Académique Documents
Professionnel Documents
Culture Documents
1. AudlLlve LesL
name: _______________________________________________________
rlnclpal sLudv: ________________________________________________
*3
A 2
1. AudlLlve LesL
Cuest|on 1a
?ou'll now hear exLracLs from 4 pleces of muslc. lease ldenLlfv Lhe muslcal sLvle and perlod of
each example and wrlLe an approxlmaLe vear of composlLlon ln Lhe boxes below.
Lach plece of muslc wlll be plaved Lhrouah once. 1he flrsL example has alreadv been fllled ln.
Lxample 1 Lxample 2 Lxample 3 Lxample 4
8enalssance
8aroque
Classlcal X
8omanLlc
20
Lh
cenLurv
ApproxlmaLe vear
of composlLlon:
1780
Cuest|on 1b
?ou'll now hear Lhe same 4 pleces of muslc. lease ldenLlfv Lhe ensemble of each composlLlon.
1he flrsL example has alreadv been fllled ln.
Lxample 1 Lxample 2 Lxample 3 Lxample 4
Cpera/oraLorlo
vocal muslc
CrchesLral muslc
Chamber muslc
X
Solo concerLo
Solo lnsLrumenL
A 3
Cuest|on 2
Pere vou'll hear exLracLs from 3 pleces of muslc where vou have Lo ldenLlfv Lhe Lvpe of LonallLv of
Lhe muslc. Lach plece wlll be plaved Lhrouah once. 1he flrsL example has alreadv been fllled ln.
Lxample 1 Lxample 2 Lxample 3
Ma[or/mlnor
Modal/Church modes
X
CLher
Cuest|on 3
?ou'll now hear exLracLs from 3 new pleces of muslc where vou have Lo ldenLlfv Lhe Llme (or
meLre) of Lhe muslc. Lach plece wlll be plaved Lhrouah once. 1he flrsL example has alreadv been
fllled ln.
Lxample 1 Lxample 2 Lxample 3
uuble or quadruple Llme
1rlple Llme
X
CLher
Cuest|on 4
?ou'll now hear exLracLs from 4 pleces of muslc. ln Lhe boxes below please mark whlch klnd of
muslcal LexLure vou hear. Lach plece wlll be plaved Lhrouah once. 1he flrsL example has alreadv
been fllled ln.
Lx. 1 Lx. 2 Lx. 3 Lx. 4
Pomofonlc LexLure (lncludlna chordal sLvle)
Melodv-plus-accompanlmenL
olvphonlc LexLure (lncludlna lmlLaLlon)
X
A 4
Cuest|on 5
?ou'll now hear 3 shorL pleces of muslc. lease mark ln Lhe boxes below Lhe muslcal form of each
plece. 1he flrsL example wlll be plaved Lhrouah once whlle Lhe resL wlll be plaved Lwlce. 1he flrsL
example has alreadv been fllled ln.
Lxample 1 Lxample 2 Lxample 3
A - 8
A - 8 - A
X
A - 8 - 8
A - A - 8 - A
1
Cuest|on 6
?ou'll now hear exLracLs from 4 pleces of muslc. Mark ln Lhe boxes below whlch lnsLrumenLs are
plavlna. 1he flrsL example has alreadv been fllled ln.
Lxample 1
(2 lnsLrumenLs)
Lxample 2
(2 lnsLrumenLs)
Lxample 3
(3 lnsLrumenLs)
Lxample 4
(4 lnsLrumenLs)
lluLe
Cboe
X
ClarlneL
8assoon
Porn
1rumpeL
1rombone
Parp
lano
CulLar
X
Craan
vlolln
vlola
Cello
uoublebass
A 3
Cuest|on 7a
Pere vou have Lo ldenLlfv a number of chords plaved on Lhe plano. Lach example wlll be plaved
Lwlce. 1he flrsL example has alreadv been fllled ln.
Lx. 1 Lx. 2 Lx. 3 Lx. 4 Lx. 3 Lx. 6
Ma[or Lrlad
Mlnor Lrlad
X
ulmlnlshed Lrlad
AuamenLed Lrlad
lourLh chord
Cuest|on 7b
nexL vou'll hear a number of dlfferenL chords whlch vou are Lo ldenLlfv as well. Lach example wlll
be plaved onlv once. 1he flrsL example has alreadv been fllled ln.
