Excersisess

Clarinet reeds Clarinet mouthpieces Saxophone reeds Saxophone mouthpieces Ligatures Accessories
page 2 to 5 page 6 to 13 page 14 to 19 page 20 to 31 page 32 to 35 page 36 to 38
Clarinet reeds
Traditional
The most widely played reeds in the world with a superiority proven over the years, these reeds suit all styles of music. Traditionals are known for their excellent response in all registers, allowing a pianissimo attack in even the highest notes. They are also extremely flexible, allowing the legato or staccato execution of large intervals while maintaining a richness of tone that gives body and clarity to the sound, which is a hallmark of Vandoren reeds.
1 Ab Eb Bb Bb Alto Bass Contrabass

X 10 X 10 X 10 X 50 X 10 X5 X5
CR141 CR121 CR111 CR101
1 1/2
CR1115 CR1015 CR1015/50 CR1415 CR1215
2
CR132 CR112 CR102 CR102/50 CR142 CR122 CR152
2 1/2
CR1125 CR1025 CR1025/50 CR1425 CR1225
3
CR133 CR113 CR103 CR103/50 CR143 CR123 CR153
3 1/2
CR1135 CR1035 CR1035/50 CR1435 CR1235
4
CR134 CR114 CR104
CR105
CR144 CR124 CR154 CR125
Reed comparison index

Traditional
2 2 2 3 3
3 3 3
3 3+ 3+ 4
4 4 4 4
5 5 5 5+
PARIS
56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com
CRTRAD-A 02/2012
Clarinet reeds
V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed. The introduction of the # 3+ strength allows a smaller and more specific gradation, resulting in reeds that are more consistent within the same strength. The V12 line is expanding with the addition of Eb and Bass clarinet reeds, which offer a warm, rich and powerful sound.
2 1/2 Bb Bb Eb Bass
X 10 X 50 X 10 X5
CR1925 CR1925/50 CR6125 CR6225
3
CR193 CR193/50 CR613 CR623
3 1/2
CR1935 CR1935/50 CR6135 CR6235
3 1/2 +
CR1935+
4
CR194
4 1/2
CR1945
5
CR195
5+
CR196
CR614 CR624
CR6145 CR6245
NEW
NEW

Traditional
2 2 2 3 3
3 3 3
3 3+ 3+ 4
4 4 4 4
5 5 5 5+
PARIS
CRV12-A 02/2012
Clarinet reeds
Named for the home of Vandoren, the 56 rue Lepic is the newest addition to Vandorens much-heralded line of clarinet reeds. Designed from thicker cane with a heel taper very similar to German-style reeds, the 56 emits a rich, centered, and extremely pure sound while providing maximum stability and quick response in all registers. Strength gradations are smaller and more specific, resulting in reeds that are very consistent.
2 1/2 Bb Bb
X 10 X 50
CR5025 CR5025/50
3
CR503 CR503/50
3 1/2
CR5035 CR5035/50
3 1/2 +
CR5035+
4
CR504
4 1/2
CR5045
5
CR505

Traditional
2 2 2 3 3
3 3 3
3 3+ 3+ 4
4 4 4 4
5 5 5 5+
PARIS
CR56-A 02/2012
Clarinet reeds
German system
D ATE UPD ION S VER
White Master
WHITE MASTER TRADITIONAL
Their cut is particularly designed to suit the characteristics of the German system (Oehler) clarinet mouthpieces.
WHITE MASTER NEW VERSION
German reeds
The White Master are designed for German clarinet players. They are available in two versions: Traditional version New version: an evolution of the White Master reed, designed to suit more specifically the characteristics of the new generation of German mouthpieces (open mouthpieces with long facing).
1 1/2 White Master Traditional White Master

X 10 X 50 X 10 X 50
CR1615 CR1615T
2
CR162T CR162T50 CR162 CR162/50
2 1/2
CR1625T CR1625T50 CR1625 CR1625/50
3
CR163T CR163T50 CR163 CR163/50
3 1/2
CR1635T
4
CR164T
4 1/2
CR1645T
5
CR165T
CR1635
CR164
CR1645
CR165
CRWM-A 11/2012
Clarinet reeds
Austrian system
BLACK MASTER TRADITIONAL
D ATE UPD ION S VER
Black Master
Their cut is particularly designed to suit the characteristics of the German system (Oehler) clarinet mouthpieces.
BLACK MASTER
Austrian reeds
The Black Master reeds have a wider and thicker cut than the White Master reeds. They are available in two different models: The Black Master reed Its cut is designed for Austrian mouthpieces. Thanks to its response and tone characteristics, this cut can also suit the Boehm system mouthpieces. The Black Master Traditional reed This cut, in the tradition of the Viennese school, is designed for very closed Austrian mouthpieces, with a long facing.
2 Black Master Traditional Black Master

