from

A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by Jos ngel GARCA LANDA (University of Zaragoza, Spain)

HAROLD BLOOM

(1930-)

(Jewish-American humanist/psychoanalytic critic, Yale U and New York U)

Works Bloom, Harold. The Flight to Lucifer. Novel. _____. The Visionary Company. Garden City (NJ): Doubleday-Anchor Books, 1961. _____. The Visionary Company. London, 1962. _____. Los poetas visionarios del romanticismo ingls. Trans. M. Antoln. Barcelona: Barral, 1974. _____. Afterword to Frankenstein. By Mary Shelley. New York: Signet, 1965. _____. "Frankenstein, or the New Prometheus." Partisan Review 32 (1965): 611-18. _____. Yeats. New York: Oxford UP, 1970. _____. Ringers in the Tower: Studies in the Romantic Tradition. Chicago: Chicago UP, 1971. _____. Kabbalah and Criticism. _____. The Anxiety of Influence: A Theory of Poetry. 1973. London: Oxford UP, 1975. _____. From The Anxiety of Influence. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 95-97.* _____. "Blake's Apocalypse: 'Jerusalem'." In English Romantic Poets: Modern Essays in Criticism. 2nd ed. Ed. M. H. Abrams. New York: Oxford UP, 1975. 98-111.* _____. "Emerson and Influence." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 160-76.*

_____. "In the Shadow of Emerson." (Whitman, Dickinson, Stevens). In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 177-92.* _____. "The Primal Scene of Instruction." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 41-62.* _____. "In the Shadow of Milton." (Shelley, Keats, Tennyson). In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. _____. "In the Shadow of Shadows: For Now." (Warren, Ammons, Ashbery). In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 193-206.* _____. "Milton and His Precursors." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 125-43.* _____. "Milton and His Precursors" from Bloom, A Map of Misreading. 1975. 125-43. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1729-35.* _____. "Poetic origins and final phases." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 9-26.* _____. "Poetic Origins and Final Phases." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 240-52.* _____. "Testing the Map: Browning's Childe Roland." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 10622.* _____. "The Belatedness of Strong Poetry." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 63-80.* _____. "The Dialectics of Poetic Tradition." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 27-40.* _____. "The Dialectics of Poetic Tradition." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 163-74.* _____. "The Map of Misprision." (Poetic structure). In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 83-105.* _____. "The Primal Scene of Instruction." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 41-62.* _____. A Map of Misreading. New York: Oxford UP, 1975. 1980.* _____. A Map of Misreading. With a New Preface. Oxford: Oxford UP, 2003. _____. Figures of Capable Imagination. New York: Seabury, 1976.

_____. Poetry and Repression: Revisionism from Blake to Stevens. New Haven: Yale UP, 1976. _____. "Poetry, Revisionism, Repression." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986. 1990. 331-44.* _____. "Poetry, Revisionism, and Repression." Select. in TwentiethCentury Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 209-12. _____. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell UP, 1977. _____. "Freud's Concepts of Defense and the Poetic Will." In The Literary Freud: Mechanisms of Defense and the Poetic Will. Ed. Joseph H. Smith. New Haven: Yale UP, 1980. _____. Agon: Towards a Theory of Revisionism. New York: Oxford UP, 1982. _____. The Breaking of the Vessels. Chicago: U of Chicago P, 1982. _____. "Auras: The Sublime Crossing and the Death of Love." Oxford Literary Review 4.3 (1984). _____. "The Central Man." (Homosexuality). New York Review of Books 19 July 1984: 5. _____. Twentieth-century American literature. New York: Chelsea House Publishers, 1985-1988. _____. Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present. (The Charles Eliot Norton Lectures 1987-1988). Cambridge (MA): Harvard UP, 1989.* _____. Poesa y creencia. Trans. Luis Cremades. Madrid: Ctedra, 1991. _____. "Chaucer: The Wife of Bath, the Pardoner, and Shakespearean Character." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 105-26.* _____. "Milton's Satan and Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 169-82.* _____. "Dr. Samuel Johnson, the Canonical Critic." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 183-202.* _____. "Canonical Memory in Early Wordsworth and Jane Austen's Persuasion." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 239-63.* _____. "Walt Whitman as Center of the American Canon." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 264-90.*

