The following is a user-friendly personality index based on the various types of handwritings.

Accuracy: Exact placing of i dots and t-bars. Good spacing. Activity: Angles, high-pressure, large size, rightward slant firm down stroke, speedy. Adaptability: Garlands, curved forms, moderate speed, even pressure. Adventurousness: Oversized upper and lower zones but normal sized middle zone, originality, naturalness, good spacing. Aesthetic Sense: Printed letters, especially capitals, good distribution of spaces. Aggressiveness: Angles, speed, heavy pressure. Agility: Low pressure in combination with a regular script, speed. Altruism: Right tending movement in the middle zone. Ambition: Uneven pressure, speed, large capitals, rising t-bars, rising lines, extensions into upper and lower zones. Amiability: Fluency, low t-bars, right slope, garlands. Analytical Mindedness: Sharp script, good spacing, simplification. Anger: t-bars and terminal strokes heavy, high and pointed. Apprehensiveness: Upstrokes broken in the Upper zone, variable height of middle zone. Asceticism: Sharp, simplified script. Assertiveness: Large capitals, open ovals, high placed t-bars, downward or pointed. Authority: Exaggerated right tending t-bars. Balance: Naturalness, originality, good distribution of spaces. Benevolence: Garlands. Broad Mindedness: Small size garlands, upright script. Brutality: Terminal strokes broadening, heavy pressure, irregularity.

Calmness:i Dots and t-bars evenly placed, curves, slowness, even pressure. Caution:i Dots and t-bars light and/or precise, initial adjustments, closed ovals. Ceremoniousness: Large capitals, flourishes, artificiality. Chattiness: Narrow spacing, uneven script with entanglement between the lines, a's open at top. Cheerfulness: Exact placing of i dots and t-bars, legibility, regular spacing, even pressure, slowness. Cheerlessness: Misplaced or omitted i dots or t-bars, illegibility, irregular spacing, uneven pressure, speed. Chivalry: Large script, fullness, heavy pressure. Clarity: simplification of script, leanness in the upper zone, good distribution of spacing, naturalness, originality. Coarseness: Ungraceful forms, inkblots, heavy pressure. Coldness: Sharpness, left slant. Colorfulness: Ornamentation, fullness, large capitals, heavy pressure, originality. Conceit: Artificiality, large capitals, flourishes, especially in signature. Concentration:i dots and t-bars placed low, small script, vertical slant. Confidence: Garlands, rightward slant, rising lines and Rising t-bars. Conscientiousness: Low placed i dots and t-bars, legibility, sharpness. Constancy: Regular script, angles. Constructiveness: Use of concave, printed letters, originality. Contemplativeness: Undersized upper and lower zones, normal middle zone,

regular script. Coolness: Leanness, especially in the middle zone, a narrow script with pressure. Courage: Heavy pressure especially with terminal strokes, good distribution of spaces. Criticism: Sharp script, leanness in the upper zone, narrow script with pressure. Cruelty:i dots and t-bars heavy and pointed, terminals pointed and downward, pasty, heavy pressure. Culture: Good spacing, naturalness, originality, printed letters. Cunning: Ambiguity mixed writing systems with artificiality, upright or left slant, and slowness. Curiosity: High placed i dots and t-bars, letters of middle zone point at the top.

Traits Affable - upswinging end-stroke (affable lift). - open roundness of formations (receptive, co-operation). - pre-strokes (desire to please based on insecurity). - light-pressured t-bar (lack of firmness). Characteristics Confidence - sturdy capitals (consistent with or slightly larger than upper zone limit, clearly and simply formed). - a clear readable script (nothing to hide; security). - the absence of unnecessary strokes, especially pre-strokes (selfassurance, security). - a firm baseline (clear objectives, emotional security). Attitudes Determination - firm pressure. - strong t-bars. - heavier downstrokes. Drives Greed - pronounced use of aquisitive hooks. - tight over-crowding of letters and words, especially if combined with narrow to no margins (stingy). - over-inflated lower zone loops (material acquisitiveness), especially if found in an extremely angular script.
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Potential Mathematics - Strong, regular pressure. - slight backward slant. - Regular size and shape. - Knotted loops. - Straight baseline. Emotional States Depression - descending, sagging and/or plunging baseline (depression plus pessimism).

