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LE GALLFLORIAN NOUETPIERRE G3G

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3 coles : - Aalto university - Politecnico di Milano - Lcole de design Nantes Atlantique Le design pour amliorer la vie quotidienne Inter-gnration Durabilit

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INTRODUCTION

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Communication lors des expositions : retranscrire lexprience Tango travers 2 supports Rapport dexprience

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co-conception

INTRODUCTION

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Inciter linteractivit pour provoquer lchange

AXE

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Remettre en cause les fondamentaux pour sapproprier lobjet

PISTE

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Sobrit Bichromie Structur Reliure Effets spciaux lments graphiques simples

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INTRODUCTION

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dialogue DIALOGUE AND PARTICIPATION IN A GOOD NEIGHBORHOOD


their own apartment building with the word neighborhood, while other times they refer to all of Kannelmki as their neighborhood. While going through neighborhood drawings from Helsinki stories workshop, it is quite obvious that we understand neighborhood totally multilayered and multilaterad way; for some it is just the own house (one small spot in Helsinki) while for some it might even be complicated connections between different individually important places in Helsinki(See Figures). These places can be for example green areas in Helsinki and they are might be connected with some action aspect for example cycling. another. We care if someone has for example not been seen for a while, we go to knock on the door or then we contact someone who has the key to the apartment. So we do not, we do not forget. During summer, but not that much during winter, I am not so much at home, but then when I am then we always with the neighbors...now and then we even get drunk together. With one woman we make the world a better place in the garden. And then we have these community efforts (talkoot) and afterwards we have these evening get together, and have like that quite much to do with each other. There is help from the neighbors, and sometimes you go borrow something, A; sugar, B;tongs, so like that... For a good neighborhood the action level is most relevant. Good neighborhood is not a passive situation it is an active stage and it needs inhabitants own participation. According to Wenger (1998, 72-75) a community of practice include the action and commitment aspects and therefore it is important to understand that although the neighborhood is often called as a community, without the action aspect it is not a community, and it just stays as a place. Engagement and commitment are needed for the belonging and for social coherence. Community of practice is a network where the mutual engagement is working. (ibid.) Participation to actions in your own neighborhood creates belonging and care towards

National light 9 Lineale Lecture agrable Rondeur Finesse Facilit de hirarchie Guillemets

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NEIGHBORHOOD AND ACTION


But the neighborhood is much more than a static stage; a house full of people or a block full of houses. It includes the action level; knowing each other but also chatting and doing things together and its best sharing and caring each other. Next are quotes from Kannelmki inhabitants interviews. I live in this house where there are mostly older people and we have all these kind of happenings of our own. For example we have this kind of card game club, it is on Saturdays, Sundays and Mondays. I am for example now going again to play and this describes precisely that we

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Pantone DS 178 1-C


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Bichromie Deux plaques - eco-conception Chaleureux Initiation / deuil Magie


Noir

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Photo
INTRODUCTION

Noir et blanc Superposition guillemets violettes dynamisme Documentaire tmoignage Rel

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Dessin au trait Prsence humaine Manuel / Production Rinterprtation

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2 colonnes de texte Bonne lisibilit Aration sur les grands fonds

Systme 5 colonnes Lgendes photographies

INTRODUCTION

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Photographie Dstructuration Dynamisme Respiration Papier Cocoon 90 g/m Durabilit co-conu

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TRAIN, HENNA HARRI PROJECT PRESENTATION SCHOOL PRESENTATIONS

3 13

INTRODUCTION

ENCOUNTERING PEDAGOGY AS PARTICIPATORY DESIGN PARTICIPATION IN A GOOD NEIGHBORHOOD

19 25

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INTERGENERATIONAL DIALOGUE AND SUSTAINABILITY METHOD AND EXPERIENCE MATURED SUSTAINABLE EXHIBITION

31 36 42

Couverture / Sommaire Inhabituel Casse les codes Jeu typographique Papier 240 g/m2 Rabats

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EMPATHY
HELSINKI

SOFT TOOLS FOR HARD DESIGN THE STORY BEHIND THE BOOK
58 62 66 72 80 84 89

48 53

PARTICIPATORY PROCESS IN SUBURBAN CONTEXT SYSTEM FOR KANNELMKI CREATING DIALOGUE THROUGH DESIGN LES POSSIBBILITIES STEPS TOWARDS PARTICIPATORY EXHIBITION ACCESSIBILITY AND AUDIENCE WORK IN EXHIBITIONS TANGO IN HELSINKI