_____. "Emily Dickinson: Blanks, Transports, the Dark." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 291309.* _____. "Freud: A Shakespearean Reading." In Bloom, The Western Canon. 1994. Basingstoke: Macmillan, 1995. 371-94.* _____. "Proust: The True Persuasion of Sexual Jealousy." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 395412.* _____. "Borges, Neruda, and Pessoa: Hispanic-Portuguese Whitman." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 463-92.* _____. "Beckett . . . Joyce . . . Proust . . .Shakespeare." In Bloom, The Western Canon. 1994. Basingstoke: Macmillan, 1995. 493514.* _____. The Western Canon: The Books and School of the Ages. New York: Harcourt Brace, 1994. _____. The Western Canon: The Books and School of the Ages. London: Macmillan, 1994.* _____. El canon occidental. Trans. Damin Alou. Barcelona: Anagrama, 1995. _____. Shakespeare: The Invention of the Human. New York: Riverhead, 1998. _____. Shakespeare: The Invention of the Human. London: Fourth Estate, 1999.* _____. Shakespeare: La invencin de lo humano. Barcelona: Anagrama, 2002. _____. Foreword to Selected Poems. By Conrad Aiken. New York: Oxford UP, 2003. _____. "Don Quijote despus de cuatro siglos." In Don Quijote alrededor del mundo. Barcelona: Instituto Cervantes / Galaxia Gutenberg Crculo de Lectores, 2005. 9-16.* _____. How to Read and Why. Fourth Estate. _____, ed. The Literary Criticism of John Ruskin. New York: Doubleday, 1965. _____, ed. Romanticism and Consciousness. New York: Norton, 1970. _____, ed. Selected Writings of Walter Pater. New York: Signet, 1974. _____, ed. The Selected Poetry and Prose of Shelley. New York, 1978. _____, ed. Browning. Englewood Cliffs: Prentice, 1979. _____, ed. Homer. New York: Chelsea House, 1981.

_____, ed. Emily Dickinson: Modern Critical Views. New York: Chelsea House, 1985. _____, ed. Mary Shelley. New York: Chelsea House, 1985. _____, ed. Ernest Hemingway. (Modern Critical Views). New York: Chelsea House, 1985. _____, ed. Flannery O'Connor. (Modern Critical Views). New York: Chelsea House, 1986.* _____, ed. Gerald Manley Hopkins: Modern Critical Views. New York: Chelsea House, 1986. _____, ed. Wallace Stevens: Modern Critical Views. New York: Chelsea House, 1985. _____, ed. Walter Pater: Modern Critical Views. New York: Chelsea House, 1985. _____, ed. The Critical Perspective. Vol 2: Spenser and Shakespeare. New York: Chelsea House, 1985. _____, ed. The Critical Perspective: Volume 3: Elizabethan-Caroline. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986.* _____, ed. The Art of the Critic: Literary Theory and Criticism from the Greeks to the Present, Volume 2: Early Renaissance. New York: Chelsea House, 1986. _____, ed. Modern Critical Interpretations: Johnson and Boswell. New York: Chelsea House, 1986. _____, ed. Jorge Luis Borges. New York: Chelsea House, 1986. _____, ed. Charles Baudelaire: Modern Critical Views. New York, 1987. _____, ed. Charles Dickens: Modern Critical Views. New York: Chelsea House, 1987. _____, ed. John Dryden: Modern Critical Views. New York: Chelsea House, 1987. _____, ed. E. M. Forster: Modern Critical Views. New York: Chelsea House, 1987. _____, ed. Mary Shelley's FRANKENSTEIN. New York: Chelsea House, 1987. _____, ed. The Tales of Poe. New York: Chelsea House, 1987. _____, ed. Oliver Goldsmith. New York: Chelsea, 1987. _____, ed. Thomas Gray's "Elegy Written in a Country Churchyard". New York: Chelsea, 1987. (Critical collection). _____, ed. Vladimir Nabokov. (Modern Critical Views). New York: Chelsea House, 1987.