- descending signature baseline (self-blame). - weak pressured t-bars, especially if low on stem (lack of firmness, feelings of inferiority). - sagging final letters. - descending finals (ending strokes) on letters that do not have a lower zone (physical and emotional exhaustion). - crossing strokes below the baseline, especially if in the signature (drives cancelled).
Crowded space (a) Between letters (compression): (b) Between words: (c) Between lines: Fearful, dependent, protective, insecure, possible confusion of thoughts and feelings Capital letters inserted (a) In inappropriate places: (b) The letter k in particular: - printed in cursive (or) - the buckle of k is out of proportion to the rest of the writing: Rebellious, hostile defence mechanism, resistance to authority, often unable to verbalise, can only internalise (Brush, 1985, p.133). First sketch from Holland (1999). 8 Drooping garlands Garland connection droops below the baseline: Unconscious action motivated by inner drives. Indicates how the writer automatically reacts on an emotional level (Ward & Johnson, Wide space (a) Between words: (b) Between lines: (c) Wide margins: (d) Isolation of PPI: Isolation, the writer needs distance from emotional contact, timidity, introversion, fear of contact Large left margin indicates avoidance of the past, fear of past. Large right margin shows fear of the future, pressure from the future

Left trend (a) Narrow left margin: (b) LZ and ending strokes pulled leftward (c) Letters finished or tied to the left: (d) Lack of finals to the right: (e) Movement within letters counter to copybook: Orientation or hang up with the past contributes to insecurity and fear, reflecting on the way things were or should have been ms and ns distorted Not able to develop good social skills, may be fearful of relating to others. Feels undeserving of space or oneself, emotional deprivation, pressure from future. Responsibility and/or commitment due to fear of the future. Margins unbalanced or non-existent (a) Non-existent: (b) Uneven: (c) Decreasing towards the bottom: (d) Increasing towards the bottom: Intrusive personality seeking protection, immaturity Middle zone inconsistent Height of MZ letters vary: Caught up in current problems, lack of judgement, can be emotionally unstable, moody, inconsistent emotional responsiveness towards others (Amend & Ruiz, 1980, pp. 16, 50). 17 Middle zone increasing Increasing from small to large: Self-consciousness (Ward & Johnson, 1992, p.13). 18 Middle zone decreasing Decreasing from large to small: Diplomacy (Ward & Johnson, 1992, p.13). 19 Unusual MZ/LZ to UZ

connections Need to assert ones own will, desire to dramatise ones own ego (Ward & Johnson, 1992, p.13). Ovals looped (a) Over-involvement within circles: (b) Initial loop within ovals: (c) Final loop inside a circle letter: Deliberate desire to deceive or mislead, may not know the difference between reality and illusion. Self-deceit, rationalising processes which changes wishes into facts, uses intelligence to deny the truth, defence mechanism to allow unconscious escape from reality, denial. Secretive, the writer doesnt communicate everything he/she knows. A very large loop indicates a secret that has become a burden PPI deviation (a) Horizontal Figure-8 creation: (b) Reverse forms and countertrokes: (c) Other deviations: 1. 2. 3. 4. 5. Dysfunctional relationship with dominant male, significant problem concerning father image, distorted opinion of males, disappointment in men (Green, 1988, p.143). Major rejection of the father figure Anger towards mother figure or nurturer (2) anger towards father figure (3) anger towards both (5) take care of me (6) weak selfconcept Retracing in UZ excessive Reflects the writers unconscious need to hide his/her thoughts, actions or feelings. Anxiety, fear and tension are often involved Signature or PPI poorly formed (a) Signature illegible or weak: (b) PPI poorly formed: Poor self-image, lack of a wholesome feeling of satisfaction concerning ones abilities, physical attributes, accomplishments, or selfworth

Slant inconsistent Slant varies considerably: Plagued by inner conflicts, very insecure and untrusting, may not understand themselves End stroke stopping below baseline of lower loops Arcade turning down of end stroke on LZ forms Depression, the writer feels sorry for him/herself but wont let anyone know, a grin and bear it attitude 38 t and d-stems foreshortened Less than two times the size of the MZ height. Defence mechanism, may feel like an object. If the stems are extremely short, the writers social ego has been crushed t-bar bowed (a) Concave: (b) Convex: Submissive, follower, irresponsibility is often a means of escape from the need to face up to the unpleasantness of the real world, lack of faith in themselves and failure to take themselves seriously, lack of commitment to life, circumstances out of control, pressure from authority UZ nonexistent UZ non-existent The writer is likely to lack understanding of his/her goals, selfimage or the impression he/she wishes to make

