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TABLE OF CONTENTS
2 Opening Selection
26 Americana
42 Exploration & Natural History
53 Literature
77 History, Religion, Philosophy & Economics
95 Children’s Literature
100 Art & Illustrated
105 Index
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First edition, first issue of this Christmas classic, with four hand-colored steel-engraved plates by John
Leech, the only one of Dickens’ first editions to contain hand-colored illustrations. The R.B. Adam copy,
with his bookplate.
A Christmas Carol “may readily be called the Bible of Christmas… It was issued about ten days before
Christmas, 1843, and 6000 copies were sold on the first day… the number of reprintings have been so
many that all attempts at the figures have been futile. Altogether 24 editions were issued in the original
3
Rare first edition, Special Limited Large Paper Issue of Shackleton’s fascinating
account of the British Antarctic Expedition of 1907-1909, one of only 300
copies printed. First and only edition of The Antarctic Book, with the signatures
of every member of the shore party, including Shackleton. With 16 mounted
color plates, photographic frontispieces, and over 200 additional illustrations,
including drawings and photographic plates. Three folding maps and a folding
panorama enclosed in the rear pocket of Volume II.
The Antarctic Book, which includes the 16 signatures of the shore party, was issued only with this limited edition of The
Heart of the Antarctic and has never been reprinted. It contains reproductions of drawings done by the party, including
four mounted color portraits, the poem
“Erebus” by Shackleton and the whimsical
story “Bathybia” by Douglas Mawson, also a
member of the party. Second state of The
Antarctic Book, with only three items listed
on the contents page (the first state listed an
additional poem by Shackleton; this was later
corrected and appended to the preceding
poem, of which it formed a portion). All
volumes printed on specially made Van
Gelder paper, watermarked “1907 BAE
1909.” Conrad, 148. Rosove 305.A2. Spence
1096. Taurus 57. Occasional scattered light
foxing to interiors, some foxing to folding
maps. Vellum bindings fine with an unof-
fensive half-inch closed nick to the bottom
front board of Volume II. Very light toning
to paper boards of the Antarctic Book. A fine
set of this rare and sumptuous edition.
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7
First edition of one of the greatest lithographic works ever printed, complete with 250 beautiful tinted lithographic plates.
Six large folio volumes bound in four, in fine contemporary morocco-gilt.
Roberts was already a respected and famous scenic painter and member of the Royal Academy when he began his
11-month journey, 1838-39, through the Holy Land. He departed for Alexandria in August 1838, and spent the rest of the
year in Cairo. In February 1839, he set out for the Holy Land, stopping on the way at Suez, Mount Sinai, and Petra. He
then visited Gaza and Jerusalem and spent the remaining months of his journey visiting biblical sites. Roberts had
permission to enter whichever sacred mosque or monument he desired, a testament to the esteem in which he was held.
He produced a wealth of exquisite drawings, later beautifully lithographed by Louis Haghe, the finest 19th-century
lithographer. “Roberts’ Holy Land has a world-wide reputation; nothing of a similar character has ever been produced that
can bear a comparison with it… For centuries Jerusalem had been sketched, painted, photographed… and yet when
people envision Jerusalem, very often what they envision is Jerusalem painted by David Roberts” (Ran, Facsimile of
Roberts’ Holy Land). Roberts’ magnificent plates are justly famous for their vivid rendering of temples, land- and
cityscapes, and other sights throughout the Holy Land and Egypt. The work was issued in 41 parts over seven years in
three states: tinted (as in this copy), tinted proof, and hand-colored and mounted on card. Includes lithographed
frontispiece portrait of Roberts, six lithographed pictorial title pages, and two engraved maps. Abbey Travel 272, 385.
Tooley 401; 402. Some plates foxed as usual. Only light wear to beautiful contemporary morocco-gilt bindings. A most
handsome and very desirable complete copy.
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9
First edition of this beautifully illustrated work on the design and history of eight royal residences, with 100 hand-colored
aquatint plates after the works of Charles Wild, James Stephanoff and others, elegant in full morocco-gilt by Bayntun.
Artist and author William Pyne began his career as a watercolorist, but following several successful collaborations with
well-known publisher Rudolph Ackermann, he “became enamored of book production” and undertook this ambitious,
“large and costly work entitled The History of the Royal Residences…a very sumptuous book for which author, artist, engraver
and publisher alike did their best” (Prideaux, 143). Pyne wrote the text and called upon some of his day’s most prominent
artists to produce this invaluable record of such palatial residences as Carlton House, demolished in 1827, and the luxurious
rooms within Windsor Castle, Kensington Palace and other royal homes, many of which were later redesigned. Accomplished
watercolorist Charles Wild contributed 59 of the 100 illustrations, displaying an “extraordinary richness of color” (Ray 42).
Some plates not bound as called for by list of plates; all plates present. Abbey Scenery 396. Tooley 389. Interior fine, color plates
vibrant. Only minor restoration to one spine and one joint.
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11
robert e . lee
5. LEE, Robert E. Period fair copy of General Order No. 9 supply train could replenish his army. By the morning of the
signed. Appomattox, Virginia, April 10, 1865. One quarto leaf, 9th, however, he found himself surrounded by Federal troops.
measures 7-3/4 by 9-3/4 inches. $150,000. He made one last desperate attempt, sending John B. Gordon
to break through the Union cavalry guarding the western exit.
Period fair copy of General Order No. 9—the order to the When the attempt failed, Lee had no choice but to surrender.
Confederate troops to surrender—penned in manuscript in a He negotiated a cease fire and, meeting Lt. Gen. Ulysses S.
secretarial hand and signed by Lee “R.E. Lee, Genl.” This Grant at the home of Wilmer McLean, surrendered himself
particular copy is unique in that it is mistakenly marked and the Army of Northern Virginia. The following day, Lee’s
“General Order No. 19.” It appears that it was first drafted as aide-de-camp, Col. Charles Marshall, at the insistence of the
“No. 10” and then corrected to “No. 19.” The fact that Lee signs general, drafted General Order No. 9, also known as Lee’s
as “Genl” places the signing sometime shortly after the sur- Farewell Address.
render. One of only a few examples extant of this extraordinary
and important historic piece. In a letter to Confederate General Bradley T. Johnson, dated
September 27, 1887, Charles Marshall described the events sur-
This copy has some very minor grammatical changes from rounding his drafting of the Farewell Address: “General Lee’s
most transcriptions and reads, in full: “After four years of ar- order to the Army of Northern Virginia at Appomattox Court
duous service marked by unsurpassed courage and fortitude, House was written the day after the meeting at McLean’s house,
the Army of Northern Virginia has been compelled to yield to at which the terms of the surrender were agreed upon. That
overwhelming numbers and resources. I need not tell the brave night the general sat with several of us at a fire in front of his
survivors of so many hard fought battles, who have remained tent, and after some conversation about the army… in which
steadfast to the last, that I have consented to this result from no his feelings toward his men were strongly expressed, he told me
distrust of them. But feeling that valor and devotion could ac- to prepare an order to the troops… The next day… many per-
complish nothing that could compensate for the loss that must sons were coming and going, so that I was unable to write
have attended the continuance of the contest, I determined to without interruption until about 10 o’clock, when General Lee,
avoid the useless sacrifice of those whose past services have finding that the order had not been prepared, directed me to
endeared them to their countrymen. By the terms of agreement get into his ambulance… I sat in the ambulance until I had
officers and men can return to their homes, and remain until written the order, the first draft of which (in pencil) contained
exchanged. You will take with you the satisfaction that pro- an entire paragraph that was omitted by General Lee’s direc-
ceeds from the consciousness of duty faithfully performed, tion. He made one or two verbal changes, and I then made a
and I earnestly pray that a merciful God will extend to you his copy of the order as corrected, and gave it to one of the clerks
blessing and protection. With an unceasing admiration of your in the adjutant-general’s office to write in ink. I took the copy…
constancy and devotion to your country and a grateful remem- to the general, who signed it, and other copies were then made
brance of your kind and generous consideration for myself, I for transmission to the corps commanders and the staff of the
bid you all an affectionate adieu farewell.” army. All these copies were signed by the general, and a good
many persons sent other copies which they had made or pro-
Following Grant’s breakthrough of the Confederate lines after
cured, and obtained his signature. In this way many copies of
the Battle of Five Forks on April 1, 1865, Lee evacuated
the order had the general’s name signed as if they were origi-
Petersburg and the Confederate capital of Richmond, leading
nals, some of which I have seen” (Johnson, ed., Battles and
his army west toward Appomattox where a supply train
Leaders of the Civil War, IV: 1888). Reinforced on the verso
awaited him. His plan was to turn south and join forces with
along the folds, which are weakened and separating in places
Joseph E. Johnston and the Army of Tennessee in North
with minor loss of paper, one small tear at the right edge re-
Carolina. However, George Armstrong Custer’s cavalry de-
paired, a few small chips along edges. Scattered spotting; faint
stroyed the three supply trains awaiting Lee at Appomattox on
staining along the right margin, not affecting text or Lee’s sig-
April 8. Lee arrived that night and immediately resolved to
nature. Lee’s signature is light, but quite legible.
push on to Lynchburg the following morning, where another
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An exceptional copy of this rare and important official publication of the Commonwealth of Virginia, a collection of four
foundational government documents of Virginia and the United States. Commissioned by the Virginia General Assembly.
The work contains the first Virginia printings of the ratified Articles of Confederation (America’s first national constitution,
which Virginia was the first state to ratify) and the Treaty of Paris (the peace treaty that ended the American Revolution).
It also contains the first Virginia printings since 1776 of two of the most profoundly important documents in American 13
history: the Virginia Declaration of Rights (the first American Bill of Rights and a direct influence on the Declaration of
Independence), and the Virginia Constitution (the first permanent state constitution).
This work contains the first Virginia printing of the ratified Articles of Confederation. (Earlier Virginia printings, in 1777
and 1778, were years before the final ratification.) The Articles of Confederation was America’s first national constitution,
providing the governmental framework for the embattled new nation during the Revolution and the tumultuous years that
followed. The Articles created a loose confederation between the thirteen states, each retaining its sovereignty, freedom,
and independence, and a very weak central government with only limited powers. Acting on the instructions from the Fifth
Virginia Convention, in June 1776 Richard Henry Lee introduced a resolution in the Second Continental Congress
proposing that the colonies declare independence, form foreign alliances, and create “a plan for confederation” of the
colonies. The Articles of Confederation were initially drafted by a committee headed by John Dickinson in 1776. After
much debate and almost complete rewriting, they were adopted by the Continental Congress in November 1777 and sent
to the states for ratification. Virginia was the first state to ratify the Articles, in December 1777. But the other states, fearful
of central authority and of each other, delayed final ratification until 1781. The Articles remained in effect from March 1781
until March 1789, when they were replaced by the U. S. Constitution. This work also contains the first Virginia printing of
the Treaty of Paris, the peace treaty between Great Britain and the United States that ended the Revolutionary War,
recognized American independence, and established borders for the new nation. The treaty was signed in September 1783
and ratified by Congress in January 1784.
Two of the most profoundly important documents in American history are the Virginia Declaration of Rights (adopted
June 12, 1776), the first American Bill of Rights; and the Virginia Constitution (adopted June 29, 1776), the first permanent
state constitution. These historic documents were critical precursors and direct influences on other major American
founding documents, including the Declaration of Independence (parts of which “were copied more or less directly from
the Virginia Declaration of Rights,” Lutz, 154), the constitutions of nearly all the states, and the U.S. Constitution and Bill
of Rights. Though George Mason was the primary author of both documents, James Madison, Thomas Jefferson, and other
founders made significant contributions. The Declaration of Rights was “the first protection of the rights of the individual
to be contained in a constitution adopted by the people acting through an elected convention…. The Virginia Declaration
was the first document that may truly be called an American bill of rights” (Schwartz, 67, 72). Most of the rights later
protected by the federal Bill of Rights were first constitutionally guaranteed in the Virginia Declaration of Rights, including
“the First Amendment’s assurance of the free exercise of religion and freedom of the press, the Second Amendment’s
guarantee of the right to bear arms, the Fourth’s ban on unreasonable searches and seizures, the assurance of due process
of law… and the privilege against self-incrimination found in the Fifth Amendment” (George Mason Lectures, 18). The
appearance of these two critical documents here are the first since their 1776 printings in the excessively rare Ordinances
of the Fifth Virginia Convention.
