Académique Documents
Professionnel Documents
Culture Documents
Downtown Ellensburg, WA
July 24-26, 2009 A supplement to the Daily Record
Illustration by Austin Smith, based on a photo © William P. Gottlieb; JAZZ IN THE VALLEY
www.jazzphotos.com 2009
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VALLEY
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very year the Jazz in the Valley Board of Directors works in conjunction with members
of the community to organize the details of this exciting event. During last year’s festi-
val, hundreds of people helped set up and take down the festival site, sell tickets at the
box office and venues, staff the beer garden, and market our posters, brochures and
T-shirts. It is incredible that so many people give their time and talent to make the event the best
it can be. Every element is carefully planned and executed by teams of volunteers.
Festival volunteers are the human force of each event. Our volunteers are the ambassadors
of our festival and our community — a job they take seriously and with great pride. Volunteers
have fun being part of the event —a true reflection of what Jazz in the Valley is all about.
We want to extend our sincerest thanks to all our volunteers, past present and future. You
make Jazz in the Valley happen!
D
arren Motamedy’s illustrious Scholarship but also graduated with a known nationally and internation-
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style has thrilled audiences degree in music education. otal Experience Gospel Choir ally. Their travels have taken them
worldwide and has shared the “I cherish the fact that I am able to was organized in September to 38 states, four continents and 22
stage with the best of today’s smooth inspire other students as my teachers 1973 at the Mt. Zion Baptist countries.
jazz artists such as Ray Charles, Boney inspired me,” Motamedy said. Church of Seattle. The core group Total Experience Gospel Choir has
James, Larry Carlton, Grover Washing- His first two CDs with his group represented members of the Black over 150 awards and recognitions
ton Jr. and Keiko Matsui. Mottoretti achieved national success, Experience Gospel Choir of Roos- locally, statewide, nationally and
Motamedy has been playing jazz landing spots on both the AC charts evelt High School and the Franklin internationally.
since high school where he also played and the Jazz charts. His career was High School Gospel Choir of Seattle. Total Experience Gospel Choir is
with a funk rock band. At Central launched when he released his first United, the choir became known as a regular performer of the National
Washington University he elected solo album “Dangerously Close” in Total Experience Gospel Choir. When Anthem at many professional sporting
to focus his energy on playing the 1995. In 1999 Motamedy released “It’s the choirs merged, the community’s events as well as halftime activities.
saxophone, clarinet and flute. He All Good,” which won that year’s Jazz children were invited to participate, They have been the featured group for
continued studying the clarinet with Album of the year, beating out compe- and participate they did! The choir’s seven seasons of Langston Hughes’
one of America’s premier clarinetists, tition that included jazz greats Dianne numbers grew to 108 within the first play “Black Nativity” at Seattle’s
Raymond Wheeler, and continued Shuur and Kenny G. two months, with the youngest person Intiman Theater.
to refine his jazz abilities with Darren Motamedy will headline being 8 years old. Today the choir’s This extraordinary singing group can
National Jazz Educator John Moawad. Sunday, July 26 on the Main Stage at ages range from 6 to 65. be experienced Sunday, July 26 at 10:30
Motamedy not only received the music the Rotary Pavilion from 12:30 p.m. to Since its inception, much has a.m. until noon on the Main Stage at
department’s prestigious Presser 2 p.m. taken place. The choir has become Rotary Pavilion.
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andy Halberstadt has been Halberstadt joined the faculty of
P
aul Green’s 36-year profes- Latin, down-home blues, mainstream, listening skills, Halberstadt has estab-
sional career began in New free and eclectic jazz. lished himself as a first-call accompa-
Jersey in 1968 with The Black- Halberstadt was born in New York nist for jazz vocalists. While his own
berry Booze Band. He also performed in 1953 and moved to Texas in 1961, recordings showcase his formidable
with other Jersey musicians including where he played trombone in junior pianistic skills, they also establish him
Bruce Springsteen, Clarence Clemons high and high school. In 1971 he as a first-rate composer. “Inner Voice”
and Little Steven Van Zandt. Mov- moved to Seattle to study oceanog- features Halberstadt’s compositions in
Paul Green
ing to Oakland, Calif. in 1975, Green raphy at the University of Washington. the jazz trio format, which range from
became a member of the house band national music legends such as Johnny It was during this time that he began blues to Latin to polymetric.
at a popular blues spot, Eli’s Mile High Shines, Little Milton, and Jimmy playing piano. Don’t miss your opportunity to hear
Club, performing there weekly and McCracklin, among others. He has After a few years of lessons and experience the Randy Halberstadt
recording two albums with JJ Malone twice been awarded best bass player by (primarily with Seattle’s jazz piano Trio Saturday, July 25 from 9 p.m. to
and Troyce Key. the Washington Blues Society. His style “sensei” Jerome Gray), performing midnight at the Clymer Museum.