The size of the letters is indicative of the following:a. Very Small Writing: Tiny writing indicates the artistic nature of the writer. People with this style go into the details of whatever they are doing. Generally they specialise in a particular field. They have an aim in life and do not waste either time or energy.

b. Small Size Writing: This indicates an intellectual and scholarly person with a keen sense of observation. These people are meticulous and methodical and are destined to do well in life. c. Medium / Average Sized Letters: This is characteristic of a methodical and well-balanced person with a healthy mind. They are suited to business rather than service. Worldly-wise, they can grasp things quickly and well despite being relatively less educated. d. Large Sized Letters: They show an active and restless mind. People with this handwriting are large hearted, self reliant and can influence others quickly. Very talkative, if they concentrate more on themselves, they can succeed easily. e. Very Large or Huge Lettering: People like these feel that they are important. They cannot face criticism and therefore are definitely successful. f. Constant / Same Size of Letters: This is indicative of a methodical mind. g. Decrease in Size of Letters: Writing like this indicates a great level of cunning. h. Increase in Size of Letters: Handwriting that gets larger indicates great frankness.
Analysis Based on Level of Writing

a. Straight Lines: If lines are straight, the person has will power and determination. If they are absolutely straight, the person could be rigid. If a little irregular, the person has skill in many fields or has the capability to acquire one or more. b. Downward Slant: A downward slant is indicative of a dismal outlook. These people are pessimistic, moody and gets discouraged easily. If the writing has a prominent down ward slant, then they should be cautious because they can be foolish. They may try to get others sympathy by expressing this quality. If a person is not well physically and his or her writing has an extreme downward slant, it is not a good sign. It should be taken as a warning. c. Upward Slant: People who write this way are usually ambitious. They are also optimistic. If your handwriting has an upward slant, you probably can talk a lot, could be over-confident and sometimes unreliable. If the slant has a slight upward trend, then it is a good sign. If the slant is very steep, all these qualities are exaggerated. d. Irregular Lines: If the lines go upwards, but only towards the end of a sentence, particularly near the bottom of the page, they indicate a strong personality. Such people are courageous even in adversity. e. Falling Lines: If at the end of a line and at the bottom of a page, your lines fall, it means you get irritated and worried easily. You are weak and prone to stress. f. Dipped Lines: Lines which dip in the centre and rise again later indicate a halfhearted approach to work. People with such a hand start on work half-heartedly, with no purpose. Later they get enthusiastic and finish the task well. g. Humped Lines: These are lines that rise in the centre like a hump and then dip once again. These people start work enthusiastically but soon get discouraged and leave the task mid way.
The significance of spacing

a. Line Spacing: This is an important aspect of hand writing analysis. It proves how important it is for the analyst to have a number of samples of a person's writing to provide an accurate judgment of an individual's personality traits. b. Close Spacing: If the lines are very close to each other and have no space in between, they show a confused personality with diverse thoughts crowding the mind. c. Average Spacing: These people are never in a hurry. They are casual and clear in thought, and in their day- to -day behaviour. They are well balanced and fair in their dealings. d. Wide Spacing: Many famous personalities possess this type of spacing. They are methodical careful and intelligent. Overall these are people with strong character. e. Connected Writing: When the letters of each word are connected it is called connected writing. These people are firm, bold, clear, and are positive attitude. They work in a refined way and are perfectionists. It is the mark of an outright sceptic. f. Broken Writing: Here, a few letters are disconnected. This type of writing indicates an ability to judge human character. Their writing looks rhythmic and signifies a fine flow of thought and interspersed with quick inspirational touches. It is indeed the writing of intelligent people. g. Disconnected Writing: Here every letter is separate. These people live in dreams and have a poetic mind. Inevitably, this is a person who loves art and nature. Do not confuse this handwriting with printed letters. h. Cramped Writing: When the words are cramped they indicate people who are extremely expressive. Those with this type of writing are cautions about money matters, bargain a great deal and are suspicious by nature. i. Spaced Writing: When words are very far apart, they belong to people who expressive but extravagant. Exhibitionists, they are socially active and fond of good life. They can never be systematic and are usually spend thrift. They forget things easily and should be careful in money matters.
Some Finer Points of Judgement / Analysis Based On Letter Formation.