This printing of the Declaration of Rights is significant because all of the 1776 printings (in the official Proceedings and
Ordinances of the Fifth Virginia Convention, in broadsides, in newspapers) have always been extraordinarily rare and are
now virtually unobtainable. “Despite the widespread fame of the Virginia declaration, it was almost impossible to come by
a copy of the official text in America for nearly forty years… Because the Convention adopted and published the Declaration
of Rights separately from the Virginia constitution, even though the delegates intended the declaration as a foreword to the
constitution, subsequent compilations often overlooked the former” (Selby, 103-4). Evans 19349, 18818. Text completely
uncut and unopened, and in remarkably fresh and fine condition. Wrappers of contemporary wallpaper paper, also in
excellent condition with only minor wear along edge, are slightly smaller than text pages (4-1/2 by 6-7/8 inches as opposed to
4-3/4 by 7-1/2 inches). This work very rarely appears on the market; this is one of only four copies that have been at auction in
the last 35 years.
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15
First edition of David Ricardo’s most important work, a cornerstone of economic theory—one of only 750 copies
printed—an extremely rare association copy from the family of prominent British industrialist, financier and
influential abolitionist, Pascoe Grenfell, close friend and political ally of Ricardo, containing the inscription, “This
Book belongs to my Son Riversdale W. Grenfell, Pascoe Grenfell,” with Riversdale Grenfell’s bookplate, scarce in
contemporary calf boards.
“David Ricardo is without doubt the greatest representative of classical political economy. He carried the work begun
by Adam Smith to the farthest point possible… Ricardo, writing 50 years later than Smith, showed a greater insight
into the working of the economic system… In the opinion of his own contemporaries at home and abroad, Ricardo was
acknowledged the leader of the science… His most important work is On the Principles of Political Economy and
Taxation, first published in 1817” (Roll, History of Economic Thought, 155-6). Ricardo had made a fortune for himself
on the London Stock Exchange by the age of 25. “He now began to interest himself in scientific and mathematical
studies, but after reading The Wealth of Nations he decided to devote himself to political economy… Ricardo was, in a
sense, the first ‘scientific’ economist… [His work] has proved of lasting value” (PMM 277). “This is a most able, original,
and profound work. Its appearance formed a new era in the history of the science” (McCulloch, 16-17). This especially
rare association copy contains the bookplate of Riversdale William Grenfell, son of leading British industrialist and
financial expert, Pascoe Grenfell—a trusted colleague of David Ricardo. On the initial blank leaf, opposite Riversdale
Grenfell’s bookplate, is an inscription stating, “This Book belongs to my Son Riversdale W. Grenfell, Pascoe Grenfell.”
“One of the leading speakers on financial subjects in the House of Commons,” Pascoe Grenfell was a friend and
frequent political ally of Ricardo. “After Ricardo’s entry into Parliament Grenfell often sided with him on economic
questions… It was at his suggestion that Ricardo undertook in 1815 to write a pamphlet attacking the policy of the
Bank of England, which took shape in Proposals for an Economical and Secure Currency.” When Ricardo asked Grenfell
to read Proposals while still in manuscript, Grenfell reviewed it immediately and wrote Ricardo, deeming it “excellent’
(Works VI:3, 286). Kress B7029. Goldsmiths 21734. Additional early owner inscription in an unidentified hand. Early
marginalia. Interior fresh with only light scattered foxing, minor rubbing to scarce contemporary calf boards. A highly
desirable near-fine copy with an important contemporary association.
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Rare microform complete King James Bible, carried on the Apollo 13 mission and to the surface of the moon by astronaut Edgar
Mitchell as part of the 1971 Apollo 14 expedition, one of only 12 flight-certified by a member of the expedition, encased in a
handmade reliquary made from over 1/2 troy pound of 22 karat gold and embellished
with jewels, accompanied by a certificate of authenticity signed by James W. Stout of
the Apollo Prayer League Committee and astronaut Edgar Mitchell, in a custom
velvet and calf clamshell box.
This rare item was one of only 100 microform King James Bibles that were taken to
the lunar surface as part of an initiative by the Apollo Prayer League (most of which
have now been cut apart). The Bibles were slated to be taken to the moon on the
Apollo 13 mission, but disaster struck and the mission failed to land on the moon’s
surface. Thus, the Bibles were forced to make a second flight. Apollo 14 astronaut
Edgar Mitchell was entrusted with taking the miniature microform Bibles, each
slightly bigger than a postage stamp, aboard the lunar module Antares, which landed
on the Fra Mauro Highlands of the Moon on February 5, 1971. Of these 100 Bibles,
only 12 were flight-certified by astronaut Edgar Mitchell. This is an entire Bible—
many were cut into 50-page fragments. It has been encased in a reliquary containing
over 1/2 trop pound of 22 karat gold, jewel embellishments, and red enamel
highlighting the words “The First Lunar Bible,” “A.D. 1971,” and “D.F” (the man who
commissioned the piece). Fine condition.
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a lbert einstein
Inscribed By Einstein, First Edition Of The Evolution Of Physics
10. EINSTEIN, Albert, and INFELD, Leopold. The Evolution of Physics. New York, 1938. Octavo, original blue cloth, dust
jacket. $15,000.
First edition, signed and dated by Albert Einstein, “53,” praised on publication as “masterly,” a beautiful copy in very scarce
first-issue dust jacket.
Albert Einstein saw Evolution of Physics as a means of emphasizing “his realist approach” and further used “the text to defend the
utility of field theories amid the advances of quantum mechanics… There was a third reason that Einstein helped to write this
textbook, a more personal one. He wanted to help Leopold Infeld, a Jew who had fled Poland, collaborated briefly in Cambridge
with Max Born, and then moved to Princeton.” When Infeld timidly approached Einstein with the idea of writing a history of
physics, he was barely “able to stammer out his proposal. ‘This is not at all a stupid idea,’
Einstein said.’ Not stupid at all. We shall do it” (Issacson, 463-5). On publication The
Saturday Review of Literature praised Evolution of Physics as “masterly… Einstein and
Infeld’s book should do much to spread an understanding and appreciation one of the
great dramas in the evolution of human thought.” First issue, with first issue dust jacket
containing $2.50 price to rear dust jacket flap.With three full-page and numerous in-
text illustrations and diagrams. Boni et al. 235. Book fine; lightest edge-wear, only tiny
bit of dampstaining to verso of bright about-fine dust jacket.
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a lbert einstein
Third edition, containing the first publication of Einstein’s new Generalized Theory of Gravitation (Appendix II), with
substantial revisions to his quest for a unified theory that were viewed on publication as ranking “with the original
appearance of the theory of relativity as a milestone of scientific achievement” (New York Times), an exceedingly scarce
copy signed and dated by Einstein in the year of publication. An exceptionally fine copy.
This major edition of The Meaning of Relativity features the first publication of Einstein’s newly revised “‘Generalized
Theory of Gravitation” (Appendix II): “presenting a total of 28 mathematical formulae, each representing a step leading to
a new concept of the unity of the cosmos.” On publication it was immediately hailed as monumental for offering insights
that “may reveal to man vast forces beyond imaginings… Appendix II consists of only 14 printed pages, presenting a total
of 28 mathematical formulae, each representing a step leading to a new concept of the unity of the cosmos. These 14 pages
are the result of more than 30 years of concentrated intellectual labors by the man to whom George Bernard Shaw once
referred as one of the eight ‘universe builders’ in
recorded history” (New York Times). Einstein had sent
early versions of the material in Appendix II to Erwin
Schrödinger, who responded with praise, telling
Einstein, “You are after big game.” When this edition
“was being prepared in 1949, Einstein added the latest
version of the paper he had shown Schrõdinger as an
appendix. The New York Times reprinted an entire
page of complex equations from the manuscript,
along with a front-page story headline ‘New Einstein
Theory Gives a Master Key to Universe: Scientist,
after 30 Years Work, Evolves Concept That Promises
to Bridge Gap between the Star and the Atom”
(Isaacson, 513). Despite the decades spent in arriving
at this point, however, Einstein continued to struggle
in his quest for a unified theory. As his biographer
Walter Isaacson observes, it is possible “the search
was futle… But Einstein never regretted his dedication
to it” (Einstein, 514). “The imprint of Einstein’s work
on the different areas of physical science is so large
and varied… that a scientist who tries to trace it would
be hard put to know where to start” (Simmons,
Scientific 100, 10). With errata. Main text of Meaning
of Relativity first published in 1922: Einstein
extensively altered this work with each edition.
Appendix II translated by Sonja Bargmann. See
Norman 697. Bookseller ticket. An exceedingly scarce
inscribed copy in fine condition.
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f. scot t fitzger a ld
“Bibliophile, Drunkard And Good Egg”:
Wonderful And Rare Presentation Copy Of The Beautiful And Damned,
In Scarce First-Issue Dust Jacket,
Warmly Inscribed By Fitzgerald In The Year Of Publication
12. FITZGERALD, F. Scott. The Beautiful and Damned. New York, 1922. Octavo, original green cloth,
dust jacket. $88,000.
First edition, first issue, an exceptional presentation copy whimsically inscribed in the year of publication by
Fitzgerald, “For Wilbur Judd, Parisien, Critic, Playrite, Bibliophile, Drunkard and Good Egg, From F. Scott
Fitzgerald, St. Paul 1922,” in rare first-issue dust jacket.
“The Beautiful and Damned brought Fitzgerald accolades from those whose opinions he valued. Mencken
congratulated him for staking out new ground… Fitzgerald was aiming high; he only wanted to be the best
novelist of his generation” (Turnbull, 130-31). Fitzgerald wrote to Zelda in 1930, “I wish The Beautiful and
Damned had been a maturely written book because it was all true. We ruined ourselves… I have never honestly
thought that we ruined each other” (Bruccoli, 180). First issue, with “Published March, 1922” on copyright
page; in first-issue dust jacket with letters on front panel in white, outlined in black. Bruccoli A8.1.a. Text fine,
only very light edge-wear to original cloth; rare first-issue dust jacket with small ink stain to spine, a bit of
shallow chipping, toning to spine and tape repairs to verso. A wonderful extremely good unrestored copy,
scarce inscribed.
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i a n fleming
“You See, We’ve Got All The Time In The World”:
Limited First Edition Of On Her Majesty’s Secret Service, Signed By Ian Fleming
13. FLEMING, Ian. On Her Majesty’s Secret Service. London, 1963. Octavo, original half vellum gilt, custom half
morocco clamshell box. $18,000.
Signed limited first edition, the only Bond title issued in a limited edition, one of only 250 copies signed by Ian Fleming, of
the eleventh Bond novel, in which 007 takes a bride, only to have his happiness cut short by the schemes of his archnemesis,
Ernst Blofeld.
The eleventh James Bond novel—the first to be published after the debut of the Bond film series—became “an immediate
bestseller on both sides of the Atlantic” (Biondi & Pickard, 48, 53). “By the time of publication, On Her Majesty’s Secret
Service had received nearly a quarter more subscriptions than any previous Fleming novel” (Lycett, 419). George Lazenby,
in his only outing as the secret agent, starred in the 1969 film version, with Diana Rigg as Tracy and Telly Savalas as Blofeld.
With color frontispiece portrait of Fleming. Published simultaneously with the trade edition. Without dust jacket, as issued;
without original mylar jacket. Gilbert A11a. Expected light soiling to vellum. About-fine condition.
23
First edition of Fleming’s ninth Bond novel, featuring the first appearance of the super-spy’s
memorable nemesis, Ernst Blofeld, whose theft of two nuclear warheads threatens the world.
This copy inscribed and signed by Fleming: “To the kind lady called Reynolds who was such
a help! From Ian Fleming.”
