ARCHITECTURAL RENDERING TECHNIQUES /A COLOR REFERENCE cae Dea aR RESARCHITECTURAL RENDERING TECHNIQUES /A COLOR REFERENCE MIKE W. LIN, ASLAEvery etter has been made fe go proper cred fo indviduo’s whese wor is ncludedtin this book Any corrections brought 9 he attention of the publeher willbe Incorporated into, ‘ture printings itustrations copyright ® 1968 by Nike W. Ln, Library of Congress Catoiog Card Number 8425812 I5aN 0-4a2-25959-0 [Allighis reserved, No part tht work covered by tne copyright herson moy be reproduced (6: used in any form or By ony means—graphic, electronic, ormecherical,netuding pBhotocopyina. tecorcing, toping, or information storage and rete systems—wihout the, ‘writhen permission of tie puBlehee Ip Yor Nostond Renna a cvelon orifemational Tonto PuEIEnNg MP logo fsa trademan under license, Printecin Hong Kong Designed by Mike W. Lin ond Bacei Design ‘Von Nostiand Reinhold TiS Fim Avenue New York New York 19003 Intemationed Thomsen Publishing Barish House 188-173 High Hetbomn London, WIV 7AA, Englond ‘Tomas Neson Austicia 102 Bede Soot south Metoume 3205, Victoria, Australia Nelson Canada M20 BKchMoLNt Reos seorooraugh, Ontario MK 5&4, Canada 118491219 87 brary of Congress Catologing-in-Publication Dale: Lin, Mike W. Architectural rendering techniques. siolography.p. |. areniteetural endeting—Technique. |. Te. Nag7aoiss 1985 720.284 BA-D5BI2 ISBN O-4az-25758.0Contents Preface Acknowedgments . Media Comparison . Entourage and Details . Site Analyses/Plans/Elevations/Sections . Loose Sketches . Exterior Illustrations . Interior Illustrations Recommended Rendering Materials References Illustration Credits 37 67 125 225 247 249 251To JoAnn with lovePreface ‘Are you inlerested in clearly expressing your ideas and concepts through ‘graphic communication? itis my intention for people to trace, imitate, and Use this portfolio to build confidence in their crawing ability and to develop ideas, Students and professionals in architecture. interior design andscape architecture, and graphic: design, and ilustrators from ail discipiines, can Use this book fo save time and improve graphic and architectural rendering techniques. | believe that everyone is capable of producing high-quality grophies The keys to successful crawing Include a wilingness to try, a will ingness to make mistokes ond accept crifcism, and a wilingness fo practice Unti the mistakes are corested, This color portfolio consis of examples that could be used asa learning file andlor reference book The arangement and organization of this book folow @ progression from simple line arawings to detailed final presentations, and from loose sketches fo tight illustrations. tt is divided into sections of media comparison: entourage and details site analyses, plans, elevations, and sectons; loose sketches: and exterior ond interior illustrations These drewings are arranged in the folowing order: pencil ink color ene, pastel, marker, aerylic. watercolor, tempera, ond cifbrush. The ilus- trations are also in sequence ftom small to large scale. Every drawing is identified, when possible, with the orts's name and location, the megium, the size and type of poper, and the time required fo execute the drawing, Some drawings end with the symbol (J). This Indicates that the ortst traced the original artwork initial blockout time for that drawing is not included. Credits fer the designer ancilor company are in the Appendix The examples in this color portfolio Gaver many subjects as well as different techniques and approaches to various graphic methods These enable the viewer fo choose according to the siyle preferences and needs of @ client. This prototype is c compliation of professionals’ work my own work, ond the work of present and past students ond participants at uni- versities ancl workshops across the nation, This demonstrates that any student Ptoessional, or interested person can succeed with proper guidance