{

Half cadence
in E major
(Ends in the
dominant
B)

period: consequent
n

## # 3
# #
#
& 4

n n#

#
#

n

? ## # 43

( ^

( ^

passing

passing
chord)

chord)
those two measures

period: antecedent

Tonic chord :
E major

E 6/4 is
a good predominat chord,
and ts well

Perfect cadence in E major

#### n

&
n

#
#

? ## #

( ^

passing

now we've modulated

to F# minor for an instant

admit various harmonizations

E 6/4 is
a good predominat chord

... going back to

E major

chord)

U
n

11

#### # n
&

F#m7 was right too, but

C#m sounds better to me

n
#
? ## #

those two measures

admit various harmonizations

let's put here

a pre-dominant
chord. What
suits better is
E 6/4

"continuation" of the theme/2nd half

let's change the inversion

of E major so that the bass
leads smoothly to the A

Perfect cadence in E major

<this 9th is not resolved,

but it's OK

Dominant
chord

Tonic
chord