“Thunderball represented a new departure [for the Bond series], with the introduction of
SPECTRE and of Ernst Blofeld, a commanding villain who was to reappear. This gave a
measure of continuity to the later Bond novels… Thunderball worked well as an adventure
story… the theme of the theft of atom bombs seemed pertinent and modern” (Black, 49,
55). As he had in From Russia, With Love (1957) and The Spy Who Loved Me (1962),
Fleming considered permanently doing away with his super-spy character: “I shall
definitely kill off Bond with my next book—better a poor bang than a rich whimper!”
(Lycett, 364). Bond, of course, survives this adventure, which, due to credit and rights
controversy, was adapted twice to the screen: under the present title in 1965 and as Never
Say Never Again in 1983—both times starring Sean Connery; in the 1965 film Claudine
Auger played Domino, while Kim Basinger played that role in 1983. Gilbert A9 (1.1).
Biondi & Pickard, 42-47. A fine copy, scarce and most desirable inscribed.
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john don ne
“For Godsake Hold Your Tongue, And Let Me Love”:
1633 First Edition Of John Donne’s Poems
15. DONNE, John. Poems, By J.D. With Elegies on the Authors Death. London, 1633. Small quarto, early 20th-century full
red crushed morocco gilt. $55,000.
First edition of the collected poems of the greatest of the metaphysical poets, with “Epistle” leaves, often lacking. Handsomely
bound in full crushed morocco by renowned French bookbinder Salvador David.
Although his poetry was circulated in small bundles of manuscript copies among the cultured circles of Elizabethan and Jacobean
society, Donne deliberately kept most of it out of print, fearing to tarnish his reputation in the religious establishment. Thus almost
none of his poetry appeared in print during his lifetime. “The first editors of Donne’s poetry divided his work into about a dozen
groupings. The Songs and Sonnets which open the volume are generally amorous in theme; the Divine Poems, which close it, are
described in their title… Early scholars took for granted that all the bawdy, cynical and lecherous poems were written by young
Jack Donne, while all the somber, penitent, devotional poems were written by the godly divine. The more we learn about the
matter, the less this easy division seems to stand up… The poetry of Donne represents a sharp break with that written by his
predecessors and most of his contemporaries. Whether he writes of love or devotion, Donne’s particular blend of wit and
seriousness, of intense feeling, darting thought, and vast erudition, creates a fascination quite beyond the reach of easier styles and
less strenuous minds” (Adams).
This edition is “the first collected edition of Donne’s poems, derived according to current scholarly thinking from manuscript
sources in direct descent from the author’s papers. It has been the basis of all scholarly editions since then, including the Grolier
Club edition of 1895” (Pirie 81). This copy with page 273 (Nn1) in the uncorrected state, and with mispaginations as in Pforzheimer.
Bound with “Epistle” (A3-A4), rarely found; without “Printer to the Understanders,” “Hexastichon Bibliopolae” and blank [A1], as
often. Several lines in the Satyres on pages 330, 331 and 341, originally containing lines offensive to the king and church, are left
blank. Donne bibliographer Sir Geoffrey Keynes concludes that various corrections in the text do not differentiate earlier from
later states, but were random in the preparation of the text. Keynes 78. STC 7045. Grolier 100 25. Bookplates, including that of
prominent Philadelphia businessman and book collector John Gribbel, President of the prestigious Union League. Text expertly
cleaned. Handsome morocco-gilt binding fine.
beatri x pot ter
“My Own Favorite Amongst My Little Books”:
The Tailor Of Gloucester, One Of Only 500 Privately Printed
Copies Of The First Edition, Inscribed By Potter
At Christmas In The Month Of Publication
16. POTTER, Beatrix. The Tailor of Gloucester. London, December, 1902.
12mo, original pictorial pink paper boards, custom chemise and morocco
slipcase. $32,000.
True first edition, one of only 500 privately printed copies, of Potter’s second
book, which she called “my own favorite amongst my little books,” with
frontispiece and 15 illustrations in color, three of which do not appear in the first
trade edition of October, 1903. Inscribed, “To Isabel Roget with love from Beatrix
Potter, Christmas 1902.”
First edition in English (expanded from the French) of Franklin’s renowned autobiography, “the most widely read of all American
autobiographies,” a splendid wide-margined uncut copy.
“The most widely read of all American autobiographies… [The Private Life of the Late Benjamin Franklin] holds the essence of the
American way of life” (Grolier 21). “This account is the epitome of Franklin’s spirit. In it one sees him as a typical though great
example of 18th-century enlightenment, a Yankee Puritan who could agree with Rousseau and Voltaire, and use the language of
Defoe and Addison with a genial homely twang” (Hart, 142). “A year after Benjamin Franklin’s death his autobiography was published
in Paris in March of 1791… Known today as The Autobiography of Benjamin Franklin, this classic piece of Americana was originally
written for Franklin’s son William, then the governor of New Jersey. The work portrays a fascinating picture of life in Philadelphia,
as well as shrewd observations on the literature, philosophy and religion of the time. Franklin wrote the first five chapters of his
autobiography in England in 1771, resumed again 13 years later (1784-85) in Paris and later in 1788 when he returned to the United
States. Franklin ends the account of his life in 1757 when he was 51 years old. Considered to be the greatest autobiography produced
in colonial America” (Archiving Early America). The ultimate treatise on man’s ability to better himself, the Autobiography is especially
notable for its wonderful and humorous pragmatism. With Fauchet’s Eulogium half title. Occasional mispagination without loss of
text. Howes F323. Sabin 25573. Ford 386. Small bit of marginalia to one page (195), tiny remnants of newspaper clipping tipped to
margin of one page (76). Single faint mark below title page not affecting text. A fine copy in period-style boards.
benja min fr a nk lin 27
Rare original document of the Commonwealth of Pennsylvania, dated May 13, 1786, boldly signed by Franklin as President of the
Executive Council soon after the end of the Revolution and only one year before his “final triumph” in sanctioning the new U.S.
Constitution (Isaacson, 457), this exceptional official document recording a land sale in western Pennsylvania, conveying prop-
erty to Edward Burd, believed to be the Pennsylvania attorney who fought in the Revolution and was imprisoned at the Battle of
Long Island, counter-signed by John Armstrong,
Jr., who became U.S. Minster to France and
Madison’s Secretary of War.
28
jour na l of the second con tinen ta l congress
“Our Cause Is Just: Our Union Is Perfect… Resolved To Die Freemen, Rather Than To Live
Slaves”: Exceedingly Rare First Edition Of The 1775 Journal Of The Second Continental
Congress, Detailing The Dramatic Events Of The Summer Of 1775, Including Jefferson’s
Causes And Necessity Of Taking Up Arms, Dickinson’s Olive Branch Petition, And Much More
19. (CONTINENTAL CONGRESS). Journal of the Proceedings of the Congress, Held at Philadelphia, May 10,
1775. Philadelphia, 1775. Octavo, contemporary speckled brown calf rebacked in period-style calf gilt. $60,000.
Extraordinarily rare first edition of the Journal of the Second Continental Congress, recording the pivotal events and
resolutions from its convening the month after Lexington and Concord, on May 10, 1775, through its adjournment on
September 5, 1775, meeting in “strictest secrecy behind closed doors because of the number of British agents” in
Philadelphia, with delegates including Founding Fathers Jefferson, Washington and Franklin, published by order of
Congress and printed in Philadelphia by William and Thomas Bradford, official printers to the new government.
Produced in very limited quantities, copies are quite rare and desirable.
This exceedingly rare first edition of the Journal of the Second Continental Congress spans May 10 to September 5,
1775. “[W]hile men were dying… the official posture of what called itself ‘The United Colonies of North America’
remained abiding in loyalty to the British crown” (Ellis, 20-21). When John Adams, John Hancock, John Dickinson,
Benjamin Franklin, Patrick Henry, George Washington, Thomas Jefferson and their fellow delegates met in
Philadelphia, every session was “conducted in strictest secrecy behind closed doors because of the number of British
agents in and about Philadelphia” (McCullough, John Adams, 88). While “it is hard to pinpoint precisely when America
crossed the threshold of deciding that complete independence from Britain was necessary,” it was during that sweltering
summer that Franklin, Adams and others fully realized “the point of no return had been reached” (Johnson, History
of the American People, 149). This Journal, printed in Philadelphia by the Bradfords, records that powerful turning
point in history. Among the important works included is the July 6, 1775 Causes and Necessity of Taking Up Arms,
written by Jefferson with revisions by Dickinson. This important precursor to the Declaration of Independence
pronounces: “Our cause is just. Our union is perfect. Our internal resources are great… the arms we have been
compelled by our enemies to assume, we will, in defiance of every hazard, with unabating firmness and perseverance,
employ for the preservation of our liberties, being with one mind resolved, to die Freemen rather than to live as slaves.”
Of comparable importance is the Journal’s printing of the Olive Branch Petition of July 8, 1775, which sought the King’s
intercession in preventing “the further destruction of the lives of your Majesty’s subjects.” The petition was sent to
England for presentation to George III but the colonies ultimately received no response. “The slight was not forgotten”
(Krotoszynski, 108). The Journal additionally includes eyewitness reports of Lexington and Concord, a printing of the
Address to the Inhabitants of Canada, and much diplomatic correspondence. The Journal also notably contains an
April 26 letter from Massachusetts patriot Dr. Joseph Warren to Franklin that describes the dire situation in British-
occupied Boston, stating: “we are at last plunged into the horrors of a most unnatural war.” Warren was killed within
weeks at the Battle of Bunker Hill. As the Second Continental Congress further readied itself for independence, its
delegates prepared, in June 1775, a lengthy Articles of War that detailed the “Rules and Regulations for the government
of the Army.” Overall these delegates, “besides creating a provincial army and navy and sending diplomatic agents to
Europe… adopted the militia besieging the redcoats in Boston as the ‘Army of the United Colonies,’ appointed Colonel
George Washington commander in chief, sent Benedict Arnold across the Maine wilderness in the expectation of
bringing in Canada as the fourteenth colony, and authorized other warlike acts” (Morison, 215-16). Copies of the
Journal have been found with the names of John Hancock and Charles Thomson inadvertently omitted from the foot
of page 239, apparently requiring a stop-press correction. This copy is the corrected state, with the names in place.
With half title; title page with woodcut vignette. Evans 14569. ESTC W2468. Hildeburn 3229. Howes J264. Ford 74.
Adams, American Controversy 75-151a. Owner signature. Interior generally fresh with light scattered foxing.
Contemporary boards with expert restoration.
H oli day 2013 | A m er ic a na
30
bill of righ ts 31
One Of The Rare And Important Earliest Printings Of Madison’s Proposed Amendments To The Constitution—
First edition, third printing, of John F. Kennedy’s first book, issued one month after
the first printing, boldly signed by him.
Published the year Kennedy graduated from Harvard, Why England Slept was an
expansion of his senior thesis. The title is a variation on the title of Winston
Churchill’s work, While England Slept, published about two years before Kennedy’s.
Kennedy’s work attempts to explain why England was so poorly prepared for World
War II and why England’s leaders settled upon the disastrous policies of appeasement.
The book served as a warning to those in our country who felt that appeasing Hitler
and staying out of the war were viable options. It became a bestseller in the
United States and went through several printings in its first year. Third printing;
most signed and inscribed copies of this title are not first printings. With scarce
unrestored dust jacket (sixth printing). Owner signatures. Book with a few spots
of soiling to interior and boards, mild toning to spine. Unrestored later dust
jacket with faint dampstain to front flap, a bit of rubbing and soiling, and only
slight toning to spine. An extremely good signed copy.
34
H oli day 2013 | A m er ic a na
geronimo
Prayer Card Signed By Apache Chief Geronimo
25. GERONIMO. Prayer card signed. No place, circa 1905. Card stock measuring 2-7/8 by 4-1/2 inches, printed on one side;
framed. $14,500.
Prayer card with the lyrics to the hymn “Chinese Boat,” signed in pencil by the legendary Apache warrior Geronimo.