X 10 X 50 X 10 X 50
CR182
2 1/2
CR1825T CR1825T50 CR1825
3
CR183T CR183T50
3 1/2
CR1835T CR1835T50 CR1835
4
CR184T
5
CR185T
5+
CR186T
5 ++
6
CR187T
6+
CR188T
CR183
CR184
CR185
CR186
CR187
CR1825/50 CR183/50 CR1835/50
CRBM-A 11/2012
Clarinet mouthpieces
Bb
Traditional Break
&
Series
American pitch
The difference between Profile 88 and Traditional mouthpieces is in the exterior angle of the beak. Therefore, the musician is free to choose the model which suits his purpose in terms of best playing position, easiest sound projection, greatest playing comfort, and the most controllable and precise articulation. Vandoren has developed the 13 series mouthpiece specifically for American clarinetists using A440 pitch. Four models have been originally developed with specific facings to this series: the M13, M13 Lyre, M15 and M30 mouthpieces. The 13 series range also encompasses other models (traditional facings): 5RV, 5RV Lyre, B45, B40, B40 Lyre and M30 Lyre.
Traditional Beak
Series
COMMENTS
M13 M13 M15 5RV 5RV M30 M30 11 6 B46 B40 B45 B45 B40 B45 5JB 45
CM4138 CM4158
Rich, colorful sound. Very precise response. Meets every demand. More open, the same qualities as the M13, easier to play in the upper register. Its facing gives it a particularly pure sound. Great articulation ease. Offers musicians a colorful spectrum of sound. The time-proven standard for professional musicians. Quality and tradition. More open than the 5RV with a longer facing. The 5RV Lyre with a larger tip opening and a longer facing guarantees exibility and roundness. This mouthpiece has an exceptional quality of sound. Its facing length gives it great exibility, a good balance between timbre and roundness. Same sound qualities as the B45 with a smaller tip opening. The mouthpiece best suited to musicians playing both clarinet and saxophone.
CM317 CM301 CM302 CM3001 CM318 CM305 CM306 CM319 CM309 CM308 CM307 CM312 CM310
CM3178 CM3018 CM3028 CM30018 CM3188 CM3058 CM3068 CM3198 CM3098 CM3088 CM3078 CM3128 CM3108
CM4178 CM4018 CM4028 CM40018 CM4188
NEW
CM4198
The perfect blend between a round sound and rich tone color. Easy blowing especially in the upper register. Same technical characteristics as the B45 with a great blowing ease.
CM4088 CM4078
The universal mouthpiece. With an intermediate tip opening and a medium-long facing, it is appreciated by most clarinetists. Same facing as the B45 with a wider tip rail, it produces a compact and centered sound. Characterized by a particularly large tip opening, it offers a exible, round sound and remains easy blowing. THE jazz mouthpiece.
CM5088
Made from innovative composite materials, this mouthpiece has the same table as the B45 with a slightly brighter sound.
Technical Specifications page 2
PARIS
CMBb-A 02/2012
Bb
Technical Specifications
Traditional Beak
Series
TIP OPENING 1 / 100 MM
FACING LENGTH*
RECOMMENDED REED STRENGTHS
M13 M13 M15 5RV 5RV M30 M30 11 6 B46 B40 B45 B45 B40 B45 5JB 45
CM4138 CM4158 CM317 CM301 CM302 CM3001 CM318 CM305 CM306 CM319 CM309 CM308 CM307 CM312 CM310 CM3178 CM3018 CM3028 CM30018 CM3188 CM3058 CM3068 CM3198 CM3098 CM3088 CM3078 CM3128 CM3108 CM4088 CM4078 CM4198 CM4178 CM4018 CM4028 CM40018 CM4188
100,5 102 103,5 106,5 109 + 113,5 115 116 117 + 117,5 119,5 119,5 119,5 127 147
L ML L MS M L L MS M L ML ML ML ML L
3 4 3 4 3 5 3 4 3 4 3 4 3 4 2 3 2 3 2 3
3+ 4 3+ 4 3+ 5 3 4 3 4 3 4 3 4 3 3+ 3 3+ 2 3 3 3+ 3 3+ 2 3 2 3 2
3+ 5 3+ 5 4 5 3 4 3 4 3 4 3 4 3 3 3 3+ 2 3 3 3 3 3
NEW
2 3 2 3 2 2 3 3
2 3 2 3 2
1 2
CM5088
119,5
ML
2 3
3 3+
3 3
* L=Long ML=Medium Long M=Medium MS=Medium Short
PARIS
CMBb-A 02/2012
From the Hands of One Craftsman, to Another

The craftsmen at Vandoren have created a revolutionary new clarinet mouthpiece. Completely redesigned inside and out, the MASTERS line produces a perfect balance of richness, stability and projection. Built without compromise, for those who play without compromise, the Masters mouthpiece is a work of art for creating works of art.
Lexigence Vandoren www.vandoren.fr
Clarinet Mouthpieces
Bb
Series
Major News for Clarinetists
The new MASTERS mouthpieces feature a specic bore, a new chamber as well as a new exterior design. Two models have been developed with facings specic to this series: CL4 and CL5. They are very easy blowing and have exceptional sound and tuning characteristics.
NEW
COMMENTS
NEW
CL4 CL5
The CL4 is characterized by a very radiant, clear sound and exceptional intonation. It allows precise, easy blowing and flawless articulation. The CL5 is characterized by a round, full sound, exceptional intonation, and perfect homogeneity and projection.
3 3
3 + 3
Kits
The MASTERS mouthpieces require specic ligatures They can only be used with series M/O metal ligature or with exible ligatures, like Leather or Klassik Vandoren ligatures. The CL4 and CL5 are available either separately or in a kit with their M/O ligature and plastic cap.
Mouthpiece in a kit with M/O ligature and plastic cap Black Mouthpiece Only Pewter Finish Silver Finish Gold-plated
CL4 CL5
CM60048 CM60058
CM60048KB CM60058KB
CM60048KP CM60058KP
CM60048KS CM60058KS
CM60058KG CM60058KG
PARIS
CMBbM-UK 02/2012
Ab-Eb-Alto-Bass-Contrabass
CODE
COMMENTS Easy blowing, very rich timbre. The time-proven standard for musicians. With the same technical specications as the B44, its wider tip rail offers a compact and centered sound. Very rich timbre. Its thin tip rail makes it easy blowing. The same technical characteristics as the B44 with a wider tip rail, it produces a compact and centered sound. Validated by musicians, indisputably the best. Same sound qualities as the B44 with a larger tip opening. Very responsive. With the same technical specications as the B45, its wider tip rail offers a compact and centered sound. Produces a powerful sound. A favorite of jazz musicians. Produces a rich and velvety sound, even in the upper register.
Eb
Alto
Bass
5RV B44 B40 5RV B44 B40 B44 B45 B40 B46 B50 Ab & Contrabass
CM321 CM322 CM323 CM331 CM332 CM333 CM342 CM344 CM343 CM345 CM346
CM360 CM370
available upon request.
PARIS
CMOTH-A 02/2012
Ab-Eb-Alto-Bass-Contrabass
CODE
FACING LENGTH*
RECOMMENDED STRENGTHS
Eb Alto Bass
5RV B44 B40 5RV B44 B40 B44 B45 B40 B46 B50 Ab & Contrabass
CM321 CM322 CM323 CM331 CM332 CM333 CM342 CM344 CM343 CM345 CM346
106,5 110,5 110,5 126 138 138 184 193 193 205 215
S M M M ML ML M ML ML L L
3 4 2 4 2 3 3 4
3 4 3 4
2 3
2 3 2 3 3 4 2 3 2 3 2 3 2 3 3 4 3 4 2 3 2 3 3 4
* L=Long ML=Medium Long M=Medium S= Short CM360 CM370
PARIS
CMOTH-A 02/2012
Bb german and austrian systems
The D Concept
A Boehm system mouthpiece specially adapted to the German clarinet and the Reform Boehm, offered in two models: the M30D and B40D. The length and diameter of the shank, the bore, the appearance of the tip rail and the external shape are the components of this new concept, which offers a perfect balance between a very warm sound and great intonation. 56 rue Lepic reeds are more particularly recommended for these mouthpieces.
NEW
CODE
COMMENTS A good balance between timbre and roundness. Produces a compact and centered sound.
M30D B40D
NEW
CM36188 CM36078
NEW
VD Series: The German tradition