Straight Shot is a hard-driving blues, sets down a solid groove that allows the
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Guitarist Gary Ballard began his 2004 and 2005 was a Washington Blues eggie Miles fuses the influ- unearthing obscure narrative nuggets
musical career in 1964. Influenced by Society nominee for best drummer. ences of Leadbelly, McTell, has made Miles one of the Northwest’s
various musical styles including jazz, Another seasoned Seattle musician, he Charley Patton, all those favorite funny-bone ticklers.
blues, funk, rock, bluegrass, Western too has played for many years on the old blues and ragtime authors, with Now add to the mix his explorations
swing, country and folk, he has local scene and worked with a number original songs and those of musi- into the eerie tones and subtle timbre
established himself as one of the most of national acts including Pinetop cal acquaintances. The intensity and of the musical saw and his uncanny
diverse and accomplished guitarists in Perkins, Albert Collins, Little Milton, excitement he generates reflects the ability to flex the hand tool’s razor
the Northwest. His talent for producing, and Charlie Musselwhite. raw emotion of the rural Delta blues sharp spring steel between his knees to
arranging, and songwriting have placed All in all, the four musicians that that rocked the juke joints of the 1920s produce panache. Miles risks life and
him in high demand for recording comprise Straight Shot combine their and 30s. Combine Reggie’s powerful limb by bending 213 treacherous teeth
sessions and live performances. talents to create a soulful and dynamic vocals and hand-built resophonic slide dangerously close to body parts both
sound. guitar bottle-neckin’ with the rhythmic near and dear.
Howard Hooper: Bass Paul Green & Straight Shot will rock huffs and moans of his harmonica and Don’t miss your opportunity to hear
Howard Hooper’s bass has been your socks at the The River @ Grand you’ve got a recipe for foot stompin’. and experience Reggie Miles Friday, July
a longtime mainstay in the Seattle Central Saturday, July 25 from 8:30 p.m. But to say that Miles is merely all of 24 at Rodeo City Bar-B-Q from 8:30 p.m.
blues scene that includes playing with to 11:30 p.m. the above is to deny his lighter side. to 11:30 p.m.
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New York City, and they formed a duo
that recorded and toured prolifically
J
ohn Stowell is a unique jazz for seven years. The duo continues
guitarist influenced as much by to perform 30 years after their first
pianists and horn players as he is meeting.
www.charleswhiteband.com Scott Lind: Guitar by other guitarists. His original take on In 1983, John and David joined
C
harles White has a lot of energy Scott Lind (guitar), born and raised harmony, chords and improvisation flutist Paul Horn and Paul’s son Robin
and has worked hard to get in Seattle, began playing guitar in sets him apart. Horn (on drums) for a historic tour
where he is now. White estab- his sophomore year at Ballard High Stowell began his successful career of the Soviet Union. This was the first
lished himself as a blues artist in Texas, School. He played in a number of in the early 1970s with private study time in 40 years that an American jazz
singing in Houston clubs. He was Seattle bands including Eleventh with guitarist Linc Chamberland and group had been invited to play public
working for Don Robey, Duke/Pea- Avenue. It was then that he had the pianist John Mehegan. Both men were performances in Russia.
cock Records, in Houston, which led to pleasure of opening for B.B. King at the valuable mentors to Stowell, allowing Enjoy an evening of fabulous jazz
his performance as opening act on a Fifth Avenue Theatre in 1986. Lind’s him to play with them as he progressed guitar with the John Stowell Duo on
national tour with Bobby (Blue) Bland. influences include B.B. King, Stevie in his development. Several years Saturday, July 25 at Rodeo City Bar-B-Q
White wanted a change of pace from Ray Vaughn, Eric Clapton and Duane later he met bassist David Friesen in from 8:30 p.m. to 11:30 p.m.