“As the leader of the warring Apaches of the Southwestern territories in pioneer days, Geronimo gained a reputation for cruelty
and cunning never surpassed by that of any other American Indian chief. For more than twenty years he and his men were the
terror of the country, always leaving a trail of bloodshed and devastation. The old chief was captured many times, but always got
away again, until his final capture, in 1886, by a small command of infantry scouts under Capt. H.W. Lawton” (New York Times
obituary). After his surrender and imprisonment by U.S. troops, the Apache warrior converted to Christianity, becoming a member
of the Dutch Reformed Church in 1903. “He had been one of the last Indians to surrender to the United States, and he became a
monumental public attraction in his last years, his fame far outstripping the deeds by which he had proven himself little more than
an able partisan leader. His name is fixed in American mythology, however, and will never be supplanted, nor has interest in him
diminished” (ANB). This prayer card is printed in black with the hymn “Chinese Boat” and an illustration of a Chinese junk with
a brief prayer. Included with the card is the original scrapbook from which it came, containing many original turn-of-the-century
photographs, postcards, drawings and newspaper clippings of Native Americans and western landscapes and buildings. Scrapbook
respined in paper and housed in a clamshell box. Prayer card fine; light smudging to pencil signature and three small, green crayon
marks, not affecting signature. A wonderful piece of Western Americana, beautifully presented.
“Submitted To The Secretary Of War, A. Lincoln”: Autograph Note Signed “A. Lincoln” During The 35
Civil War, Framed With A Lengthy Autograph Letter From A Provost Marshall Who “Lost His Leg…
During An Engagement With The Enemy At
28. (ROOSEVELT, Franklin D.) Christmas Blossoms, and New Year’s Wreath, for
1848. WITH: Christmas Blossoms… for MDCCCLI. Boston and Philadelphia, 1848,
1851. Two volumes. 12mo, original cloth gilt, custom chemise and slipcase. $12,000.
From the library of Franklin D. Roosevelt: the 1848 and 1851 editions of the “Christmas
Blossoms” gift books for children, illustrated with mezzotint plates by John Sartain, with
the ownership inscriptions of President and bona fide bibliophile Franklin D. Roosevelt:
“Franklin D. Roosevelt, Hyde Park, 1930” (in the first volume), “Franklin D. Roosevelt,
Hyde Park, 1936” (in the second).
Scarce original cloth broadside, circa 1895, a boldly printed 12-by-15-3/4 inch sign forbidding “all persons” to trespass
on the exclusive Bear Pond Preserve of Wall Street titan, philanthropist and famed collector, J. Pierpont Morgan, an
eleven-acre “private game preserve” within his nearly 1,500 acres of Adirondack wilderness purchased in 1895, where
Morgan, his family and guests, enjoyed the beauty of his wilderness estate.
a meli a ea rh a rt
“My Flight From Hawaii”: An Extraordinary Archive Of Flight Plans And Charts Prepared
For Amelia Earhart’s Use On Her Record-Breaking 1935 Flight From Honolulu To Mainland
California, Stamped On The Verso By The U.S. Navy Censor
31. EARHART, Amelia and WILLIAMS, Clarence S. Navigational Archive for 1935 Honolulu to Mainland U.S.
Flight. Framed with three pages from Earhart’s article “My Flight from Hawaii,” in National Geographic magazine,
May 1935. Los Angeles: Clarence S. Williams, Consultant in Navigation, December 22-28, 1934. Two large framed
pieces, each with multiple matted items; one measures 34 by 36 inches, the other 34 by 42 inches. $38,000.
Flight plans and timing charts designed by Lieutenant Commander Clarence S. Williams, “Consultant in
Navigation,” for Amelia Earhart and used by Earhart as she attempted her record-breaking first solo flight from
Hawaii to the United States mainland in 1935. She was the first person, man or woman, to make this flight solo; this
was also the first flight where a civilian aircraft carried a two-way radio. The charts are stamped with a U.S. Navy
censor’s mark on the reverse, demonstrating that they were cleared by the Navy for Earhart’s use. An extraordinary
archive: neither the National Air and Space Museum nor the Purdue University Collection of Earhart Papers has a
set of these charts.
Amelia Earhart recorded a number of firsts in her extraordinary aviation career: she was the first person, man or
woman, to fly solo from Hawaii to the U.S. mainland, Honolulu to Oakland—a trailblazing feat commemorated by this
wonderful pair of framed pieces. She was the first woman to fly the Atlantic in a plane (1928); the second person, and
the first woman, to fly solo across
the Atlantic (1932); and the first
woman to fly solo across the con-
tinental U.S. Earhart’s National
Geographic article—a portion of
which is included in this piece—
highlights the paramount impor-
tance of proper navigational aids
for such a long flight: “The subject
of navigation looms large on long
flights… My navigation charts
were prepared by Lieut. Comdr.
Clarence S. Williams, of the U.S.
Naval Reserve, of Los Angeles.
39
On them were worked out alternate courses, one
to San Francisco, a second to Los Angeles, and a
Rare collection of 73 original glass slides with functional magic lantern from the 19th century, an exceptional series
of original slides from photographs of Navajo, Hopi, and other Pueblo tribes taken by Reverend Samuel Snider, the
Indian agent for the Sioux of Fort Peck, Montana, and later the Indian Inspector for Indian Affairs in the Southwest.
Together with two framed pieces—one a letter of recommendation on Snider’s behalf by renowned trader Lorenzo
Hubbell, and Snider’s 1883 presidential appointment as Agent for the Indians of Fort Peck signed by President
Chester A. Arthur. Includes positive prints of each of the glass slides.
This rare photographic archive of 73 original glass slides was created 41
from photographs taken by Reverend Samuel E. Snider, Agent for
the Fort Peck agency in Montana. Snider became Indian agent for
A little more than ten years later Snider resurfaced to be appointed Indian
Inspector, a job at the highest level for Indian Affairs. His appointment was
made possible, in part, by the help of Lorenzo Hubbell, a 19th-century trader
instrumental in promoting Navajo art. He started a trading post in 1878 and
eventually created an empire of trading posts in the Southwest, helping
Navajos become economically self-sufficient by showing them the patterns of
blankets most likely to sell. His 1878 trading post still stands on the Navajo
reservation, and is a National Historic Landmark; he is said to be the only
Caucasian buried on Navajo land. This archive includes a hand-written letter
by Hubbell supporting Snider’s application as U.S. Indian
Inspector for Navajo and Pueblo tribes at Fort Defiance,
New Mexico, following his earlier appointment. A recom-
mendation by Hubbell would have carried great weight, as
he was one of the few non-Indians trusted by the Navajo
and Pueblo Tribes.
The glass plates and lantern slides depict Navajo, Hopi, and
other Pueblo tribes in images made by Snider during his
time in the Southwest. Also included are images of soldiers,
miners, Lorenzo Hubbell, and Snider himself. (Prints have
been made of each plate or slide, and these are included in
an accompanying binder.) These amazing artifacts docu-
ment the career of an Indian Agent and provide a rare
glimpse into the controversial period when the United
States was attempting to peacefully integrate Native
American tribes into contemporary society. A fascinating
archive in excellent condition.
42
Exploration & Natural History
H oli day 2013 | E x plor at ion & N at u r a l H istory
First edition of the official account of “one of the most remarkable incidents in the whole of maritime history,” the mutiny on
the Bounty, with stipple-engraved frontispiece portrait of Captain Bligh by J. Condé after J. Russell and seven engraved
plates and charts (five folding). An excellent and exceptionally large uncut copy.
“An extremely important book… It includes a somewhat revised version of the text of Bligh’s narrative. The account was
based upon Bligh’s journal but was written, edited and seen through the press by James Burney, under the supervision of Sir
Joseph Banks, during Bligh’s absence from London while on his second breadfruit voyage… After visiting Tahiti and the
Tonga Islands, the crew mutinied under Fletcher Christian, the master’s mate. The mutiny was largely due to Bligh’s harshness
to his crew; also partly to attachments that had sprung up between the crew and certain of the women of Tahiti, where the
Bounty afterwards returned, before sailing to Pitcairn Island” (Hill). “Bligh with 18 others was put into the ship’s launch
along with a few provisions and some instruments and set adrift. After a voyage of 3,600 miles and 41 days the launch
succeeded in reaching Timor and Java… where the emaciated unfortunates were taken in by the Dutch” (Cox). “One of the
most heroic sea voyages ever made” (Hill). Interior quite clean. An excellent copy of the first official account of the Bounty
Expedition, entirely uncut and beautifully bound.
Cassin’s Rare Supplement To Audubon’s Birds, With 50 43
Plates Produced By Audubon’s Lithographer And Printer
44
45
The Horse In Motion, With Muybridge’s Landmark Photographic Motion Studies, 1882
40. (MUYBRIDGE, Eadweard) STILLMAN, J.D.B. The Horse in
Motion. Boston, 1882. Large quarto, publisher’s pictorial brown gilt-
decorated cloth. $3500.
First edition of this richly illustrated chronicle of the construction of St. Peter’s Basilica, with 79 folio plates and plans (ten
folding or double-page), finely engraved by Alessandro Specchi from Fontana’s drawings. A lovely, clean, uncut copy, bound with
the arms of Pope Pius XI, who was Pope when the Vatican was made an independent city-state in 1929.
“The Templum Vaticanum caused a sensation in the contemporary art world; it was ardently discussed, for instance, in the
correspondence of the director of the French Academy in Rome for the next two years. The publication was an ambitious visual,
intellectual, and typographic enterprise” (Millard). The work is divided into seven books: Book I deals with the antique site of St.
Peter’s; Book II the basilica constructed by Emperor Constantine in about 320; Book III the transportation in 1585 of the obelisk
to its present site in the square in front of St. Peter’s; Book IV the square and Bernini’s oval colonnade; Book V is a detailed survey
of the construction of St. Peter’s; Book VI the relative cost of St. Peter’s in comparison with the Temple of Solomon; Book VII a
comparison of St. Peter’s, the Pantheon and the Duomo in Florence. Parallel title page and text in Latin and Italian. Millard,
Italian Books 38. Fowler 122. Avery’s Choice 59. Achille Ratti was an accomplished scholar, librarian and priest; on February 6,
1922, he was elected Pope and took the name Pius XI. The independent Vatican city-state was established in 1929 by the Lateran
Treaty, while Pius XI was Pope. Interior clean and fine, engravings particularly crisp and fresh. Minor restoration to clean vellum.
An excellent uncut copy of this beautiful tribute to the Vatican, bound for Pope Pius XI.
george a shdow n audsley
Audsley’s Large Folio Ornamental Arts Of Japan,
With 70 Exceptional Fine Folio Color Plates
42. (JAPAN) AUDSLEY, George Ashdown. The Ornamental Arts
of Japan. London, 1882-84. Two volumes. Large thick folio, contempo-
rary full dark green morocco gilt. $8200.
First edition of Shackleton’s own account of his ill-fated expedition, with folding
map at rear, in-text maps and illustrations, color frontispiece, and 87 black-
and-white plates, most after photographs by Frank Hurley, and including his
image of the Endurance “looming stark and white against the darkness of the
Polar night.”
Ernest Shackleton embarked in 1914 in the Endurance to make the first crossing
of the Antarctic continent—1800 miles from sea to sea. But 1915 turned into an
unusually icy year in Antarctica; after drifting trapped in the ice for nine months,
the Endurance was crushed in the ice on October 27. “Shackleton now showed his
supreme qualities of leadership…with five companions he made a voyage of 800
miles in a 22-foot boat through some of the stormiest seas in the world, crossed
the unknown lofty interior of South Georgia, and reached a Norwegian whaling
station on the north coast. After three attempts… Shackleton succeeded (30
August 1916) in rescuing the rest of the Endurance party and bringing them to
South America” (DNB). Amazingly, all members of the Endurance party survived
the ordeal. First printing, with errata slip tipped in. Rosove 308.A1. Spine mildly
rubbed, front cover silver-gilt bright. Near-fine.
First edition, illustrated with 32 engraved plates, charts and maps (13 folding), including 15 magnificent hand-colored
aquatints by Havell & Son (four folding) depicting icebergs, a “bear plunging into the sea,” and the ship’s “passage through
the ice,” among other dramatic images, handsomely bound.
First editions of Parry’s accounts of his three voyages in search of a Northwest Passage as well as his writings on his attempt to
reach the North Pole and his attainment of the highest latitude to that date, with 86 engraved maps and plates, many folding.
