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17 2552

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5 -

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86

/
12,000


12,000

(VENUS OF LAUSS)
LES PUQUE

(PRIMATIVE ART)


(MEQALITHIC)
,
,,

(HISTORIC PERIOD OF SCULPTURE)


( EGYPT 3,150 33280 )


(HISTORIC PERIOD)
5
3,150 2,700
2,700 2,040
2,040 1,552

8
1,552 1,069
1,069 332


(BLOCK)











(PHARAOH)

1 3,150-3,125
25



(CLASSICAL ART)


1860

10

11

164-55


, ,

12

(MESOPOTAMIA)
8,000-7,000 B.C. ()
( )






(SUMERIAN) 4,000 1,950 B.C.
(AKKAD) 2,750 1,950 B.C
(BABYLONIA) 2,600 538 B.C.
(ASSYRIA) 2,700 538 B.C.
(HITTITE) 1,900 1,200 B.C.
(ELAM) 3,000 640 B.C.
(MEDIA) 750 550 B.C.
(PERSIA) 600 332 B.C.
(PHOENICIA) 300 332 B.C.



(STEPPED PYRAMID)


13

(SEMTIC)



2,000 6 6

14




(HAMMURABI)




2 (61 19 )

15
(ASSYRIA)








,
,
,


(WINGED HUMAN HEADED BULL)
2

(DYING LIONESS)

(LAMASSU) 16
2 720 B.C.

16


(A WOUNDED LIONESS)
650 B.C.

850 B.C.

10

17
(PERSIA)


491 486 B.C.


1 ( 25 30)

18


(GREECE)
(HELLENES)

(PRIMITIVE PERIOD)



(ARCHAIC PERIOD)






(ARCHAIC
SMILE)

600 580 B.C.

19

9 2

20
(CLASSICAL PERIOD)






(COUNTER POISE)
(CONTRAPPOSTO)

21


(HELLENISTIC PERIOD) 300 146 B.C.
300


(REALISTIC)





22


(ROMAN)
600 400 B.C.
300 50 B.C.

2
(ROMAN)
(REALISTIC)
(FORM) (SUBJECT)
(REPUBLICAN PERIOD 500 27 B.C.)

2
(GRECO - ROMAN)

23


940 81

(CHRISTIAN) 1 10

24

3
(LUDOVISI BATTLE)

(BYZANTINE) 4 13




(SARCAPHAGUS OF JUNIUS
BASSUS) 359( 902) 3 10.5 8

25


15
3 9.5 x 11
(SARACENIC) 7 17
(SARACENS)



(ARABESQUE)
(ROMANESQUE) 9 13

(DARIC AGE)







(TYMPANUM)

26

LAST JUDGEMENT GISLEBERTUS

SAN DOMINGO , SILOS

27

(ADAM AND EVE)


17
(GOTHIC) 12 15
(GOTH)




28


(WEIGHT) (VOLUME)

1. (EARLY GOTHIC) 12 15



ROYOL PORTAL CATHEDERAZ OF


CHARTRES
(BODILY ELONGATION)

2. (HIGH GOTHIC) 1200 1300


13



1200

29

HORSEMAN () BAMBERG
CATHEDRAL () 1775

DEATH OF VIRGIN CATHEDRAL OF STRABOURG


1225 1235

ECKEHARD AND UTA


NAUMBURG CATHEDRAL

30
3. (LATE GOTHIC) 1300 1417



(NOTREDAME DE PARIS)

(RE NAISSANCE)

1.

2.
3.
4.