Texas, so he decided to give the North- Allman.
west a chance to experience his blues.
White says he enjoys doing Texas
rhythm and blues and up-tempo, dance
music complete with searing guitar and
screaming saxes. When he began his
Rick Ulsky: Keyboards, organ
Rick Ulsky (keyboards and organ)
played for 17 years with Chuck Berry,
toured with The Association and played
Ecstasy in Numbers
search to form a group of motivated, back up for Stevie Wonder. Born in Seattle www.ecstasyinnumbers.com
professional musicians, White spent and currently residing there, Ulsky’s
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long hours in hot blues clubs, singing passion for his calling is quite apparent. cstasy in Numbers writes and
with artists and searching for the right performs unique music. Its
combination of talent. Ricky Johnson: Drums, vocals sound is modern, combining
Ricky Johnson (drums and vocal) has hints of jazz, R&B, funk, reggae, latin,
Bill Blackstone: alto sax toured with Paul Revere and the Raiders rock and world beat music. Many of the
Bill Blackstone (alto sax), “Sax-Man” and The Wailers. His on-stage antics melodies play with interlocking guitar,
for the Charles White Band, is a born are a must-see and his drumming and bass and drum riffs and offer mood
and raised “Seattleite.” His background singing are pleasantly entertaining. inducing harmonies. Their recordings
started with saxophone lessons at the and performances utilize the power
age of 5. Since then, Blackstone has Steve Raible: Bass, vocals of imaginative improvisation to create
performed locally and abroad with many Steve Raible (bass and vocal) has dramatically experiential environments.
bands. Now he feels quite comfortable worked the circuit for the last 20 years,
with the Charles White Band. In his and brings his seasoned experience to Mike Mattingly: Guitar Rick White
words, “the guys in the band are a blast the band nightly. Mike Mattingly is a guitar player with is the Director of instrumental music at
to work with, and Charles, well he sets us The Charles White Band will headline a wide range of playing experience. Olympic College in Bremerton where
on fire every time.” Bill’s captivating sax on the Main Stage at the Rotary While getting his degree from CWU, he teaches music theory, jazz theory,
sound is a result of 25 years of affection Pavilion on Friday, July 24 from 9 p.m. Mattingly was the guitarist for John bass lessons, and conducts both the
and dedication for his calling. to midnight. Bring your dancing shoes! Moawad’s Jazz Band when they won Jazz and Wind Ensembles.
first place in the West Coast Collegiate
Jazz Festival in Berkley, Calif. Currently Garey Williams: Drums
Jazziest Realtor Mattingly teaches guitar lessons,
freelances and does studio work in the
Garey Williams has steadily built
a reputation as both a world-class
in Ellensburg
Founding member of the Jazz in the Valley
Seattle and central Washington regions.
LARRY
combine to make both his composi- the Northwest scene. He is the author
tions and his playing truly unique. of two books on drumming and is the
SHARPE
White received his master’s in music founder of Ecstasy in Numbers.
509.899.3639 composition from Northern Illinois You can experience Ecstasy in
509.925.8713
GRI
University and is currently ABD at the Numbers at Gallery One Saturday, July
www.larrysharpe.com University of Northern Colorado. White 25 from 9 p.m. to midnight.
W
ay ahead of her time, Alice
Stuart blazed the trail for
women in rock and roll as
one of the only females in the country
to write her own music, front a male
band, and play lead guitar on national
and international circuits. Blues Hall of
Gail Pettis Fame inductee, Dick Waterman, once
remarked, “There would be no Bonnie
T
hree-time nominee and recent finest jazz establishments. Her debut Van Morrison. The list of artists she
Alice Stuart
winner of the Earshot Golden CD, “May I Come In?” was released played with in that period of time is
Ear Awards’ Northwest Vocalist in August 2007 on the OA2 Record an awesome one and she won rave to raise her family, she returned to
of the Year, Pettis’ rich, warm vocals label to an enthusiastic national reviews from Billboard, Guitar Player, recording and performing in 1996.