Accompanied by the rare full run of The North Georgia Gazette and Winter Chronicle, the newspaper/literary magazine edited
by Captain Sabine for the crew during the winter of the first voyage, as well as supplemental natural history appendices to the first
and second voyages. A splendid, very handsome set of Parry’s complete works in first edition.
Parry’s first expedition in search of the fabled Northwest Passage, chronicled in his Journal of a Voyage was one of the most important
early explorations of the Arctic. He collected valuable data on the region’s climate, natural history, and geography, charting hundreds
of miles of treacherous coastline. Along the way Parry sailed through, explored, and named the Barrow Strait, Prince Regent Inlet,
Wellington Channel and several of the Parry Islands. He made two additional attempts to discover the Passage, both unsuccessful
in terms of their original purpose but valuable for the amazing scientific data Parry’s expeditions collected and catalogued as well as
for the tremendous amount of information they gathered about the Inuit. Only a year after Parry’s final expedition, he set out for the
North Pole, reaching the highest latitude ever in a record that would stand for 49 years. This copy accompanied by the first edition
of the full run of The North Georgia Gazette and Winter Chronicle, the weekly newspaper edited by Captain Sabine “for the amuse-
ment of the officers” as they wintered at Melville Island
in Winter Harbour during Parry’s first voyage.
Complete with all maps and plates: Journal with six
engraved maps and 14 engraved plates. Second Voyage
with nine engraved maps and 30 engraved plates. Third
Voyage with four maps and seven plates. North Pole
with three engraved maps and four engraved plates.
Natural History Supplement in Volume V with nine
engraved plates. With errata slip in Journal. Sabin
58864. Bookplate. Embossed blindstamp of Manchester
City Library to title pages, occasional text leaf; minor
old ink notations to inner margin of title pages. Text
and plates generally quite clean, bindings in excellent
condition and very handsome. A most desirable set of
scarce first editions.
Literature 53
First edition, first issue, of Asimov’s influential collection of nine robot stories,
inscribed: “For: Lester Mayer with best regards and crossed fingers against
boredom. 12/3/50. Isaac Asimov.”
Asimov’s robot stories were among his most successful and popular, and
helped establish his reputation as a pioneer of the science fiction genre. “I,
Robot is by most critical accounts one of the most influential books in the
history of modern science fiction because it established new conventions for
writing robot stories… Asimov did much in his stories to counter the
Faustian image of science that had arisen in the public imagination. Prejudice
against machines and technology is in fact the constant background, if not
the subject matter, of the robot stories… Asimov’s robot stories also have
predicted certain real developments. Robotics is now recognized as a field of
study, and computer-controlled machines are now in industrial use. In addition, Asimov added two new words to the English
language through these stories. The Oxford English Dictionary credits him with the earliest uses of robotics and positronic”
(Touponce, Isaac Asimov, 32). These nine stories first appeared in the early 1940s in Astounding magazine. First issue, in cloth
binding. Currey, 13. Recipient Lester Mayer, a “golden era” or “dinosaur” genre fan, was inducted into the First Fandom Hall of
Fame in 2013 for his decades of contributions as a fan writer, editor and organizer. Dust jacket lightly rubbed, with light pencil
notation to rear panel. Book clean, bright and fine. A lovely and desirable inscribed copy, scarce in such very nearly fine condition.
“It Was A Pleasure To Burn”: First Edition Of Fahrenheit 451, Signed By Bradbury
48. BRADBURY, Ray. Fahrenheit 451. New York, 1953. Octavo, original red
paper boards, dust jacket. $7800.
Beckett’s friendship with Henri and Josette Hayden continued to be central to his life and work, and in many ways the friend-
ship also led to Hayden’s artistic renaissance after the war. When Hayden suffered a heart attack in London in 1962, and Beckett
was in France for the opening of Happy Days, he “phoned regularly to find out about his friend’s progress. He wrote to Hayden
almost every other day… called for their mail, paid the rent on their flat,
and posted packets of Gauloises cigarettes to England for Josette. When
the Haydens returned home a month later, Beckett was waiting for them…
he could not do enough to help” (Knowlson, 448-9). In 1970, Beckett
grieved intensely at the death of Hayden, who died in Paris on May 12.
First trade edition; preceded by only 35, quite rare, numbered copies in
wrappers. Without rarely found original glassine. Text in French. Text
fresh and clean with only lightest toning to edges, almost no edge-wear to
wrappers. An exceptional about-fine inscribed copy. A presentation/as-
sociation copy such as this is extremely rare, with barely one at auction in
the last 30 years.
55
“Don’t Forget. Please Feed The Cat”: Breakfast At Tiffany’s,
In Exquisite Diamond-Encrusted Binding
“If you want to capture a period in New York, no other book has done it so
well… He could capture period and place like few others” (Norman Mailer).
With three other stories: “House of Flowers,” “A Diamond Guitar” and “A
Christmas Memory.” This beautiful custom binding features an inlaid black
morocco silhouette of Audrey Hepburn as Holly Golightly, wonderfully
accented with genuine diamonds in her hair, and a diamond necklace and
earrings. A fine copy, beautifully bound.
First American edition of the first Sherlock Holmes story, in exceptionally scarce original paper wrappers.
In 1882, the young Conan Doyle set up his medical practice in Southsea, a suburb near the southern seacoast city of Portsmouth. For
four years, the practice languished: “With virtually unlimited time to sit, puff his cheap shag and ponder in his waiting-room, barren
of furnishings and patients alike, he had begun to send out short stories to the cheaper magazines. A modest success in this direction
only served to show that his time was wasted—that if any really substantial return were to be expected from his pen, only a full-length
book could be the answer… Doyle was on the verge of despair and surrender when, by some providential trick of the brain… the Great
Idea took glimmering shape. Feverishly he began to write, and a few weeks later A Study in Scarlet, with a hero surnamed for an
admired American poet [Oliver Wendell Holmes, Sr.], and a foil and narrator to be immortally known as Watson, took its turn in the
mails” (Haycraft, 48-9). The manuscript was rejected by publishers several times over before London publisher Ward, Lock and
Company offered £25. Its publication in November, 1887 in Beeton’s Christmas Annual sold out before Christmas. Sherlock Holmes
had entered the world and was to change the course of detective fiction definitively. “Rightly elected to the number one slot as the most
distinguished mystery fiction ever written, the Sherlock Holmes canon stands as the most consistently brilliant, original, important,
and entertaining works of fiction ever produced” (The Crown Crime Companion’s Top 100 Mystery Novels, 21). First American edition;
this wrappered issue was published in March 1890, with the American cloth issue appearing seven months later. Original English
edition published in 1888; the American edition does not include the six line drawings by the author’s father found in the English
edition. Green & Gibson A1b. De Waal 419. Interior fine; expert repair to inner hinge. Expected wear to extremities of original
wrappers, one-inch loss to spine foot, affecting publisher’s imprint. An extremely scarce first edition, rare in wrappers.
57
First editions in book form of these classic stories starring literature’s most famous detective, illustrated by Sidney Paget, with
a clipped inscription from the author (“Yours very truly, A. Conan Doyle”) laid into Memoirs.
Sherlock Holmes first appeared in the novel A Study in Scarlet (1887), but his adventures in the Strand Magazine would bring
both him and his creator, Arthur Conan Doyle, lasting fame. “The initial 12 tales were collected between covers as The Adventures
of Sherlock Holmes, published in England and America in 1892; and 11 of the second 12… as The Memoirs of Sherlock Holmes,
published in 1894. If any reader be prepared to name two other books that have given more innocent but solid pleasure, let him
speak now— or hold his peace!” (Haycraft, 50). These volumes contain such famous and memorable tales as “A Scandal in
Bohemia” and “The Adventure of the Speckled Band.” Of special note is the last case in the Memoirs, “The Final Problem,” in
which Holmes apparently meets his death in a struggle with “the Napoleon of crime,” Professor Moriarty. “At one point, tiring
of the detective, Doyle attempted to exterminate him… but the clamor of his admirers forced him to resurrect Holmes for
several further volumes, and his popularity has waned little since” (Benet, 273). With Sidney Paget’s original, iconic illustrations:
“Paget’s spirited illustrations… greatly assisted to popularize those stories” (DNB). Adventures in first-issue binding, with blank
street sign on front cover illustration. Green & Gibson A10a, A14a. DeWaal 520, 596. A clipped inscription from Conan Doyle
laid into Memoirs. Bookplates. Old pencil notations. Gift inscription in Memoirs dated 1895. Hinges professionally and invisibly
repaired, light foxing and minor thumbsoiling, minor rubbing and soiling to cloth. A very nearly fine copy.
58
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Scarce first edition, first issue, of Cooper’s classic tale, one of the highlights of early American literature. Very rare uncut in original
boards. The Bradley Martin copy, with his bookplates.
“This is the most famous of the Leatherstocking Tales, and the first in which the scout Natty Bumppo was made the symbol of all
that was wise, heroic and romantic in the lives and characters of the white men who made the American wilderness their home…
The novel glorified for many generations of readers, in England, France, Russia, and at home, some aspects of American life that
were unique to our cultural history” (Grolier American 100 34). “The real triumph of Cooper is the variety of his invention, the
power with which, isolating his few characters in the wilderness, he contrives to fill their existences, at least for the time being, with
enough actions, desires, fears, victories, defeats, sentiments, thoughts to make the barren frontier seem a splendid stage” (DAB).
First issue, with page 89 misnumbered 93, Chapter XVI numbered XIV in Volume I (page 243), and page vii correctly numbered (in
some copies it is numbered “vi”; BAL states that “examination suggests that the folio was correctly set and the ‘i’ may have dropped
out during the printing,” the sequence of states has not been established). State B of Volume II (sequence of states not determined)
with “a book” in the fifth line of the copyright notice. Without final blank in Volume I. Spiller & Blackburn 7. BAL 3833. Several
bookplates, including that of H. Bradley Martin, who amassed one of the world’s finest book collections, prominently featuring
American, English and French literature, as well as important American historical documents and fine ornithological books. Also
includes the owner signatures of bibliographer Wilberforce Eames and the bookplates of collectors George Clinton Fairchild
Williams, Harold Greenhill and Mildred Greenhill. Only light expected age browning, a few marginal tears not affecting legibility.
An exceptional copy, uncut in original boards, with very distinguished provenance.
59
First edition, scarce first issue, of Faulkner’s second novel—“a poetic turning point”—in rarely found original dust jacket. A
beautiful copy.
In Mosquitoes, Faulkner’s second novel, there is “a tremendous flowering of themes that would soon preoccupy him.” Set in New
Orleans and drawing on “the bohemian/artistic community he had come to know there,” the novel was published on April 30,
1927 (Parini, 97). To scholar Kenneth Hepburn, Mosquitoes stands as “a poetic turning point.” In this important early work,
Faulkner explores artistic strategies that are “necessarily prior to the comfortable use of the Yoknapatawpha material and central
to the development of the open-ended poetic out of which were generated Faulkner’s major works” (20th Century Literature
17:1,19). “As Hemingway’s Paris friends had played the game of identifying the models for characters in The Sun Also Rises, so
Faulkner’s New Orleans friends would be able to do the same with Mosquitoes” (Blotner, 182-3). First edition, first issue: without
“September, 1931” on copyright page. First-issue dust jacket with Boni & Liveright on spine end, $2.50 price, printed red on green
with mosquito motif. Also issued with dust jacket printed red, blue and black with card players and yacht design, no priority
established. Petersen A4.1a-1b. Brodsky 45. Small bookseller label to rear pastedown. Book fine; only very mild toning to spine of
colorful, bright dust jacket. A highly desirable fine copy, virtually never seen in this condition.
60 Christmas Day Bill Of Fare For The Dickens Household
56. DICKENS, Charles. Dickens Household Christmas Dinner Menu.
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Original handwritten menu for the Dickens household for Christmas Day,
1851, neatly penned on Dickens’ stationery by his sister-in-law and
housekeeper, Georgina Hogarth, handsomely framed with a wood-engraved
portrait of Dickens.
