Methode Complete

N)(IR LA

CONTREBASSE

Edouard NANNY

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DIVISION DU MANCHE DE LA CONTREBASSE _t-\ 4 0 U 5 C~_i

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e C~II_e d!SPOSIlIUri consiitue Id pruunete sxclusrve

" 1~ la iv131S01l Alphonse LEDUC et C'.'

I Tau" drous dC.ReprOdUSllOn et de·.rrcdUCllon

re:::ei"'.,re~ puur taus Pays. .

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Tenue

FIOUhI.: 1. - T'euu e de I. Con treb a sse.

• 2 et J. - Tenue de I'archet.

•. - L'ar ctie t sur 13 cor de , au talon.

5. - Au taJon ) (En tfr an t ou en pouss ant, I'archet dolt

6. Au milieu tcujcur s etrepM3lJele,Ju ch evate t, du

7. A l a pointe talon j la pomre et vt a .,trsa).

8. - Tenue de I. rn ain gauche j la I" pcs+udn.

,----------,

FIOURa 'd. - Tenue de 1.1 main gauche .\ 11 6·· position: (lc pouce Illf le talon du manche.

,0. Mauvalse tenue a II 0-' posltlo n : (Ie POUet en

dehors).

II Tenue de la main gauche pour les posf ttons au pouce

J 2 _. Tenue de la main gauche Dour It's $On. harmcntques prh du chevalet,

A L I~IS.

l

How to hold the double-Bass.

The pupil should be erect, the leg. a trifle open, in such a way fhat the angle formed by the back and the upper spilt of the double-bass (on the 'ide of the 4th string) lean. on hi. left side, and that the: angle of the under split (011 the side of the 4~h string) touche. the left kneepan. The left hand should be placed on the head of the neck and hold it between the thumb and the other fingers, Sf) that these fingers are separ a t ed from one another and

rounded Over the strings. ~

The forefinger being on the A , ~l_::":=:~.:=]

(I·t .lring) and the 4·h on the B , ft$© , the hand is tltu a in the 1" position (I" degree). The fore-arm should descend nearly parallel vith the neck of the instrument, in order to avoid holding the elbow up and outwards. As it is impossible to hold the double-bass quite vertically, the pupil should incline it a little to himself.

How to hold and guide the Bow.

The bow is held in the right hand, so that the right side of the thumb i5 placed on the groove of the nut. 'Pile ring-finger au t the little finger should move nearer the middlt'-fill;.{er to twill the stick: the forefinger alone is lightly separated from the other fingers.

The bow should be placed horiz on t ally on the strings, at a distance of 3 inches trom the bridge, and inclined towards the fingerhoard; the nearer it draws to the bridge, the s tr onger gets

the sound. The fore-arm and the wrist guide the bow parallel with the bridge, which is essential to obtain a fine sonority.

The wrist rounded over tile st ri ngs, with a down-bow at the heel-end, g e ts str aigh ter as the bow Is drawn, and should Ior.u a straight line with the other parts of the arm. when the bow is at the point. With an up-bow, it is the reverse direction, and t h c wrist should come back to its original position. The mo veme n t s of the shoulder and the arm give bad results and the pupil sh uuld rigortlllsly avoid turning: the elbow outwards.

Attacking the strings "With the Bow.

To obtain a good attack, it is always necessary to weigh the bow down on the string wi t h the forefinger, before drawing the bow down or up, in order to make the note tell distinctly.

The inobservance of this principle is the great es t defect. It leads, because of the per pet uel rubbing of the how, to a confused performance, in which the sound at the notes is not perceived.

There is too the reverse defect, which consists in attacking loudly the note indicated r during its whole length and let the sound drop abruptly after the attack. Tbis defect becomes (exceptionally) a quality, when a note is indicated [p,

tpE~

/1'

The fOllr stringed doubte-b a ss is tuned by fourths. Ex :

1,~e IhHe ~t_ .... a(! 4[_r 1'/ S/trr~ 2'!f1 ar:.,f ~J~ 1r_, Corda 2~ B!: 4~

~~~

Ex.

The five stringed double-bass is tuned by 3 fourths and

third. Ex: ~--u~--:~--~

....

The double-bass music is written in the F key (4'" line) and all octave above its diapason. Suppose these notes are performed:

~.n=:~.~~-==n==..U:::=_~--=] , tilt' ear perceives the Iotlovlng

'OUIlJ, :

In this method, the a key (2,,,1 line) is used to succeed the F key, in the high tones,

or

To avoid ch.1ilging keys, certain passages are indicated:

B' _ - - - - - - ---.:.;.-r

@o-=-?fg

Major second Interval. (I tone) are fingered In the 5 fl"t position, from the tit to the 4th finger. The space between these 2 fingers Is very large in the 18t position and diminishes till the 5th. From the 6th position, major seconds are fingered from the 18t to the 3rll finger.

,\linor second intervals (1/2 tone) are fingered, till the 5th position, from the 181 to the 2nJ finger, and, from the 6th position, Ir o tu t h e I" to the 20d finger, and from the 2"d to the 3,,1.

A .IIajor second, from the I,t to the 4·h finger, constitutes a degree of the division of the neck, and as it is impossible to perform a position without ,displacing the hand a semitone, a position occupies In consequence two degrees. Ex :

lr_" Position 1~f P-oftr/(oll lj~~ LaKII

1S~ BtIlr~ 1-!.' d~8"ret: l~r 'degre

~

~~~~

:!4 dexr-e 2"!.d dll,5r611 2l~ Shift!