and understated phrasing inspires audience. In addition to national radio and Rolling Stone magazines for her Her newest studio CD, “Can’t Find
comparison to Nancy Wilson, Sarah airplay, this recording has also been recordings and performances. No Heaven,” was released in 2002 and
Vaughn and Carmen McRae. Her showcased on XM Satellite Radio and Alice began performing professionally was nominated for both a Grammy
music has been described as “deli- Music Choice television. in Seattle during the early 60s. Her LPs and a Handy Award in 2003. This CD
ciously soulful” by Cadence Magazine. Enjoy the extraordinary talents on Arhoolie (1964) and Fantasy Records was chosen as “Best NW CD” by the
Pettis inherited a passion for jazz of the Gail Pettis Trio Friday, July (1970 and 1972) are landmark record- Washington Blues Society in 2004,
from her family while growing up in 24 from 9 p.m. to midnight at the ings. Her songs have been recorded and she also won the award for “Best
Gary, Ind. Now residing in Seattle, she Clymer Museum and again on July by many other artists, some of whom Songwriter” and was inducted into the
enjoys sharing her unique talent with 25 at 4 p.m. on the Main Stage at are Jackie DeShannon, Irma Thomas, Hall Of Fame. In 2005, Alice was given
listeners at home and abroad. Rotary Pavilion. Jimmy Rabbit and the late Kate Wolf. the award for “Best Seattle Guitarist.”
When listening to Alice Stuart today, Alice Stuart and the Formerlys kick-
her broad range of experience both off the Saturday afternoon festival (July
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anny Ward has been a part of Performing as a single, Ward has been eattle guitarist and singer Chris Stevie Ray Vaughn, Greg Allman, James
the Pacific Northwest music enthusiastically received wherever he Stevens has been a favorite of Cotton and John Lee Hooker.
and jazz scene for over 40 years. plays. He can gear a performance to Northwest blues fans for many
He is considered by his fellow musicians a variety of situations ranging from years. His intense playing calls to mind Alan Isaacson: Drums
as one of the landmark bandleaders in soft, background “dinner” music the prime years of stellar guitarists like A native of Chicago, drummer Alan
the profession. Ward has performed for intimate get-togethers to more B.B. King, T-Bone Walker and Kenny Isaacson has wide experience as a
solo for the past eight years, as well as up-tempo tunes for parties, wedding Burrell. Preferring to deliver his electric professional musician, from symphonic
leading his own groups for many years receptions, and the like. For two years blues lines with a big archtop Gibson, percussion, to jazz, blues and even a
under the name Danny Ward & Reality. Ward played and hosted Sunday night Stevens combines scorching blues with long apprenticeship with the Northwest
His jazz saxophone is heard through- jazz at the Airport Red Lion Hotel, technical excellence and constantly roots legend Bonnie Guitar.
out the Seattle area with numerous appearing with many special guests surprising musical ideas that cut across
records and CDs to his credit. including Dee Daniels, George Cables, genres, including blues, jazz and surf. Brian Kent: Tenor sax
Ward grew up in Bremerton where Jessica Williams, Nancy King and John Rounded out by a stellar group of top- Brian Kent (tenor sax) has been the
he played his first gig at the age of Stowell. Ward was invited to play with flight musicians, Chris Stevens’ Surf musical director for Vince Balestri’s
13 with a group called The Rhythm Diane Schuur at the Blue Note in New Monkeys always rocks the house. one-man show personifying Jack
Rockets. He went on to earn a degree York City. As he says, “Just going to the Kerouac for several years. Equally
in music at Central Washington Blue Note is wonderful, playing there is Mark Dalton: Bass comfortable in both the jazz and blues
University, all the while performing. like a dream come true.” Mark Dalton (bass) began his long worlds, Kent has also recorded with
Ward is an innovator of jazz and funky, The Danny Ward Quartet will career in the Midwest in the 1960s. A Chuck Metcalf, Little Bill and the Blue
up-tempo tunes and has played with perform Friday, July 24 from 9 p.m.- native Nebraskan, Dalton spent a lot of Notes, and L.B. Porter.
such musical greats as B.B. King, Lou midnight at Pink Catering. Catch time in Chicago, playing with a couple Enjoy the great sounds of Chris
Rawls, and Richie “Alto Madness” Cole. them again at 2 p.m. on Saturday, of notorious psychedelic blues bands. Stevens’ Surf Monkeys on Friday,
Ward still leads his band when July 25 on the Main Stage at Rotary When Dalton moved to the Northwest July 24 from 9:30,p.m. to 12:30 a.m.
the occasion calls for it. Ward was a Pavilion. in the 1970s, he did various backup at Bailey’s Bibliomania.
