and skips and repeated notes as well as their direction on the staff
3.M.K.d. Recognize do-re-mi as a step pattern and do-mi as a skip
Perform
3.M.P.a. Sing and play a variety of songs that contain combinations of do-re-mi
3.M.P.b. Read and decode do,re,mi patterns from the staff
3.M.P.c. Take dictation (traditional or non-traditional notation) using combinations of so, mi, la, and do
3M.P.d. Sing and play a variety of rounds and partner songs
3.M.P.e. Accompany songs with classroom instruments both pitched and unpitched
Create
3.M.C.a. Improvise using a combination of mi,re,do vocally or on pitched instruments
3.M.C.b. Individually or as a class compose/play a song using a combination of do, re, mi
Respond/Connect
3.M.R.a. Sing songs from a variety of cultures and for varied seasons
3.M.R.b. Respond to music in relationship to history and culture
3.M.R.c. Listen and identify melodic patterns that use do,re,mi (CFA)

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 22

3rd Grade
Melodic
Literacy

3.M.R.c. Listen and identify melodic patterns that use do,re,mi


See assessment provided

Student can create and accurately sing/play their own do, re,
mi, patterns

Student can listen and identify 4-5 of the do,re,mi patterns

Student can listen and identify 2-3 of the do,re,mi patterns

Student cannot listen and identify patterns that use do, re,
mi.

3rd Grade
Melodic
Literacy

3.M.K.b. Identify the pitch of the lines and spaces for the treble
clef
See assessment provided

Student identifies all 5 pitches. Students are able to use


knowledge to decode other musical examples.

Student identified 4-5 pitches correctly

Student identified 2-3 pitches correctly

Student identified 1 or did not identify the pitches correctly.

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 23

Music Standards-4th Grade


Melodic Literacy - Winter
Anchor Standard: Students become melodically literate. Students can perform, creatively use, and
communicate melodic and harmonic elements.
Essential Question: How are melody and harmony created and communicated?
Enduring Understandings
Music is organized sound. Melody is organized pitch. Melody is also organized by direction and duration.
Harmony is created when two or more sounds are produced together.
Know
4.M.K.a Experience hand signs for the major scale focusing on the penta scale, do,re,mi,so,la
4.M.K.b. Identify and notate the pitches for the treble clef including D and C below the staff (CFA)
4.M.K.c. Identify steps and skips and repeated notes as well as their direction on the staff
Perform
4.M.P.a. Sing and play a variety of songs that contain combinations of do-re-mi-so-la
4.M.P.b. Read and decode do,re,mi, so, la patterns from the staff, but also using pitch names
4.M.P.c. Take dictation (traditional or non-traditional notation) using combinations of do, re, mi, so, la
4M.P.d. Sing and play a variety of rounds and partner songs
4.M.P.e. Accompany songs with classroom instruments both pitched and unpitched
Create
4.M.C.a. Improvise using a combination of do, re, mi, so, and la vocally or on pitched instruments
4.M.C.b. Individually or as a class compose/play a song using a combination of the penta scale while
encouraging pitch identification
4M.C.c. Use instruments to create new textures for a song and justify choices
Respond/Connect
4.M.R.a. Sing songs from a variety of cultures and for varied seasons
4.M.R.b. Respond to music in relationship to history and culture
4.M.R.c. Listen and identify melodic patterns that use the penta scale do, re, mi, so, la (CFA)

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 24

4th Grade
Melodic
Literacy

4.M.R.c. Listen and identify melodic patterns that use the penta
scale do, re, mi, so, la
See assessment provided

Student can create and accurately sing/play their own patterns


using pitch from the pentascale

Student can listen and identify 4-5 of the penta scale patterns

Student can listen and identify 2-3 of penta scale patterns

Student cannot listen and identify patterns that use the penta
scale

4th Grade
Melodic
Literacy

4.M.K.b. Identify and notate the pitches for the treble clef
including D and C below the staff
See assessment provided

Student identifies all 5 pitches. Students are able to use


knowledge to decode other musical examples.