6t_' Stute 5/_'; d~Kru 5~ deg-r-e

rt2T1

R~ l'uH!tfon --e- ~~ .u. ~J.l.

3':.d Poftll,'olJ, f?:== [;;j[J§?J at! LI.KII

6! degre 6/~ de,r-rtle 6~Std.

The thickness of the strings should be proportional to the resistance of the belly of the instru ment, and the height of tho bridge should be ruled in such a way Ihat the 'trings do not lasn the fingerboard in the loud notes, nor they are too far from it, which would tire uselessly tile hand.

/

The how is ill general Orn 68 long,

. -------~.--~

t'oi ntu Mll!uu Telon
POI"! Jliddle Hffffl
Spitu ~jtt6 Fro!eb
• L 16KnI. EXERCICES D'ARCHET SUIt LES COftDES A VIDE

EXERCISES OF UOW ON THE OPEN srtuxos

STlUCHUUUNGEN AUF DEN LEEREN SAITEN

up-bow

Der Her u nt e r st rich is t mit r-t bezeichnet

SII~ne pour Je pcu e a e r

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Each llOt,- From tIll' hl'!'1 to dlt· (loin!. \ ill! a down-how, aud [r-um tilt· p ciut til tln- )11"'/, ,.o,'ith :1lI up-box; tIl!' hvw should rt'ltiain ~upp()rtI'J on tlu- "lrillh' duriTlK silt-ncr', and tln- attack .rt tilt' point should he ,1 .. strong :I~ :1[ Llu- h-tl .

J,·Ut· uot e v om Fr-osche z ur- Spitzt! he ru nter;

uno von d e r- Spitle zurn Froscbc hioauf DI-!r Bugen

dar f ni cht dip. Sai t e n wa hr end de r- Pause n ve r,

l a s-a-n uud de r- Anselilag scl l t-beu 'So stark an dt'r Spit'll' al s [1111 Ft-osche sein.

Signe pour ti r e r- l-a r c he t

The down-boW 19 Indicated by r-r

The

v

De r- Hl nau Is t r i ch

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Ch';HjU,' no te <Ill t alon a l a p oiut e. I'll ti r-aut. r-t dl' LI potntr- au r alnu en p ou s s a n l : I' at d',d nt' Juit ra~ quilll'[ l a cord" p e ndan t I.,s si h-n. res e t "atlal{lH' ;'1 l a p oi nte dOll ,',tft' ou-c-i for (I' (Ill' au La lou.

1'_1' I-\UIL!U Jr! f.'XFJa'JSI!' 1'1, Ullll,'\(;

'.!.': ,. ~ '\ r'll ( : IrE :J!id £.I';:HI'/S;'" 21~' ( HCf'i (;

:I"~" t\I'_HUC~ .!I'! «s sncrss 31_, i:lll,~(;

Ch,l'lul' null' JlI talou ;11I IlIdi"ll dl' " arcln-t

E;lch 11IIt" rfUlll till' h"t'l ttl (ht, '1IiJdl" or thl' bow.

JI·J" Nilte VOIII Fr-o sche zur MiHc Jes BOKt'n~,

C/I;lIPII' uo tr- ;IU bl'"1 J" J':irdld E:H'h notl' u t tI,,, 1,,·,·1 "I' t ln- h'IN .11,,/1' 110ft> alii Fruseh~ de s B()g~ns
1° au IIlilil'~ .. :It u.. lu;ddlt, of tt,!-!4 ru d er )1 itte
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~- " Yom z u r tov s dl"Ulls rc s croc s puur t o v s pU'fS

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Du talon ;',1:1 jWilltl' 1.';HI'ht'l d,'\r:l quitter I

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-huuld 1,-;1\(' tln- ... trill~ daring -, i!'·IH'!', ill order I (I :111 :I('k at t h, 1II,\·j (I( th.- full""

Villtl Frusci.e z u r Spi t a e. Der BOrit!n IllU~D di~ SJll,' vvihr-end d"r PausC'11 ver-lass e n , UIII mil J~LII !"'r" ... clllo d"11 rol~,·tldcn Takt auru s chl aj-e n .

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EXEllCICES DE L,\ MAIN GAUCHE

EXEftCISES OF TIfE LEFT llAND

UUUNGEN DEft LINKEN HAND

lr_e l"osltLon (tc_r d e g r-e I

1",,_t l'osltlon (1"_t degree)

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J<I rlllll,!; ((/) :"11,1 11!'1'!1~ ([!) 'I'! s t rinv: (A) .J!." J,rlllg' (£)

1-~' Stdle (r_;) 21_, S~itl' (lJ) :)11 Salle (A) 4t_r Sa1te (E)

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EXERCII.'ES POUll LA POSE DES [JOWl'S SUfl LES CO}WES

EXElU']S}':S r'Oil TilE I'OSITION IiF TilE FINI,EItS 11:--: rm: STIlIilI1S

ijfl[lNr,EN FUn DIE LAUE DER FINIiEH AUF DEN SAITEN

1'_' co r dc IS(li)