a. Rounded Letter: Writing of this type has rounded formations. It seems as if the writer has written in comfort and at leisure. These people are lazy, luxurious, and hate to do hard work. They have all the time in the world to chat but still think that they are busy. However, they are also peace- loving, law-abiding and crave the better things in life. b. Block Writing: These letters are plain simple and unadorned. The writing is straight. People of this type are hard-working, meticulous and practical. They are generally busy and are reserved by nature. c. Angular Writing: This is distinguished from 'Block' and 'Round' types of writing. People who write this way are full of energy and life. They want to lead people but are aggressive and desire quick results. They do not take criticism well. If the writing is too angular it shows a person as money-minded. If moderately angular the writer could be wise, loving and experienced. d. Single Letters: If the size of the letter does not change, it indicates that a person is very careful and conscious. These people never neglect their duties and are careful to finish whatever task is assigned to them. They are usually absorbed in the minutest details of any work that they undertake. e. Irregular Letters: Writing of this type is full of large and small letters. These people are rarely reliable and could be fickle. They take the most convenient route to anything.

f. Small to Large Letters: Writing of this type indicates restrained behaviour. These people are eager to express themselves, work hard and want to get success through honest means. g. Large to Small Letters: This shows a tactful and friendly nature. People like this make good use of their connections. They are fair in all their dealings.
Finer Significance of Angle/ Slant

One of the most important aspects of graphology is the angle or slant of a person's writing. This needs special study since the variations though minimal, are significant. a. If a slant is at 60 to 70 degrees, it shows the person as sensitive, emotional and imaginative. They get aggressive at the slightest provocation and have an intense nature. One should be very careful when dealing with them, since they get excited very quickly. b. If the slant is at 70 to 80 degrees, these people are very generous and very kind. They can make others happy and this helps them build careers. They share their happiness with others. c. A slant of 80 to 90 degrees is very common. This style is widely used and has a slight tilt towards the right. It indicates a cordial nature and a friendly attitude towards others. These people are genuine and usually take things easy. It is not difficult to manage people of this kind. d. If the slant is right-angled at 90 degrees, it shows a selfish nature. These people are analytic and unemotional, but could also be sincere and reliable. They always recognise obligations and hence prove good friends. e. If the slant is at 100 degrees, it indicates that the person remembers all the good and bad things that have happened in the past. It shows a nature that is suppressed and controlled, and which therefore could collapse when faced with problems and difficulty. If the slant is at 120 degrees, the person is cold and self-centred, and has no respect or regard towards others.

Few traits and the method of determining them is explained below: ANALYTICAL ABILITY: Analytical ability is high in the people who have V formations in ms and ns, and medium size writing. DYNAMISM: people who have rightward slant, long, sweeping and heavy Tbars are very dynamic. RESILIENCE: resilience is present when the individual has upwards slope

formations, sweeping T- bars and light pressure. PRECISION: people who have retraced lower p loops have precision trait. ENTHUSIASM: enthusiasm trait includes rightward slant and long, sweeping T bars. PATIENCE: the person who is patient has self control i.e., umbrella like T bars, tapering ms and ns, clear wide es and long finals of lower loops. RESPONSIBILITY: people who have large loops in their Is and js are said to possess responsibility in their behavior. CONCENTRATION: small well formed writing with well placed i dots and t bars comprises good concentration ability. METHODICAL THINKER: persons having round ms and ns and clear writing are considered to be methodical thinkers. ORGANISATIONAL ABILITY: balanced and well -formed loops of letter f comprise good organizational ability. EXTROVERT: people having writing with rightward slant, with open as,& es and large upper loops are considered to be extroverts. SELF-CONFIDENCE: it includes large capital letters, and high t-bars. DETERMINATION: this trait includes long, straight downstrokes of the letters like,

g, y, p. INITIATIVE: people having breakaway finals in their writing are supposed to have initiative taking ability. PERSISTENCE: It includes tie stroke formations in letters like, k, t, a, g, y etc. DETAIL-MINDED: people who are detail minded have their i-dots and t- bars in place and well formed writing. LOYALTY: loyalty trait includes round, well- formed i- dots. OPTIMISM: people having ascending baseline, upward slant of words, letters or lines are considered as optimistic. BROAD-MINDED: it includes open and well formed as, es, and os. DIGNITY: this trait includes retraced ts and ds stems. DIPLOMACY: it includes tapering at ends of words, especially ms and ns. ACQUISITIVE: this trait is present in a person if initial hooks are present in words. Initial hooks mean hooks present in the beginning of the words. EMPATHETIC: to be empathetic means emotional responsiveness, which is considered to be present if the writing has rightward slant.

