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Outline
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Background and research questions Production experiment Variation in palatal production Correlates of variation Discussion Conclusions
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Charles B. Chang
cbchang@berkeley.edu
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Research questions
What variants of the palatal phoneme are out there in Buenos Aires today? What is the nature of the variation? Is there a sound change in progress?
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Outline
1. 2. 3. 4. 5. 6.
Background and research questions Production experiment Variation in palatal production Correlates of variation Discussion Conclusions
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2. Forward, of cour
4. - That way is not forward! - But its my forward! - Your forward isnt my forward! - No! - Im beginning to understand why its so hard for humanity to move forward.
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Outline
1. 2. 3. 4. 5. 6.
Background and research questions Production experiment Variation in palatal production Correlates of variation Discussion Conclusions
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Inter-speaker variation
There are voicers and devoicers.
F4/F5/M4/M6 vs. F1/F2/F3/M1/M2/M3/M5 (voicers) (devoicers) e.g. castellano Castilian (Spanish) g ( p )
Por qu demonios no escribirn estos libros en castellano?!
Intra-speaker variation
The devoicers are consistent in their productions.
F1, F2, F3, M1, M2, M3, M5 say [] everywhere.
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Outline
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Background and research questions Production experiment Variation in palatal production Correlates of variation Discussion Conclusions
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As YOB increases (and age decreases), % [] usage and average % voicelessness increase, while CV intensity ratios decrease.
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Discussion
There are at least six different allophones of the palatal phoneme in Buenos Aires: [], [], [d], [], [j], and []. There is a clearly age-graded pattern of usage.
speakers born before 1945 voiced allophones (mostly [], []) speakers born after 1975 voiceless allophones ([]) speakers in between voiced & voiceless allophones
Discussion
The change has progressed as: []/[j] > []/[] > [] This does not seem to be a case of change across the lifespan (cf. Guy & Boyd 1990, Sankoff & Blondeau 2007).
F1s usage has been stable over 9 years [] is an innovation; usage does not seem to increase in old age
The age-graded pattern is indicative of a sound change in progress: younger speakers have innovated the [] pronunciation.
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Conclusions
The typology of Fontanella de Weinberg (1992) is quite accurate. Variation between voiced and voiceless allophones is correlated with age (no longer with gender) and reflects a sound change nearly complete. fl d h l l Though the innovation of [] may or may not have started with older speakers, younger speakers appear to be responsible for its generalization as the dominant variant in Buenos Aires today.
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References
Aizpeolea, Horacio. 2006. En un ao, subi casi el 30% el precio de alquiler de los locales. Clarn, 6 February. http://www.clarin.com/diario/2006/02/06/laciudad/h-03601.htm. Retrieved 28 September 2007. Boersma, Paul, and David Weenink. 2007. Praat: doing phonetics by computer. Version 4.5.14. http://www.praat.org. Canfield, D. Lincoln. 1981. Spanish Pronunciation in the Americas. Chicago: University of Chicago Press. Colantoni, Laura. 2006. Micro and Macro Sound Variation and Change in Argentine Spanish. In Selected Proceedings of the 9th Hispanic Linguistics Symposium, ed. Nuria Sagarra and Almeida Jacqueline Toribio 91-102 Somerville MA: Cascadilla Proceedings Project Toribio, 91-102. Somerville, Project. Fontanella de Weinberg, Mara Beatriz. 1992. El espaol de Amrica. Madrid: Editorial MAPFRE. Guy, Gregory R., and Sally Boyd. 1990. The Development of a Morphological Class. Language Variation and Change 2: 1-18. Quino. 2004. Toda Mafalda. Buenos Aires, Argentina: Ediciones de la Flor. Resnick, Melvyn C. 1975. Phonological Variants and Dialect Identification in Latin American Spanish. The Hague: Mouton. Sankoff, Gillian, and Hlne Blondeau. 2007. Language Change across the Lifespan: /r/ in Montreal French. Language 83(3): 560-588. Tercco, Mario L. 2005. Buenos Aires, 2005. Caf de las Ciudades. http://www.cafedelasciudades.com.ar/politica_37.htm. Retrieved 28 September 2007.
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