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The Homeland Representation in Chinese Malaysian

Literature in Taiwan
The Cases of Chin-shu Huang, I-wen Chung and
Da-wei Chen

1967-
1969-
1969-

The Homeland Representation in Chinese Malaysian Literature


in Taiwan
The Cases of Chin-shu Huang, I-wen Chung and
Da-wei Chen

Abstract
This research aim of this paper is the homeland representation in Chinese Malaysian
literature in the 90s in Taiwan. With this research purpose, the researcher focuses on
three Malaysian writers in Taiwan: Chin-shu Huang, I-wen Chung, and Da-wei Chen.
By observing and discussing their representative works in different genres, which are
novel, essay, and poem respectively, the researcher intends to unveil how homeland
representation is written and presented in these works.

The dissertation consists of five chapters. The first chapter gives forth the research
motivation, definitions of related terms, and provides a general description of the
development of Chinese Malaysian literature in Taiwan. Chapter 2 focuses on the
outspoken writer Chin-shu Huang. The characters of his first published two novels are
basically the same: the bakelite forest was described as the horrible, painstaking and
impoverished aspect of life, which may represent the homeland image he has seen
throughout his life. This may also be the indication of the life style in his own
homeland image, in which people need to strive for living. His later works not only
focuses on the writing of bakelite forest, but also use the sarcasm of novel plots to

point out the scattered lives and the identification difficulty of Chinese origin
population. In addition, his cynical tone of speech and attitude also reveal his
mocking of politics and culture. Chapter 3 discusses the I-wen Chungs essay to
illustrate how homeland writing can be elaborated into the stretch of personal
affection. By exploring on the details of life, homeland image is personalized. For her,
the public and the historical structures are not her main points to convey. Rather, the
personal affection and the expanding of homeland images are her main concern.
Chapter 4 focuses on Da-wei Chens epics of the Malay Archipelago. In these works,
he not only uses the Malay Archipelago history as his context of narration, but also
plays as the narrator of the Malay Archipelago history. In this way, the grand
homeland image of his work is revealed. As he frequently merges the image of Malay
Archipelago history in his poems, by reading his poems, it seems that the readers
could experience and, even in advance, construe the history within this writing
context. Chapter 5 then gives a summery of this research.

Key words:

Chinese Malaysian Literature in Taiwan, homeland representation ,


Chin-shu Huang, I-wen Chung, Da-wei Chen

1
4
7
7
11
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1954-

1977 1987
1937-
1947-
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2005 2005 1 8-9


1
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2004 1 356-357
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1989

1963-
1963-
1967-

1969-1969-1969-

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15

16

17

14

1990-1994

1995
15
8 64-65
16

2004 241
17

29 4 2000
9 104-114
5

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2006
139
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2006 169
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2001 202
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2003 61
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2003 289
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54

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collective identity
imagined communities
Benedict Anderson

57
54

2004 6 19
Tim Cresswell
2006
28
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2001 12
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nowhere

2006
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148
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14

Literary Interference
and the Emergence of a Literary Polysystem

1996 Itamar Even-Zoharpolysystem


theory

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interference

source literature
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2001 41-84
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44

136

247

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137

138

1
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141

140
141

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48

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144

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140

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130

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149

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modernity
modernization

147

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2001 370
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2000 9 13
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154

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155

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156

2004
153

53

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159

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164

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159

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160

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162

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164

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165

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6 182
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(1949-1999)

168

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170

171

172

167

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2006 25
169

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172

2006 12
168

55


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word-painting
genius
loci
173

174

175

176

177

178

173

Mike Crang

2003 59-60
Tim Cresswell

2006
28
175

vision of the original home

2003 335
176

613 2005 1 75
177
184
178

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118
174

56


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7

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191

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193
194

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195


196

197 198

193

3 2000 24
194
32 34
195
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2003 27-28
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2006
216
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198

167-176
63

199

190

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189

200

78

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72
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195
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208

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209

210

17

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211

2007 4
209

12-26
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12
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68

212

213

214

215

212
213
214
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217

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2006
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2001 11
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289

290
291


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293
294
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299
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305
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0
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5. 6. 7. 8. 9. 10.

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137
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2005 12 169
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134

135

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134

308

309



164-165


166



167

310
185


186



186-187

311

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2004 546
309

164-167
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185-189
311


132
94

312


313


314

315


316

141

152
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316


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317

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320

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318
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321

322

323

324

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323

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148

148

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150


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2001 4 10
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342




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93
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350


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1970-2003
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386

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121

122

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2003
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28
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2003 244

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2006
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1996

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173
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--

1957-2007

148

149

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