Rare 1867 vintage albumen print of the iconic photograph of Dickens taken by
the preeminent New York firm of Gurney and Son during the author’s final 1867-
8 American tour, together with a valediction penned and signed by Dickens
reading, “Faithfully yours, Charles Dickens,” with his bold flourish.
Charles Dickens’ began his final American tour began shortly after
he arrived in Boston in November 1867, and only two years after re-
turning home in 1868, the beloved author died. It was Dickens’
manager George Dolby who “induced Dickens to sit for the photog-
raphers J. Gurney and Son when they got to New York. Although
Dickens suppressed some of the shots, Dolby thought the results in-
cluded ‘the only good photograph of him in existence.’ J. Gurney and
Son… sold several poses of the noble, handsome Boz in a variety of
sizes—carte-de-visite (25 cents), cabinet (50 cents) and imperial ($3) even in stereoscopic form” (Hearn, Appendix: Annotated
Christmas Carol, 188). On seeing the Gurney portraits, “Dickens declared he would never be photographed again—and he never
was! He, however, pronounced these particular portraits (for which he gave sittings after much persuasion) to be the best that had
ever been produced” (Kitton, Charles Dickens, 452). Handsome albumen print and Dickens’ signed valediction in fine condition.
61
Scarce first edition in the original parts of Dickens’ “largely autobiographic” masterpiece, with additional vignette title page,
frontispiece and 38 etched plates by Hablot Knight Browne (“Phiz”).
“The first of Dickens’ big books to be written in the first person, and it is looked upon as being largely autobiographic. Though
the original sales were comparatively small—not exceeding 25,000—the later popularity more than recompensed for its failure
as an early money-maker. With many lovers of the great author’s works, David Copperfield ranks as the best of his novels. With
a book which gave to the world such characters as Betsy Trotwood, Micawber, the Pegottys and Mr. Dick, it would seem strange
if it were otherwise” (Eckel, 75). “It soon became clear that this was his ‘masterpiece’ although, even so, Dickens himself retained
a peculiarly private relationship with the novel” (Ackroyd, 606). “With a comparatively small printing, and because the issues in
parts were much read and roughly handled, it is a matter of some difficulty to procure fine, clean and unrepaired sets” (Eckel,
76). First issue of part VIII (page 3 of the “Advertiser” reads “LILE” not “LIFE”). Collates nearly complete, with “Copperfield
Advertisers,” rear advertisements and slips, including the scarce “Lett’s Diaries” slip in Part VIII (“more often than not a missing
quantity,” Hatton & Cleaver, 254), but without the slip after plates in Part IX, rear slip in Part XII, rear slip in Part XIII, front slip
in Part XVI, and last page of last ads in Part XIX-XX. With seven specimen diary leaves in Part VIII and variant ads in Parts XII
and XVIII. With all 40 plates by iconic Dickens illustrator H.K. Browne, best known as “Phiz.” Gimbel A121. Eckel, 77. Hatton
& Cleaver, 253. Morocco bookplate in clamshell box. Interiors quite clean with only very occasional foxing to text and plates,
only a few spots of foxing and soiling to unusually bright original wrappers. A lovely item in near-fine condition. Scarce.
62
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First edition, first issue, of Dickens’ classic, with the “Fireside” plate and “Boz” title pages, uncut in original cloth.
“When Bentley decided to publish Oliver in book form before its completion in his periodical, Cruikshank had to complete the
last few plates in haste. Dickens did not review them until the eve of publication and objected to the Fireside plate which
depicted Oliver at Rose Maylie’s knee [Volume III, p. 313]… Dickens had Cruikshank design a new plate… This Church plate
was not completed in time for incorporation into the early copies of the book, but it replaced the Fireside plate in later copies…
Dickens not only objected to the Fireside plate, but also disliked having ‘Boz’ on the title page. He voiced these objections prior
to publication and the plate and title page were changed between November 9 and 16” (Smith, 35). With half titles for Volumes
I and II, four pages of publisher’s ads at the end of Volume I and two pages of publisher’s ads at the beginning of Volume III.
“A genuine first issue in the original cloth covers, uncut, and with clean, unfoxed plates and leaves is very rare” (Eckel, 54). Smith
4 (especially note 3). Eckel, 51-60. Morocco bookplates. Bookplates. Usual offsetting from plates to text, light occasional foxing
to interiors, only light wear to original cloth, mild toning to spines. A near-fine copy, most desirable in original cloth.
63
The famed Nonesuch Dickens, one of the best and most sought-after editions of Dickens’ works, one of only 877 sets produced, with
hundreds of illustrations reprinted from the original wood- or steel-engraved blocks by various artists including Cruikshank,
Phiz, Graves, Stone and Tenniel, and handsomely bound in harlequin morocco in the style of the original cloth bindings. This set
with an original engraved wood block for the plate “Mrs. Boffin Discovers an
Orphan” from Our Mutual Friend, drawn by Marcus Stone, as well as an accom-
panying proof print and authentication letter, housed in clamshell box uniform
with the 23 text volumes.
Dickens “in his own realm has always been unrivalled… His sleepless imagination
exaggerated the comic side of everything, and developed the suggestions of reality
into humorous idealisms far transcending the proportions of ordinary life” (Baker).
The Nonesuch Dickens is regarded as the definitive collected edition. In addition to
the novels, the set includes two volumes of Collected Papers (miscellaneous articles
and prefaces), three volumes of Letters, and a volume of Reprinted Pieces (The
Uncommercial Traveller and eight stories from the Illustrated Library Edition of
1875). The publishers produced 877 sets because this was the number of original
steel plates and wood blocks available to include one with each set. The plate comes
with a print made from it and a typed letter of authenticity signed by Arthur Waugh.
Some illustrations from lost or destroyed blocks have been replaced with images
printed from blocks reproduced photographically from first edition plates; some of
the plates from the “Christmas Books” are printed in color, as they were originally
issued. Originally issued in variously colored cloth bindings designed by Leighton-
Straker, the full morocco bindings of this set match the original colors with remark-
able fidelity. Fine condition. A superb set, scarce and desirable.
64 “So We Beat On, Boats Against The Current,
Borne Back Ceaselessly Into The Past”:
The Great Gatsby, First Edition, A Beautiful Copy
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61. FITZGERALD, F. Scott. The Great Gatsby. New York, 1925. Octavo,
original green cloth. $6000.
Noted critic Cyril Connolly called Gatsby one of the half dozen best American
novels: “Gatsby remains a prose poem of delight and sadness which has by now
introduced two generations to the romance of America, as Huckleberry Finn and
Leaves of Grass introduced those before it” (Modern Movement 48). First printing,
with “sick in tired” on page 205 and all other first-issue points. Without extremely
rare original dust jacket. Bruccoli A11.1.a. A beautiful about-fine copy.
First edition of Gardner’s third novel, his “violent, inspiring, awesome, terrifying”
reimagining of “Beowulf” from the monster’s point of view, inscribed by the author:
“To George & Kate, Best wishes, John Gardner.”
“Grendel, which daringly retells the Beowulf legend from the viewpoint of the
monster whom Beowulf kills, is a complex and brilliantly styled parable of
consciousness, the consciousness of death and the compensatory urge to create
lasting monuments of the mind” (Vinson, 493). “The world, Gardner seems to
be suggesting in his violent, inspiring, awesome, terrifying narrative, has to
defeat its Grendels, yet somehow, he hints… that world is a poorer place when
men and their monsters cannot coexist” (Christian Science Monitor).
Bookseller’s review copy, with publisher’s letter and advertisement laid in. A
fine inscribed copy.
Signed limited first American edition, one of only 250 copies signed by the author,
of Huxley’s “nightmarish prognostication of a future in which humanity has been
destroyed by science” (DNB).
“Along with Orwell’s Nineteen Eighty-Four,” Huxley’s classic and chilling dystopian
vision “is one of only two futuristic novels to have made a considerable contribution
to the social and political rhetoric of the 20th century” (Anatomy of Wonder II:558).
“A brilliantly plausible fantasy… of which the horror is always credible” (Connolly,
The Modern Movement, 75). Preceded by the signed/limited first English edition of
324 copies. Without scarce original slipcase. Light rubbing to spine ends and
corners. Near-fine condition.
65
First edition, first issue, of Hemingway’s famed collection of 14 stories, in first-issue dust jacket. A stunning unrestored copy.
The 14 stories in this early collection “are as clear and crisp and perfectly shaped as icicles, as sharp as splinters of glass. It is
impossible to read them without realizing that seldom if ever before has a writer been able to cut so deeply into life” (Time).
Included are “The Killers,” “Ten Indians,” “Today is Friday” and “Hills Like White Elephants.” First issue, printed on heavy
stock (overall weight of 15-1/2 ounces), in first-issue dust jacket, with plain orange bands across the front, and two errors on
the front inner flap. Hanneman A7a. Bruccoli & Clark I:178. Morocco-gilt bookplate of Frank J. Hogan, founder of the
prestigious Washington D.C. law firm of Hogan & Hartson and a president of the American Bar Association. “One of Hogan’s
early clients was Theodore Roosevelt,” and Hogan was notably featured on the cover of Time magazine in 1935 (Hogan &
Hartson). A highly respected bibliophile as well, Hogan was a friend of famed book collectors Estelle and Edward Doheny.
Bookseller ticket. Book fine, dust jacket fine with only lightest toning to extremities. A handsome copy with a desirable
provenance, very desirable in this condition.
66
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henry fielding
“One Of The First And Most Influential Of English Novels”:
1749 First Edition, First Issue Of Tom Jones In Contemporary Calf, A Beautiful Copy
65. FIELDING, Henry. The History of Tom Jones, A Foundling. London, 1749. Six volumes. 12mo, contemporary full calf
gilt. Housed in a custom slipcase. $27,000.
First edition, first issue, of “one of the best-plotted novels in English,” one of a first printing of only 2000 copies, in handsome
contemporary calf.
“The book is generally regarded as Fielding’s greatest, and as one of the first and most influential of English novels” (Drabble,
988). “One of the best-plotted novels in English… A wealth of highly diversified episode is fitted together by the hand of a master
craftsman into a perfectly organized whole” (Baugh et al., 957-58). Prepublication demand for Tom Jones was so great that
London booksellers immediately snapped up the first printing of 2000 copies; a second printing was completed before the official
date of publication, February 28. First issue set, with errata leaf in Volume I (c8r) and errata uncorrected in the text. The second
printing was issued with the errors corrected, and therefore required no errata leaf in Volume I. Other first-issue points include
cancels to N12 of Volume II; H8, H9, H10, M3, and Q11 of Volume III; N8 of Volume V; B5 in Volume VI unsigned. Rothschild
850. Lowndes, 797. Rosenbach 57:32. Morocco-gilt bookplates. Armorial bookplates of mathematician Sir George Shuckburgh (a
fellow of both the Royal Society and the Society of Antiquaries) pasted over other armorial bookplates. Collector’s shelf number
tickets. Scattered light foxing. Minor marginal worming in Volume I to title page and first few gatherings. Spines lightly rubbed,
with miniscule restoration to joints and ends; tiny chip to Volume III spine head. Occasional small abrasions to boards. An
excellent set in near-fine condition.
67
One of the rarest of all Frost printings: the true first issue of A Boy’s Will, his first published book, the first and second issues of
which only 284 copies are believed to have been bound up and sold, inscribed by Frost: “Russell —, from Robert Lee Frost, 1945.”
A lovely copy in the very scarce Binding A, desirable signed by Frost.
In September 1912 Frost took his family to England and there found a publisher, David Nutt, who was willing to bring out his first
book of poetry. “The poems in A Boy’s Will are short lyrics, many of them love poems for Elinor [Frost’s wife]. Although a few have
the inversions and poetic language associated with 19th-century poetry, others, such as ‘Mowing’ and ‘Storm Fear,’ indicate the
experiments with voice tone and colloquial diction that distinguish Frost’s great poetry. The lyrics are arranged to chronicle a boy’s
maturation from idealism and self-centeredness to a realization of love and an acceptance of loss. In the first edition Frost included
prose glosses for all but two of the 32 poems. Although these often provide an ironic perspective upon the immature boy, they were
omitted from later reprints” (DAB).
