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breaking them down so that complex and stuffy sounding articles (like the one below) are easy to understand. Once you master this skill, you can unlock the wisdom and foolishness that experts hide in their work. As a class, read through each paragraph together, identifying the underlined words and looking its meaning. Your teacher can help you figure out meaning if you cant understand it, but pass the dictionary around so that you can look up each word. Record in your journal the 16 words and their definition (in common terms).
explained in terms of cause and effect, and that every civilized society was built on the underlying foundation of logic. In classical Greece the visible universe became explainable, and thus the subject of intense study. The idea of observing and explaining the universe was evident in the writings of Greek philosophers, and more visibly in the chisel marks of the sculptors of the classical period of Greece. It was also not an accident that at the same period of time society in ancient Greece was organized around democratic principles with the city officials being elected by the demos (the community) who reserved the right to revoke their authority whenever they ceased to perform to the Demos' liking. In the art of Greece during the Classical period the characteristic smile of the Archaic sculpture was replaced by a solemn facial expression. Even in sculptures which depict violent and passionate scenes the faces betray no expression of any kind. This is the case only for noble Greeks because within the same sculptural groups, the enemies (the barbarians) always are depicted with dramatic facial expressions. The reason for this is that ancient Greeks believed that suppression of the emotions was a noble characteristic of all civilized men, while the public display of human emotion was a sign of barbarism. Logic and reason was to dominate human expression even during the most dramatic situations. In ancient Greece the concept of dialectics began to take shape. The world became understood as a series of opposing forces that created a certain synthesis and a transient balance that always shifted to accommodate the movement of the opposing forces. So in sculpture the human figure became understood as a universe of opposing forces which created a perfect aesthetic entity the moment they achieved balance. As the weight of the upper body shifted towards one side, the corresponding leg muscles stiffened and the bones straightened in order to support it, while another group of muscles and bones on the other side relaxed and moved to retain the physical balance. It was clear to an artist of the Classical period of Greece that the beauty of the whole depends on the harmony of the parts which comprise it, and that each part depends on the others in order to create a harmonious group. "...[beauty consists] in the proportions not of the elements, but of the parts, that is to say, of finger to finger, and of all the fingers to the palm and the wrist, and of these to the forearm to the upper arm, and of all the other parts to each other, as they are set forth in the Canon of Polykleitos." Galen interpreting Polykleitos' canon in his 2nd century "Placita Hippocratis et Platonis" Proportion became the main preoccupation of sculptors and architects in ancient Greece shifting thus the focus away from metaphysical subjects and towards formal problems in creating art and representing the surrounding universe. Greeks sought the relationships in the universal which created harmonious balance thorough opposites. They searched for it in Astronomy, in Philosophy, in Politics, in Science in Architecture and in Art, and they expressed it in mathematical formulas which could be applied in nature. The ancient Greek Artist invented his own self and became the creator of god and man alike in a universe of perfect formal proportions, idealized aesthetic values and a newly found sense of freedom. This was a freedom from barbarism and tyranny and a transition towards self-determination. The sculptures of Greece more than any other art form are the pure expression of freedom, self-consciousness, and selfdetermination. These were the values that motivated the inhabitants of Ancient Greece to defeat mighty Persia, and led them to the development of a model of society that ensured the dignity of every man within it. The sculptor in this context became the creator of human values and used his deities as an excuse to create humanity in stone and bronze. He became the universal record of man and his journey towards selfdetermination