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lma Villegas’ lustful voice music career by performing with some and Bongo, Pedro Vargas on Timbales
brings you an exquisite and of Seattle’s most popular Latin music and Steve Okimoto on bass. Their first
passionate selection of Latin bands including Cambalache & Yerba CD was released in June 2006 and
styles and flavors. From the bouncy Buena. This experience prompted her received an overwhelming response
feel of “Perfidia” and “Quizas, Quizas” to create a band that offered a more sending their audiences in an excur-
to the passionate tango version of diverse selection of music focusing on sion of Latin soul and tradition
“Besame Mucho,” the smooth and sul- the traditional bolero (Latin ballad) You can experience the passionate
try bossa nova “Waters of March” and and cha-chas, mid-tempo Latin jazz sound of Alma Villegas on Friday
the salsa sound of “Mi Tierra” or “Oye standards, a variety of Cuban rhythms night (July 24) from 9:30 p.m. to 12:30
Como Va,” these tunes have captured and bossa novas. a.m. at the Dakota Café and again on
hearts and entertained internationally The Alma Villegas Quintet features Saturday, July 25, at 3p.m. on the Main
Alma Villegas for decades. Alma Villegas on vocals, Ben Verdier Stage at Rotary Pavilion.
Sidewalk Stompers
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he traditional jazz band Side- soprano sax is from Kennewick. He came
walk Stompers was formed in from San Francisco where he played in
early 1997 in Tri-Cities. The several bands of the style of Turk Murphy
band is a small acoustic street band and Lu Waters.
able to play anywhere without a piano
or drums and small enough to move Bert Barr: Lead horn
from place to place, wherever there’s a Bert Barr, on cornet, is the lead horn
need for some hot jazz. player and is on loan form the Uptown
Lowdown Jazz Band for Seattle, one
Karl Walterskirchen: Banjo of the premier traditional jazz bands
Karl Walterskirchen from Pasco plays in the United States. Barr has played
the banjo and is the leader of the band. with Sidewalk Stompers on several
Walterskirchen formed the Sidewalk occasions in the past, including two of
Stompers when he moved to Tri-Cities the last three Jazz in the Valley festivals.
from San Francisco. In California he
played in several Dixieland and New Jack Wadsworth: Bass sax
Orleans-style jazz bands including Jack Wadsworth provides the bass cornet and clarinet with melody and The Sidewalk Stompers will be
Professor Plum’s Jazz Band. sound for the group with his big bass harmony. Wadsworth is a Californian, wandering through downtown Ellens-
saxophone, an unusually large and born and raised in the Los Angeles area burg during the 2009 Jazz in the Valley
John Boland: Clarinet, sax seldom heard instrument. He also and worked at the Disney Studios until festival, providing sidewalk sounds to
John Boland on clarinet and curved performs superb solos adding to the retiring to Naches. make you smile.
Hobbs
emergence on the Northwest music
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n the short time since the Red Hot scene has resulted in extremely positive
Blues Sisters performed their first responses from ardent blues, rock
live show in 2004 at Highway 99 in and R&B fans. Fronted by the hot and
Seattle, they have taken the local blues soulful vocals of Suze Sims and the
Group
community by surprise with the power searing rock/blues styles of Teri Anne
and depth of their musicianship. Their Wilson on guitar.
innovative songwriting brings a fresh feel Red Hot Blues Sisters will
to the blues. Selective covers of tradition- perform Friday, July 24 at the Moose
Gary Hobbs al standards shine like polished stones. Lodge from 8:30 p.m. to 11:30 p.m.
www.garyhobbs.net
United States doing clinics, concerts
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Oregon and traveling all over the 25 from 9:30 p.m. to 12:30 a.m. at Pearl’s.
B
ecki Sue started out singing in Washington state blues guitarist.
Jake Bergevin combines his talents karaoke bars, and was guided
as band leader, trumpeter and vocalist. to blues material by Tom Jeff Hayes: Drums
Boyle. She’s sexy and sassy, and her Jeff Hayes is as solid as they come,
R.J. Whitlow: Bass performances will leave you begging and regarded as one of the finest blues
R.J. Whitlow has performed with the for more. drummers anywhere. He anchors the
award winning groups Genesis and A native of Tumwater, Wash., Becki Sue rhythm section of Becki Sue & Her Big
Jazz Ensemble 1. burst on to the local blues scene in 2002 Rockin’ Daddies.