1293 1301

31



(PRIMITIVES ITALIAN ARTS) 13 14

(PISA)
(SIENA)
(RENA ISSANCE)



CATHEDRAL OF REIMS 1260 1274

32
(RENAISSANCE) 14 16

12
15


,
,


(EARLY RENAISSANCE SCULPTURE)
1401



(GATE OF PARADISE)

33


1435 (38 x 24)
(HIGH RENAISSANCE)
1495 1527

, ,


..1460 1422

34




(LATE RENAISSANCE OR
MANNERISM)

2060 2140


(SUBJECT) (VISION)

1600

.. 2091 2020

35





(BAROQUE) 1600 1700
(
)


( )

17

36

7
(ROCOCO)


18

,,

37


(NEOCLASSIC)
19


20

38


1760 1840


.. 1911

The Apotheosid of Homer ()


. 1875

39
(ROMANT ICISM)


1800 1850

24
()



.. 2335 (THE
MARSEILLAISE) 1792 42 26

(REALISM)
2390 2410
( 1850 1875)

19


40

(THE DANCE) 24.5


(JEAN BAPTISTE CARPEAOUX)

(THE GATES OF HELL) 20


13 (AUGUSTE RODIN)

(IMPRESSIONISM)



41

(ACADEMIC SCULPTURE)


(POST IMPRESSIONISM )



(FAUVISM)

20

BACK,IV (HENRI MATISSE)

(EXPRESSIONISM)

42
(CUBISM)



, ,

,


(FUTURISM)
19 20


, ,

43

(SCULPTURE)
(VISUAL FORM) (
)








(SPACE ART) (VISUAL ART)


44






()


(THAI CONTEMPORARY SCULPTURE)
(REALISTIC)




6



4
1. (INCISED RELIEF)



45

.9
2. (BASE RELIEF)
1 5



46

3. (HIGH RELIEF)

1 4 5
2 4
2

4

47
4. (ROUND RELIRF)


48

(LINE)
(GRAVITY)
(EXTER CONTOUR)

(INTERNAL CONTOUR)




(FORM)
(NATURE FORM)
(SKELETAL FORM)

(MASS FORM) (VOLUME)


(MASS) 3

(SIDE PROPORTION)

(DIMENSION)
(UNITY)

(BALANCE) (COHESION) (ORDER)
(TEXTURE)


49
(SPACE)

2
(NEGATIVE) (OUT LINE)
(BLACK GROUND) (RHYTHM
& DIRECTION)







(HARMONY)



(COLOR)



9


(ANATOMY)

(BONE) (STRUCTURE)
(EXPRESSION IN ACTION) (EQUILIBIUM OR BALANCING)
(PROPORTION)

50
(BEAUTY)

(PROPORTION)


8
(POSITION)

(FORM)
(EXPRESSION IN ACTION) (MUSCULAR
SYSTEM)

51

52


3






9



(PERSPECTIVE)

1 5
5
3 5
1


53


2 4 5
5
3
2 2
4 5
2



54

(THAI TRADITIONAL SCULPTURE)






1.
2.

55




56

(THAI CONTEMPORARY SCULPTURE)



57


6








2466

(CORRADO FEROCI)






1.

58

59
2.

60


3.

61

62
4.

150

63



(SUBTRACTION)




(ADDITION)



(PERSPECTIVE)
(PLANE) (VANISHING POINT)


64

65





1.







2.






66

67

5

1.


()


2. (DRAWING)



3.

( )

1.5

4.

5. (MODELLING)


()


()


( PERSPECTIVE )

68





(TEXTURE)






(PORTAIT)

(ACTION SCULPTURE)
70%


(THAI CONTEMPORARY SCULPTURE)




69


2500
4




2500
2500

2.14





70

2500

2.14

2500

71



1.
45
. 60 . 7 .

72
3.

73

()

74

75

1.

2.

76
3. 40
60 10
4.

77

78

79


5.


80

81

82

83

84


6.

85

86

,2547
,2550
... ,2531

(1997) ,2551
. ,2549
,2539
... ,2534
,
,2525
... ,2532
____________ ,2536
, ..
. ,2528
____________ ... ,2530
____________ ... ,2535
____________ ...
,2537
,2532
____________ ... ,2535
Auerbach ,Arwold. Modelled Sculpture and Plaster Casting. ,New Jersey : A.S. Bormes and
Co.,Inc.,1977
Hartt ,Frederick. (1985). Art : A History of Painting ,Sculpture ,Architecture,2nd ed. New
York : Harry N. Abrams.
Janson ,H.w. ,A History of Art London : Thames and Hudson, 1979
.