Student identified 4-5 pitches correctly

Student identified 2-3 pitches correctly

Student identified 1 or did not identify the pitches correctly.

Music Standards-5th Grade Melodic Literacy - Winter

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Anchor Standard: Students become melodically literate. Students can perform, creatively use, and
communicate melodic and harmonic elements.
Essential Question: How are melody and harmony created and communicated?
Enduring Understandings
Music is organized sound. Melody is organized pitch. Melody is also organized by direction and duration.
Harmony is created when two or more sounds are produced together.
Know
5.M.K.a Know the hand signs for the major scale
5.M.K.b. Identify and notate the pitches for the treble clef including ledger lines above and below the staff
(CFA)
5.M.K.c. Identify steps, skips, octaves and repeated notes as well as their direction on the staff
Perform
5.M.P.a. Sing and play a variety of songs that contain combinations of the major scale
5.M.P.b. Read and decode scale patterns from the staff, but also using pitch names
5.M.P.c. Take dictation (traditional or non-traditional notation) using combinations the major scale
5M.P.d. Sing and play a variety of songs that contain two or more parts
5.M.P.e. Accompany songs with classroom instruments both pitched and unpitched
Create
5.M.C.a. Improvise using a combination of do, re, mi, so, and la vocally or on pitched instruments
5.M.C.b. Individually or as a class compose/play a song using a combination of the major scale while
encouraging pitch identification
5M.C.c. Use instruments to create new textures for a song and justify choices
Respond/Connect
5.M.R.a. Sing songs from a variety of cultures and for varied seasons
5.M.R.b. Respond to music in relationship to history and culture
5.M.R.c. Listen and identify melodic patterns that use the major scale (CFA)

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5th Grade
Melodic
Literacy

5.M.R.c. Listen and identify melodic patterns that use the major scale
See assessment provided

Student can create and accurately sing/play their own patterns


using pitch from the major scale

Student can listen and identify 4-5 of the patterns using pitch from
the major scale

Student can listen and identify 2-3 of the patterns using pitch from
the major scale

Student cannot listen and identify patterns that use pitch from the
major scale

5th Grade
Melodic
Literacy

5.M.K.b. Identify and notate the pitches for the treble clef
including ledger lines above and below the staff
See assessment provided

Student identifies all 5 pitches. Students are able to use


knowledge to decode other musical examples.

Student identified 4-5 pitches correctly

Student identified 2-3 pitches correctly

Student identified 1 or did not identify the pitches correctly.

Music Standards- 1st Grade


Expressive Elements - Spring

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Anchor Standard: Students recognize signs and symbols for musical expression. Students can effectively use and
manipulate expressive elements.
Essential Question: How does a musician use the elements of expression to communicate their music? How can I use
the elements of expression to express my own ideas and feelings?
Enduring Understandings
Musicians express themselves through the use of tonality, form, dynamics, tempo, style, and instrumentation. Learning to
manipulate these elements helps to communicate our musical ideas with others.
Know
1.E.K.a. Identify the vocabulary for loud-forte/soft-piano
1.E.K.b. Understand the concept of fast and slow
1.E.K.c. Understand that music has form and structure
1.E.K.d. Know the names of classroom instruments
1.E.K.e. Recognize and identify a variety of voices (man, woman, child, whisper)
Perform
1.E.P.a. Perform songs and poems with contrasting dynamics
1.E.P.b. Perform songs with poems with contrasting tempos
1.E.P.c. Demonstrate a whisper, speaking, singing, and calling voice
Create
1.E.C.a. Create a visual representation of a chosen element of expression
1.E.C.b. Plan and perform dynamics to accompany a poem or song (CFA)
Respond/Connect
1.E.R.a. Identify phrases of a song as same or different
1.E.R.b. Discover musical terms and concepts that are also used in other disciplines and express them through moving,
drawing, or other art activities.
1.E.R.c. Respond to various vocal, instrumental and other musical sounds (CFA)