I'l st I'Ing- (I; I

Lor"'llJ''1J1 dpplllt· um- Illill' ;1'(' II' -).''''dlJigt, II' pnmiv r- lll;it al!~:"-I /l1-":"-,"I'r LI 1-111',1, dl; 1/11"1111' (lUI' pl'lllLlJlt !':Ippui d'Il:II' Illl!I'

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EXEftCIC~k LES 'lCOItDES 'I I I ij13UNGE~F DEN
SUIt EXEItCISES ON THE 4 STIlINGS 4 SAITEN 1;:\ ,'I .'1 r D I L! T ~I r\ J fun A'lT I)F (' ,If.I,!!)1(

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. \ full h()\ 1'111' ('adl nou ill su s taiu. i Ilg 1111" "ound a., 11111I'1! IIII till' (TOItr-/wh ;1" 11]1 III" Illillil"'-

(;:llJl.l'f HUK,'I) auf je der Nul~ .

Hall!' thn Tun auf de n Yit'rlt·1 ,~uf den [ralh.-u i\utl'll aug,

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EXERCICES D'AIlCHCT (pour I a te nue till son)

EXEflCISES (H' UOW (rr,,' ho ld i ng <not c )

STRICHUBUNGEN (fur die Aush altung des 'fans)

Till' sound .... h o ul d ht· Iii .. sallH' f'r!)'n thflt'"j 10 t h c poi lit or th r- how a~ lrom thpqi III to 1111' 111'1' I

Dt"r Ton so stark von d em Fr-osch e lUI" SpilLp a!- von d e r Spitze ZUlli Fr-os c be

L'intt'nsll.: du ... on d uj I ~lrt' la 1111"1111" pt-u .

d;IUI 11' pafc')'lrs JI' lta rrlu- t . rill 1;.11111 ;') I·.

pninll', l'l dt' 1:1 point r- au talon

1_-.·- .. ·-···.···.1

-<) ...

. r I

"

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to

EXERCICE POUR OIlTENlIt UN CRESCENDO SUR UNE Non: TENUE

Ell Li r ant OU en jltJU,",,,,:llll la untv, rl11II'IL "itt; Uti ... on doil auglllt'llt4'r pr()~rt·""i

·'1\!'llt vcr .. L· ItliliPl1 dt' la rclu-t , d .lrnunur-r "II .rll ant \j'f" la pllilltl'. I1I1 I,· 1:d .. n

UBUNG ZUM ANSCliWELLEN EINER ANSGElIALTENEN NOTE

EXERCISE TO SWELL AN 1I0LDINO-NOTE

"Y(>r man dle Nc r e he r uut er od e r- hinauf

st t-eirht . IUU~~ d .. r Ton ill apr Mint' Jrs BU~(,Il:-;, n;\I·1! unt! II.I('I! w a ch sen. uud Ina he , dt-'r Spitll~ Oldl'f dcm Fru"chl' abnehnu-u .

\,'11" tlu- du c u ur "P hn .... , till" s o uud "hUllld )',\1,11 lillip hv lilll",,:ll till' Illidllll' I,r (h" hll\_ :\:111 Ii illlilli,,11 tow.u-d-, till' 11<'1111 "i' till' h .. ,·j

n

n {=U-==

EXEIlCICES I'Ul:n LES NOTES LIEJ.:S

r~ II I ian t :.! IHd ,''':' "II r :! 1'0) ["Ij t'"

sine s. II,' P"" 11""1' I,·" 1IIIi;..:(-.; 'lui ap. pui eut la 1'"" 11014', ,,'il~ Ill" "lllll p~h 111'_ re s s air-r-s ;, lnppu i d4' 1:1 :2'1.

UElUNGEN ]:'UR DIE VEllBUNDENEN NOTEN

EXEIU'!SES FilIi TilE SI.l'HS

\hlln IIIiUl ~ i

ulen auf::"! anlit'Kt'IHh'n S;l'i1I'll "dd"ifL dn rf ru an nicht du- Fin~t'r, "11·14'111' dil' I~l ~ote a u s h alt en, auf hehc n, \II'tln ... i,· uu-ht nut;,; zur HaltillK Jt·~ ~t,~n~jnJ.

III .. I u r r II!.: :2 III d I'" I'll :..' d' I~ <II III II;'; "Irin~ .... 110 lilt! r;li",' l!i,· l"111"..:I·r <. \liJll"iJ

;11"1' r.: .... IIIIg. ('II [III' !.I 11(,11'. if 11U[ 11'·1·1' .... ";11": ['lilli' "1l1'Jll>rl "j

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EXEllCICES EN LA; ~\INEI!lt

Chaquj' noll' d u ta lnn ;111 milieu dl' r n rt-ln-t .

.;,

i~:r....

EX E n CIS E SIN A ~I I C\ 0 It

UBUNGEC{ IN A MOLL

E<1ch not r- frOlll tilt' 111'1·1 t» 11' mid d I,· "f till' ho ....

