Metadiorama

Mixed Recursive Interactions

diorama is a natural imagination
Gaston Bachelard

Project: A recursive creation process of a museum diorama inside any of your museum's room, with a specific interactive schedule intending to create artmaking meetings with the local community and recognize socially the museum itself as an artwork. ... Objectives: The making of an open transcurated space to be occupied during the exhibition period where museum pragmatics will be openly discussed and the audience joins the artists in the creation of their own museologies. Exchange: Meeting visitors and collaborators of your museum to nurture their relation with subjective production and create a work on process with them. Local Specificity: Being present and available to endorse the local creative works of art through continuous workflows of knowledges and practices. Research Orientation: A daily search for the local symbolical aesthetics and cultural environment to produce artworks activating it even more. Open Documentation: A multimedia documentation of the poetic gestures in the process, that may be used as raw material, shared under an open license.

Metadiorama
Mixed Recursive Interactions
i've always failed to find finity
Maurits Cornelius Escher

Process: The work is a metaprocessual enquiry based on serendipity, the following complementary logistics schedule may work as tools in the establishment of a transcuratorial dialogue and stablishes common ground for collective artworks: Routine Programming: Maintainance of a collaborative space of operations, socialization and knowlege exchanges needed for the ongoing core processes of an art museum. We believe the museum cleaners make art and vice-versa. Presentation Progression: Everyone who wishes to participate collectively or individually, has to create its own museology and artworks, from the ideaization of the piece, to its metavernisage with the other works. ... Methodologies: Based on your offered budget for the exhibition, we will study your museum rules and procedures. We wil get to a open co-created institutional transcuratorial museological mission acknowledgement statement . This statement and this project should be translated to your local language(s) and made available for visitors use and online open inquiring. Apart from that, the environment itself is the mutable art piece. Neutrality: The artists shall remain neutral in the curatorial process, delivering popular demandings, proposals and criticisms to the musseum staff, wich will decide what may or not be done. Do It With Less: We envision the minimal production of waste. We use what we get, recycling both the garbage and the processes. Open Structures: All the methods may be multiplied and repeated, we actually ask you to, please, contribute on its code, recognize it as a collective cultural achievement rather then any individual showcase. Open Accountance: The artists will only use the budget money, so that the accountance of it remains collective and open. The participants must help to decide if we buy tea or ink, for instance.

Metadiorama
Mixed Recursive Interactions
infinity is a circular voyage through time
Marcel Duschamp

Schedule: The artists will occupy the provided space according to the activities and demands pointed by the agenda, pre-structured with the museum's staff, based on the following criteria: ... Periodic Routines: A first sketch on a routine mantainance for the keeping of the space and the people inhabiting it. The project itself is the trigger art piece in the opening event: Daily Routines: Comunitary foodmaking, enviromental cleansings, aesthetical spatial organization, recitals and readings, workshops, resolution of bureocratic matters, meditation, dances and walks, urban research, artistic activities and encounters, strategies of the unpredictable. Weekly Routines: Each day in the week will be devoted to specific themes, in order to generate a collective focus on the common creation. We have expertise in many artistic fields (to be mentioned further) and would be very pleased to listen and share possibilities of artistic endeavours together. ... Process(es) Progression: The general project and its presentations and social connections guideline are presented in the following order, but their intensity and duration may vary according to local specificities. Preproduction: Research (including visits to specialists, talks, discussions), rehearsals and self created exercises, strategical plannings for acquiring data, material and poetic ways of dealing with it. Production: The physical structuralization of the artworks, which begins with the opening of the concerning exhibition and proceeds until the end of the presentation. Presentation: One or more exhibitions may occur during the, ever in process, construction of this piece, which may embody diverse medias.

Metadiorama
Mixed Recursive Interactions
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Unix Forkbomb

Key Concepts: In order to reflect on the processes of artcrafting and enrich the local political subjective economy we find necessary to inquiry the project procedures and how they mold the poetic gesture through its projectification, allowing the dialogue about these sociomuseologic questions with involved workers, from the cleaning staff to the curators. Here are some ideas and conceptual references that serve as an axiom for the start of this endeavour: ... Diorama: Maquete that shows human figures, animals or even imaginary beings as focal points of a scenic composition, presented inside a particular surrounding with the aim of representing a story, theater without movement. Miniature: Science works through experimentation, documenting the experiments, analysing them for the creation of abstract models: imaginary simplified landscapes, static or dynamic. Cybernetics is deeply entrained with cyberkynetics, from cognitive webs of imagery we create models of movement. Recursion: See Recursion. Metapoethical recursive autopoiesis during its fractal selfproduction of quasi-similar reproduction care. Serendipity: That which may only be found when one is not looking for it . Profound serenity.

Metadiorama
Mixed Recursive Interactio
words are dioramas of gestures
Macednio Fernandez

Responsible Artist: Ribeiro is operistic composer (http://fruido.pravida.org), hacker (http://jardim.devolts.org), researcher (http://auricultura.devolts.org) and philosopher (http://filosonias.pravida.org) interested in the social consequences of symbolical creation (http://oelefantedemarfim.cc & http://kcah.hotglue.me) and tecniques of relational approaches to collective artmaking (http://metadioramas.metawards.cc). Coordinated creative exchanges with the Homeless Movement of dowtown So Paulo (http://is.gd/IEJOL3 & http://is.gd/X3qpIE), the Feminine Jail House nursery creating lullabies with the preagnant women, and education NGO (http://is.gd/2vM2hH) teaching seniors and teenagers research methodology and art history, indigenous tribes (http://is.gd/TMN7xK) recreating ancient myths througout musical videos made by themselves and producing their own bands. Had works in many international festivals with installations and sound performances, workshops, lectures and operas. Among others, the Havana and Istambul Biennales, Medialab Prado ARCO08 Madrid, Tesla Berlin, NOD Meet Factory Prague, Frum Social Mundial Belm, Freewaves Los Angeles, Cinesonika California, Instituto Hemisfrico Buenos Aires, Dana em Foco Rio, STEIM Amsterdam. Got some awards like the Rolex Award, APCA and Bravo awards (important ones in Brasil) with the companies of dance and theater he works with as listening and voice coach and musical director: Key e Zetta e Cia, Club Noir, Vitrola Quntica, Vera Sala, Fukushima. Was judg of the So Paulo State cultural workshops and curator of the first center-west residency program and salon Fora do Eixo at the Republic Museum in Brasilia (http://is.gd/gFbey2). Collaborates in the organization of many events of free culture with the networks of art-action Submidiologia, Descartgrafos, Movimento dos Sem Satlites (http://is.gd/hLeJth), Metareciclagem (http://is.gd/rRiM6N) and Ruidocracia. Nowadays, writes an epic poem on the history of musical mythology. Felipe

Metadiorama
Mixed Recursive Interactions
the core of the onion is a nameles tear
Hilda Hilst

Contact Us: Believing or not that our project can be valuable to your community, please kindly send us their honest opinion about the project so that we can keep improving it. Already grateful for the attention. Felipe Ribeiro and Cia pera Desnuda:

+55 (47) 9922.9486

metadiorama@metawards.cc