and examples, The goal is to increase one's dbilly #0 craw quickly and com. forlabiy, and mest important; to excel in graphic and rendering techniques.Acknowledgments This color portfolio of architectural rendering techniques was made possible bby the efforts of many incincuals and groups whose assistance is greatly ‘oppreciated. Thanis are extended to the Kansas state University faculty for thelr ceodemic support, especially 1o Professor Thomas Musiak. The Amer ican Soctaty of Landscape Architects and many of its local chasters have sponsored numerous national and local tours enabling me to Havel, stay in touch, and gain ideos from various professionals. Special gratitude is given to the students end professionals ceross the country who ottended my graphic workshops at various locations. They made me aware of the need for this partfalo, Very special thanks are due fo the many incividuels who contributed work that copears in this sok. Too many to mention. nave helped to com- pile this information. Ther efforts have proven to be invaluable. Also, thanks go to Wendy Lochner at Van Nostrand Reinhald for her patience ond assistance, Special gratitude is extended to my wife, JoAnn, for her understanding. patience, encouragement, and support, ancite my son. Bian, and daughter. Sharon.MEDIA COMPARISON 4Leslie Carow, stucient, Colorado Stote University. Felt-tip pen and black marker on individual Ox 17" bond paper. 20 minutes fo 1 hours eden. (1)eslle Carow, stucient, Colorado State University, Watercolor on &".x-12" watercolor paper. t hour. (7)Losie Gorow, student, Colorade State University, Marker, fetttip pen and aitbrush on 8"s-12" bond paper. t hour. (1Leslie Garow, student, Colorade State Universty, Marker, aiforush, and colored pencil on 8-x-12" marker paper. * hour. (F)Dick Sneary,itusrator. Kansos City, MO. Sharpie fren on 19°-t-24" printed brown-line ciazo print parser. 1 hour 7)“4 Micha! Fiynn, student, Kansas State University. No. 2 pencil on 477-24" vellum. § hours. (7)5 ay ae > RRR ¢ EMER MLN 0 Mike W. Lin Feltstip pen on 419"-24" vellum, 2 hasPoul Adams, landscape architect. Florida, Marker and felttig pen on 7-24" marker paper 2s hours, (1) 6Kevin Kerwin. Marker, airbrush, and fempera on 19"-%:24" marker paper. Shous (1) 7| “AKathryn Marsh, Paper collage (magazine fragments) on 19°-%:24" paper, 1ohous. (7Mike W. Lin. Marker, tempera, postal ancl colored penciton 10x24" marker paper. 14 hous 20Poul Mus. student, North Dalois State University, Marker ond airbrush on 49*x-24" marker poner. ‘Yi nours. (1) aleft Joan Minneeneu Not. 0D and 000 ink pe on 91s" 2" weltum. § hous. 7) Fight: Danny Potts, Nos.00 ane! G00 ink pen on 9 Ye"2-42" vellum. 7 hours. 1) 22Katyn Math. Fetttip pen with colored Pantone paper and block-oncwrhite Zipotone on 9123-12" pope. 40 minutes each. (7)‘George Hotton, No. 00 Inkpen on 8¥"=x-14" walum. Shouts. (1) 25Donal Rokosis, Brown felttip pen ond marker on @14"x-11" diaza print paper. 3's hours. (7)Robert Holawarth, Marker and fel-tip pen on 7" 7" ree paper. 1 hour. (7) 27Dougios Saulsbury, Black colored pencilon 7 ¥s"a-9" vellum. 7 hours. (7) 28Douglas Sctulsbury. Colored pencilon 7121-9" wateroolor paper. 9 hour. (7) 299° vellum, 4 hous. (1) Jamas Bohn No. 1 ink penon 7 30anny Potts, No. G00 inkpen on 714">-9"wetum. 8 hours. (1) 4tf." vellum 3 hous 323lucy Hu, student, Loulsiana State Universty. Paper collage (magazine fragments} on Ys" paper. 10 hours (7) 35ENTOURAGE AND DETAILSMarjorie Pitz, londscope architect, Minneopolis, MN. Pencil and! fel-tip pen on 1224" yellow ‘racing popar ond velum, respectively. vs hours each,Participants, Mike Lin Graphic Worishop. Felltio pen. pastel. ond marker on various 823 and types of paper.2 minutes to ‘fz hour each,Lower loft Steve Beyer, student, Univesity of Minnesota, Pencil and colored pencil on x40" yellow acing paper. Ys hour, Top ana right Dick Sneary, sustatey, Kansas Ciy, MO. Feltsip pen ‘and colored pencil an 12°14" band paper. 