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Grade Level:
1st

Standard/Objective: Expressive Elements: Create b: Plan and perform


dynamics to accompany a poem/song. (4 line poem/song recommended,
small groups recommended)

Student takes the lead to help plan and/or direct the performance

Uses dynamic symbols to plan a performance and accurately performs as


planned

Some understanding of dynamic symbols is demonstrated and/or


performance does not match plan

Little or no effort is made to plan or perform dynamics

Example of a 4 line poem:


Queenie, Queenie Caroline
Washed her hair in turpentine
Turpentine to make it shine
Queenie, Queenie Caroline
Students would decide what parts would be soft (p for piano) or loud (f for forte). Students could mark each line or
different words. Small groups would work best for assessment. Groups can practice and perform for each other.

Grade Level:
1st

Standard/Objective: Expressive Elements Respond c. Respond to various


vocal, instrumental and other musical sounds

Student is not only accurate and consistent in responding to the


desired musical sound, but also uses musical clues to anticipate the
desired sound

Student responds accurately and consistently to the desired musical


sound

Student is sometimes responding accurately to the desired musical


sound, but is not consistent

Student is not able to respond to the desired musical sound

Assessment Example:
When listening to Flight of the Bumble Bee by Tchaikovsky students will be able to isolate and respond to the sound of the flute.
Students would pretend to play their violins as they listen to the piece and then change to their pretend flutes when the flute played.
A second option would be to have something (like a stick with a picture of a flute) that students could hold in the air when they hear
the flute and then put down when the flute is done.
Students should be very familiar with the listening example before the formal assessment. This assessment could be done in the
whole group setting.

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Music Standards- 2nd Grade
Expressive Elements - Spring
Anchor Standard: Students recognize signs and symbols for musical expression. Students can effectively use and
manipulate expressive elements.
Essential Question: How does a musician use the elements of expression to communicate their music? How can I use
the elements of expression to express my own ideas and feelings?
Enduring Understandings
Musicians express themselves through the use of tonality, form, dynamics, tempo, style, and instrumentation. Learning to
manipulate these elements helps to communicate our musical ideas with others.
Know
2.E.K.a. Identify the vocabulary for loud-forte/soft-piano, < gradually get louder, crescendo and > gradually get softer,
decrescendo
2.E.K.b. Understand the concept and identify the vocabulary for fast - allegro and slow- lento
2.E.K.c. Understand that music has form focus on AB form
2.E.K.d. Know the names of the four orchestral instrument families, begin introducing instruments
Perform
2.E.P.a. Perform songs and poems with contrasting dynamics
2.E.P.b. Perform songs with poems with contrasting tempos
2.E.P.c. Use movement to contrast between A and B sections of a piece of music
Create
2.E.C.a. Plan and perform tempo to accompany a poem or song (CFA)
Respond/Connect
2.E.R.a. Listen and respond to a variety of folk and classical music. Use appropriate vocabulary to identify expressive
elements and instruments/voices. (CFA)
2.E.R.b. Use another discipline (art, reading, writing, math) to respond to expressive elements in a listening example

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Grade Level:
2nd

Standard/Objective: Expressive Elements: Create a: Plan and perform


tempo changes poem/song.

Student takes the lead to help plan and/or direct the performance

Uses tempo words to plan a performance and accurately performs as


planned

Some understanding of tempo vocabulary is demonstrated and/or


performance does not match plan

Little or no effort is made to plan or perform changes in tempo

See resource folder for multiple poems that can be used for tempo.

Grade Level:
2nd

Standard/Objective: Expressive Elements Respond a. Listen and respond to


a variety of folk and classical music. Use appropriate vocabulary to identify expressive
elements and instruments/voices.

Student is not only accurate and consistent in responding with the


appropriate expressive vocabulary and/or instruments, but can
respond in multiple ways, verbally, written, with the body, etc.