Available in 4 models: VD2, VD3, VD4 and VD5 with 2 different shank external diameters ( W : 22,40 mm and S : 22,00 mm).
CODE CODE COMMENTS
NEW
VD2 VD3 VD4 VD5
CM382 CM383 CM384 CM385
CM372 CM373 CM374 CM375
Provides a rich, centered and compact sound. Very easy blowing in all registers, the standard reference. This mouthpiece has the sound quality of the VD2 mouthpiece while being a bit more open. A compact, full and deep sound.
Austrian clarinet mouthpieces

CODE COMMENTS A very closed mouthpiece. Versatile and easy blowing, the standard reference.
VA0 VA5
CM390 CM395
PARIS
CMD&A-A 02/2012
Bb german and austrian systems
The D Concept
CODE TIP OPENING 1 / 100 MM FACING LENGTH* RECOMMENDED STRENGTHS
M30D B40D
NEW
CM36188 CM36078
115 119,5
L ML
2 3 2 3
2 3 2 3
2 3 2 3
VD Series: The German tradition

CODE CODE TIP OPENING 1 / 100 MM FACING LENGTH* RECOMMENDED STRENGTHS
NEW
VD2 VD3 VD4 VD5
CM382 CM383 CM384 CM385
CM372 CM373 CM374 CM375
96 100 102 113,5
ML ML L ML
2 3 2 4 2 3 2 3
Austrian clarinet mouthpieces

CODE TIP OPENING 1 / 100 MM FACING LENGTH* RECOMMENDED STRENGTHS
VA0 VA5
CM390 CM395
80 85
VL L
4 5++ 2 4
* VL= Very Long L=Long ML=Medium Long
PARIS
CMD&A-A 02/2012
Saxophone reeds
Traditional
This reed is designed to produce a quality of extremely pure sound due to a very thin reed tip (the area of reed with maximum vibration), balanced by a solid vertebral column (more cane in the area which climbs gradually to the heel). Traditionals feature the thinnest tip with the thickest heart, resulting in crisp articulation with a full, dark sound.
1 Sopranino Soprano Alto Alto Tenor Baritone Bass

X 10 X 10 X 10 X 50 X5 X5 X5
SR221 SR201 SR211
1 1/2
SR2015 SR2115 SR2115/50 SR2215
2
SR232 SR202 SR212 SR212/50 SR222 SR242 SR252
2 1/2
SR2025 SR2125 SR2125/50 SR2225 SR2425
3
SR233 SR203 SR213 SR213/50 SR223 SR243 SR253
3 1/2
SR2035 SR2135 SR2135/50 SR2235 SR2435
4
SR234 SR204 SR214
5
SR205 SR215
SR224 SR244 SR254
SR225 SR245

Traditional
2 2 3 3 3 3 3
3 3
3 4 4 4 3 4 4
4 4
5 5
1 1
1 1
2 2 1 2
2 2 2 2
3 3
PARIS
SRTRAD-A 02/2012
Saxophone reeds
The success of V12 reeds in the clarinet world for 25 years has led us to transpose their characteristics and advantages into the saxophone world. With its very precise attack, homogeneous timbre in every register, controlled high notes, warm and velvety sound, this new reed offers exceptional possibilities. Produced from cane selected for its specific proportions, the V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.
2 1/2 Soprano Alto Alto Tenor

NEW
3
SR603 SR613 SR613/50 SR623
3 1/2
SR6035 SR6135 SR6135/50 SR6235
4
SR604 SR614
4 1/2
SR6045 SR6145
5
SR615
X 10 X 10 X 50 X5
SR6025 SR6125 SR6125/50 SR6225
SR624
SR6245
NEW
Traditional
2 2 3 3 3 3 3
3 3
3 4 4 4 3 4 4
4 4
5 5
1 1
1 1
2 2 1 2
2 2 2 2
3 3
PARIS
SRV12-A 02/2012
Saxophone reeds
Developed in 1983 for jazz and popular music. A thicker tip and a more flexible palette* than the Traditional reed allow vibration over a larger surface area with maximum elasticity. This type of vertebral column gives the musician much greater playing flexibility, as the resultant elasticity zone is very large. JAVA reeds are more flexible than Traditionals and V16s and vibrate on a long palette, creating a bright sound with immediate response.
* Palette: zone where the waves are propagated with the greatest range. From the tip, the waves are absorbed further in the JAVA reed.
1 Soprano Alto Alto Tenor Baritone

X 10 X 10 X 50 X5 X5
SR271 SR261
1 1/2
SR2615
2
SR302 SR262 SR262/50
2 1/2
SR3025 SR2625 SR2625/50 SR2725 SR3425
3
SR303 SR263 SR263/50 SR273 SR343
3 1/2
SR3035 SR2635 SR2635/50 SR2735 SR3435
4
SR304 SR264
SR2715
SR272 SR342
SR274 SR344
SR275
NEW