Lx. 1 Lx. 2 Lx. 3 Lx. 4 Lx. 3 Lx. 6
Ma[or Lrlad
X
Mlnor Lrlad
ulmlnlshed Lrlad
AuamenLed Lrlad
Chords of 4Lhs or 3Lhs
noLe-clusLer/clusLer chord
SevenLh chord
Cuest|on 8
ln Lhe followlna exLracLs from 4 pleces of muslc vou have Lo ldenLlfv whlch Lvpe of chord has been
lefL ouL ln Lhe example below.
Lach example wlll be plaved Lwlce. 1he answer Lo Lhe flrsL example has alreadv been alven.
Lxample 1 (wlnd qulnLeL):
Ma[or
Mlnor
ulmlnlshed
AuamenLed
SevenLh chord
CLher
A 6
Cuest|on 8 (cont|nued)
Lxample 2 (plano):
Lxample 3 (chorus):
Lxample 4 (plano):
&
?
#
#
4
2
4
2
&
?
#
#
C
C
w
w
w
w
w
w
&
?
c
c
Ma[or
Mlnor
ulmlnlshed
AuamenLed
SevenLh chord
CLher
Ma[or
Mlnor
ulmlnlshed
AuamenLed
SevenLh chord
CLher
Ma[or
Mlnor
ulmlnlshed
AuamenLed
SevenLh chord
CLher
A 7
Cuest|on 9a
now vou have Lo ldenLlfv a number of lnLervals. Lach example wlll be plaved Lwlce. 1he flrsL
example has alreadv been fllled ln.
Cuest|on 9b
now follow 4 shorL melodles. 1hev wlll each be plaved Lhrouah Lwlce. lease wrlLe Lhe mlsslna
noLes and mark ln Lhe boxes Lhe lnLerval beLween Lhe 2 noLes. 1he flrsL example has alreadv been
fllled ln. lease noLe LhaL vou have Lo flnd Lwo lnLervals ln boLh examples 2, 3, and 4.
Lxample 1 (vlolln):
Lxample 1:
Ma[or 2nd
ulmlnlshed 3Lh
Mlnor 7Lh
Ma[or 9Lh
Lxample 2:
erfecL 3Lh
Ma[or 6Lh
Ma[or 7Lh
CcLave
Lxample 3:
Ma[or 3rd
erfecL 4Lh
AuamenLed 4Lh
erfecL 3Lh
Lxample 4:
Mlnor 3rd
erfecL 3Lh
CcLave
Mlnor 10Lh
Lxample 3:
Mlnor 3rd
Mlnor 6Lh
Ma[or 6Lh
Ma[or 10Lh
Lxample 6:
Mlnor 2nd
ulmlnlshed 3Lh
Ma[or 7Lh
Mlnor 9Lh
Mlnor 3rd
Ma[or 3rd
erfecL 4Lh
ulmlnlshed 3Lh
A 8
Cuest|on 9b (cont|nued)
Lxample 2 (cello):
Lxample 3 (horn):
Lxample 4 (clarlneL):
?
4
4
J
J
Ren kvart
& 4
4
.
b
b
b
. b
&
b
b
4
3
#
Ma[or 3rd
Mlnor 3rd
Ma[or 2nd
erfecL 4Lh
Mlnor 6Lh
Mlnor 7Lh
AuamenLed 4Lh
Ma[or 7Lh
Mlnor 7Lh
CcLave
erfecL 3Lh
Mlnor 6Lh
Ma[or 3rd
Ma[or 2nd
Mlnor 2nd
erfecL 4Lh
erfecL 4Lh
Mlnor 7Lh
Mlnor 6Lh
erfecL 3Lh
erfecL 3Lh
Mlnor 6Lh
Mlnor 7Lh
erfecL 4Lh
A 9
Cuest|on 10
?ou'll now be alven a noLe whlch ls Lhe flrsL noLe ln a plece of muslc. lrom Lhls noLe vou musL now
ldenLlfv Lhe kev of Lhe plece.
Lach example wlll be plaved Lhrouah Lwlce. 1he flrsL example has alreadv been fllled ln.
Cuest|on 11
1he four-parL chorale vou see below wlll be plaved bv a sLrlna quarLeL. ln Lhe flrsL and lasL chords
of Lhe chorale all four parLs have been noLaLed. ?our Lask ls Lo flll ln Lhe cello parL, ea Lhe bass
parL, and also wrlLe Lhe chord funcLlon classes, le l, lv or v.
?ou'll hear Lhe enLlre chorale Lhrouah once, Lhen each phrase Lwlce, and flnallv Lhe whole chorale
once more.
1here wlll now be a shorL break
&
?
#
#
#
#
#
#
C
C
w
U
&
?
#
#
#
#
#
#
w
w
U
w
w