One thousand sets of sheets of the book were originally printed, according to the report of the printer, Spottiswoode, Ballantyne
& Co. No more than 350 copies, but likely only about 284 copies, were bound up for distribution by Nutt between April 1913 and
the spring of 1921. Copies bound for Nutt before April 1, 1913 were bound in binding A—bronzed brown pebbled cloth—by the
Leighton-Straker Bookbinding Co. [the present copy]. Those in binding B, cream vellum-paper boards, were bound and issued
during World War I. In 1921 Nutt went bankrupt and the remaining sheets “were in danger of being reduced to pulp,” so Frost set
out to “raise all the money I can to buy in those poor old first editions of mine… Some of my friends think they might be worth
something” in America (Crane, A2). All of the unbound sheets were bound in bindings C (100 copies for Simpkin Marshall) and
D (the remainder of the copies) and sent to Dunster House Bookshop in Cambridge, along with unsold volumes in binding B. Early
ink presentation inscription on the front free endpaper, beneath which Frost has penned “circa 1913,” followed by his own
inscription, dated 1945. Fine condition.
68
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ja mes joyce
“Passages Of Unearthly Beauty”: Beautiful Signed Limited First Edition Of Finnegans Wake
67. JOYCE, James. Finnegans Wake. London and New York, 1939. Large octavo, original red cloth, yellow slipcase. $25,000.
Signed limited first edition, American issue, of Joyce’s “inscription on the walls of eternity,” one of only 310 large-paper copies for
America (of a total edition of 435 copies) signed by Joyce. A beautiful copy.
Finnegans Wake stands as “Joyce’s last and most innovative prose work, written in a revolutionary narrative style that
approximates the protean nocturnal dream world… [that gave] Joyce the freedom he needed to weave together archetypal and
historical themes that embrace, among other things, the creation, the fall and the resurrection of humanity” (Fargnoli &
Gillespie, 74). Joyce began writing Finnegans Wake in 1922, the same year Ulysses saw publication. Compared to that book,
Finnegans Wake “took longer to write… was conceived and executed under a greater range of symbolic and mythic guidelines,
was dictated to more famous amanuenses, among them Samuel Beckett, was used as a weapon of revenge by Joyce, who mocked
in it the people who had offended him… in short, it was the inscription on the walls of eternity of James Joyce’s feelings, his
prejudices and his obsessions” (Arnold, 55). “Joyce insisted that each word, each sentence had several meanings and that the
‘ideal lecteur’ should devote his lifetime to it, like the Koran” (Connolly, The Modern Movement, 81). Published simultaneously
with the first trade edition and the signed limited first edition, British issue; the Viking Press “brought out and sold [this]
limited edition of 310 copies [although the limitation page states only 300], the sheets of which were imported from the English
publisher Faber & Faber. [The Viking] limited edition is identical with that of the British publisher and bears both imprints.”
Slocum & Cahoon 49. Usual slight soiling to scarce original slipcase. A beautiful, fine copy.
“The Secret Sharer Of My Cabin And Of My Thoughts”: 69
Fine First Edition Of Conrad’s ‘Twixt Land & Sea,
Including “The Secret Sharer,” One Of As Few As
First edition of this collection of three Conrad novellas, including his tour de
force “The Secret Sharer.” This copy in the very rare first-state binding,
mistakenly listing the third tale as “Freya of the Secret Isles” (rather than
“Freya of the Seven Isles”)—an error that the publisher discovered and
corrected after having issued only about 20 copies.
This collection of three tales is known primarily for “The Secret Sharer”—
Conrad’s most famous short story after “Heart of Darkness.” It also includes “A
Smile of Fortune” and “Freya of the Seven Isles.” The binder made an error on
the front cover of ‘Twixt Land & Sea, listing the third tale as “Freya of the Secret
Isles,” rather than “Freya of the Seven Isles.” The publisher discovered and
corrected the error after only about 20 copies had been issued. (Cagle quotes a
Dent official who thought it might have been closer to 100, but given the rarity of this issue, it may well be closer to the former
estimate.) These few copies with the error on the front cover constitute the very rare first binding state. Cagle A16a.1, binding a.
An unusually fine, bright copy.
George Wharton James was “a prolific California writer who… was London’s
senior by 18 years… London wrote approvingly of him as a ‘gorgeous, splendid
man” (Haley, 155). At the turn of the century, Wharton James was famed for
works that “radiated a love of region… a broad, affirming conception of
California, intensely ecological, soaked in the romance of the past” (Starr,
Americans and the California Dream,
206). In a lengthy article, published
shortly after London’s death, Wharton
James describes London as a writer who “made a profound impression upon his generation,”
and includes lengthy interviews and personal recollections that take “a close look at the man,
seen through the eyes of one who is proud to call him friend, and who… understands him as
well as any other living man.” (”A Study of Jack London in His Prime,” Overland Monthly
LXIX, May 1917, No.5). BAL 11878. Bookplates, including that of noted Americana collector
Willard S. Morse. Interior fine; lightest edge-wear to original pictorial cloth. An about-fine
inscribed presentation copy with a memorable association.
70 Signed By John Le Carré, First Edition Of
The Spy Who Came In From The Cold,
“A Genuine Modern Version Of Tragedy”
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70. LE CARRÉ, John. The Spy Who Came in From the Cold. London,
1963. Octavo, original blue paper boards, dust jacket. $5000.
First edition of this classic of the spy genre, signed by Le Carré, in scarce
original dust jacket.
“In the tradition of Conrad, Maugham, and Greene, John Le Carré’s realist
spy novel is a form which represents a genuine modern version of tragedy…
The Spy Who Came in From the Cold is still Le Carré’s cleanest job: compact
in structure, deftly deceptive in the unfolding of its triple-cross, and
painfully human in the characterizations of two victims of ‘our’ side’s
necessary but evil mission” (Reilly, 933-34). “In a covert war later
immortalized in John Le Carré’s The Spy Who Came in From the Cold,
[West and East German intelligence chiefs] conducted the battle of moles,
infiltration, counter-infiltration, double agent and triple agent” (Volkman,
Spies, 180). Text very fresh, only lightest edge-wear, faint toning to spine of
colorful dust jacket. A handsome about-fine copy, scarce signed.
“A brilliant and mythic baseball fantasy” (American Fiction, 193), this novel
“parodies both the pretensions of those who see baseball as a metaphor for
heroism and the idea of the existence of the ‘great American novel” (Stringer,
427). Issued in red, gray (this copy) or blue boards, no priority established.
Grobani 12-90A. McCue, 66. Book fine; small chip, small closed tear upper
edge of scarce near-fine dust jacket.
john steinbeck
Inscribed By Steinbeck In The Year Of Publication, Association First Edition,
First Issue, Of Steinbeck’s Classic Of Mice And Men
74. STEINBECK, John. Of Mice and Men. New York, 1937. Small octavo, original beige cloth, dust jacket. $15,000.
First edition, first issue, of Steinbeck’s “beautifully written [and] marvelous picture of the tragedy of loneliness” (Eleanor
Roosevelt), a memorable association copy inscribed in the year of publication by Steinbeck to the founder of Black Cat Press,
which published the first full-length book of criticism on Steinbeck’s work: “For Norman Forgue, John Steinbeck ‘37.” A fine copy.
“As a young man, Steinbeck worked on ranches in the small towns around Salinas, absorbing local color later applied to the
Soledad, California setting of this novel, originally entitled Something That Happened” (Salinas Public Library, 24). The author
began Of Mice and Men as a children’s story. “Although the finished novelette does not seem appropriate for children—that
intention was obviously abandoned—the simplicity of its style and the clarity and precision of its imagery may well have been
prompted by this original purpose ” (Benson, 326). The result is “a sophisticated and artful rendering of the basic conflict between
two worlds: between an idealized landscape and the real world with its pain and anguish” (Literary History of the American West,
433). First issue, with the words “and only moved because the heavy hands were pendula” printed as lines 20 and 21 on page 9, and
bullet between the eights on page 88. Goldstone & Payne A7a. Bruccoli & Clark I:354. Recipient Norman Forgue was the noted
Chicago book designer and typographer who founded the prestigious Black Cat Press (disbanded in 1974), which issued the first
full-length book of criticism on Steinbeck’s writing—Moore’s Novels of John Steinbeck (1939). Forgue’s Black Cat Press edition of
that work was distinctive in its “understated elegance… with a ‘Bibliographical Checklist of First Editions’ and ‘A Note Concerning
the Map’ (of ‘Steinbeck country’), which were dropped in the later version” by a different publisher (DeMott, Steinbeck’s Typewriter).
Small later owner signature. Faint toning to spine of bright unrestored dust jacket, less than usually seen. A fine inscribed copy
with a notable association.
“The Foundation For Later Artistic Greatness”: 73
Rare First Edition, First Issue, Of Steinbeck’s To A God
Unknown, One Of Only 598 Copies Bound And Sold
Steinbeck called To a God Unknown, his first California novel, a work that
“leaves realism farther and farther behind.” Drawing on an unfinished play,
The Green Lady, by his friend Webster ‘Toby’ Street, Steinbeck here explored
ways to redefine “reality to include the seen and unseen, physical and
metaphysical, quotidian and psychological elements… Steinbeck’s goal,
writes his biographer, Jackson Benson, was to make people ‘see the whole as
it really is… Steinbeck invested his essential self in it.” “Steinbeck labored
longer on To a God Unknown than on any other book, including his two
famous epics, The Grapes of Wrath [1939] and East of Eden [1952]… Because
he may have learned more about crafting long fiction from it than from
anything else he worked on during that period, this book laid the foundation
for later artistic greatness” (DeMott, Introduction, To a God Unknown). First edition, first issue, with all first issue points. Goldstone
& Payne A3. Small penciled bookseller pricing to front dust jacket flap. Text fresh; lightest edge-wear, minor tape reinforcement to
verso of scarce dust jacket. A very handsome near-fine copy.
“A Tour De Force”:
First Edition Of Steinbeck’s Tortilla Flat
76. STEINBECK, John. Tortilla Flat. New York, 1935. Octavo, original
beige cloth, dust jacket, custom clamshell box. $13,000.
Tortilla Flat won John Steinbeck his first experience of literary fame.
Consisting of revised versions of earlier stories, now united in a structure
that mirrors Malory’s Morte D’Arthur, Tortilla Flat became “the book that
raised [Steinbeck] out of obscurity. Written under the shadow of his
mother’s illness and his father’s decay, it is, strangely enough, the most
comic of his novels. ‘Its tone, I guess,’ he wrote a friend, ‘is direct rebellion
against all the sorrow of our house… Tortilla Flat is a tour de force. In
retrospect it is hard to think of any other American writer getting away
with it… Only someone who truly loved and knew these people could have
so successfully exaggerated and stylized their lives” (Benson, 276, 279).
Advance review copy with tipped-in publisher’s printed review copy notice
(measures 3 by 4-1/2 inches) containing inkstamp date: “May 28 1935.”
Illustrated with numerous line-cuts by Ruth Chrisman Gannett. This issue
(of 4000 copies) bound in cloth, as opposed to the issue in wrappers (500 copies); no priority established. Goldstone & Payne A4b.
Bruccoli & Clark I:353. Salinas Public Library, 21. Valentine 29. Text fresh, small bit of wear to rear joint, almost no foxing; lightest
edge-wear, slight toning to spine of colorful dust jacket. A near-fine copy.
74
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m a rk t wa in
An Exceptional Twain Rarity, One Of Only 60 Copies Signed By Twain:
Signed Limited Edition Of Following The Equator, “His Best Travel Narrative”
77. TWAIN, Mark. Following the Equator: A Journey Around the World. Hartford; New York, 1898. Royal octavo,
original green cloth. $22,000.
Very rare “Author’s Signed Edition” of Twain’s fifth and final travel book, one of as few as 60 copies issued, with Twain’s
double signature on the limitation page. This special edition includes a portrait of Twain in a donkey cart, as well as a
two-page facsimile of a letter penned by Twain to Mr. T.S. Frisbee regarding the donkey-cart picture, neither of which
appear in the trade edition.