Traditional
2 2 3 3 3 3 3
3 3
3 4 4 4 3 4 4
4 4
5 5
1 1
1 1
2 2 1 2
2 2 2 2
3 3
PARIS
SRJAVA-A 02/2012
Saxophone reeds
FILED - RED CUT
The driving force behind the JAVA Filed - Red Cut design was to offer more sonic possibilities to musicians while keeping the qualities of the original Java. More flexible than its elder version, with a little more tonal body, the JAVA Filed - Red Cut offers a full, rich, centered sound and excellent projection with an extremely precise attack. A relative of the JAVA reed family, the JAVA Filed - Red Cut is the first file cut Vandoren reed for jazz and popular music. It also benefits from a completely new design.
1 Soprano Alto Alto Tenor Baritone

X 10 X 10 X 50 X5 X5
SR271R SR261R
1 1/2
SR2615R
2
SR302R SR262R SR262R50
2 1/2
SR3025R SR2625R SR2625R50 SR2725R SR3425R
3
3 1/2
4
SR304R SR264R
SR2715R
SR272R SR342R
SR274R SR344R
SR275R
NEW
NEW

Traditional
2 2 3 3 3 3 3
3 3
3 4 4 4 3 4 4
4 4
5 5
1 1
1 1
2 2 1 2
2 2 2 2
3 3
PARIS
SRJAVAR-A 02/2012
Saxophone reeds
Launched in 1993 to answer the demand of some American jazz musicians (a JAVA with even more wood). The V16 has a thicker tip than the traditional Vandoren reeds and a longer palette. Sound: more brilliant, more percussive, particularly well adapted to all the new styles of music. V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.
1 1/2 Soprano Alto Alto Tenor

X 10 X 10 X 50 X5
SR7215 SR7015
2
SR712 SR702 SR702/50 SR722
2 1/2
SR7125 SR7025 SR7025/50 SR7225
3
SR713 SR703 SR703/50 SR723
3 1/2
SR7135 SR7035 SR7035/50 SR7235
4
SR714 SR704
5
SR705
SR724
SR725

Traditional
2 2 3 3 3 3 3
3 3
3 4 4 4 3 4 4
4 4
5 5
1 1
1 1
2 2 1 2
2 2 2 2
3 3
PARIS
SRV16-A 02/2012
Saxophone reeds
Developed in 2002, the ZZ jazz reed is immediately responsive without sacrificing the brightness tone quality required for this syle of music. The unique relationship between the heart and tip provides extraordinary color, great response and a durable life. ZZ reeds combine the medium-thick heart, spine, and rounded tip of the V16 with the flexible palette design of the JAVA, giving the player a rich, colorful sound with quick response.
1 1/2 Soprano Alto Alto Tenor Baritone

X 10 X 10 X 50 X5 X5
SR4215 SR4115
2
SR402 SR412 SR412/50 SR422 SR442
2 1/2
SR4025 SR4125 SR4125/50 SR4225 SR4425
3
SR403 SR413 SR413/50 SR423 SR443
3 1/2
SR4035 SR4135 SR4135/50 SR4235 SR4435
4
SR404 SR414
SR424 SR444

Traditional
2 2 3 3 3 3 3
3 3
3 4 4 4 3 4 4
4 4
5 5
1 1
1 1
2 2 1 2
2 2 2 2
3 3
PARIS
SRZZ-A 02/2012
Saxophone mouthpieces
Sopranino-Soprano-Alto-Tenor-Baritone-Bass
Tradition
& Versatility
These mouthpieces are available in a wide variety of models that suit classical and jazz musicians. The V5 series is characterized by a traditional round chamber.
CODE
COMMENTS Easy to play, homogeneity of sound, beautifully rounded. The standard soprano mouthpiece. More open than the S15, greatly appreciated for its register exibility, suits both classical and jazz. While maintaining perfect homogeneity in every register, it allies timbre and ease with richness of sound. The alto saxophone reference in the V5 series. Rich sound, color, brilliance, and dynamic range. The classic mouthpiece. It produces optimal homogeneity in tone throughout the instruments range. Very easy blowing. Similar in conception to the A15 but a little more open. For those looking for a compact, centered sound. Open mouthpiece, well-adapted to all styles, both jazz and classical. Very easy blowing and articulation. A comfortable mouthpiece, particularly precise in the upper harmonic register. Same conception as the T15 but slightly more open. The best sound quality: compact and centered. An open mouthpiece that works in every style. Rich in timbre and easy blowing. Very homogeneous tone throughout the tessitura. Classic open mouthpiece, highly responsive to every need.
Soprano S27 S15 S25 * Alto A17 A28 A27 A15 A25 A20 A35 * Tenor T15 T27 T25 T20 T35 Baritone B25 B27 B35 Soprano S35 Alto A45 A55 Baritone B75 B95
SM404 SM401 SM402 SM418 SM419 SM414 SM411 SM413 SM412 SM415 SM421 SM425 SM423 SM422 SM424 SM431 SM435 SM432
SM403 SM416 SM417 SM433 SM434
The jazz mouthpiece: ampleness and density of sound. A warm, velvety sound. The most open mouthpiece in the V5 range while conserving depth and roundness of sound. Timbre, brilliance and power. The jazz mouthpiece of the V5 baritone range.
* Versatile mouthpiece: suitable for both classical music and Jazz.
Sopranino (SM550) & Bass (SM560) mouthpieces:

PARIS
SMV5-A 02/2012
Sopranino-Soprano-Alto-Tenor-Baritone-Bass
Tradition
& Versatility
CODE
FACING LENGTH**
Soprano S27 S15 S25 * Alto A17 A28 A27 A15 A25 A20 A35 * Tenor T15 T27 T25 T20 T35 Baritone B25 B27 B35 Soprano S35 Alto A45 A55 Baritone B75 B95
SM404 SM401 SM402 SM418 SM419 SM414 SM411 SM413 SM412 SM415 SM421 SM425 SM423 SM422 SM424 SM431 SM435 SM432
111 123 153 152 163 + 165 176 186 186 206 176 177 204 204 230 185 196 210
M S S S MS MS ML ML ML ML MS MS M M M S S S
3 4 3 4 2 3 3 4 2 3 2 3 3 4 2 3 2 3 2 3 3 4 3 4 2 3 2 3 2 3 3 4 3 4 2 3
3 4 3 4 2 3 3 4 3 4 3 4 3 4 3 4 3 4 2 3 3 4 3 4 3 4 2 3 2 3
3 4 3 4 3 4 3 4 2 3 3 4 3 4 3 4 2 3 2 3 3 4 3 4 3 4 2 3 2 3 3 4 3 4 2 3
3 4 3 4 3 4 3 4 3 3 3 4 3 4 3 4 3 3 2 3 3 4 3 4 3 4 2 3 2 3 3 4 3 4 2 3
3 4 3 4 3 3 3 4 2 3 3 3 3 4 3 3 2 3 2 3 3 4 3 4 3 3 2 3 2 3
3 4 3 4 3 4 3 4 3 3 3 4 3 4 3 4 3 3 2 3 3 4 3 4 3 4 2 3 2 3 3 4 3 4 2 3
SM403 SM416 SM417 SM433 SM434
182 220 247 275 310
ML ML L M L
2 3 2 3 2 3 2 3 2
2 3 2 3 2 3
2 3 2 3 2 3 2 3 2
2 3 2 3 2 3 2 3 2
2 3 2 3 2 3
2 3 2 3 2 3 2 3 2 2
** L=Long ML=Medium Long MS=Medium Short M=Medium S=Short
PARIS
SMV5-A 02/2012
Soprano-Alto-Tenor-Baritone
OPTIMUM
TM
The favorite of classical saxophonists

The conception of this series was the fruit of research on both external shape (particularly the beak) and sound, in order to meet the needs of todays saxophone players. This series is available for: soprano saxophone (SL3, SL4), alto saxophone (AL3, AL4), tenor saxophone (TL3, TL4), baritone saxophone (BL3, BL4).
CODE
COMMENTS Very easy blowing, particularly versatile, meets all needs. A little more open than the SL3, this mouthpiece rapidly became a standard with saxophonists. With its exceptional roundness, the ultimate classical mouthpiece. A little more open than the AL3, while maintaining the sound aesthetic of the OPTIMUM series. Roundness, depth and precision. A little more open than the TL3, a richer timbre. The standard baritone mouthpiece. Versatile mouthpiece, suits both classical and jazz.
Soprano SL3 SL4 Alto AL3 AL4 Tenor TL3 TL4 Baritone BL3 BL4 *
SM701 SM702 SM711 SM712 SM721 SM722 SM731 SM732
PARIS
SMOPT-A 02/2012
OPTIMUM
TM
The favorite of classical saxophonists
CODE
FACING LENGTH**
Soprano SL3 SL4 Alto AL3 AL4 Tenor TL3 TL4 Baritone BL3 BL4 *
SM701 SM702 SM711 SM712 SM721 SM722 SM731 SM732
114 123 152 163 + 176 195 185 230
ML S ML MS MS M S M
3 4 3 4 2 3 2 3 2 3 2 3 2 3 2 3
3 4 3 4 3 4 3 4 3 4 3 4
3 4 3 4 3 4 3 4 3 4 3 4 3 4 2 3
3 4 3 4 3 4 3 4 3 4 3 4
3 4 3 4 3 3 3 3 3 3 3 3
3 4 3 4 3 4 3 4 3 4 3 4 2 3 2 3
3 4 2 3
** ML=Medium Long M=Medium MS=Medium Short S=Short
PARIS
SMOPT-A 02/2012
Alto-Tenor
JAVA ebonite mouthpieces are suited to jazz, soul and funk. Similar in sound concept to a metal mouthpiece, with the comfortable feel of ebonite.
CODE
COMMENTS The jazz mouthpiece, with a rich and colorful sound. An intermediary tip opening between the V16 series A8 and A9 mouthpieces with the JAVA sound. The standard model in this category. An open mouthpiece, designed to use soft reeds. A mouthpiece equally suited for jazz and classical playing. A comfortable mouthpiece with the tip opening of the V16 series T6. An intermediate tip opening; the most popular JAVA tenor choice. A generous, rich and centered sound.
Alto
Tenor
A35 A45 A55 A75 T45 T55 T75 T95
SM501B SM502B SM503B SM504B SM511B SM512B SM513B SM514B
PARIS
SMJAVA-A 02/2012
Alto-Tenor
CODE
FACING LENGTH*
Alto
Tenor
A35 A45 A55 A75 T45 T55 T75 T95
206 220 247 260 235 250 265 295
ML ML L L M L ML L
2 3 2 3 2 3 1 2 2 3 2 2 2 2 1 2
2 3 2 3 2 3 2 2 3 2 3 2 3 2
2 3 2 3 2 3 2 2 2 3 2 3 2 3 2 2
2 3 2 3 2 3 2 2 2 3 2 3 2 3 2 3
2 3 2 3 2 3 1 2 2 3 2 3 2 3 1 2
2 3 2 3 2 3 2 2 2 3 2 3 2 3 2 3
* L=Long ML=Medium Long M=Medium
PARIS
SMJAVA-A 02/2012
Alto-Tenor
The most hard-hitting mouthpiece of the line. Designed with a small chamber, a very high baffle and a large bore. Produces a tone comparable to certain metal mouthpieces.
CODE
COMMENTS A bright and incisive sound. The standard mouthpiece for salsa, rock and modern music. Its balance between projection and comfort makes it the standard model in this category. An open mouthpiece with a big, bright sound. Power and brightness are its principal qualities. Clear, balanced and rich timbre. Dynamic and exible, a particularly versatile mouthpiece. A very popular mouthpiece for swing, jazz and R&B.
Alto
Tenor
A35 A45 A55 A75 T45 T55 T75 T95
PARIS
SMJJ-A 02/2012
Alto-Tenor
CODE
FACING LENGTH*
Alto
Tenor
A35 A45 A55 A75 T45 T55 T75 T95
206 220 247 260 235 250 265 295
ML ML L L M L ML L
2 3 2 3 2 3 1 2 2 3 2 2 2 2 1 2
2 3 2 3 2 3 2 2 3 2 3 2 3 2
2 3 2 3 2 3 2 2 2 3 2 3 2 3 2 2
2 3 2 3 2 3 2 2 2 3 2 3 2 3 2 3
2 3 2 3 2 3 1 2 2 3 2 3 2 3 1 2
2 3 2 3 2 3 2 2 2 3 2 3 2 3 2 3
PARIS
SMJJ-A 02/2012
Ebonite
The new jazz standard