Jake Bergevin like a Texas tornado. She is described as
Greg Fulton: Guitar a big-voiced blues singer reminiscent of Less White: Upright Bass, vocals
Guitarist Greg Fulton is at home in Saul Cline: Classical sax the great Texas vocalists, Lou Ann Barton Les White is a true musician’s
several styles and has also recorded Saul Cline comes to the Puget Sound and Angela Strehli. After turning heads musician, White lays down a rich
with myriad jazz and non-jazz groups. area from Boston where he spent four at the local blues jams, gigging with “The sounding solid blues groove while
years at the Berklee College of Music. Tim Sherman Band,” and teaming with delighting the audience with his antics.
Jim Sisko: Trumpet Tom Boyle in “The T-Boy Neal Band,” White is also the proprietor of The
After spending a number of years Dan Haeck: Trombone Honeytone Bass Clinic and does super
away from the Seattle jazz scene, Dan Haeck (trombone) is a member Jim King: Tenor sax, blues harp work on many musician’s stringed
trumpeter and band leader Jim Sisko of the Jazz Police and No Bones About Jim King co-fronts the band with instruments.
has returned to make it his home It trombone quartet. Becki Sue. As a top notch entertainer Becki Sue & Her Big Rockin’
with a rich, pure voice, he tears into the Daddies will round out the Saturday
Travis Ranney: Tenor sax Mark Yeend: Drums harp and tenor sax with equal fervor. afternoon performances (July 25)
Travis Ranney has performed at the Mark Yeend studied music at Central on the Main Stage at Rotary Pavilion
Port Townsend Centrum Jazz Festival Washington University. Tom Boyle: Guitar from 6 p.m. to 6:50 p.m. The band
for the last two years with such artists The Javatown Swing Orchestra will Tom Boyle’s, perfectionism has will return to the Main Stage later that
as Pete Christieb, Gary Smulyan, Bob perform Saturday, July 25 from 8:30 earned him the reputation of being a evening, performing from 9 p.m. to
Florence and Kim Richmond. p.m. to 11:30 p.m at the Moose Lodge. consummate bluesman. Also known midnight.
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ach year, the All-Star Big Band Bruya has directed the Oregon
performance has wowed the All-State Jazz Band, Salem All-City Jazz
crowd. Chris Bruya and John Band, the Central Oregon Honor Jazz
Moawad will be directing an all star Band, and has been Organizing Chair
group of musicians that includes for the All-NW Jazz Band and Choir as
many artists that performed earlier in well as the Oregon All State Jazz Groups.
the festival and will stay to be part of
this extraordinary experience. John Moawad
Professor Emeritus of Music at Central
Chris Bruya Washington University, John Moawad
Chris Bruya began teaching at is recognized as one of the leading arts Joe Whiteside / Daily Record
Central Washington University in educators in the United States. His The trumpet section of the All-Star Big Band plays during Jazz in the Valley 2008.
2002, after spending seven years at Mt. students have gone on to rewarding
Hood Community College (Oregon) performing careers, and many are musicians digging in and producing a treat for all concerned.”
in administrative and teaching roles. returning to play at Jazz in the Valley. great sounds for their listening audience. The Jazz in the Valley All-Star Big
As Director of Jazz Studies at Central, “I consider the opportunity to work Even though it is a reunion of sorts, the Band concert is scheduled for Sunday,
he directs the Jazz Band I. He also with former students a real kick,” bottom line is getting serious about July 26, at 2:30 p.m. on the Main Stage
coaches jazz combos, and teaches Moawad said. “It still boils down to these working together and making the band at the Rotary Pavilion.