JI·d" 2\(,tl' '0111 Fro scln- IUf ~lill4' til" HIlh'I'll';,

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1? Fronl llH' II!'I'\ 411' llH' hu\

UtH' da s rulgi'ndt· Stuck

1 :1 1,'ro"l'lw (k~ JlIl;';I'II~ ') In d"I' .'tilll' d,':-- H0I<"IL~

1? Ju t alon Ill' ",1rI·hd 2? du tllili"lI d" l'n rvln-I

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EXEHCISES IN F

UIlUNGEN IN F

fll·_](i:tS rs t s os T ~H L ur~

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1

01' \ ItT t_ S

rocnr u s gLA11 fh'

." I \T ["' SIXTHS St. \ T ~ ,l

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rur \,l:.S ocr.u:ts (JCT\"E.'i

~ A("ht~1 Jill Fro~dlt· und :! an de r Spitz e.

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EXEIlCICES D'AIlCIJET I EXr:IlCISES OF' BOW I srnrcn UBUNGEN /

Chaque no t ,- du t alo n au mili e u J~' E;'\("h nnt

[rtuu tIll' ht'~1 tu th ... luiJJIt' JeJt"' Noll' YOIII Frosch e mr Mitte des

l'n r-ehe t e t bien so utenir fa nni r-e, and s u s t aiu ('art·ru!l~' tiu- rrutchr-t . BOKclls Hal r e dit· Yie r-t cl nct e gut a us

A,ndantlno n V n V n V n et c.

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nir 1:1 noi re . I cu rc ful lv <u s t u lu tbr- crotrhet ri,·rtl·II[(,l(· gut ;IU"

h .;[-~. ~~~~~~b!W~ ;;;~'.-)~~~F~r~~~~.-=';. =.=.?;··~~:F~~~5=.(. /

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2'? l)u taiun 2 1"1'''111 tilt" 111'-1 'l~~1J Alii Fr os ch e.

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EXEltUC'ES ('II S r ~ ~,

EXEltCISES in 11 ~

UIH.JNGEN In 11 b

r;Ulm 01 \(U1H[1 SC.! IF fllld (lION!1 r()," U ! I 1.11 1)",1 \h~,IIHr)

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EXERCICES POUlt LES NOTES LIEES ET DETACHEES