Mouthpieces inspired by the sound of the greatest jazzmen from the fifties to the present. JAVA, V16 and ZZ reeds are recommended for these mouthpieces. The SOPRANO mouthpiece is available in 3 different tip openings and a single chamber. The ALTO mouthpiece is available in 5 tip openings and two chambers: Small chamber: Medium chamber: Particularly focused and Warm and expressive, dynamic, ideal for lead alto. ideal for section playing. The TENOR mouthpiece is available in 6 tip openings and a single chamber. The perfect Vintage mouthpiece. The BARITONE mouthpiece is available in 3 tip openings. Inspired by the grand tradition of baritone mouthpieces.
CODE COMMENTS Very comfortable, easy blowing. The ideal synthesis between blowing ease and richness of sound. Perfect balance between power and exibility.
Soprano S6 S7 S8 Alto A5 A6 A7 A8 A9 T6 T7 T8 T9 T10 T11

NEW
SM802 SM803 SM804
SM811S SM812S SM813S SM814S SM815S
SM811M SM812M SM813M SM814M SM815M
The tip opening preferred by historys greatest jazz soloists. The most played mouthpiece, in every style. The perfect balance in power and dynamic range. An open mouthpiece with qualities similar to the A5. Powerful and expressive.
Tenor
SM822E SM823E SM824E SM825E SM826E SM827E
Versatile mouthpiece with a long facing and a particularly rich sound. A good compromise between easy sound production and timbre. The most popular tip opening for the tenor. Dynamic, rich and powerful. A homogeneous, particularly responsive mouthpiece. Very open; warm, yet powerful.
SM835
Brings out the baritones power.
PARIS
SMV16E-A 02/2012
Baritone B5 B7 B9
SM831 SM833
Flexible in playing and application. The qualities of the V5 series B75 with the sound of the V16.
Ebonite
CODE
FACING LENGTH*
Soprano
S6 S7 S8 A5 A6 A7 A8 A9 T6 T7 T8 T9 T10 T11
NEW
SM802 SM803 SM804
158 + 172 180
ML ML ML
2 3 2 3 2 3
2 3 2 3 2 3
3 4 2 3 2 3
3 3 2 3 2 3
2 3 2 3 2 3
3 3 2 3 2 3
Alto
SM811S SM812S SM813S SM814S SM815S
SM811M SM812M SM813M SM814M SM815M
188 196 204 210 225
ML ML ML MS ML
2 3 2 3 2 3 2 3 2 3
3 3 3 3 2 3 2 3 2 3
3 4 3 4 2 3 2 3 2 3
3 4 3 4 2 3 2 3 2 3
3 3 3 3 2 3 2 3 2 3
3 4 3 4 2 3 2 3 2 3
Tenor
SM822E SM823E SM824E SM825E SM826E SM827E
250 270 280 294 305 340
L L L ML ML L
2 3 2 3 2 3 2 2 1 2 1 2
3 3 3 3 3 3 2 3 2 2
3 3 3 3 3 3 2 3 2 2 2 2
3 3 3 3 3 3
2 3 2 3 2 3 2 3 1 2 1 2
3 3 3
3 3 3
2 3 2 3 2 3
2 3 2 3 2 3
Baritone B5 B7 B9
SM831 SM833 SM835
255 275 310
ML ML L
2 3 2 3 2 3
2 3 2 3
2 3 2 3
2 3 2 3
* L=Long ML=Medium Long MS=Medium Short
PARIS
SMV16E-A 02/2012
Tenor
Metal

For Tenor Saxophone: The tenor mouthpiece is made with the legendary Bell Metal brass, then plated with 24-karat gold. This construction yields a warm and expressive sound.
CODE
COMMENTS A focused, very precise sound. A mouthpiece for every style, versatile and comfortable. The best of its kind. Long facing. This well balanced mouthpiece has a particularly rich dynamic range. The perfect mouthpiece for soloists.
Tenor
T45 T55 T75 T77 T95
SM821G SM822G SM823G SM824G SM825G
PARIS
SMV16M-A 02/2012
Tenor
Metal
CODE
FACING LENGTH*
Tenor
T45 T55 T75 T77 T95
SM821G SM822G SM823G SM824G SM825G
235 250 265 277 295
M L ML L L
2 3 2 2 2 2 2 2 1 2
2 3 2 3 2 3 2 3 2
2 3 2 3 2 3 2 3 2 2
2 3 2 3 2 3 2 3 2 3
2 3 2 3 2 3 2 3 1 2
2 3 2 3 2 3 2 3 2 3
PARIS
SMV16M-A 02/2012
Ligatures
The new M/O ligature combines the lightweight construction of the legendary Masters ligature with the highly efficient tightening of the OPTIMUM ligature. Lightweight Easy to set up Quick and symmetrical tightening with a unique double-track screw mechanism Two small contact points only on the reed with an inverted tightening Thus, the M/O ligature allows an optimum vibration of the reed and a crisp articulation.
**
NEW
Silver-plated Gold-plated BLACK PEWTER FINISH
Clarinet
LIGATURE AND PLASTIC CAP SILVER-PLATED GOLD-PLATED
Pewter nish
Black
Bb Eb Alto Bass
LC51BP LC52BP LC53BP LC54BP
LC51PP LC52PP LC53PP LC54PP
LC51SP LC52SP LC53SP LC54SP
LC51GP
**
NEW
Gold nish Aged gold nish GOLD FINISH
Saxophone
LIGATURE AND PLASTIC CAP AGED GOLD FINISH GOLD-PLATED
Gold-plated
Soprano Alto (except V16 metal) Tenor Baritone (V16 Ebonite) Baritone
LC56DP LC57DP LC58DP LC59DP LC590DP
LC56AP LC57AP LC58AP LC59AP LC590AP
LC56GP LC57GP LC58GP
* Gold and silver plated ligatures are clearly distinguished by a logo, engraved on one of the tightening cylinders. ** Replacement plastic cap upon request.
ligatures for MASTERS mouthpieces