10 seconds 19 19 minutes each.Brian Maugh student, Konsos State: University: Dick Sneary,iluscor, Kansas City, MO. Festi pen. colored pencil ond pastel on 197-24" Bond popar. § minutes to 30 minutes each,Michael E Dove, ilusirator, Bauder, CO, Marker and colored pencil on $8" flat and Px-A" (right) Sond paper 30 minutes (Sf, 3 hours (gh.(eft: Ken Swinart. Marker, pastel, and calared pencil on 8'-x-14" bond paper, 3 hour. (1) Right: Brian Rothman, Postel on 12°5-48" pastel poper. 2 hoursParticipants, Mike Lin Graphic Workshop, Marker on 147-*-16" merker poper. 10 minutes each, 45Porticiponts, SLA graphic wodahon, Marker and felttip pen on 6-7" bond paper ndvidually. 9 018 minutes each,Wayne Wiliams, professor, Washington State University. Watercolor, colored pencil pastel. and fell tip pen on 8"-x-10" poper, individually. 20 minutes each. a7Left Woyne Willams, professor, Washington State University, Marker an 10°10" tee paper. 45 minutes, Right Dick Sneary Ilustrator, Kansas City, MO. Metker on 47'-%-22" bond per. 16 minutesParticipants, ASLA graphic warkshop. Pencil Sharpie pen, and matker on individual @x-10" bond oper. § to 20 minutes each ayThomas Wong. landscape architec! Waterlown, MA Marker on 8-1-0" bone paper. 40 minutes, 50Porticipants, Mike Lin Graphic Workshop, Marker and white pencil on 10x16" marker paper. Sminutesto ie hour ech,Ht al 1 » ait || Particjoonts, Mike Lin Graphic Workshop, Various techniques on citferent 2-45" papers. 5 to 1Sminutes each, (0)Dick Sneary,slustiatc, Kansas City, MO, Colored pencil and tempera on 19-25" marker paper. 19 minutes to 40 minutes each,Top Jet Mike W. Lin. Merker on 5°28" marker poper. 20 minutes Top nght Sheryt sores cent oveTop: Noncy Ewalt instructor, Texas Tech University. Mosker, colored penci, and white tempera cn 618" marker paper. & haute (T Botfom: Sheryi Brolander, student, jowa State University, Marker, ‘colored pencil, and white tempera on é".x-1a" marker paper. 6 hours. (1),jos Hahn, Market, white colored pencil, and tempera on S"-<-6" marker paper. 3 1: Douglos! a faghr tise She honor vie esierespenel. cna lomparaon 2.9" matir paper 6 hse 56Loft HIN student, Korsos Stole Unive Merker and lempera on fihinied 5°'-8" band paper pasted over brown construction paper." hou: (1) Right feta Eddy studen|, Kansas State Unwersty. ‘Colored penct on 68" yellow facing paper. 1 hout 7Left: Kathleen Heimerman. Marker and white tempers on hired 8-11" marker poper, posted over black ‘construction paper. 2hours (1) Right: Mark Flamm, Marker and colored pancilon trinmed 8-11" marker oper, pasted over mat-boord with airbrush background. 2héurs. (7) 59Participants. Mike Lin Graphic Worlahop, Marker and colored pencil on 19°-x-24" marker paper. 1010 40 minuieseoch.Participants, Mike Un graphic workshop. Marker and colored pencil on 197-24" marker oper. 1Serinutes oT hour each,unLeft: Louie Coron, Celored panei on BYéx" ine-pinted ¥eroxpoper. | hour (1) Right: ponicipant, Mie Un Graphic woxkshop. Airbrush on 8Ys"-«-11* mat-boors ‘hous. (1Tap: Anne unt dade Englond Penct clcred panel fp pen ancl eal cn #218" bond ape. news. Lowe et Laue Cron, sc a8 State University. Lower sight Edward Sete tereneais rottck Seto FL Mest ew! colped tc on RAGA BCT ri tore oper 7 nous (ee, hour OM FoParticipants. Vike lin Graphic Worlshoo, Markey, fe-tio pen, and pastel on 19°-1-24" marker paper. 2hours.ApoB ett =p ENP Seas tS ae Se a ee 3095S ee eet a ———— - SS feet eo: ee Gq ane eLMNG nee a = a bow dots 24 se ES ie hI x Es : ao a _ _ ae = =e Fae = BS EQ sop: Paul Haberman, architect, Dallos Tx Botfom: Lorry Taylor. Both F pencil on Ya'sx-1t* vellum. ‘sSminutes each, 66SITE ANALYSES/ an ta\s) ELEVATIONS/ SECTIONSMorjorie Pitz landscape architect Minneapolis MN. Marker ond colored pencil on 19-24" marker paper. 