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mezzo-soprano
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surprisingly mature mezzo voice: it's big, strong, dark and rich. -Kansas City Star , 13 April 2013
TARA ERRAUGHT
20132014
Season
(Subject to Change)
Munich, GER
JUNE 2, 5, 8
Munich, GER
Munich, GER
20
Recital - Nymphenburg Sommer Hubertussaal, Schloss Nymphenburg Munich, GER Brahms, Zigeunerlieder Respighi O falce di luna; Nebbie; Notte Dvorak: 4 Lieder Op. 82; "Na to bych se podivala" from Der Dickschdel" Op. 17 " Meyerbeer, Nobles seigneur, salut! from Les Huguenots Gounod, Si le bonheur a sourire t'invite from Faust Bellini, Deh! Tu Deh! (from I Capuleti e i Montecchi) Mozart, Parto, Parto from La Clemenza di Tito Henning Ruhe, pianist Theater an der Wien Vienna, AUT Bell, A Harlots Progress - World Premiere (Kitty) Donald Runnicles, conductor
29
Munich, GER
JULY 1, 5
Munich, GER
Future Engagements include: Glyndebourne Festival Opera BBC Proms A second North American recital tour
DECEMBER 21, 29 Bayerische Staatsoper Munich, GER Humperdinck, Hansel and Gretel (re-engagement) (Hansel) Tomas Hanus, conductor
Management: IMGA Artists LLC New York City J.F. Mastroianni & Kristin Schuster, Managers Adam Cavagnaro, Managerial Associate 212.994.3500
La Cenerentola As Angelina Rossinis Cenerentola, or Cinderella mezzo Tara Erraught unleashed an array of coloratura fireworks in a role that affords opportunities for vocal pyrotechnics like few others. Non piu mesta where Angelina, the prince by her side, announces that she forgives her cruel step -sisters and step-father is considered one of operas most difficult arias. No problem for Erraught. Her rendition perfectly mirrored Angelinas transition from a servant singing a simple ditty at the fireside to a princess in full embellished voice. -AP, George Jahn, New Production of Rossinis Cinderella a Delight, 01/28/2013 Neue Knigin des Belcanto New Queen of Belcanto -Frankfurter Allgemeine, 31 January 2013 The evening, however, belonged to the young Irish mezzo Tara Erraught as the put upon Angelina. With her accurate, fleet divisions and sweet disposition she won the audiences hearts completely. -Opera (UK) February 2013 Bayerische Staatsoper, I Capuleti e i Montecchi They call it breakthrough when a star is born. And this is exactly what happened in Munichs Nationaltheater. (...) This singer gets straight to the point: what clear and natural interpretation! What astounding sense for nuances and control of phrasing at this young age! And especially in the lyric scenes, in Romeos first entrance or in the death scene, Tara Erraught creates moments of wonder. She shows a sensibility that is key to Bellini and to the hearts of the cheering audience. -Markus Thiel, Mnchner Merkur, 01/29/2011 The production was to have featured the Romeo of Vesselina Kasarova, who canceled due to illness several days before the premiere. The Bavarian State Opera was compelled to dig into its own ensemble. Showing its faith in talented young Irish mezzo Tara Erraught recently heard in Munich to great advantage as the Child in Ravel's L'Enfant et les Sortilges the company literally thrust her into the limelight. Learning the role in several days, Erraught took advantage of her opportunity, making a quantum leap into the major leagues. Her bright, highly placed voice is evenly produced, full of color and void of artificiality. She was also able to decorate her vocal lines with consummate taste, and she acted with conviction and enthusiasm. -Opera News, July 2011 National Concert Hall Dublin Erraught is one of those singers who take a real delight in negotiating the obstacle courses of virtuosic arias. She sounded fully at home in the brilliant greeting of Nobles seigneurs, salut!from Meyerbeers Les Huguenots, and delighted in fluttering alletically between the extremes of her range in Cinderellas Non pi mesta from Rossinis La Cenerentola. -Irish Times, Michael Dervan, 03/03/2010
PR Contact: Laura Grant, Grant Communications, 978.208.0552; 917.359.7319
Management: IMGA Artists LLC New York City J.F. Mastroianni & Kristin Schuster, Managers 212.994.3500