These series M/O ligatures are designed to t the specic shape of the MASTERS mouthpieces. Both ligatures and caps are differentiated by the logo.
**
Clarinet
NEW
BLACK LIGATURE AND PLASTIC CAP
Bb
LC61BP
LC61PP
LC61SP
LC61GP
* Gold and silver plated ligatures are clearly distinguished by a logo, engraved on one of the tightening cylinders. ** Replacement plastic cap upon request.
PARIS
LIGM/O-A 02/2012
PEWTER FINISH
SILVER-PLATED
GOLD-PLATED
Ligatures
OPTIMUM
Quick and precise tightening. 3 interchangeable pressure plates to adjust the sound. Expression with freedom.
TM
**
Clarinet*
LIGATURE AND PLASTIC CAP SILVER PLATED SET OF 3 PRESSURE PLATES SILVER PLATED
Bb Eb Alto Bass Bb German system
LC01P LC02P LC03P LC04P LC05P
PP01 PP01 PP01 PP04 PP01
**
Saxophone*
LIGATURE AND PLASTIC CAP GOLD FINISH SET OF 3 PRESSURE PLATES GOLD FINISH
Soprano Alto (except V16 metal) Tenor (V16 metal) Tenor Baritone (V16 ebonite) Baritone
Three different pressure plates. Whether playing classical or jazz, the Optimum Ligatures three pressure plates accommodate your style.
LC06P LC07P LC08P LC080P LC09P LC090P
PP06 PP06 PP08 PP08 PP09 PP08
* Ligatures for left handed musicians upon request. ** Replacement plastic cap upon request.
1
A rich, colorful sonority which produces great resonance. Pressure along the fiber of the reed facilitates an unbelievable blowing ease. Incredible ease of articulation.
2
A more compact, centered sonority, smooth even sound and extraordinary blowing ease.
3
The reed vibrates in total freedom, producing a very flexible sound. Greater ease of expression.
PARIS
LIGOPT-A 02/2012
Ligatures
LEATHER
Genuine leather - handcrafted finish. Quick and precise tightening. 3 interchangeable pressure plates to adjust the sound. Round and warm sound.
Clarinet
LIGATURE AND LEATHER CAP LEATHER CAP ONLY LEATHER LIGATURE AND PLASTIC CAP SET OF 3 PRESSURE PLATES
Bb Eb Alto Bass Bb German system
LC21L LC22L LC23L LC24L LC25L
C21L C22L C23L C24L C25L
Saxophone
LIGATURE AND LEATHER CAP LEATHER CAP ONLY LEATHER LIGATURE AND PLASTIC CAP SET OF 3 PRESSURE PLATES
Soprano Alto (except V16 metal) Tenor Baritone (V16 ebonite) Baritone
LC26L LC27L LC28L LC29L LC290L
C26L C27L C28L C29L C290L
* Replacement plastic cap upon request.
Three interchangeable pressure plates to subtly modify your sound. An easy-fit Velcro system makes changing the plates easy while contributing to the flexibility of the entire ligature.
1
Metal plate - a more colorful and compact sound. The combination of a metal plate and a flexible ligature offers the player the best sonic qualities of both materials.
2
Smooth leather plate - made from the same leather as the ligature, it creates a focused, compact sound that is slightly darker.
3
Supple smooth leather plate - made from a more supple leather, it gives a rounder, more ample sound.
PARIS
LIGL-A 02/2012
Ligatures
Adjustable and easy to fit woven ligature. Precisely fits the reed to the mouthpiece. Perfectly centered sound.
KLASSIK
*
Ligature and leather cap
Clarinet
LEATHER CAP ONLY ligature and plastic cap
Bb Bb German system
LC31L LC35L
C31L C35L
LC31P LC35P
*
Ligature and leather cap
Saxophone
LEATHER CAP ONLY ligature and plastic cap
Soprano Alto
LC36L LC37L
C36L C37L
LC36P LC37P
* Replacement plastic cap upon request.
PARIS
LIGK-A 11/2012
Accessories
NE W
Reed cases
Hygro reed case (6 reeds) HRC10 / HRC20 This reed case is designed to maintain your reeds in optimal humidity conditions to avoid any deterioration. It is based on: A regulated humidification by air circulation, A hygrometry level controlled by a humidity indicator disc.
NE W
Replacement kit HRCK For hygro reed cases HRC10 and HRC20. Reed case (8 reeds) VRC810 An elegant blue case designed to hold 8 reeds. Numbered compartments keep reeds organized. Grooved support provides air circulation. Convenient size easily fits in a pocket or clarinet case. Reed case (6 reeds) VRC620 It shares the same design as our 8-Clarinet reed case. CODE
VR C8 10
HR C1 0
HR CK
COMMENTS Holds 6 of any Bb, Eb or alto clarinet and soprano or alto sax reeds. Holds 6 of any bass clarinet and tenor or baritone sax reeds. Contains two replacement humidity indicator discs and a sponge. Holds 8 of any Bb, Eb clarinet, or soprano saxophone reeds. Holds 6 alto saxophone reeds or alto clarinet reeds.
HRC10 HRC20
VR
C6
20
HRCK VRC810 VRC620
Hygrocase
The new Vandoren Hygrocase is a state-of-the-art digital case that allows you to manage the specific humidity of the case, insuring your reeds perform perfectly wherever you are. CODE HC200 COMMENTS It can store up to 20 Bb clarinet or alto sax reeds and 12 tenor, baritone saxophone or bass clarinet reeds.
Reed resurfacer
Glass reed resurfacer and reed stick The reed resurfacer is made of a washable tempered glass and features an etched surface that is nearly impossible to wear out. The reed stick, inspired by a reed rush, is also made of etched glass and enables the player to precisely customize and personalize their reeds. CODE RR200 RR202 Reed resurfacer and reed stick. Reed stick only. COMMENTS
Page 1/3
PARIS
ADC1-A 02/2012
Accessories
Cork grease
Pleasantly scented with appleblossom fragrance, this grease lubricates and protects instrument cork, keeping it supple and perfectly airtight. Vandoren cork grease has long been a favorite among students and professionals. CODE CG100 Cork grease by the tube. COMMENTS
Mouthpiece cushions
The mouthpiece cushions protect the mouthpiece from teethmarks. Available in two thicknesses. CODE VMC6 VMCX6 COMMENTS Pack of 6 cushions (transparent) (Thickness: 0,35mm - .014). Pack of 6 cushions (black) (Thickness: 0,80mm - .032).
NE W
for MASTERS Bb clarinet mouthpieces