EXEIlCISES FOR THE SLUIlS AND THE DET.\CHElJ NOTES

1~ U[JUNGEN FUa DIE VERDUNDENEN Ut'iD AHGESTOSSENEN NOTEN

1? Toul Pa r-clu-t

:!? Du talun au IIlili~·tl

t A full bll\

2 h-,uil Lh.· IlI·,·1 t., lh,· 1lII,ld[,·,

t'~r:'S I~ auzer nO~!'tl

2t'':';l VOIIt Fro"dwlul' ~ljtte

i\lo,~el'nt() n V 'J----.. V ("I r"J-_. ~ ~ V n Y

~~~!~_f-r-~~~~-=t.(=(~rr~l~~-~tf~:~-J -f=-_I-_~I~=I~4~1:=F~H S

~ Y 'I, V n _ Y ,'-' '7----.. ,

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n

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// r-r V r: ~ ~ V r-t Y r-t Y r-i V .) .•

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EXERCICES cn MIg m l n e u r-

EXEftCISES In Fe m l n o r-

UDUNGEN In E moll

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EXERCICES

EXERCISES

UBUNGEN

lry Position (2mo d eg r e }

l--:t I>osition (zn_d degree)

frt.r/I'ill,!f t,:,· S"itc

~Il~r ro r d e ~III{ S!I'I"I'? :ll:' S.dt~

,J!l~1' cor de 4J':t c or-d e

3~' strio:{" J/A -fIring-

:l~'" Balte 41.'" Saito

e n I11:~ ~ m uj c u r-

Y n Y

n 1 " 0

~;~F~u=_rr (_t

In [) m a j o r-

in D dur

I! r_ HI. r~ s THIRDS T UIZ ix

I; nY, I , 1',ot ~oJ 01'.0 ,..!o~ 0

_9_.·.~_-_~.~ .: .·_L.-.;~--- -;-~-~;_ ~~ r If i-i- ~-!-i: ~~~-~-5~~*-1r=~~=tEu :1d±r~:~

!' - - I r= L, f [ , , • - .- El;-_ c:-j ~T - •

~:~~u~--~f~=~~-n![j;f-~L~~- ~-I.·.hf~~~f--~jg~~-kf4L-~r

Qlu'ns FOL'HTHS QUHH,'"

QU.YfFS FIFTHS 01'1.1-:."i

SIXH,S SIXTHS _~ E \ T r.'i

.i\_IIC'g"I'V-- m o d c- r-u.t o I

~H~ c --- 'i- i,' II~ r - r~~-r\·r r

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I-Pi ~

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17

en SOL

In C}

In G

rltflU:'l THIRDS TU!Lr_.'i

v

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:! " 1:! 0 1 :! 0 :t

=-~_i~~~.-- ... ;{~:i-.~!~_·I. J.~ t .. _._t_. -!~_ •• ~·I-_-.i~.-.-_-it'-.~··t_r .• ·1 f- r- i J" I if1'~-'~f··~~-,,~~=F~::J~J=Pll=t::_--=-~

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V! \I! rr" }'IJ/'HTiI.}·

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SI\n'i SIXTHS ~E'\T t.'i

",\.lll__l :\l(Hl t_" V

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A. L. 1~. 117f;

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SI rn t n c u r-

11 m l n o r-

TIEIIU.S TN/fillS rr.U Z t'1

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F.i\ .. # m t n e u i-

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FIS ITloil TIU\US TN/flDS HKI.L\

l)r~HnS FO{/(TflS I}l' { r f- ,\

v

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':\lud(~l·1\.to

;-,Vn V ny,--, v J1 ."O~lo!

2~Pl~~.;}) ~J-~JE~f;=~St·.:· '; ... _. -'I-J~=~~I-~~~~-!~tm

,,'I V r-v V n l..ool:!.If

~~- ~~I~~=.t/~E)~=:j~--r~~~~~L}_i-~---j~~ =-'/'~~: -~~~~~

cresr

A, L ni.H?1i

lr_p Pos i t l o n l1e.r et 2~ deg r ea )

Dr-r iiber d-r Zahl, die den Fiogersatz bczr-i chne t , lit"o,·ntlt· Su-i ch bedeutet Jil', dil' Haud H1U~~ e i nc Stcfc niedriK,·r oder IlIihi'r ~lejKl'n.

20

(1~t. and 2n_d degrees)

ls~e Lu.ge (t8!" und 2'" Stufen)

La. barn- plac,;p au-dess u s du chif'.

Fre i ndiqu an t I\~ doi~l'~, -;iKniril"' {IUP

l a m ain do it Ji'sc'·IHlr,' nu rucnte r d'un d,'!u~,

Th .. bar plared a huve tin' nuurb e r

which iu dic atus till' rill~t'riIlK, urean s

tilt' haud IIIU-.;t dl'~C'l'nJ or ;1~i"('ILJ a JI'_

ETUDE

UBUNGSTUCK

A ,1..11';. H1U

/

7

21

22

EX EgCICES D' A [1,C II ET

EXEltCISES O~' now

STRICIIUBUNGEN

1? Tout

~rf:hl't sur chuqur- nutl'

2:' Du talou a u rui lieu II'"!

A full ho ..... 1111 pacl. uu Lc-

') Fr!JlII till' lIP"! lo tln: nuddlr- .If!

Ganlt'r B()K~n auf je der Nutt,

YOIl1 Fr-o sulu- z ur ~liLtt· tiC!

Iru taluu au .nilieu sur (·ltal\ll'· III Ill' 1 Fr'H11 tilt' lu-el til tit,· m i.ld!.- Io r vach nott- Yom Fr-osch e t ur Mittt"

=-9!:~~~~~1-wr+-~~~~I:~;~~~li~~~;~f&FFJm-4=~·iTI E1£fdhF~

~ uou-s du talou ;'1 \;1 !,Uillli' ,'11 tr raut -L ~ 1I0l,''''; Lit· la poilltt· ;\U 1al1)11 ,'II 1111:'

'2 :"I'oten vom Frosche zur Spitze he run t .. r Kt~fLi!trt uIIJ'-2 Not en vum de r Spit z e IUIII Fr(l~d\t' lun a u]" j:),·flihrL