_____, ed. Vladimir Nabokov's Lolita. (Modern Critical Interpretations). New York: chelsea House, 1987. _____, ed. William Shakespeare's Henry V: Modern Critical Interpretations. New York: Chelsea House, 1988. _____, ed. Langston Hughes. 1989. _____, ed. Northrop Frye. 1992. _____, ed. The Best of the Best American Poetry 1988-1997. (Scribner Poetry). New York: Simon and Schuster, 1998.* _____, ed. Philip Roth. Rev. in BELL ns 2 (2004). _____, ed. Stephen Crane. (Bloom's Modern Critical Views). New York: Infobase, 2007. Online at Baidu.* http://wenku.baidu.com/view/ee8b990bf78a6529647d5374.html 2010 Bloom, Harold, and Lionel Trilling, eds. Romantic Poetry and Prose. (Oxford Anthology of English Literature 4). New York: Oxford UP, 1973. Bloom, Harold, Jacques Derrida, Geoffrey H. Hartman and J. Hillis Miller. Deconstruction and Criticism. London: Routledge, 1979. Hilles, Frederick W., and Harold Bloom, eds. From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. 1965. Trilling, Lionel, and Harold Bloom, eds. Victorian Prose and Poetry. (Oxford Anthology of English Literature 5). New York: Oxford UP, 1973. Bloom, Harold, et al. Don Quijote alrededor del mundo. By Margaret Atwood, Tahar ben Jelloun, Pter Esterhzy, Ismail Kadare, J. M. G. Le Clzio, Claudio Magris, Nlida Pin, Michel Tournier, Abraham B. Yehosha. Preface by Harold Bloom. Barcelona: Instituto Cervantes / Galaxia Gutenberg Crculo de Lectores, 2005.* "Harold Bloom: 'Si fuera cataln, me gustara que mi pas se independizara de Espaa'." 20 minutos http://www.20minutos.es/noticia/89905/0/harold/bloom/catalun a/ 2006-02-15

On Harold Bloom

Biography "Harold Bloom." In Wikipedia: The Free Encyclopedia http://en.wikipedia.org/wiki/Harold_Bloom 2008

Criticism Adams, Robert M. "Bloom's All-Time Greatest Hits." Rev. of The Western Canon: The Books and School of the Ages. By Harold Bloom. New York: Harcourt, 1994. New York Review of Books 17 nov. 1994: 4, 6.* Allen, Graham. Harold Bloom: A Poetics of Conflict. Hemel Hempstead: Harvester Wheatsheaf, 1994. _____. "4. Situated Readers: Bloom, Feminism, Postcolonialism." In Allen, Intertextuality. (The New Critical Idiom). London: Routledge, 2000. 133-73.* Castanedo, Fernando. "Harold Bloom: La agona del lector fuerte." Revista de Occidente 148 (1993): 128-39. de Graef, Ortwin. "The Yale Critics? J. Hillis Miller (1928-), Geoffrey Hartman (1929-), Harold Bloom (1929-), Paul. de Man (19191983)." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 472-81.* de Man, Paul. "Review of Harold Bloom's Anxiety of Influence." 1974. In de Man, Blindness and Insight. 2nd. ed. Minneapolis: U of Minnesota P, 1983. 267-766. Edmundson, Mark. Literature against Philosophy, Plato to Derrida: A Defense of Poetry. Cambridge: Cambridge UP, 1996. Donoghue, Denis. "The Book of Genius: Harold Bloom's Agon and the Uses of Great Literature." Rev. of The Western Canon: The Books and School of the Ages. By Harold Bloom. New York: Harcourt, 1994. TLS 6 Jan .1995: 3-4.* _____. "A Dialogue of One: The Obsession with Self-Creation in Harold Bloom's Shakespeare." Review. TLS 12 March 1999: 34.*