Student responds accurately and consistently with the appropriate


expressive vocabulary and/or instruments

Student is sometimes responding accurately with


vocabulary/instruments, but is not consistent

Student is not able to identify expressive elements or instruments

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 32


Music Standards- 3rd Grade
Expressive Elements - Spring
Anchor Standard: Students recognize signs and symbols for musical expression. Students can effectively use and
manipulate expressive elements.
Essential Question: How does a musician use the elements of expression to communicate their music? How can I use
the elements of expression to express my own ideas and feelings?
Enduring Understandings
Musicians express themselves through the use of tonality, form, dynamics, tempo, style, and instrumentation. Learning to
manipulate these elements helps to communicate our musical ideas with others.
Know
3.E.K.a. Identify the vocabulary for loud-forte/soft-piano, < gradually get louder, crescendo and > gradually get softer,
crescendo
3.E.K.b. Understand the concept and identify the vocabulary for fast - allegro and slow- lento
3.E.K.c. Understand that music has form focus on AB form
3.E.K.d. Know the names of the four orchestral instrument families, begin introducing instruments
Perform
3.E.P.a. Perform songs and poems with contrasting dynamics
3.E.P.b. Perform songs with poems with contrasting tempos
3.E.P.c. Use movement to contrast between A and B sections of a piece of music
Create
3.E.C.a. Plan and perform dynamics to accompany a poem or song
Respond/Connect
3.E.R.a. Listen and respond to a variety of folk and classical music. (CFA)
3.E.R.b. Use appropriate vocabulary to identify expressive elements and instruments/voices. (CFA)
3.E.R.c. Use another discipline (art, reading, writing, math) to respond to expressive elements in a listening example

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3rd Grade
Expressive
Elements

3.E.R.a. Listen and respond to a variety of folk and classical music


See assessment

Student answers 5 examples correctly and respond in writing using


appropriate vocabulary to respond to folk and classical music.

Student answers 4-5 examples correctly

Student answers 2-3 examples correctly

Student answers 1 or none correctly

3rd Grade
Expressive
Elements

3.E.R.b. Use appropriate vocabulary to identify expressive elements and


instruments/voices.
See assessment

Student identifies all the instruments as well as other examples not


studied in class

Student identifies the instruments and vocabulary in at least 4 of 5


examples

Student identifies the instruments and vocabulary in 2-3 of the examples

Student is not able to identify the instruments or vocabulary in the


examples

SALEM-KEIZER GENERAL MUSIC CURRICULUM- 34


Music Standards- 4th Grade
Expressive Elements - Spring
Anchor Standard: Students recognize signs and symbols for musical expression. Students can effectively use and
manipulate expressive elements.
Essential Question: How does a musician use the elements of expression to communicate their music? How can I use
the elements of expression to express my own ideas and feelings?
Enduring Understandings
Musicians express themselves through the use of tonality, form, dynamics, tempo, style, and instrumentation. Learning to
manipulate these elements helps to communicate our musical ideas with others.
Know
4.E.K.a. Identify the Italian terms and symbols for dynamics p, mp, mf, f, <crescendo, and >decrescendo
4.E.K.b. Identify the Italian terms for tempo lento/slow, allegro/fast, accelerando/gradually get faster,
ritardando/gradually get slower and fermata
4.E.K.c. Understand that music has form AB, ABA and can use signs such as the repeat sign
4.E.K.d. Know the names of the four orchestral instrument families, categorize instruments into families
Perform
4.E.P.a. Perform songs and poems with contrasting dynamics and/or tempo
4.E.P.b. Use movement or other methods to show contrast between A and B sections of a piece of music
Create
4.E.C.a. Plan and perform a B section for a familiar song
Respond/Connect
4.E.R.a. Identify the form of various listening examples
4.E.R.b. Listen and respond to music using appropriate vocabulary (see Know), of a variety of styles including folk,
classical, and jazz. (CFA)
4.E.R.c. Listen and respond to the tonality of a piece of music (Major/minor) (CFA)

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4th Grade
Expressive
Elements

4.E.R.b. Listen and respond to music using appropriate vocabulary (see Know), of a
variety of styles including folk, classical, and jazz.
See assessment

Student understands and identifies tonality accurately. Student is able to


identify the tonality of music they hear in other situations.