:! 11')Lp~ 1'1'1)111 till" hl'I'\ til till' puint .... i11l a dllwlI hov, :l11d :! IlIltl''i fr cuu tlu- point to tlu- 11t'1'[ [LII all Up ·1111'"

II r-r V 'v' r--i r-: V V n_0 V V n_!'""", I'll' .

~_2:~~~c::-:=~-~-}~;i r~ ~·i i~;;TrL~;li;~I-~~A~:~I·t·~~E~~~"l~i'tl'?cr=;-g-#~§Rf~

-~ ·.7~i-VF ;- ": -(' iJ- .-V" (- ,r_ r ._____E _tF Y-=LE-(':r~--¥i=f'=tt-r--~=::==Jl~-

sa u t .

:! llull'~ .lu taluu :IU unlieu l:l liflli--; fr(J[1I till' 11I·"j til tIlt' lIl;dd[l~ I :! ~ull'u vern J<~rt)sl'he au r Mitte

2'#~t;. ~€#F';/1~lf}:i"'d'lr:!,~JJg~fig=lr'cJrJW4rtttrrrl rtf!

Tout ln r chet ~ur l a nur r-r- tot la cl'lwh.. ,\ full I)()\~ for til .. t i cd rro tch-t and f~tlnzt'r UogeQ a uf' d e r Yi e r-t e! und JI'r

ii,;,'s r-t pas.;,·r vivcmeu t "arl'hd au-dl'~~lI'" tluanr and p:l':i'i (1Ili,'kly lilt· bow over the At:!lldnotc und z ich e sc hne l l den Bogtn

!II' la co r d- plJur :ltLHlul'r J:. rlllldtll' (:rocl .. · I ...;lrillK to at tac k (h,· .... 1·.lli,lu:1\I'r;d till' heel tiber die Saite, urn die Sechmhutu lno t e am

au talou ~II puu s san t ~il" ;III up-Low F'rusl.Jtt' Hili s ich a nsch l ag en.

V r+t V rI __ . V n V 1'/(· ...

~~[fEi~-i-=-_qj=~r-~--~~1I~~~lg~f·\-_~~~n 1~g=~~~@B±2J

.1.1' ' L-;::::i ----

":! :-J()ten b er unte r und "2 hinauf mit

v V 4" .-

Cfl

V

g:j

A L. 1~.H1A

23

r:XEltCISES OF BOW

(2 1.'(·rbund(_·no Hnd 2 «bg-ee tosee e e Noten)

EXERCICES D' ARCHET

STRICH UBUNGEN'

(2 notc~ l Lec s e t 2 uetaehi"c"J}

JOUt~r Fexurcice suivant :

1~ Tout I'arellcl s u r IC5 n ute s liet~g d sur C!J;LqU(' n ot e d e la c h e e ,

2? Tuut lnrchet l e s notes lil:P .... ,1't ch-tar-lu-rII:'~ d eu x au t r-e s j un e fuis ;'l 1; .. pOildL·,d u n c foi s au talon,

al:! [)U m ilie u de !'arehd.

')0 A full how nu lll .. tlt·d nolL'" «ud dd,l('h tilt; lwn HI!H'J":' 0114' Ituu- nl till" pcuut . o Ill' tillw Jl tlll' 111'1'1.

al! III Ihl' Illidd /1',

,'f'? Till' l~(1 d..r:H'/',·d I\ull'" ~t;II'I',lto wi til

au Up-flOW

Spil'l\~ dit~ rulhcIH.lt! Ubun!)

1r\_8 (;,lIn:t'r Bugl:'!u auf den ve r hundenen Notea und auf jc dcr a b ge st oaseneu Nute .

2n_s 1;~llI'lt'r B0h'l'n auf dell ve r-hundenen Net en IIIIlI die au dr-n eiumal all de r Spitle, einma l .uu Fro ... e!H' abKe~to~~~n,

:Jn~ III d"r . .u-.

Play till" [ollo\l,illh +'Xt'rCI~I'

1° A full how 011 lll+' tit,d ti,)L,'s alld on 1':'11'11 dda .. h.,d Ilul.'

'in~ flip abhl'stj)~S""lIt'lI Null'lI ###BOT_TEXT###11 ~idl ~,'fiirht.

"ll";=-~;~:£~=e=F&f F-:t:f=kr t;---=j

! I ,,_~=J i-r .... ---~

~E:~@@f:=G~?~=~I;---I{;i:~·~V:!·:r~;'~~~=J=ES~k~·7tl

L" l!lt"JlH' t!XI'r.'j CI' m.u ... :1###BOT_TEXT###quot;1'(' uut- .tu l rra r tr c ulatiun .

1° Tout Pn r-chr-t

2? Au Iitilit'u.

Th .. sauu- "'I'rl"i'-I·. hilt wltll auuthe r Jd.1dlirlK

1? A [u II bo .......

~'.l r II t hi' lit idd 1+·

Di,'st·lb.· ljhulIg, s under n mil «in-m ande rn VorLr~lt;

In_,, GaIlLt!" Bn~t'rl 2n_s I II JI'r mitt"

P··l !~ ~ ~ r __ r(!~=r]~~~_~¥~

'----':

V.. . n V n V _ n ,v r--r V r-i V. _ _ _ flf'

~tEL~Ff1fL~=ffr*r~~rr1Z·r-=~~-

. ....., V __ ,_ . ....., V 1"1 .. __ V n V

·fl:-r .'J-" _ .•. _-,,_. ·-1···" " ... -_._j--c--=c

- '-lfT'=: ~t=:::.-- 1-:: I --- t -- f ~:. -.-" - ~

. -r·/'-····,· __ · -I:· -----' I . I "

__ ._'.L.. ...._! ~ I

EXERCICES en LAq mnj e u r-

EXEftCISES In A rn n.j o r-

UBUNGEN In A Dur

r r U~C rS THIf([/~ rf" Ii/.!·:\

4)1 \ltTr,-; ;;i 1,·ntS IJ\ \IlTI '\

ItO PJ,t(II",·tllI" ",hu!. I XI ['I I'" III dk loll !i.d UlIl,<.; I tn_!t DII hallLt'lbwlblnabht:stll~"'lrlt'nNotl'n

2') {O v.th til! IlIdJldll'li 2M IIU uu t den bezeichne u-n

b, 11111 " Slrll h ar t en

:

25

EXEIlCICES D'AIlClIET

EXE£WISES OJ<' !lOW

STHICH U[JUNOEN

Ie: Du t alon au uu lu-u , 2~ Ou talon

!.l<:' Au uu li..u.

II? r'rlllil lb., h~·t·1 ln Ih .. Illiddl." ~? A l llll' !WI·I.

:I? III LIII' 1l11l!d I r-.

In_!'I

0111 Fro~t.:!Jt· zur- Mittt'. 2,n_5 AlII "'rosel.to,

:JIIS III rh-r- ~Iiltt~.

.lum-r- I','\!'cci,:p -ur c nu!

To /)/, 111''.'/(''''11'1/ Spit·I!' dit' f"I:';I'n\I~· L;hLlI1;;