4 housParticipants, Vike Lin Graphic Workshop. Marker. fettip pen, and colored paneilon 19°-%-24" marker paper. ‘2houns. nKEY WEST GOLF COURSE = ante See : ANALYSIS Edward 0. Slone. Jr ond Associates, Fart Louderdale, FL Morter on 36".x-48" blackline diazo print paper (criginal nk on Myla. 12 hou.Paul Hoberman, architect. Dallas. TX Pencil and ink on 24-36" vellum. 8 hours, BSylocuse, MY. Pencil ‘nn cond red penell on 16"¥x-20" Mylo & hours. Cattland Reed, lancscape architect 1008 = 1930 : Ounvd aWvus 30vds =f anne Ste HONS SE ONiddal! { f = aNawanva yOoTa XBH fe : bmparking Tim Romig Pencil and red colored pencil on 24”.x-36" vellum, Bours (7) 8Libby Appling. Marler and airbrush on 24-36" blue-ne printpoper.§ hours (7)Ron Berk. architect; Chicago. Il, Marker and pastel on 241-36" biuettine print paper. hours. (7)SAGINAW FEDERAL BUILDING N.Weadock Ave. Johnson, Johnson. and Roy, Inc. Ann Arbor, Mi. Ink on 16°2¢30" Mylar, 40 hours, Sealet— North 78Dennis Decker, Mater and airbrush on 167-%-20" block-ine dazo print paper.2 hous. (7)80 Edward D, Stone, Jr.and Associates For Louderdole, FL Matker on 36%x-46" blackline dlazo print paper (ctiginal, pencil on Mytar), 28 hoursaPoul Haberman, architact, Dallas TX Pencil ink cnc gray marker on 24™-36" vellum. & hours, 82‘PALL LOUIS sa a fey ¢ “+, alt BA orcas Poul Hoberman, cxchitect Dallas IX Pencil and ink on 2d.x-36" vellum. 8 hows. 83Poul Haberman architect, Dallas 1k. Mather and ink pen on 46% 24" browning daze print poner. 10 hoursParticipant, Mike Lin Graphic Workshop, Marker and fett-tip on 19°-x-24" marker paper. 2 hours (7) 85Rober M.Baulton landscape architect St, Loui MO. Eagle S44 pencil on "6"x-S6" white hacing poper. 6 hours. 1Ea eo 87Mike W. Lin andl San-Chin Kao, architect, Taiwan, Tempera on 9".%15" black paste! paper. 2 hours (7) 88ELEVATION. Top. John Yoncey, student, Kansat State Univenity, Colored pencil on 10"-16" yellow racing Paper. 4 houts. {1} Bottom: San-Chin Kao, architect, Taiwon Watercolor and colored pencil on 10°- 2X46" postal paper. 2 hours. (7) 89Hi i! AR 1p: Kevin Kenn. iarkar and pasielon 144-24" marker paper 3 hous (7) foftam: Bab Workman, o:chiect, Tua, OK Marker ond orbiush on 14"3¢-24" marker paper. $ hours (7Top: Fred Myers architect. Kansas City, MO, Colored penell on 18"-x-38" photo-mural enleigement ‘paper [original pencil on 7-x-16" vellum). 7 hous. Sortom: Gary Mellenbruch.iustrator, Kansas ‘Sily, MO. Tempera on 4x30! matboord. 12 hours CTOQ | amnae Poul Haberman, crehitect, Dalles, 1X. Poneil and ink en 247x-367 vellum, 8 hours5 MIN, Maier, ft tip jchitect Engineer Design Crt 93LaKesiPE: Johnson, Jonson. ond Roy. Inc. Ann Aor, Mi. Marker andi fei-tip pen. Top: 6x12" white tracing paper. % hour Boor: 12'-1-28" white hacing paper. 2 OUTS 94Leslie Carom, student, Colorado State University, Marker and oitbrush on 19-24" marker paper. 4 hours. 96Robed Workman, architect, Tul, OK Marker, white tempera and colored pencil an 17x24" ‘marker paper. 4 hours 77,Paricisants Mike Lin Graphic Wereshop, Tap: Sharpie pen on 10x26" bond poper. Bottom: paper towel. 2 12-4 minutes each, 400— {Bp lef: Dick Sneary, ustrator, Kansos City, MO. Black marker on 193-24" marker paper. 10 minutes, op right: Tee Hung Tan. 68 corpent pane on 2"-%-10" bond paper. 10 minutes Borfom: Thamas Wang, landscape architect. Wateriown, MA Mosier on 14" mater paper. minutes 401Ron Bork cxchitect Chicage, IL 68 carpenter pencil on 19°24" marker popet. 1 hour‘Thomos Wang, landscape otehitect, Natertown, IMA 68 carpenter pencil and colored pencilan 16°20" market paper. 40 minutes.404 Dick sneary. Ilustrator, Kansas City, MO. Sharpe en on 18-22" marker paper, 40 mines. (7)Dick $neary,llustator, Kansos Ciy, MO. Lett Sharpie pen on BIST bond poner. 15 mmnutes. (7) hight: Colored pencil-and pastel on 20-20" vellum, 30 minutes.Paul Laseau, professor, Ball tate University Felt-tip pen and colored pencil on 8'.x-10" bristol paper. 