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Faculty Spotlight
Jeneen Cleare was born and raised in Brooklyn, New York and began dancing at the age of seven at the Brooklyn Music School. At age ten Jeneen was accepted in to an arts magnet program at Intermediate School 293. The Ballet Hispanico of New York offered Ms. Cleare a full scholarship to study Flamenco, Modern and Ballet. Simultaneously Ms. Cleare was also offered a scholarship to Dance Theater of Harlem to study ballet. Ms. Cleare was then invited to join Ballet Hispanicos junior company. As a freshman, Jeneen was accepted to the High School of the Performing Arts. While in high school Ms. Cleare studied ballet and Graham technique and was a scholarship student at the Martha Graham Conservatory. Upon graduating high school, Ms. Cleare attended New York Universitys Tisch School for the Arts on scholarship and received her B.F.A. in Dance. While there she studied at the American Dance Festival and won the Grand Prize Award at the Saraband Dance Competition. After graduating Ms. Cleare apprenticed with the Bill T. Jones/Arnie Zane Dance Company and later with the African dance company MZawa. Ms. Cleares first teaching position was at Brooklyns PS 167 as their dance teacher. After moving to Wilmington she has taught at Burgaw Elementary and Snipes Academy School. Ms. Cleare is currently on faculty at The Wilmington School of Ballet and at the Dreams Center for Arts Education. Jeneen is still performing with Forward Motion Dance Company and beginning the 2012 academic year she will be teaching full time at East Columbus High School as their dance instructor.
TEACHER FORUM
Concerns For The Adolescent Dancer:Part 2 By: Lesa Broadhead
Last month we were discussing the expectations and stresses placed on the adolescent dancer and the need to emphasize PROCESS over PRODUCT. We also talked about the need to develop core control in the adolescent dancer. By focusing on core control, the increase in lordotic posture can be addressed. This inward curve of the lumbar vertebrae produces tight hamstrings, tight iliopsoas and weak abdominals. OVER-STRETCHING AT THIS TIME IS NOT ENCOURAGED! Focus needs to be on core control and proper alignment instead of the height of the battement. It is important to note that 90% peak adult skeletal mass does not occur until age 18. Common bone injuries include epiphyseal plate injury, apophysitis, tendonitis and stress fractures. With the discussion of bone health amenorrhea must also be discussed. During amenorrhea 3-5% of bone mass is lost. Most injuries occur with a delayed menarche. What ties it all together, though, is ENERGY INTAKE. Females should consume 2500 calories/day and males should consume 3500 calories/day. It should also be noted that the 4 Cs of diet should be avoided:COFFEE, CHOCOLATE, CIGARETTES & COLA. Smoking, in particular, causes a loss in density in the bone minerals and is often a coping mechanism for disorders in eating. As your childs teacher I will continue to focus on the process and not the product; focus on their effort and not their appearance; observe their growth and nutrition; and encourage responsibility beyond their physical ability.
MY DANCE BAG Extra leotard and tights Hair Supplies-brush, bobby pins, hairnet, hair elastic and hairspray Shoes-All shoes used for your classes at all times i.e. ballet slippers, pointe shoes, jazz shoes, tap shoes, character shoes etc. Water Bottle & Healthy Snack Warm Ups & Wrap skirt Pointe Shoe Kit and/or First Aid Kit
STUDENT ACTIVITY
Whats In My Dance Bag
Color the dance bag and dance bag items. Cut out dance bag items and glue on dance bag. Turn in to the ofce to get to pick a prize from our treasure box!
SYLLABUS FOCUS
This year we are implementing a more thorough syllabus in our upper school. Along with the 3 set exercises in each level for each month that all of the teachers will be studying in some capacity, each month will also have a focus theme. These themes are primarily based on Jean-George Nouverres 7 Basic Movements of Ballet. Septembers Theme: Plier Plier-To bend. Focus this month will be on the proper use of the plie. We will be working on not only increasing the plie but its proper application, particularly in jumps, and proper resistance in execution