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MILANO

THE BAGGIO DISTRICT THE GRATOSOGLIO DISTRICT THE GIAMBELLINO DISTRICT THE BARONA DISTRICT TANGO IN MILANO

94 100 104 109 116

NANTES

PRESENTING ONE WORK FROM THE WORKSHOP EMPIRIC OR EMPATHIC TANGO IN NANTES

126 131 136

SUMMARY

IN FINNISH IN ITALIAN IN FRENCH

140 144 151

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INTRODUCTION

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Intraction Pliage Transparence Volume

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INTRODUCTION

The empirical part of this paper is based on materials and experimentations from the course Repicturing suburban neighborhood, which were organized in May 2012 in Kannelmki, Helsinki. While approaching rather abstract issue in the course, social wellbeing in a neighborhood, collaborative and explorative learning methods were used and approved.

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Repicturing suburban neighborhood explained that the neighborhood can be something

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Nantes: 23.29.3.2013, Laura Gasparini, Anna Kantanen, Maureen Lois, Swanny Serrand, etc.?? Milano: 9.16.4.2013, Elisa Bacchetti, Alberto Fossati, Sara Hatef, Claudio Sarc, Alberto Aprea Helsinki: 26.4.26.5.2013, Malin Bckman, Tuula Mkiniemi, Hye Yoon Min, Hesam Pakbeen, Minna Nyqvist, Tuuli Rouhiainen, Iida Jskelinen, Pinja Heininen
Repicturing suburban neighborhood explained that the neighborhood can be something Repicturing suburban neighborhood explained that the neighborhood can be something

Prototyping Empathy for Aging and Intergenerational Design


Empaattisen muotoilun kurssilla opiskelijat kokeilivat, milt tuntuu asettua toisen ihmisen asemaan. Kuvassa testataan prototyyppi muotoilijan apuvlineeksi suunnitellusta hanskasta, joka tekee arkisten askareiden hoitamisesta hankalaa. Sen avulla muotoilija osaa samastua vaikkapa sellaisen ihmisen tilanteeseen, jonka ksivoimat eivt riit esimerkiksi tavallisen silykepurkin avaamiseen.
The empirical part of this paper is based on materials and experimentations from the course Repicturing suburban neighborhood, which were organized in May 2012 in Kannelmki, Helsinki. While approaching rather abstract issue in the course, social wellbeing in a neighborhood, collaborative and explorative learning methods were used and approved.

NANTES

Repicturing suburban neighborhood explained that the neighborhood can be something

CaseVerdi.net on Milanon Giambellinon kaupunginosaan sijoittuva hajautettu kaupunkiviljelm, jossa alueen ikkt asukkaat viljelevt omilla parvekkeillaan ja puutarhoissaan erityisi, arvokkaita hytykasveja yhteiseen kyttn, vaihdettavaksi tai myytvksi esimerkiksi paikallisille ravintoloille ja kauppoihin. Toimintaa organisoi yhdistys, joka huolehtii sadon jakamisesta ja myymisest sek jrjest viljelykursseja.

System Design for Sustainability

MILANO

HELSINKI
Repicturing suburban neighborhood explained that the neighborhood can be something

Re-picturing Suburban Neighbourhood

Hye Yoon Min nauhoitti linnunlaulua ja sateen ropinaa eri puolilla Kannelmke. Hn vei rakentamansa nentoistolaitteen asemalaiturille, jossa sen toistamat luonnonnet ihmetyttivt ja ilahduttivat junaa odottavia ihmisi.
Repicturing suburban neighborhood explained that the neighborhood can be something

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SYNTHSE

The empirical part of this paper is based on materials and experimentations from the course Repicturing suburban neighborhood, which were organized in May 2012 in Kannelmki, Helsinki. While approaching rather abstract issue in the course, social wellbeing in a neighborhood, collaborative and learning methods were used.

Nyttelyarkkitehtuuri: Henri Halla-aho ja Inka Saini, Aaltoyliopisto; Alberto Aprea, Politecnico di Milano Nyttelyn kuratointi: Jenni Nurmenniemi ja Toni Ledentsa, Aalto-yliopisto TANGO visuaalinen identiteetti: Lcole de Design Nantes Atlantique Nyttelyn graafinen suunnittelu: Marion Robinson

Dialogue
Design for a better world

Typographie / deux lectures

Colorimtrie

Iconographie

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Mise en page / mise en forme Transport Lisibilit Grammage 160 g/m2 : semi-rigide

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INTRODUCTION

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INTRODUCTION

Quest ce que TANGO ? Nos objectifs Notre Direction


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