L
enny Price is a saxophonist, sing- So far Price considers his ongoing
www.hotclubsandwich.com er/songwriter, arranger, music touring and recording with Grammy-
educator and clinician. Born in winner Earl Klugh to be the highlight
H
ot Club Sandwich captures the Omaha, Neb., he began his musical life of his career.
spirit of hot jazz bands from Alden, Frank Vignola and Patrick showing great promise on clarinet and Price relocated to Ellensburg in
the early 20th Century. Fea- Saussois. oboe before finally discovering his true 2004 to pursue a master’s degree in
turing the insturmentation of guitars, love--the saxophone. After earning his music at Central Washington Univer-
upright bass, mandolin and violin, James Schneider: Bass bachelor’s degree from the U.S. Naval sity and continued to strengthen his
HCS brings its unique character to the Bassist James Schneider is an Academy, Price resumed his musical credentials as a music educator in
acoustic swing and gypsy jazz pio- acoustic roots musician. In addition career singing and playing keyboards the Pacific Northwest by teaching
neered by Django Reinhardt, Stephane to upright bass, Schneider plays banjo with bands in Baltimore, Md. and private lessons, presenting workshops
Grappelli and Quintet of the Hot Club and guitar and performs regularly with Washington DC. In 1986 he returned to and clinics for students from middle
of France. the old-timey hot jazz group The Tune metro Detroit on a mission to make up school through university level. In
Stranglers. for lost time in his chosen profession. 2005 he formed the Galileo Quartet as
Ray Wood: Guitar Price teamed up with engineer Mike an advanced student ensemble which
Ray Wood has played the guitar Matt Sircely: Mandolin Moore to record four original composi- performed at the 2005 Montreux Jazz
professionally for over half a century Matt Sircely is an innovator among tions in late 1989. The result was his Festival in Switzerland, and shortly
and has performed around the world. a new generation of mandolininsts. debut solo recording “From My Heart.” after released their debut CD “Live at
He plays everything from bebop to doo- As a teaching assistant at both the The self-produced release, which the Starlight” Galileo Quartet evolved
wop and has toured with acts such as Mandolin Symposium and the Festival has sold thousands of units to date, into one of the hottest jazz acts in the
The Coasters, and the Louvin Brothers. of American Fiddle Tunes, Sircely has features him on saxophone, keyboard, region.
worked alongside revered musicians drum programming and vocals. Hear the Lenny Price Quintet at
Kevin Connor: Guitar such as David Grisman and Paul Building upon his solo success, Price Gallery One Friday, July 24 from 9 p.m.
Guitarist Kevin Connor arrived in Anastasio. established credentials as a creative to midnight.
the Pacific Northwest as a spotted owl
“hooter” and quickly became involved Tim Wetmiller: Violin
in Seattle’s eclectic music scene. Tim Wetmiller is one of the region’s
Connor enjoys singing standards and most adventurous young violin
contributing compositions to the band. improvisers. Rooted in both Swing and
Folkloric traditions, Wetmiller travels
Greg Ruby: Guitar every year to Mexico to study with some
Greg Ruby is thoroughly immersed of the country’s greatest violinists.
in North America’s gypsy jazz scene. Bring your dancing shoes and move
For years he was the driving guitar to the music of Hot Club Sandwich, on
rhythm behind the internationally
acclaimed Pearl Django and has
Saturday, July 25 at 5 p.m., then later
that evening from 9:30 p.m. to 12:30
Proud Supporters
performed with jazz greats Howard a.m. at the Dakota Café. Of The Arts In Our
Community!
Bryant Allard Quartet
www.bryantallard.com reviews including a five-star review
from Grammy award winner/trumpeter Saturday July 25th • 1-7:00 pm
Sample
A
t 49, Bryant Allard has enjoyed Brian Lynch. The group tours out of
a career that has taken him state during the summer months.
to many parts of the coun- Allard has just released his first
try playing with many great jazz
musicians.
CD under his name called “INFLU-
ENCES.” This Portland-based group
WINE &
Allard currently lives in Portland, features Greg Goebel on acoustic,
Ore. He has recorded with Tall Jazz on Fender Rhodes on piano, Dan Presley at Gallery One
two CD’s and with local salsa group on bass, and Dave Averre on drums. 408 North Pearl, Downtown Ellensburg
Conjunto Alegre. He also recorded The Bryant Allard Quartet will
“REUNION” with the Powerhouse play Saturday, July 25, from 9:30 p.m. Seattle Chocolates gifts boxes Always available at Downtown Pharmacy
Quintet which has received great to 12:30 a.m. at Bailey’s Bibliomania. 414 N. PEARL • ELLENSBURG, WASHINGTON 98926 • PHONE 509-925-1514