~~~~~i=r~~-fg£f CJEDl

1" U'I t alo n au mil i,'u ,-,,, du rullleu

rill Ldon .'OJ ItliL"11

i-

:1" .1 1,1 r,)lnt"

1'14 t fill! !,nil

I" I /,.1/ j,dl!

I" {},H.t;r Bo!{en

:.!'! I"~ till' 1""I,tI,

:1',/ ,J/III/'IIO;"!

11l.~ VDIH Vrr)''';I/' ~I~~ ! IL d. r !'It .u tl :ll\.~ ,\ II d I' :-; I j II n

zu r- Mittl'

III Ga n z e r- HOY!.:ll

')1'-. VrJIIl rr()~ch;' z ur !'11' ill,:III .... \/.,lIl ner- !lUll,' zur- Spitz,'

-------------_

.'¥lj1il=di¥rictff"-'r .·lrr/rUff'::IE:Fji{f~f Lrifr#~k~~

~¥-t~1=tUdWJJilif~~J:m~·~·W~"4r~~~·

,lolH'r !'nl'ITi.,!' ~!lI\alll l~V dr._:.!"" _ V a~'., ~ ....

In /" I",r""",/ QJ=J-J~J-F[.~~~2~FJ¥*fElJ8ltLi "

Spirk .Ii., fulgr'IHIt- Chllng -___ _ -

1 ',I du talon Q 13 po l n te

.)" t!? ,H, rn i l l e u

1'.' du rn l l f eu

1'! du t a Io n a l a p c lut c

2': d~) au mllicll

1'.' 11/ II/r I.-.iddl/' lrl,' In del' Mill/-

1" }i'olll 1111' hrr'l to I/r,. J/()ill'

~'! ./1' ",idrl!('

11~" \lorn F'ro s c hu z u r- Sptt ze tl!" r/(' Miltft

t" From Ih~ ,,,'r! to lit,. poilll

df! middll'

til:" Von. Fr-cache zu r Spltzo 21~" d~j .Mitla

<~~. I '-==7=-::::::::> ... -==-:----_ ~

~r#!t!~~=fID-~~crtbEif ti_t-::l

~JL~~=h1tt~~.a1~~~t=W~~~~ktrfoW tc1Ef¥d

fi :!J'~{ij:~~1i1Wr~trtW@~~~=¥=q= ~;I==n=,a::=Jl

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r-t V!. 01~' ~~"T to'. 041 i rl

f;HDtE "I ACCIIRU . =l:t:= 0 I • i + ~- _ _ I =1 ~ =l 0

SC.W: ''I,d C/IORD ~~"If~ J lk-ht£~b~ ill j J ± HHLji J ; I r; J :11 J - ~

TU.

LFlnn LH1J \h.I..!Jl{[J -~---.- --_ - .r-

IJ[_J,"in-; FIFTH.) Oll\T~_.\

EXERCICES en 51 q m n je u r- I

EX~;HCISES In n m n j o r-

UUUNGEN In H Dur

T 11:'11 (:~_S THINDS Tt_IIZ 1':.\

!.)l:Uift' FO,'NTHS Vl' \HTl_ ....

2R

EXEILCICES en F'A # m.u j c u r-

UBUNGEN In FIB Dul'

n V --- :- 7. -:; :-- - -., .) - - _ - 4 I - 't - - -

~:-#;+: .• -:'. .. lf •• !'I~Et=l=t=~~TfIr-.~r.:~-=~:-;-=-~~I::J~J~J~ _--=I_.f.!t !LLrLC_!1=}JarE-;2t'.~.fF" ·..~tt:>=:r£t::±+=cr=-~~:-.L-7§-+-.+~=ltTJ==tl

... ,#~ ~ -;-.=-',-;::1 t.~' ... -= t _\=~'-= ._"_ .L._ \ ~ --='_~. \ _1_\ __ ... ' t \ 1 T \ 1 7

~J~~_-~~qt1·~~l!i-OFr-:_t~JJ~F=!Jr-=8~(lfffJ I J J J #~~

n y_ n Y n ! , _

.;)J###~#e. J~~Ii~~tr=~~-i-~r). ~ ·-:_r(~f~tJf-~GF~~=I0f· "~ .. ~~

;;:~~9r=-_-f~~=J~~[~"-·i=t}~r~t .. j~.d.~.rr . ~~J.!~~=~=t6=kf=p-k~i=:~

TIl';!\t..:lS T}fJI/{JS rI-.IIf.L,'j

Q('.IHTf.S FO(iHTJJS !..,!l 1 n,'\

EXEFlCII~ES '''1 SOL b

ill!UNGEN III G b

Uri' f'o!;';-"nJ"!I Cbun;.:t·II, nh;.:-It·ich ~i~ ill tin r"~11 Lige bpfillh'1'l sind. ;.:-,·lIi;r"II, \i\!" d"11 Xauu-u der ~Hl"JI het ri Ht, z ur- il'_" La;.;".