Student accurately identifies the tonality of a listening example at least 4


out of 5 times.

Student is able to accurately identify the tonality of a listening example


2or 3 times out of 5 attempts.

Student is not able to identify the tonality of a listening example.

Grade Level:
4th

Standard/Objective: Expressive Elements Respond b: Listen and respond


to music of a variety of styles including folk, classical, jazz, and rock
See assessment

Student answers 5 examples correctly and respond in writing using


appropriate vocabulary to respond to folk and classical music.

Student answers 4-5 examples correctly

Student answers 2-3 examples correctly

Students answer 0-1 example correctly.

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Music Standards- 5th Grade
Expressive Elements - Spring
Anchor Standard: Students recognize signs and symbols for musical expression. Students can effectively use and
manipulate expressive elements.
Essential Question: How does a musician use the elements of expression to communicate their music? How can I use
the elements of expression to express my own ideas and feelings?
Enduring Understandings
Musicians express themselves through the use of tonality, form, dynamics, tempo, style, and instrumentation. Learning to
manipulate these elements helps to communicate our musical ideas with others.
Know
5.E.K.a. Identify the Italian terms and symbols for dynamics p, mp, mf, f, <crescendo, and >decrescendo
5.E.K.b. Identify the Italian terms for tempo lento/slow, allegro/fast, accelerando/gradually get faster,
ritardando/gradually get slower, fermata
5.E.K.c. Understand that music has form AB, ABA, ABACA/Rondo (signs like repeat, da capa)
5.E.K.d. Know the names of the four orchestral instrument families, categorize instruments into families (CFA)
Perform
5.E.P.a. Perform songs and poems with contrasting dynamics and/or tempo
5.E.P.b. Perform songs with contrasting sections
Create
5.E.C.a. Plan and perform a song with ABACA/Rondo form
Respond/Connect
5.E.R.a. Use appropriate vocabulary to identify multiple expressive elements while listening to music (CFA)
5.E.R.b. Listen and respond to the different instruments/textures used in folk music, classical music, jazz, and rock
5.E.R.c. Listen and respond to the tonality of a piece of music (Major/minor)

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5th Grade
Expressive
Elements

5.E.R.a. Use appropriate vocabulary to identify multiple expressive elements while


listening to music.
See assessment

Student understands and identifies expressive elements. Student can


effectively communicate about the elements heard in a listening
example.

Students answers 4-5 correctly.

Student answers 2-3 correctly

Student answers 0-1 correctly.

Sample Assessment for going beyond mastery (4)


Listen to the following piece of music (see assessment CD for ideas). Listen for different
elements of expression. After the first time, write down the things you heard in the piece. Listen
to the piece again. After the second time, write any other things you heard. On the final and 3 rd
listening opportunity, listen for details about the expressive elements you identified. Using your
notes, write a paragraph about the music you heard. Include at least three expressive elements.
Grade Level:
5th

Standard/Objective: Elements of Expression Know d: Categorize


instruments into the four instrument families

Students are able to categorize instruments as well as make logical


conclusions categorizing non traditional/world instruments.

Student answesr 4-5 correctly

Student answers 2-3 correctly

Students are not able to categorize a list of instruments

Sample Assessment:
Classify the following instruments (lists should include, but are not limited to the following)String- violin, viola, cello, bass
Brass trumpet, French horn, trombone, tuba
Woodwind flute, clarinet, saxophone, oboe, bassoon
Percussion snare drum, bass drum, triangle, tambourine, maracas

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