Fite, David. "Kenner/Bloom: Canonmaking and the Resources of Rhetoric." Boundary 2 15.3 (Spring/Fall 1988). Garca Landa, Jos Angel. "Understanding Misreading: Hermenutica de la relectura retrospectiva." Paper presented at the IX Susanne Hbner Seminar, "Pragmatics of Understanding and Misunderstanding" (Universidad de Zaragoza, Departamento de Filologa Inglesa y Alemana, Nov. 1996. Electronic edition URL: http://www.unizar.es/departamentos/filologia_inglesa/garciala/p ublicaciones/understanding.html _____. "Understanding Misreading: A Hermeneutic / Deconstructive Approach." In The Pragmatics of Understanding and Misunderstanding. Ed. Beatriz Penas. Zaragoza: Universidad de Zaragoza, 1998. 57-72.* Gurpegui, Jos Antonio. "An Interview with Harold Bloom." Revista Alicantina de Estudios Ingleses 9 (November 1996): 165-83.* Handelman, Susan A. The Slayers of Moses: The Emergence of Rabbinic Interpretation in Modern Literary Theory. (Freud, Lacan, Derrida, Bloom). Albany: State U of New York P, 1982. Hartman, Geoffrey. "War in Heaven." Rev. of Bloom's The Anxiety of Influence. Diacritics 3.1 (1973): 26-32. Lennon, Patrick. Rev. of Philip Roth. Ed. Harold Bloom. BELL ns 2 (2004). Lentricchia, Frank. "Harold Bloom: The Spirit of Revenge." In Lentricchia, After the New Criticism. 1980. London: Methuen, 1983. 318-47. Lpez Garca, Dmaso. Rev. of The Western Canon. By Harold Bloom. Estudios Ingleses de la Universidad Complutense 3 (1995): 227-33.* Martnez Lorente, Joaqun. "Studying the Canon and Harold Bloom's The Western Canon: Differences, Contradictions, and Missing Distinctions." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Prez Guerra et al. Vigo: Departamento de Filoloxa Inglesa e Alemana da Universidade de Vigo, 1996. 391-96.* Miller, J. Hillis. "English Romanticism, American Romanticism: What's the Difference?" (Bloom). Rpt. in Miller, Theory Now and Then. Hemel Hempstead: Harvester Wheatsheaf, 1991. 217-26.*

Moynihan, R. A Recent Imagining: Interviews with Harold Bloom, Geoffrey Hartman, J. Hillis Miller and Paul de Man. Hamden (CT): Archon Books, 1986. O'Hara, Daniel T. "The Genius of Irony: Nietzsche in Bloom." In O'Hara, The Romance of Interpretation: Visionary Criticism from Pater to de Man. New York: Columbia UP, 1985. 55-92.* Santos Fernndez, L. Rev. of El canon occidental. By Harold Bloom. Analecta Malacitana 19.1 (1996): 288-90.* Sauerberg, Lars Ole. Versions of the Past:Visions of the Future: The Canonical in the Criticism of T. S. Eliot, F. R. Leavis, Northrop Frye and Harold Bloom. Basingstoke: Macmillan, 1996. Sellars, Roy, ed. Salt. Australian literary journal. Special issue on Harold Bloom, forthcoming 1999. Schultz, Susan M. "'Returning to Bloom': John Ashbery's Critique of Harold Bloom." Contemporary Literature 37.1 (1996): 24-48.* Wordsworth, Ann. "Psyche and Text: The Antithetical Criticism of Harold Bloom." Oxford Literary Review 2.2 (1977): 6-8. _____. Review of Figures of Capable Imagination. Georgia Review 31.2 (1977): 528-33. _____. "An Art that will not Abandon the Self to Language: Bloom, Tennyson, and the Blind World of the Wish." In Untying the Text: A Post-Structuralist Reader. Ed. Robert Young. London: Routledge, 1981. 207-22.* Wright, Elizabeth. Psychoanalytic Criticism. London: Methuen, 1987. (Bloom, 150-7).

Edited works

Homer: Austin, N. "The Function of Digressions in the Iliad." In Homer. Ed. Harold Bloom. New York: Chelsea House, 1981. 151-161.

Walter Pater:

Miller, J. Hillis. "Walter Pater: A Partial Portrait." Daedalus 105.1 (1976): 97-113. Rpt. in Walter Pater. Ed. Harold Bloom. New York: Chelsea House, 1985. 75- 95.

The Critical Perspective: Volume 3: Elizabethan-Caroline: Appleton, William W. From "The Collaboration." From Beaumont and Fletcher: A Critical Study. 1956. 29-41. In The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1274-77.* Lewis, C. S. "Donne and Love Poetry in the Seventeenth Century," from Seventeenth Century Studies Presented to Sir Herbert Grierson. 1938. 64-84. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1363-69.* Ure, Peter. "Patient Madman and Honest Whore: The MiddletonDekker Oxymoron." Essays and Studies (1966): 18-40. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1410-16.*

Series

(Bloom's Modern Critical Views). New York: Infobase, c. 2007.