30 minutes each. 106i ey Fa bret a —_ Vi YY My Pou! Laseau, protester, Ball State University. Felttie pen ond colored pencil on 10-14" bristol oper, 15 fo 30 minutes each, le Somepe 107Mike W, Lin, Black shak on 19424" marker paper. minute. 108,Mike W. Lin. Pastellon 12°16" bond paper. § minutes 409| Dick Shean, ilusiatox, Kansas ily, MO, Pastel and colored pene en 19"-x-24" marker poper. 1 hour 40Dick Sneary, tustrator, Kansas City, MO. Postel and colored pencil on 187-24" morker paper. 30 minutes. (7) a(Chris Borne, Jondscape exctvtect, NC. Pastel and colored pencil on 18-24" yellow tracing paper: 4¥2 hours, 12“chovlote Kinderknecht Sherple pen on 14°22" yellow ttacing paper (using aide projection) Wehours, 13Loke Low, Marker and fetttip pen on 12"-x-18" yellow tracing paper, 40 minutes. 14Wayne Williams profesios, Woshington State Univesity. Marker, pastel and colored pencil on 14% 4" yellow trocing paper. 1 hour 15Left: Theresa O'Connell. Right: Marjorie Piz. andscope architect, Minneapolis, MIN, Marker and colored Pencil on 102-12" yolow racing paper. 40 minutes each. (T} 16Michos! E. Doyle, ilustrator Boulder, CO, Marker and colored pencil on 8'-x-40" bond paper. 1% hours “Wlz Eimeing. Marker and colored pencil on 19"-«:24" marker paper. 0 minutes. 18Left Marjorie Pitz Iondscope architact, Minneapalis MN. Feltip pen and marker an tttx-4d" ce oper 40 minutes Right Tim McNamara, student Kansas State University. Mater on 12°44" rice oper. 26 minutes M9Mike W. Un, Marker, pastel and alibrush on 19°24" marker paper. 20 minutes total 5 minutes blinglolced, 15 minutes without blinctola, 120Thomas Wong, landscape architect, Watertown, MA Watercolor and Sharpie pen on 14x16" watercolor Paper. vp hour 121‘Thomas Wang, landscape architect, Watertown, MA Marker on 167-24" marker paper, 40 minuiles each 122Themes Wang, landscape architect, Watertown, MA. Markar on 12°16" flop}. 10°18" (bottom marker oper. 40 minutes each 123Tomax Weng, jondscape architect, Wotertown, MA (aft Fetttip black marker and woteteblet an 13°r4a? rice poper 45 minutes, Right: Fat-tp pen and colored Zipatone on 8x10" bio! pape: 45 minutes, 124dis Nex ILLUSTRATIONSLeft Robert Boulton. landscape aichitact, St Louis MO, Eagle #314 pencil on ‘Cr-x-44" vellum, 4 hour. Right Anne Hunt, sadent, England Colored pencil on ffx" vellum, 1 hour 126Catt Johnson, landscape architect, ann Arbor, Ml, Pencil on 9"-%-12" bond paper. 30 minutes each, 427[$y Johnson, Johnson and Roy, Inc, Ann Arbor, Mi. Pencil on 840" Ht vellum. 2 hours (lat), 3 hours (right) 128John Yancy. 28 peneilan 161-24" ond 48" 19" racing paper. 40 minutes each. (7) 129CAM] ) 46°20" wallum. 6 hour, Craig Petterson, architect, Kansas City, MO. Pencil on 130Cortland Read, landscape architect Syracuse, NY, Pencil and ted pencil on 16".¥-20" Mylar. 8 hours, from slide. 434Jen Hayes, ilustater, Honolulu, Hl. Carbon pencl on 428" vellum 42 hours, 432linn Hayes, illustrator, Honolulu, HL Carbon pencil on 12'-x-20" vellum. 12 huts 133jain mnt mAWEIESERATOEUNT CPR Bea EOE BARE BEER? i 30" vellum. 24 hours, Jim Hayes, lustrator, Honolulu. Hi Corbon pencil on 20"-#%Donald Hiderbrandt landscope architect, Columbia, MD, No. 2 Berol Mirodio pencil on 18"x-24" vellum. 16 hourt,Bono Hiderbrandt, landscape orchitect, Columbia, MD. No.2 Bero! Mirado penell on 16.20" vellum, 16 hours,Donald Hiderbranct, landscape archtiact, Columbia MD. No, 2 Bero! Mrado pencil on 18°x-24" vellum. 10 hous, 197Robert Boulton, landscape architect St Lous MO. Eagle #384 on 17"%-22" yellow tracing paper. 3 ours 138Jr} Associates, Toledo, OH. Pencil on 20": 30" Crescent board. 48 hours140Coro| Jehnson. landscape architect, Ann Arbor, Ml. Ink on 41-6" marker paper. 30 minutes each, 1aDenny Potts, student, Kansas State University: Na. 00 ink pen on 12x48 vellum. & hours (1) 142Dick Sneory, ilustratex, Kansas City, MO. ink pen on to"scte” vetum. 4 hours, 143Dick Sneary,ilustatcr, Kansos City, MO. Sharpie pen on *'.1-24° wellum. 