Analysis of Theme in "the Story of an Hour" by Kate Chopin

Summary: In "The Story of an Hour", author Kate Chopin takes the reader from one end to another when she gives hints on the protagonist's feelings before and after her husband's death, making the clearly identifiable statement that marriage is like a prison that oppresses women. Though Chopin never states this directly, she implies it when describing Mrs. Mallard and her behaviour, as well as when depicting the setting.

In The Story of an Hour, the main character, Mrs. Mallard, is given terrible news as she learns her husband has died in a train accident, to which she reacts in an unexpected way; instead of being heartbroken she feels free and as if she has been born again, which is contrary to what any woman would feel were they in her position. The author of the story, Kate Chopin, takes the reader from one end to another when she gives hints on the protagonist's feelings before and after her husband's death, making the clearly identifiable statement that marriage is like a prison that oppresses women. Though Chopin never states this directly, she implies it when describing Mrs. Mallard and her behaviour, as well as when depicting the setting. When describing Mrs. Mallard, Chopin reveals the way in which that character felt before and after her husband's death. When she portrays Mrs. Mallard as ."..young, with a fair, calm face, whose lines bespoke repression and even a certain strength." (paragraph 8, line 1), she is telling a lot about the protagonist before the death of her husband. The words "whose lines bespoke repression" expose the fact that Mrs. Mallard has felt oppressed by her marriage, and the "certain strength" with which the writer describes Mrs. Mallard may make reference to the power the protagonist has had in order to be able to bear her marriage. In addition, in describing Mrs. Mallard behaviour after she has learned the news about her husband, Chopin uses metaphors, such as ."..she was drinking in a very elixir of life through that open window." (paragraph 18, lines 1-2), to illustrate the happiness Mrs. Mallard is feeling now that Mr. Mallard has passed away. Another example of Mrs. Mallard behaviour can be seen in "There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of victory" (paragraph 20, lines 1-3), where the writer evidently wants to stand out the fact that the protagonist is feeling content because she has been released from the oppression of being married. Chopin describes Mrs. Mallard's feelings more directly when she quotes her in "Free! Body and soul free!" (paragraph 16), since we can clearly see that the protagonist not only feels joyful but also free. This freedom can also be related to the idea that marriage was a way of oppression, as Mrs. Mallard feels free now her husband is gone. Therefore, character's description is an instrument which Chopin uses to prove that marriage is oppressive for women.

The author indirectly uses setting to describe the nature of marriage in those days, as she describes it in "She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves." (paragraph 5, lines 1-5). Through this description of the setting as seen by Mrs. Mallard, Chopin is implying that the protagonist is feeling joyful and happy, which is why she sees her surroundings like that. Moreover, the author intends to show that Mrs. Mallard is not at all sad about her husband's death, thus contributing to the idea that the protagonist has been unhappy throughout her marriage because of the oppression previously mentioned. In conclusion, Chopin makes a strong statement which she does not express directly but which she makes mainly through her description of character and also through her description of setting. In both, the underlying message is that marriage oppresses women by considering them inferior to men, for which they have to submit to their husbands' will and forget about their own. Work cited:

CONTOH BROSUR MINGGU MATEMATIK MASA