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  • Baroque Suite Movements

    Transféré par

    Xavie Delcampo
    18 vues2 pages
    This document contains musical notation for a Suite de Bransles: Simple, Doble, Gay. It includes multiple pages of musical staff notation for soprano, alto, and bass voices or instruments. The notation contains rhythmic patterns of notes, rests, and symbols over 37 measures spanning several pages.

    Description originale:

    Titre original

    Suite Bransles

    Copyright

    © Attribution Non-Commercial (BY-NC)

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    This document contains musical notation for a Suite de Bransles: Simple, Doble, Gay. It includes multiple pages of musical staff notation for soprano, alto, and bass voices or instruments. The notation contains rhythmic patterns of notes, rests, and symbols over 37 measures spanning several pages.

    Droits d'auteur :

    Attribution Non-Commercial (BY-NC)
    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    18 vues2 pages

    Baroque Suite Movements

    Transféré par

    Xavie Delcampo
    This document contains musical notation for a Suite de Bransles: Simple, Doble, Gay. It includes multiple pages of musical staff notation for soprano, alto, and bass voices or instruments. The notation contains rhythmic patterns of notes, rests, and symbols over 37 measures spanning several pages.

    Droits d'auteur :

    Attribution Non-Commercial (BY-NC)
    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 2

    A Suite de Bransles: Simple, Doble, Gay

    h = 100
          
    Soprano                    

    Alto

         
                    

      
    Bass

                      

         
    7

    S. Rec.                     

         
    A. Rec.             


                     
    B. Rec.
          

      
    13

    S. Rec.            
      
        
    A. Rec.          

      
        
    B. Rec.     

     
    16

    S. Rec.               
    

        
    A. Rec.           

    
       
    B. Rec.       

    2
    B ( x 3)
       
    20

    S. Rec.                

             
    A. Rec.     


     
             
    B. Rec.
      

     
    24

    S. Rec.   
                    

               
    A. Rec.         

           
    B. Rec.
             

    C
      $            
    29

    S. Rec.           

          
    A. Rec.            
       
                   
    B. Rec.
     

     
    Fine
       
    33

    S. Rec.                 
            
    A. Rec.          
    
                    
    B. Rec.
     
    (Solo Cuerda y continuo).
      
    37 D.S. al Fine

    S. Rec.        
                  
    

              
    A. Rec.        


     
          
    B. Rec.
             

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