1 hour. (1)Dick Sneary, erchitect, Kansas City, MO. Panell on 24-30" vellum, 10 hours 445,146 Kunaslihet 6 Som Rod Henin. professor, Washington Universi. Fountain pen end ink wash on 16"-x-20" watercolor paper. § hours.eT ae Jon. 8.18 Growden Widulauns yevst> Toonashinn Red Hen professor. Waxhinglon Unversity. Fountain pen and ink wash on 163-20" watercolor paper, 7 hours 1a7‘Gene Steet, llysratot, Chicago, IL ink pen on 2074-307 vellum. 28 hours, 148ofl Dick Sneary, lustrator, Kansas City, MO, Pastel and colored pencil on 307-x-42" photo-rnural enlargement paper (original. pencil on 10°42" vellum). 12 hours,Dick Sneary,tlustrator, Kansas City, IMO, Ink and colored pencil on 18-28" yellow tracing paper. 15 hours 452oie aon Cay et Dick Sneary, architect, Kansas City, MO: Pastel and colored pencil an 18°-x-24" yellow tracing paper. 16 hours 153Z i Ly Wy: Dick Sneary, architect, Kansas City, MO. Pastel and colored pencil on 24"-%-24" yellow tracing) paper. 6 hour.ick Sneary, architect Kansas City, MO. Colored pencil Primacolor Ar Six and pencil on 497-24" welum, 10 hours. 4155,listator, Boulder, CO. Marker, colored pencil. anc pencil on pastel paper. 2 hours eoch, Michael Berle, 45Michael £, Boyle, tlustiator, Boulder, CO, Marker end colored pencil on 9x blackline diazo BBtint poper (orignal fel tip pen on yellow tracing pape). 1 hour each. 197Miehaet €, Davie, ilusrator, Bouider, CO. Marker and coloredt pencil on 10°13" pastel paper. 2 hours.Leste Gara, student, Colorado State University. Marker, colored pencil ond airbrush on 197-x-24" marker paper. 10 hours 159Kutt Robinson. Maear on 12-12" ice paper. to houre (7)Graig Roberts llustator, Ft; Lauderdale, FL. Matker on 247-30" rice paper. 8 hours 161Croig Roberts ilustrator, H. Lauderdale, FL. Marker on 24-30" rice poper. 7% hours,Craig Roberts, lustrator, FI Louderdie, FL. Matker on 24".*-36" tice paper. 7 hours 163Poul Haberman, orchitect, Dolls, TX Marker, Sharpie pen. and pencil on 2434" yellow tracing Roper. 2 hoursae ie mM Paul Haberman, architect, Dallas. TK Marker, Ink pen, and pencil an 16°-x-20" yellow tracing poper. 4 hours 165es in eco Dale ena Si pre Wt phe gm pete ‘rocing poner. 14h 168.167sien Hayes. ilusitator, Honolulu Hl Marker on 20".x-30" blackline diazo print paper (original, earbon pencil on vellum). 20 hours. 168Jim Hayes ilusteter, Honolulu Hl. Morker ond pastel on 24.36" blackline diazo print poper (criginal corbon pencil on vellum), 24 hours, 09dim Hayes, luster, Honolua, HL Marker on 22°36" black line ciaze print paper (original ‘carbon pencil on vellum), 32 hours 70Jien Hayes, ilustrator, Honolulu Hl. Marker on 24".x-36" biack-ine diazo print paper (original ‘cerben pencil on vallurr). 27 hours mJohnson, Johnsen, and Roy, Ine, Ann Arbor. Ml. Matker on 16°24" photo-mural enlargement oper (original, pencil on ta 17" tracing paper). 20 hous, a7Angele Bucano- Mucciolo, Bocei Design, Boynton Beach FL. Maker ond pastel on 24"%+-26" black line diazo pint paper (original fel-tis pen on sepia papet). 25 hours.Mike W, Ln. Market, tempera, colored pencil, ond pastel on 47"-x-24" marker paper. 4 hours. 78Mike W. Lin. Morker, tempera colored pencil. ond pastel on 19°. 24" marker paper. 4 hous 75Gene Street, ustrater, Chicago, IL, Marker, ink, ond ciibrush on 16"%:30" watercolor board. 22 hous, 176Dekh ail PP) Gene Strest lushator, Chicaga, IL Matker and altbrush on fe1-39 blackline diazo print paper {original ink on vellum), 24 nous. m7Gene Street lustiator, Chicage, IL. Marker, citbrush, and white tempera on 20"-50" blocicline: lazo print paper (original. ink on vellum). 82 hours 178Gene Street ilusitator, Chicogo, IL. Marker, orbrush. and while tempera on 20" 30" black line azo print paper (original ink on vellum). 32 hours, 179Motoom & Associates, Honolulu. Hl. Top sheat Aenyic on back of 241-30" printed acetote fin. Botiom sheet Watercolor on watercolor boarck 40 nour total 480Dick Shear, llusttor, Kansas Cty, MO. Marker on 30: ia prin oes vies ty, f"-«-40" sepia print paper (original ink on 184Dick Sneary,ilusttor, Kansas City, MO. Watercolor, Colored pencil. and at Stic on 18°39" black: line digze ptint paper (original, penct on vellum). 