SELF-STARTER: a person is termed as self-starter if certain strokes are present in the writing, like: high T bars, breakaway finals i.e., initiative taking ability and determination trait i.e., long straight lower loops. PERSUASIVE: for being persuasive one has to have open circle letters like, as, os etc and should be persistent i.e., have tie strokes in writing. CONTROL OF IMPULSE: by way of graphology it is considered that a person has control of impulse if he has convex T-bars. POISE: a person is considered to be poised if he has vertical/backward slant, long ending strokes of words and convex T- bars. ACQUISITIVE: initial hooks found at the start of a word, are a mark of of acquisitiveness i.e., the desire of acquiring something, which may be monetary or otherwisefor example, the acquisition of knowledge or friends. FAIR: a person is considered to be fair according to graphology if he has poise, broadmindedness i.e., open and well formed as, es, and os, and no signs of deceit in his/her handwriting. AGREEABLE: the agreeable individual is yielding i.e., has soft strokes in his handwriting and there is a lack of irritability i.e., lack of slashed i dots. SINCERITY: according to graphology and its underlying principles, a person is considered to be sincere if he has round, well formed i dots an does not have double loops in circle letters like os and as.

DILIGENT: by way of graphology, a diligent person has persistence i.e., tie strokes and the ability to pay attention to details which is shown in the writing if the I dots and t bars are well placed. Hence, the above mentioned are few of the traits that can be easily determined through the graphological analysis of a handwriting sample. Even a more comprehensive picture of the person concerned can be developed by the detailed study. Not only positive traits can be determined through graphology, but certain potentially negative traits can be found out, which could otherwise prove detrimental. It is always better if one knows beforehand the harmful side of the person concerned, so that one is able to save himself from the negative consequences. Dishonesty is probably the best researched area in graphology. Studies conducted throughout Europe, South America, Israel, and the Soviet Union have produced ample data correlating a variety of traits with different types of dishonesty. There are few signs of dishonesty: Overly slow writing.8 Double or triple looped8 ovals. Stabs in the ovals.8 Wedging.8 The felons claw.8 There are few potentially negative traits or dishonest traits which can be determined with the help of graphological principles. The traits are: DECEIT: according to graphology, a person who has double loops in his writing, and there is no trait present to counter it, then the

person is considered to be deceitful. STUBBORNNESS: a person is considered to be stubborn if the t bars are tent like. ARROGANCE: this trait includes vanity i.e., long t and d stems, backward slant and dominating personality i.e., t bar that slants down to the right of the stem of the t. HYSTERIA: if the person concerned has extreme right slant, then the person is said to be prone to hysteria i.e., he is not able to control his emotions. PROCRASTINATION: this trait means delaying a work to the fullest and it is denoted by t-bars on the left side only. TEMPER: if proper controls are not present in the writing, and t-bars are made only on the right side, then the person is supposed to possess immense wrath or temper. SARCASM: if the t -bars are knife like, then it means the person is sarcastic. ULTRACONSERVATIVE: according to graphology, compressed letter -forms denote an ultraconservative nature. UNREALISTIC IMAGINATION: this trait can prove to be highly negative if proper controls are not present in the writing. This trait is denoted by exaggerated lower loops in the writing. JEALOUSY:

as known by everyone this trait is really negative and can prove detrimental to one-self as well as others. This trait is supposed to be present in a person, if the person concerned has small initial loops in letter formations. EVASIVENESS: this trait means that the person tends to shun or avoid the situation rather than face it. If the circle letters of the writing have hooks.i.e., in letters like d, a, o, then the person is said to possess evasive trait. FELONS CLAW: the felons claw means subconscious guilt, bitterness, and bad instincts. The felons claw maker is someone who will pretend to have the best interests at heart. He will seem to be the nicest person on earth. No one would suspect this person of having an evil bone in his body. But then he is setting up only to stab in the back; he will end up clawing. This is the most frightening because one does not know the knife is coming.