I" EXI':IlCiSES In (; b I

L .. , ",,·n·j,·,·, ,"j",,,ls.loj,·,, 'I"" d"j~I;' TI ... r"ll,mj,,~ ,'""·,',,,·s, 11,,,,,,1, ij"K",,·d

a la I'~" I'" ... illOil, :ii)p"rtit'llIlI'lll par 11< uI !1I., I~I 1I' ..... lli,'II, L"I"ltg, 1,\ tl:l' n.uuo Id' I Ill'

dj'~ lllllp~ ;'1 1;1 ""('IHldl' pn suion. 11111""1 III rlu- ~".1 1111 .... 111(11; - \

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9 i ~ T ~ ~ .: I 4:!, t -~ _t_1 ~ :! _ ,_~ ,,, I" 1 '~l~" "I - 1,"1 t ~ t:t ~

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y

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l0 ~t_o V 7. ':l 'j_, r-r _

,t I <$' - I I ,f" ~ :! 4 1141 '4

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f

~"I 4, 1 2·~!jt 4;'~ ,.~/jl 1~'\ 4,

~ r J I r j IEF f Fir r r J I p:J J r IFF F Fir F J J I L j d

7·)!.1:!114 _ "'--:'._,1.--: :- 7 4" t-;;11,~~111

~~~~gg;iLL£JJ J Ii!E&=t4rtF¥@tr t tj cf4; J ] J_ J#flJ

_ j-;!" 10' ,"1"1,, \,1" '~

~~~b __ nt::t=rL-f$&t~t¥~~t-lJWif=tpJ J J J I ~ J

rll'HUS ru ncns nHI.I'_N

A I.. t:-,.~' )Ij

EXEItCICES ell HI h ru l t ... tr r-

EXEltClSES ill B [, "' i "'>1'

ijilUNUEi'< In D moll

rIUU."r:S Tl/IR1JS' TI- un_\

(11 '\II I ~ -, ;f)(HTIIS 1)1 ,\Jj r+ v

f* l:~ ~. OJ

I I t

- n

_ 1 I _:') '. '! 1

Ii f~)=[0]:-=~~Qll~;~-=1

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30

EXEftCICES en LA~

EXEllClSES In Ab

UBUNGEN In AS

TlEHU.S THIRDS TrHll:.N

QIAHTLS FOI'HTHS QLtUTEl1

/

\Vitb plt',d~ [)f how.

~Iil st ark e n Rugt!llstricht'll.

EXEHCICES !J'AItCIIET

1'? d u talo n au mili-u

2? HfS II' talun. a~ du lilt! iuu

.Icue r l te x e r-cl c e ct-de s aus avec l e I'OUp d'lu'chel flUlvall

V V v___:_: '1"

Proct ise In" =:': w,ln II" julio"'",, 'Ow'".if g'2t:t$:==E .. ~;~f:~t-Jlr 1'~

Spl.l, d l e cb en e Vbun< roll d e r Io Ig eude n St r-Ich a r-t -- -- ~-- ,10.'

----- -- -,CC-;"LH,"

v e r s l e talon de l t a r-c h e t

2~ du rn1l1eu de l'a.n:het .211 I"~ (Jil" 'l1'-dd(1" of til, 6o~ .2"," In de. M..1ttt'l des Bcge r s

TVU'rlf,dl th~ Ital 0/ rhr DOID am Fr-c s c he d e e Bogon~

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31

2"16 Position (3"!" d eg r el

2·~d Position la~ degree)

21_0 Luge (a'_" Stu r e j

Notes de l a 2~c pua it io n Notes of III''' 2,~d position Noren d e r 2': Lage

(3 .. ~e dt'Kre) (3~{ rl,':/II'{') pie Slur,.)

Ever cic e s pour mnnt e r d!~ la Ir,· a l a :1'~" position.

r.xprrist-'s ill !I"(~t,tHling Irnrn tluI~t til tlH; :,!n_,J po"ition.

flhungr.n. yon de r t~I~'n z ur- 21,~r Lage lu n a uf z u st ei gen

11$

=9:

4 4 t t

J J J d

t

I J

r1

r

f ~ •

r r II

.1

i

If

r

r

t l 1
- r IYr r ~. J
! I 1

A I.. 1 :j.~71'

ETUDE

il.ln.I"'et a.ln. 2'~" Position (1<.rdegre)

STUDY

in the 1-:.1 and 2,~ll'osition (I'.' degree)

Die u ut e r- den Not enlinier l i e g end-n z ah lrn be s ei ch ne n die Lagen .

1':8 G a n z in ab~p.slossen'·n No t e n. 2n.~ ~lit d e r be z eichn e t e n St r-ic h ar t

l.e s j,hillns pl ace s _"(Jus la rwlt, indi.

IIlll'nt II's f"I~;linl1~

l? tout vn dl"LII'IIt~

2'; ;[\,'(" !p I:IJUP tLlrdld ilLdHlu,',

UBUNGSTUCK

in der 1'1~" und 2'~1 Lage (1'\- Sture)

Til,· nuurb-rs placed under till' slan' 111<111":111' lilt' 1111<.;;tiol1:->

tl;' In d..t;wbnl [llIll'''.

~? \Villl llH' i ndiva ud bowilll.,'".

33

2me Posltlon (1~t>degre)

21_" Luge (4'~ Sture)

Noles de l a 2~e position (',111'- li"gr,'·) l

otes uf t h e 2,~d po srtio n (.-fln rI",/n") No t e n d e r :,It:n Lag e (_I .': · Slllrp)

1' . .'SI,.."", r- .. '.S"it,. h.o_.-.#n_J#B-_- ~~B-

~"I.'/, 21,'.. U1o-x-o- #_n~ ou _,

',d '1