30 hours{oft John Yoncey. Felttip pan, marker, ond white colored pan an “ cover owner, 6 hous fight Rex Barbe. Acyl on the baCKCr 18-24" Nix Oeste ih (Omg Ine on valluen, 22hours. (7 183,Marshall Associates. Dallas, TX Tap sheet Acrylic painted cn the back af printed acetate tim. Bottom sheet: Marker and pastel on 18x-A0" vellum. 32 hours tots.185ie” pein Zi Fawin Pointer, lusirator, Wichita, KS. Acrylic and fell-fp pen on 12'.x-20" watercolor boora, 12 hours, 186Edwin Pointer ilustrator, Wichita KS. Acrylic and ink pen on 15'x48" Crescent 400 board. 47 hours, 187Corlos Diniz Associates. Los Angeles. CA, Acrylic on 8"-x-8" photo-mural paper (original, ink on vellum). 20 hours each, 188Cotlos Ding Asociates, Los Angeles CA Acrylic on 8.x-8" photo-mural paper (original. nk on vellum). 28 hours each.1 es annHatin ie USS Tat Carlos Din Aricciales, Los Angeles, CA Aerylic on 2332" photo-mural paper (origina. Ink on vvelum), 225 hours, 194Fight Acrylic and o# on 20°-%-34" photo-mural paper. 335 hours 495exon Barham: luster, Wichita, KS. Watercolor on 16"-x 2a" watereslor paper. 6 hour (lf. 16 hours fighi).Stanley Dudek artist, Chicago. IL Wotercoler on 10"-x-42" woercolor paper. 2 hours 7é ehecatecr toi “ “i : George Hotton. Watercolor and pencil on 10"-+-1 8" watercolor paper. 2 hoursThomas Wang, landicape architect, Watertown, MA Watercolor, black marker, and felt-ip penon 18"x-22" walereolor paper. 116 hours.‘Thomas Wang, lndicape architect, Watertown, MA Wotercolcy, fell-Hp pen, and pencil on 122-20" watercolor paper. 1 hour, 200Thomes Wong, landscape architect, Matertown, MA. Watercolor, fetip penion 124-48 watercelor paper. 2hous. 201Doran Barham, Iustiator, Wichita, KS, Watercolor and Ink pen on 12°46" watercolor board. 16 hours 202Doran derham,tiustator, Wichito, KS. Wateteolor and ink pen on "2".x-16" watercolar board, 18 hours 203Dotan Botham, llustater, Wichita, KS Watercolor on 12°3-16" watercolor board. 8 hours each, 204Tran Gio Khier illustator, Los Angeles CA Watercolor on 24.36" crt-sepia paper. § ROU,‘Gary Mellentsruch, tustatey, Kaneat City, MO, Tempara on 161-30" Crescent 100 ilusration bore 42 hours 206Gary Mellenbruch, illustrator, Kansas City, MO, Tempera on 16"2-30" mal-boar 20 hours 207Al Associates, Toledo, OH Cassin on 18x44" mot-board. 12 hours. 208Art Associates, Toledo, OH. Casein on 187-26" Crescent 100 board. 60 hours, 209[Ari Associates, Toledo, OH, Casein on 16-28" mat-boord, 60 hours. 240[rt Associates, Toledo, OH. Casein on 16-24" mot-board. 50 hours OMAt Associates, Toledo, OH Cosein on 18°-26" met-board. 70 hours. 212Mike W. Lin. Tempera on 20°.x-80" Crescent 190 ilusration board. 25 hours,‘Gary Mallentruch,ilustator, Kansas City, MO. Tempore on 20-80" matboord, 24 hoursGary Mellenbruch,iustator, Kansas City, MO: Tempera on 20”x 30" mat-board. 24 hours 215Dick Snecry, llushator, Kansas City, MO. Aiforush on 46"-x-24" sepa prin (original ink on vellum). 50 hours 246Dick Sneary,ihushalor, Konsas City, MO. Airbrush on 16-24" sepia print (onginal, mk on vellum). 60 hours 2n7Dick Sneary,lustaior, Kanses City, MO. Ash cn 14-26" sepia pint (original, I on vellum). 50 houre 28Doran Barhom tllustiator Wichita, KS, Watercolor and ink pen on 462-28" watercolor board. 22 hours. 219Doran Barham iustater, Wichita, KS. Watercolor on 16".x-36" watercolor board, a6 hours. 220eran Barton, of, Wichita, KS, Watercolor on 162-40" watercolor board. 55 hours.Dick Sneary ustator, Kansas Cty, MO, Watercolor on 307-80" ar-seplo print (original, pencil on vellum). 20 hours.