Kolam

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This article is about the South Indian style of painting using rice powder. For the variety of rice, see List of rice varieties. Kolam (Tamil: kla) is a form of painting that is drawn using rice powder/chalk/chalk powder/white rock powder often using naturally/synthetically colored powders in Tamil Nadu, Karnataka, Andhra Pradesh, and most parts of Kerala and some parts of Goa, Maharashtra, Indonesia, Malaysia, Thailand and a few other Asian countries. A Kolam is a geometrical line drawing composed of curved loops, drawn around a grid pattern of dots. In South India, it is widely practised by female Hindu family members in front of their homes.[1] Kolams are known by different names based on places, Hase and Raongoliin Kannada in Karnataka, Muggulu in Andrapradesh, etc.,[2]

Kolam outside a house in Tamil Nadu.

Contents
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1 Purpose 2 Variants 3 Patterns 4 Research 5 See also 6 References 7 External links

[edit]Purpose

White stones used to made Kolam flour

Kolams are thought to bestow prosperity to homes. Every morning in Tamil Nadu, millions of women draw kolams on the ground with white rice powder. Through the day, the drawings get walked on, rained out, or blown around in the wind; new ones are made the next day. Every morning before sunrise, the floor of the owners house, or where ever it may be, is cleaned with water and the muddy floor is swept well for an even surface. The kolams are generally drawn while the surface is still damp so that it is held better. Occasionally, cow-dung is also used to wax the floors. In some cultures, cow dung is believed to have antiseptic properties and hence provides a literal threshold of protection for the home. It also provides contrast with the white powder.[3] Decoration was not the sole purpose of a Kolam. In olden days, kolams used to be drawn in coarse rice flour, so that the ants don't have to walk that much for too long for a meal. The rice powder is said to invite birds and other small critters to eat it, thus inviting other beings into one's home and everyday life: a daily tribute to harmonious co-existence. It is a sign of invitation to welcome all into the home, not the least of whom is Goddess Lakshmi, the Goddess of prosperity. The patterns range between geometric and mathematical line drawings around a matrix of dots to free form art work and closed shapes. Folklore has evolved to mandate that the lines must be completed so as to symbolically prevent evil spirits from entering the inside of the shapes, and thus are they prevented from entering the inside of the home.

3x3 dot all and only symmetry 9 Goddesses Swastika Kolam with a single cycle by Nagata S, each of which is corresponded to one of the nine Davi of the Hindu or the nine Muses in Greek

It used to be a matter of pride to be able to draw large complicated patterns without lifting the hand off the floor standing up in between. Powdered white stone ( / ) was used for Kolam. The month of Margazhi was eagerly awaited by young women, who would then showcase their skills by covering the entire width of the road with one big kolam.[4] In the kolam patterns, many designs derived from magical motifs, abstract designs and philosophic and religious motifs have mingled together.[5] Motifs may include fish, birds etc. which reflects the unity of man and beast. Sun, moon and other zodiac signs are also used.[6] The ritual kolam patterns created for occasions such as weddings can stretch all the way down streets. Patterns are often passed on generation to generation, from mother to daughter. Seasonal messages like welcome () is used in Kolam. Volunteering to draw kolam at temple is sometimes done when a devotee's wishes are fulfilled.

[edit]Variants
For special occasions limestone and red brick powder to contrast are also used. Though kolams are usually done with dry rice flour, for longevity, dilute rice paste or even paints are also used. Modern interpretations have accommodated chalk, and more recently vinyl stickers.

kolam in front of house during

Pongal & Deepavali Though not as flamboyant as its other Indian contemporary, Rangoli, which is extremely colourful, a South Indian Kolam is all about symmetry, precision, and complexity.[7] Due to these design's complexity, trying to figure out how, exactly, these designs were drawn can be a challenge that some viewers find enjoyable.

[edit]Patterns

Kolam in America done with Sidewalk Chalk

a pattern, in which a stroke (Kambi, Sikku in Tamil) runs once around each dot (Pulli), and goes to the beginning point (endless/cycle), as a mostly geometrical figure. The stroke called as Neli from a snaky line. The stroke has Knot (Sikku) structure.[8]

a pattern, could fill or use part of the dot grid. If that is the case, the same pattern, or a different pattern fills/uses up the remaining dot grids. Most of the times, these patterns together end up becoming a complex pattern.

a pattern, in which a stroke runs around each dot not completely, but open. a pattern, in which strokes (Kodu/Kotto)are connected between the dots. Sometimes it represents kinds of objects, flowers, or animals etc.

a pattern, in which dots are set in a radial arrangement, called Lotus. a pattern, which is drawn in a free style and mostly colorized.

[edit]Research
The mathematical properties of Kolam is being used in Computer science field. [7] Kolam patterns are studied and algorithms are developed for regenerating kolam designs with different patterns has been done.[9] Algorithms for drawing kolams are used in development of Picture drawing Computer software.[10] Kolams are used for research in the Computational Anthropology.[11] As Kolams have a strong relationship with contemporary art and art history, they are used in the artwork and media field. [12]

[edit]See

also

Rangoli Vanuatu Sand drawing Street painting

[edit]References

1. 2. 3. 4.

^ Dr.Gift Siromoney. "KOLAM". Chennai Mathematical Institute. Retrieved 12 January 2012. ^ "Kolams". Auroville. Retrieved 12 January 2012. ^ "Traditional customs and practices - Kolams". Indian Heritage. Retrieved 13 January 2012. ^ "Kolam draws huge crowd". The Hindu (Trichy, India). 7 January 2010.

5.

^ Dr.Gift Siromoney. "Kolam-South Indian kolam patterns". Chennai Mathematical Institute. Retrieved 13 January 2012.

6. 7.

^ "Pongal festival - Kolam design ideas". India Today (India). 12 January 2012. ^
a b

Marcia Ascher (January 2002). "The Kolam tradition". American Scientist. Retrieved 25 January

2012. 8. ^ K.Yanagisawa, S.Nagata (2007). "Fundamental Study on Design System of Kolam Pattern". Forma Journal. SciPress. Retrieved 25 January 2012. 9. ^ T.Robinson (2007). "Extended Pasting Scheme for Kolam Pattern Generation". Forma Journal. SciPress. Retrieved 25 January 2012. 10. ^ "Kolam figures". Mathematics department, Iowa State University. Retrieved 25 January 2012. 11. ^ "The Kolam project". Center for Undergraduate Research, University of Maine. Retrieved 25 January 2012. 12. ^ Adam Atkinson (September 2011). "The Mystery of Kolam". Northampton Community College. Retrieved 25 January 2012.