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Poetry:
Syllables
English words have clear syllables.
We can usually divide words into
syllables easily.
We can also determine which syllables to
emphasize, or stress in each word.
For example:
Angel = AN-gel (not an-GEL)
Complete = com-PLETE (not COM-plete)
More Syllables
poem = PO-em.(1 stressed + 1 unstressed)
poetry = PO-e-try.(1 stressed + 2 unstressed)
relief = re-LIEF. (1 unstressed + 1 stressed)
recommend = re-com-MEND. (2 unstressed + 1 stressed)
discomfort = dis-COM-fort (1 unstressed + 1 stressed + 1 unstressed)
entertainment = en-ter-TAIN-ment (2 unstressed + 1 stressed + 1 unstressed)
Scansion
(1) the act of scanning, or analyzing poetry
in terms of its rhythmic components
(2) the graphic representation,
indicated by marked accents, feet, etc.,
of the rhythm of a line or lines of verse
You may have seen scansion marks like the
following:
The curved lines are
unstressed syllables while the
straight slashes are stressed
Poetic Meter
Meters are the rhythms within poems.
Meters are the arrangement of
stressed/unstressed
syllables to
stressed
occur at apparently equal intervals.
Metered verse has prescribed rules as
to the number and placement of
syllables used per line.
Poetic Foot
A poetic foot is a repeated sequence of
rhythm comprised of two or more
stressed and/or unstressed syllables.
Poetic meter is comprised of poetic feet
2. Trochaic
Anapestic
4. Dactylic
5. Spondaic
3.
Iambic pattern
1 unstressed syllable
stressed syllable
EXAMPLES:
repose (re-POSE)
POSE
belief (be-LIEF)
LIEF
complete (com-PLETE)
PLETE
followed by
Trochaic Pattern
Anapestic pattern
2 unstressed syllables
stressed syllable
followed by
EXAMPLES:
on the road
interrupt (in-ter-RUPT)
RUPT
unabridged,
bridged contradict,
dict engineer,
eer
masquerade,
rade Galilee
Dactylic pattern
Spondaic Pattern
Anapestic poetry:
Dactylic poem:
1 stressed + 2 unstressed
Monometer
Dimeter
Trimeter
Tetrameter
Pentameter
Hexameter
A: Iambic monometer
A: Iambic dimeter
A: Iambic trimeter
A: Iambic tetrameter
A: Iambic pentameter
A: Trochaic tetrameter
Go ahead
experiment with
different metric styles
in your own poetry!
End of presentation.