‘INTERIOR ILLUSTRATIONSiluskator, Honolulu Hl. Carbon pencil on 16".x-26" vellum, 16 hours. sles Hayes, 226Craig Patterson, architect, Kansas City, MO: Ink on 11°-x-12" ellumn, 24 hours.Diek Sneary,Ilusttator, Kansas City, MO. Ink pen on 12°16" vellum, 4 hours 228Dick Sneary, otchitect Kansas City MO. Colored pencil on 10%c14" vellum 3 hours, 229230 John Yancy, Colored pencil on 10-10" yellow tracing paper. Shouts.Dick Sneary, architect, Kansas GY, MO, Leff Pastel and colored pencil on 22-3" yellow tracing Paper. 10 hours. Right Colored paper on 12-16" vellum. 5 Rous, 234Dick Sneary lusrator, Kansas City, MO, Pastel and colored pencil on 24-30" pholo-mural enlargement poper (original pencil on 14°18" vellum). 12 hours.Dick Sneary.ilushator. Kansas City. MO. Left Sharpie pen on 144%" marker paper. 4 hour (7) Right Marker and colored pencil on ta*att” wellu. 22 bouts. 234Craig Roberts lusrotey Ft Lauderdale, Fl, Marker on 24"x-30" roe Roper. Gheurs, ”Craig Roberts ilustrator, F, Lauderdale, FL. Marker an 24"-x-30" tice paper. 6 haurs 236Dick Dee anchoape architect Ft Louderdle FL. Makar on 236" acne ozo pnt paper {originat felttip pen on vellum) 237#LSNLEN th Robert Short, Marker and fel-tip pen on 16°22" white racing poner, 4hoursMarshall Associates, Dolls. Top sheet Acryse andl maser pointed on the back of ine-printed locetate fm. Better sheet: Marker an 17x18" vollum. 10 ROUls total 244Watercolor an 12"2-16" watercolor board! § hour each, 242Watercolor and tempera on 18" 24" watercolor boo. 14 hours each. 243,Conlos Dinie Aatociates Los Angeles. CA ewe of 26726" photermural paper ferigha, nk 2 vellum}. 208 hours 24s,Recommended Rendering Materials PENCILS Color Beral Marker Design Marker AD Marker Pencils #2: HB, 28, 68; KOH-LNOCR "Negro No.2 Wolfs Carbon 88 Eagle 344: Dixon Rei Brown Blush Light Flesh ‘Sunset Pink No. 303; 68 Carpenter Pencil Flagsione Rec Flesh Peach Dark Brick Red Pale Cherry Burt Sienna INKS Red Brown, ‘Bumt Umber Rapidograph pen set (000-4) Sharpie by Sanford faltio pens by Fla, Plat, notes Brown Brick Beige Brown #0 Light Sand COLORED PENCILS Sandi Row Wood Sand Berol Prismacolor penciss white, warm gray very ight, warm gray light, blacks blush Bunt Ochie Pale Walnut Umber caring 180, scaret req crimson loke, orange: cream, canary yellow. yellewozne, Wort Red Browen # Delte Brown row umber, sepia, fies: green bs, apple green clve green gras green tue green, Datk Brown enphoto bis, tue blue. copenhagen blue, ndigo blue, aquamarine. Yellow Brown) Blonde Wood Yellow #1 Napies Yellow PASTELS Mustord Yellow Orange #1 Gold Eberhard Faber Nupastel, Grumibacher Golden palette pastels 12 or 24 square stick, Yelow Ochre Yellow Orange Yellow Ochre Bork Yellow Brown Kraft Brown WATERCOLORS Dark Brawn Yellow Brown #6 Brush no. 3. 8 round. "fot tisket materict salt: pockst knife: cl; Winsor & Newton ‘colors: Winsor Blue. Cobatt Blue, Cadmium Rect Cadmium Yellow, Alzarin Crimson Yellow Green. -Cream Yellow #1 Light Wy Ivory Block Bum Sienna, Raw Slenna, Burnt Umber, Sapie, Thalo Green Hookers Green Lime Green Yellow Green Yellow Medium Olive (medium, Spanish Ove Geen Orange Green Dark Ove Marine Green Green Orange Green #9 Sate Blue TEMPERAS Brush no. 3, 8 round: ¥. Vit," and 2" fick tape: Pelikan @rontic white; Winsor R Green Wilow Green Green Yellow Green #1 Willow Groen Newton Watercolor Blue: Designers Gouoche: Buint Sienna, Burnt Umber, Jet Black, Grass Green Geen Yellow Green Apple Green Grenadine. Permanent Green Beep, Golden Yellow. Lemon Yellow DarkGreen Green Jade Geen #9 Evergreen MARKERS Nile Green Color Berol Marker. Design Marker AD Marker Gray Wain #10% Worm Gray #2 Weim Grey #1 Bue Nonphoto Blue Blue #0 Sopphire Blue #30% #6 43 LUght Blue Be #1 Blue Slow #80% #6 a5 Process Blue Blue Green Blue Light Blue 10% #6 #8 Tue Biue Bue #7 Dutch Blue Black Black Super Black ‘Copenhagen Peacock Blue Red Flesh Light Heh Powder Pink Blue Green NonphotoBue Blue #0 Frost ue Brick Red Red Grange #1 Coral Light Bue Blue Green #4 ‘Aquamarine Chery. Red #8 Lite Red Aquamarine Blue Green Sea Green| Dork Brick Red Red 489 Maroon Teal Blue Blue Green #9 Blue Green Red Orange Cadrnium Orange 2a7