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Brusho Secrets
ill nee d: 1) You r 2) Bru Brusho E sho : s Yellow sentials (s 3) Per ee m , 4) Wa anent mar Brilliant Re page 12) ker x: can d, Ultr dle or amari colou ne rless c rayon
You w
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Brusho Secrets
You can have a go at sketching the figure if you like, or you can download my sketch and trace it onto your paper. This isnt a complex drawing. Ive kept out a lot of detail because I want this to be about bold colours.
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4.
Flesh
tones
Were
going
to
add
in
the
Brusho
washes
now
and
it
really wont take much effort to make this picture look stunning. Well put the flesh tones in first. So of our limited palette of three colours, were going to use the Brilliant Red and Yellow. Sprinkle the colours on the top half of your drawing. Tap your pots very gently we dont want too much Brusho on the paper. Though we wont be able to recreate her exact flesh tones, we dont want her to look like shes spent a little too long in the sun! Dont worry about the Brusho not staying within the lines of the drawing. If you dont want this effect and would like to be more careful youll have to mask off the area around the figure, either with your hand or a piece of paper.
With this picture we dont need to preserve a great deal at all the line is giving us our shape and the wax is giving us our highlights. Get your atomiser and spray gently. Im using my hand to mask the fabric area and Im encouraging the Brusho to flow over the drawn line. 136
Brusho Secrets
See how effective this is with only a few sprays! You could leave the flesh area as it is, but I want to bring in my brush and move the Brusho around so that I can create a smoother wash.
So Ill touch a little on the lower part of her back, and some in her hair, moving the powder around with the wet brush.
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Brusho Secrets
Next lets take our Ultramarine and paint the fabric our model is holding. Im going to be brave and work on the fabric while the skin washes are still wet! I might get some happy accidents, but thats the unpredictability of Brusho! You could of course let your painting dry first. Im going to sprinkle in some of the blue onto the fabric area. Again Im being really careful not to put too much powder onto my paper. Instead of spraying, Im going to move the Brusho around with my brush. So taking a clean brush Im going to touch in the shapes of the fabric. The line is always there to reinforce the painting, so all I need to do is apply some linear marks with my brush to add some colour and shadow. Im going to encourage the Brusho to extend over the ink lines and create some soft edges. Lets also pick up some of this blue pigment and drop it in her hair and the side of her face. It adds some form to her head, showing it to be in shadow. Weve managed to mix an extra colour too because the flesh tones arent dry yet! But before we move on again, I think its time to let our lady dry!
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Brusho Secrets
6.
Negative
painting
Isnt
this
an
effective
way
to
produce
a
figure
with
very
little
effort!
Already
shes
looking
beautiful.
Its
loose
and
textured
and
weve
hardly
had
to
paint
anything
ourselves!
Im
moving
on
to
the
finishing
touches
of
my
painting.
If
you
are
happy
with
your
figure
as
she
is,
you
can
leave
it
there.
Im
going
to
bring
in
some
darker
tones
just
to
create
that
contrast
between
light
and
dark.
Im going to take my Brilliant Red diluted in the palette and use it to paint the areas around her back and arm. Its your choice where you put these final touches of colour.
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Brusho Secrets
This has given us a really strong colour to stand out against the more mellow tones of the figure. Im going to carry on painting these negative shapes. Dont forget to soften off these edges with a clean, damp brush. 140
Brusho Secrets
See how she begins to stand out more from the background. This has given my composition much more of a balance. I want my picture to stay quite loose, so Im going to leave the background here for the time being, letting it dry fully, before I move on to my final stage!
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Brusho Secrets
7.
Adding
shadows
I
think
our
figure
is
still
a
little
flat
so
Im
going
to
add
a
couple
of
shadows
that
will
give
her
more
form.
So
taking
the
Ultramarine
diluted
in
the
palette,
Ill
paint
one
shadow
behind
her
left
elbow,
and
one
in
the
small
of
her
back.
Soften
these
marks
with
some
clean
water
to
avoid
hard
edges.
Using
the
same
blue
mixture,
Im
going
to
darken
her
hair
and
face
a
little
now
and
create
some
folds
in
the
fabric
by
adding
some
dark
shadows
there
too.
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Brusho Secrets
There we have it, a beautiful figure study in Brusho using the line and wash method and wax to create highlights. This is an easy and effective way to create stunning figurative paintings. For something more complex, why not try painting a figure and preserving highlights with bleach like Ive done with the following two figurative studies.
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Brusho Secrets