Middlearea loopsandcircles
# broadminded, narrowminded, openminded, closedminded # communicative, uncommunicative, secretive planned, hedges, evasive # sincere, self-deceit, self-deceit extreme, secretive, secretive extreme, intentional deceit # worrier, gullible, yielding, biased, placid, mundane unsophisticated

Lowerarea loopsand circles

# determination, pushing determination, restraining determination, change # tangible harmonious line values, desire for variety, selectivity, clannish, clannish exclusive, concrete fantasy, requited, regimental, concrete distorted ideas # lives unto self, isolation, laid-back, foot-tapper # foresight, tyrant, cynical belligerent

Upperarea loopsandcircles
# intangible harmonious line values, diversified beliefs, abstract distorted ideas, abstract fantasy, idealism, henotheism, believer # desire for responsibility, jealousy, rebellious, defiant, persistent

Stems
# pride, vanity, independence, dignity, sensitivity to criticism, formality, deliberate, cajole, obstinate

# physicalminded- desire for, skillful, controlled, vigorous, structured, offensive, and unhurried action; argumentative

Middlearea patterns
# thinking process, investigative, analytical, cumulative, comprehensive # superficial thinking, thinking shortcoming (skips), constructive, engineering awareness # flexible mentality, diplomacy, self-conscious # tempo, schedule adherence, intuitive

Baselinedirectionandline spacing
# optimism, depression, euphoria, pessimism, steady # routine, kaleidoscopic nature, versatility, insouciant attitude, suicidal tendency # clarity of thought, confusion of interest

Line or strokequality
# emotional intensity- much available, little available, very active, slightly active, stored # sensory discrimination- strong, weak # sensuous, abstemious, sensual, graceful, adaptability to stress # hesitation, hesitation involuntary, physiological decay, degenerative exhaustion, unscrupulous

Baselineupstrokeslant
# emotional responsive- impulsive, objective detachment, hysteria, withdrawal, stable, changing, split personality # suppression, repression, inhibited, overbearing, restrictive Size and space # size- concentration, desire for notice # horizontalspace - emotional display, emotional confinement, extravagance, ultraconservative, elbowroom, covetous, detached, intrusive, despondent # space- ostentatious, self-involvement, frenzy, self-aware, self-liaison, lost of spontaneity

Strokefinals
# indecisive, decisive, positive, emphatic, blunt, tenacity # stingy, generosity, showmanship, cautious, cautious chronic, petty, selfreproach, self-castigation # aggressive

Initial strokes
# simplicity, direct # acquisitive, humor, facetious, temper prone, fault finder, resentment, antagonistic

T-barsandi-dots
# t-bar- will power, purpose, willpower in reserve

# t-bar vertical placementon t-stem - low goals, practical goals, distant goals, visionary goals # t-bar horizontalplacementon t-stem- precision, procrastination, impatience, explosive temper # t-bar direction - seriousness of purpose, self-control, shallowness of purpose, lackadaisical purpose, forgetful # sarcasm, domineering, dominating, dictatorial, lighthearted, chides self # i-dots- attention to details, procrastination, impatience, forgetful # loyalty, edetic, irritability, idiosyncrasy

Uniquepatternssuchas capitals,corrections,integratedcombinations, signatures,overstrokes

# capitals- egoism, egotism, humility # aesthetic tastes, cultural refinement, figurehead, picayune, autonomous, artistic independence # corrections-perfection, pedantic # structures--organization ability, fluidity, imagination, sense of proportion # signatures-persona, image- prominent, private, dynamic, status quo # self-reliance, venturesome adventuresome # reactionformationinternal-goal inadequacy, bluff, ruminating, hopeful, hopeless, action concern, callous, incoherent # reactionformationexternal-broadminded concern, original information concern or skeptic, showmanship concern or showoff, compulsive

Examplesof traits:

ANALYTICAL THINKING v-wedges for m, nbottom baseline intersections BLUNT increasingly heavy downward and forward middle final BROADMINDED wide e-loop

sorts and separates information in assessing their value, evaluates information and supporting patterns brings matters to a conclusion and thrusts it upon others liberal selfviewpoints, free of bigotry

focuses attention CONCENTRATION on one activity small writing ignoring all other influences CULTURAL REFINEMENT middle letter printed as capital integration and discrimination of creative artistic and structural systems into one's mode of living possesses strong libido and passions, abundance of available energy and vitality, proactive inability to recall information or planned action, absentmindedness the contrast between reality and assumed values provokes amusement open hostility towards authority and for any form of discipline, belligerent excessively high regard of ones conduct demonstrated through a sense of superiority

EMOTIONAL INTENSITY, MUCH AVAILABLE heavy average stroke pressure

FORGETFUL missing t-bars

HUMOR initial wavy upper area down stroke to baseline REBELLIOUS inflated triangular forward inverted upper circle

VANITY tall t, d-stem height