ACROSS DIFFERENCE A JOURNEY THROUGH/ACROSS A COURSING RIVER BY: KYRA ORAZI
A JOURNEY THROUGH/ACROSS A COURSING
RIVER WHEN I THINK OF PEOPLE WITH DIFFERENCES, I PICTURE A RIVER. TWO OPPOSITE SIDES. DEPENDING ON THE SIDE YOU STAND ON, YOUR PERSPECTIVE WILL AFFECT WHAT YOU SEE. THE RIVER MAY BE WIDE AND DEEP, BUT IT IS NOT IMPOSSIBLE FOR EITHER SIDE TO: REACH A MIDDLE GROUND CROSS TO THE OTHER SIDE ADAPT TO ITS UNPREDICTABILITY
ALL IT TAKES IS A BRIDGE, BOAT, OR KAYAK.
A JOURNEY THROUGH/ACROSS A COURSING
RIVER DIFFERENCE: ASPECTS OF LIFE THAT ARE NOT SIMILAR IN THE WAY THAT WE ARE FOCUSING ON. IT DOES NOT MEAN THAT THERE ARE NO SIMILARITIES AT ALL. ANCIENT TEACHERS OF RHETORIC THOUGHT THAT DISAGREEMENT AMONG HUMAN BEINGS WAS INEVITABLE, SINCE INDIVIDUALS PERCEIVE THE WORLD DIFFERENTLY FROM ONE ANOTHER. IT CAN BE A HINDRANCE WHETHER IT BE CONCERNING DECISIONS, DISCUSSIONS, OR EVENTS IT CAN ALSO CONTRIBUTE A GREAT DEAL TO A SITUATION BY BRINGING IN ANOTHER PERSPECTIVE AND ADDING SOMETHING THAT WAS NOT THERE BEFORE ANCIENT RHETORICS FOR CONTEMPORARY STUDENTS BY CROWLEY AND HAWHEE
A JOURNEY THROUGH/ACROSS A COURSING
RIVER INVITATIONAL RHETORIC A BRIDGE IS USEFUL IF YOU WANT TO REACH A MIDDLE GROUND LIKE COMPROMISING
REQUIRES BOTH SIDES TO COLLABORATE AND
WORK TOGETHER TO REACH A MIDDLE STANDING POINT CHANGE OCCURS IN THE AUDIENCE OR RHETOR OR BOTH AS A RESULT OF NEW UNDERSTANDING AND INSIGHTS GAINED IN THE EXCHANGE OF IDEAS. BEYOND PERSUASION: A PROPOSAL FOR INVITATION RHETORIC BY FOSS AND GRIFFIN
A JOURNEY THROUGH/ACROSS A COURSING
RIVER CONTACT ZONE A BOAT IS USEFUL IF YOU WANT ONE SIDE TO FULLY CROSS OVER TO ANOTHER SIDE CHANGE ONES PERSPECTIVE ALMOST ENTIRELY SHOW ANOTHER PERSPECTIVE TO THE OTHER
SEEKS TO DIRECTLY ENGAGE IN DISPUTE OR CONFLICT
WITHIN THE SITUATION SOCIAL SPACES WHERE CULTURES MEET, CLASH, AND GRAPPLE WITH EACH OTHER THE BOAT WILL BE FACED WITH OBSTACLES AND CHALLENGES WHEN CROSSING IT WILL NOT BE AN EASY JOURNEY/TRANSITION
ARTS OF THE CONTACT ZONE BY MARY LOUISE PRATT
A JOURNEY THROUGH/ACROSS A COURSING
RIVER KAIROS-BASED APPROACH SOCIETY IS CONSTANTLY CHANGING/ SHIFTING ITS PERCEPTION AND APPROACH TO SUBJECTS KIND OF READY STANCE, IN WHICH RHETORS ARE NOT ONLY ATTUNED TO THE HISTORY OF AN ISSUE (CHRONOS) BUT ARE ALSO AWARE OF THE MORE PRECISE TURNS TAKEN BY ARGUMENTS ABOUT IT AND WHEN THE ARGUMENTS TOOK THESE TURNS. LIKE BEING IN A KAYAK IN THE MIDDLE OF A SURGING RIVER
YOU HAVE THE RESOURCES (KAYAK, OARS, LIFE VEST,
HELMET, AND SKILL SET) AT YOUR DISPOSAL TO: ANTICIPATE ADAPT OVERCOME KAIROS AND THE RHETORICAL SITUATION: SEIZING THE MOMENT BY CROWLEY AND HAWHEE
A JOURNEY THROUGH/ACROSS A COURSING
RIVER RHETOR/AUDIENCE RELATIONSHIP BOTH SHOULD BE SPEAKERS AND A LISTENERS FOR A CHANGE TO OCCUR, THERE MUST BE A WILLINGNESS ON BOTH SIDES CONNECTION MUST BE MADE ON A LEVEL THAT IS DEEP ENOUGH TO EITHER ALTER OR UNDERSTAND THE OTHERS VIEW POINT THEIR RELATIONSHIP IS FLUID LIKE A RIVER ITS CONSTANTLY SHIFTING AND FLUCTUATING
A JOURNEY THROUGH/ACROSS A COURSING
RIVER TO COMMUNICATE EFFECTIVELY ACROSS A DIFFERENCE YOU HAVE TO WANT TO BE UNDERSTOOD, BUT ALSO HAVE A WILLINGNESS TO UNDERSTAND THE RIVER, THE RAPIDS, THE BOAT, THE BRIDGE, AND THE KAYAK ARE ALL PART OF ONE BIG PICTURE AND THEY MUST WORK TOGETHER TO REACH AN END.