The Masters tuning rings allow you to play your Vandoren MASTERS mouthpiece at 440 Hz. CODE VTR100 COMMENTS They are available in two thicknesses: 1.5 and 1.75 mm.
Tuning Rings
Pouches
Blue suede pouch P100 Designed to protect mouthpieces, caps, or ligatures. Black neoprene pouch P200 / P201 This protective neoprene pouch is designed to store your valuable Vandoren mouthpiece in the best conditions.
P201
P200
For bass clarinet or tenor and baritone saxophone.
Page 2/3
PARIS
ADC2-A 02/2012
P1 00
NE W
CODE P100 P200 In navy blue suede.
COMMENTS
For Bb, Eb, and alto clarinet or alto and soprano saxophone.
Accessories
Swabs
Microfiber clarinet swabs SW200 / SW300 Combining the delicacy and absorbancy of silk with the durability of microfiber, Vandorens clarinet swab is the perfect choice for your instrument. The gentle fibers are specially designed to thoroughly clean your clarinet while protecting the delicate finish. Made of high-quality, specially designed microfibers. Strong cord with easy pull-through weight. Best humidity and grease absorption available. Cleans easily with soap and water. Durable and long-lasting for years of reliable use. Microfiber polishing cloth PC300 CODE
PC 30 0
SW
200
COMMENTAIRES For Bb clarinet. For Bass clarinet. Same material and characteristics as the Vandoren microfiber swab, but without a weight.
SW200 SW300 PC300
Saxophone strap (Alto and Tenor)

Large black nylon strap designed to provide the saxophonist maximum comfort while holding the instrument securely in place. CODE VSS102 Large black nylon strap. COMMENTS
All double reeds are sold in single packs.
Double reeds
GOUGED & SHAPED CANE X10 OCS30/31/32* ECS30 HBS30 X10 OC20/21/22* EC20 HC20 X10 HBSP40 PER KG
Oboe OR14/10/16*
English horn EH10
Heckel bassoon HB10
Oboe English horn Heckel bassoon

GOUGED CANE
French bassoon FB10
Heckel contrabassoon HC10
Oboe English horn Heckel bassoon

GOUGED, SHAPED & PROFILED
French contrabassoon FC10
Heckel bassoon
RAW CANE
Sarussophone SA10
RHB50 * Soft / Medium / Hard
Page 3/3
PARIS
ADC3-A 02/2012
Oboe Heckel bassoon
ROC50

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Clarinet reeds Clarinet mouthpieces Saxophone reeds Saxophone mouthpieces Ligatures Accessories

page 2 to 5 page 6 to 13 page 14 to 19 page 20 to 31 page 32 to 35 page 36 to 38

1 Ab Eb Bb Bb Alto Bass Contrabass

CR144 CR124 CR154 CR125

Reed comparison index

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

Reed comparison index

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

Reed comparison index

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

WHITE MASTER TRADITIONAL

WHITE MASTER NEW VERSION

1 1/2 White Master Traditional White Master

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

2 Black Master Traditional Black Master

CR1825/50 CR183/50 CR1835/50

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

CM4178 CM4018 CM4028 CM40018 CM4188

Technical Specifications page 2

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

TIP OPENING 1 / 100 MM

RECOMMENDED REED STRENGTHS

* L=Long ML=Medium Long M=Medium MS=Medium Short

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

From the Hands of One Craftsman, to Another

Lexigence Vandoren www.vandoren.fr

RECOMMENDED REED STRENGTHS

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

Technical Specifications page 2

available upon request.

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

TIP OPENING 1 / 100 MM

* L=Long ML=Medium Long M=Medium S= Short CM360 CM370

available upon request.

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

VD Series: The German tradition

VD2 VD3 VD4 VD5

CM382 CM383 CM384 CM385

CM372 CM373 CM374 CM375

Austrian clarinet mouthpieces

Technical Specifications page 2

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

VD Series: The German tradition

VD2 VD3 VD4 VD5

CM382 CM383 CM384 CM385

CM372 CM373 CM374 CM375

96 100 102 113,5

Austrian clarinet mouthpieces

* VL= Very Long L=Long ML=Medium Long

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

1 Sopranino Soprano Alto Alto Tenor Baritone Bass

SR224 SR244 SR254

Reed comparison index

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

2 1/2 Soprano Alto Alto Tenor

SR6025 SR6125 SR6125/50 SR6225

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

1 Soprano Alto Alto Tenor Baritone

Reed comparison index

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com

1 Soprano Alto Alto Tenor Baritone

Reed comparison index

56, rue Lepic - 75018 Paris - Tel. 33 (1) 53 41 83 00 - www.vandoren.com