“Travel themes pervade Twain’s fiction. The novel Huckleberry Finn (1885) takes the form of a travel story with picaresque
elements. Tom Sawyer Abroad (1894) was the first story in what Twain evidently planned to be a series of travel stories narrated
by Huck Finn… Following the Equator, Twain’s final travel book, resembles Innocents Abroad in having a clear narrative tracing
an actual journey—the around-the-world lecture tour he undertook in 1895-96. The book has long sections on his voyage
across the Pacific and Indian Oceans and his visits to Fiji, Australia, New Zealand, India and South Africa.” Often sober in tone
due to Twain’s grief over the death of his daughter Susie, this is his “only travel book that makes no pretense that its narrator
may be anyone other than Twain himself. Following the Equator contains occasional flashes of whimsy and…. many passages
are lifted directly from notebooks he kept during his travels” (Rasmussen, Critical Companion, 916). While largely written to
pay Twain’s debts, the serious tone of the book “in some ways makes this his best travel narrative” (MacDonnell, 53). While the
limitation page states that 250 signed copies were produced (this copy is unnumbered), Twain bibliographer Merle Johnson
notes, “Mr. Walter Bliss informed me that no more than 60 copies of the special edition were ever bound, and there is a strong
possibility that these were ‘bootlegged’ over the author’s objection” (Johnson, 67). Because of this, this signed limited edition is
almost never seen. The facsimile letter has been noted in two states, no priority determined, either with or without the name of
the recipient—this copy omits the recipient’s name. First published in 1897. BAL 3451. Johnson, 65-68. McBride, 194. Bookplate.
A fine copy of this exceptional Twain rarity.
“It Was To Be A Picnic On A Gigantic Scale”: 75
First Issue Of The Innocents Abroad, Together With
A Scarce Original Salesman’s Dummy For The Book
First edition of Twain’s account of his walking trip through the Black Forest
and the Alps, profusely illustrated. This copy one of very few bound in the
publisher’s deluxe full morocco-gilt—“full morocco copies are extremely
rare” (MacDonnell).
“Besides his accounts of Germany, Switzerland, France and Italy, Twain includes
local folklore (some of which he made up) and slips in several sketches that have
little or nothing to do with Europe, including one of his most famous comic
tales, ‘Jim Baker’s Bluejay Yarn” (MacDonnell, 42). Includes over 30 full-page
wood-engravings, as well as nearly 300 in-text vignettes (including, as the title
page states, “three or four pictures made by the author of this book without
outside help”). “Full morocco copies [of A Tramp Abroad] are extremely rare”
(Kevin MacDonnell). With first state frontispiece, state B of portrait frontispiece,
and state A of the text-block. BAL 3386. Bookplate, owner ink signature. Some
foxing to frontispiece portrait (only); text generally quite clean, handsome and
rare publisher’s deluxe morocco recased, gilt exceptionally bright. A very
desirable copy.
76 First Edition, Presentation/Association Copy,
Of H.G. Wells’ Floor Games, Inscribed To The
Wells Family Nanny, Accompanied By Two
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In this engaging work, H.G. Wells set out to show how toy soldiers, figurines, and other
toys could be used to create imaginative games on the nursery floor. The front of the
autograph scorecard, beneath the scores, has a pencil sketch by Wells of a card game that
he has captioned, “Card Sharpers at Work.” The verso has a humorously gory sketch of
two men speaking French and staring down at man with a fatal head injury while a dog
observes. Without exceedingly rare original dust jacket. Sketch neatly captioned in red
ink by Mathilde Meyer. Newspaper clippings tipped in. A fine copy with a wonderful association.
“The Book of Psalms has occupied a privileged place in Christianity from its
earliest years, but it was not until the 16th century that metrical versifications
of the Psalms became popular… In England and Scotland, the versifications
written by Thomas Sternhold and John Hopkins became the most popular”
(Duguid). This particular version, first published by the celebrated printer
John Day in 1562, represents the earliest complete English language
translation of the psalms. Printed music accompanies the verses throughout.
STC 2445a.5. Small round library stamp “Bibliotheque de Sorbonne” on the
final page indicating that before the French Revolution this volume was
present in the library of the College de Sorbonne, then a theological college.
The stamp was used from 1743 onward. During the Revolution the College de
Sorbonne was closed down and the library of the institution was dispersed. The books were transferred to the depot named “Louis
la Culture” and from 1797 the theological works, among which the present volume can be classed, were sold off. Early owner ink
notations. A lovely, nicely restored copy in contemporary calf-gilt with distinguished provenance.
First published in 1582, the Rheims New Testament, like the Geneva
Bible, was “produced by religious refugees who carried their faith and
work abroad. The New Testament was issued separately and first, in the
hope that its successful sale would finance prompt production of the
Old Testament (a goal not reached, however, until 1609-10). The text
itself is largely a “reprint of the earlier edition, with certain changes,
such as the addition of A Table of Heretical Corruptions” and a fresh
Approbation (Darlow & Moule 198). Herbert 258. Occasional old ink
marginalia. Armorial bookplate, small blindstamp to title page. Interior
generally clean. Front hinge expertly repaired. Expected mild soiling to
vellum. An important Bible, scarce in contemporary vellum.
78
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First edition of the “first English translation of the Pentateuch in America,” the 1845 Hebrew-English Bible by one of the
most prominent and influential figures in American Jewish history. A well-margined copy in contemporary calf.
Named hazan (cantor) of Congregation Mikveh Israel in Philadelphia in 1829, Leeser’s “contributions to every area of
Jewish culture and religion made him a major builder of American Judaism.” The publication of his Pentateuch was the
first time that any portion of the Bible was published in America under Jewish auspices. “The translation of the Bible was
Leeser’s great literary achievement and represented many years of patient labor and devotion to a task which he considered
sacred… He made good use of the various German translations by Jews of the collective commentary known as the Biur
and of other Jewish exegetic works. As a result his translation though based in style upon the King James version can be
considered an independent work for the changes he produced are numerous and great… until the new Jewish Publication
Society version was issued in 1917, it was the only source from which many Jews not conversant with Hebrew derived their
knowledge of the Bible in accordance with Jewish tradition” (Waxman, 1090). Printed in Hebrew and English, with
corresponding text on facing pages. Rosenbach 569. Text clean. Contemporary calf dried and rubbed at extremities, gilt
somewhat dulled. A very good, complete copy of this scarce and important work.
Oxford King James Bible, 1763, 79
With Over 200 Fine Engravings After John Sturt
Mid 18th-century editions of the King James Bible and Book of Common
Prayer, copiously illustrated with engraved frontispiece portrait of George
II, additional engraved title page for the prayer book, engraved allegorical
frontispiece for the Bible, engraved title page, and 204 delicate copper-
plates (four each on 51 interleaved sheets). Very beautifully bound in
contemporary full red morocco gilt.
“If everything else in our language should perish, [the King James Bible]
would alone suffice to show the whole extent of its beauty and power”
(Macaulay). In 1717, John Sturt produced a series of 436 Biblical scenes for
Samuel Wesley’s History of the Holy Bible; 200 of the Sturt illustrations
were re-engraved by John Cole and offered separately by Ware in 1727.
Bound with this Bible is a contemporary edition of the Book of Common
Prayer, the beautiful and dignified language of which has influenced not only ecclesiastical practice but also literature in English
for centuries. Herbert 1147. Infrequent penciled marginalia. Occasional marginal paper reinforcement. Near-fine and quite lovely.
Born of Thomas Cranmer’s desire for liturgical texts upon which all
of Europe’s Protestant, English-speaking churches could agree, and
which all English-speaking believers could easily comprehend, the
Book of Common Prayer, first issued in 1549, has become what
Diarmaid MacCulloch calls “one of a handful of texts to have
decided the future of a world language.” “The acute poetry, balanced
sonorities, heavy order, and direct intimacy of Cranmer’s prose have
achieved permanence, and many of his phrases and sentences are as
famous as lines from Shakespeare or the King James Bible” (The
New Yorker). Griffiths 1638:1. STC 16409. Armorial bookplate.
Scattered pencil markings and marginalia; contemporary owner
signature. Occasional light soiling and dampstaining. Minor expert
paper repairs. Contemporary calf-gilt handsome.
80 Two Beautiful Illuminated Leaves From
Early 15th-Century French Books Of Hours
H oli day 2013 | H istory, R eligion , P h i losoph y & E conom ic s
Very rare first edition of the book which has been called “the classic exposition of the common law” (D.M. Stenton), “a model
for legal literature until the present day” (P.M. Barnes), and “the crown and flower of English medieval jurisprudence” (Pollock
& Maitland I: 206).
Composed between 1250 and 1256, De Legibus was cited in the courts well into the 18th century, and remains an established
legal literary prototype. “Bracton based his book on the cases decided by the great judges of the first half of the century… as
well as on his own twenty-year experience as ‘justice itinerant…. He combined a systematic inquiry into the legal maxims of
general validity with their practical application in the common law courts. Thus he arrived at a formulation of principles which
have determined the whole development of English law, of which the use of precedents is perhaps the most characteristic. His
method was adopted and carried on by Littleton and Coke” (PMM 89). “Bracton’s position in the history of English law is
unique. The treatise De Legibus is the first attempt to treat the whole extent of the law in a manner at once systematic and
practical… his influence has been effective in molding the existing common law of England” (DNB). STC 3475. Discreet
notation to title page; early marginalia to some leaves. Marginal restoration to upper corner of title page, occasional very faint
dampstaining; early binding near-fine. An exceptional copy.
82
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w inston churchill
The First Collected Edition: Handsome Centenary Limited Edition Of Churchill’s Works
90. CHURCHILL, Winston. The Collected Works. London, 1973-76. Thirty-
four volumes. Large octavo, original full vellum gilt, slipcases. $15,000.
Centenary limited edition of Churchill’s Complete Works, one of only 3000 sets
produced, copiously illustrated, in publisher’s gilt-stamped vellum and printed on
500-year archival paper.
This monumental set, the first of only two collected editions ever produced, was issued
in recognition of the centenary of Churchill’s birth. Compiled and published with
the approval and cooperation of the Churchill Centenary Committee and members
of his family, this edition reproduces all of Churchill’s 50 books in 34 volumes. An
extremely desirable set, “the Collected Works are so rare that few can access them”
(Langworth, 364). A “Centenary First Edition” of Churchill’s 25 “major works” was
published by the Diner’s Club in 1974, but “there is less demand for these than the
Collected Works because they include fewer volumes of Churchill’s books”
(Langworth, 370). Interiors fine; some discoloring to vellum, as often. Light wear to
some slipcases only. A fine, handsome set, increasingly scarce.
83
First edition of Blackstone’s landmark Commentaries, perhaps the single most important legal work in Anglo-
American history.
One of the greatest achievements in legal history, Blackstone’s Commentaries of the Laws of England was instrumental to
the definition of the English constitution and important in establishing common law as the basis of the American legal
system. “The Commentaries are not only a statement of the law of Blackstone’s day, but the best history of English law as
a whole which had yet appeared… the skillful manner in which Blackstone uses his authorities new and old, and the
analogy of other systems of law, to illustrate the evolution of the law of his day, had a vast influence, both in England and
America” (NYU, 34). The Commentaries helped clarify English law by introducing to the public its formative traditions.
“Until the Commentaries, the ordinary Englishman had viewed the law as a vast, unintelligible and unfriendly machine…
Blackstone’s great achievement was to popularize the law and the traditions which had influenced its formation… He did
for the English what the imperial publication of Roman law did for the people of Rome” (PMM 212). Armorial bookplates
of two Lords Willoughby de Broke. Some light, inoffensive foxing; occasional faint dampstaining. Volume II with expert
repair to title page, Table of Consanguinity bound in upside down. Generally a fine set in contemporary calf.
84 Human Action, Signed By Ludwig Von Mises:
“The Most Uncompromising And Most Rigorously
Reasoned Statement Of The Case For Capitalism
H oli day 2013 | H istory, R eligion , P h i losoph y & E conom ic s
Third revised edition in English of the landmark work by the head of the
“Austrian school” of economics, signed: “March 2nd, 1970. Ludwig Mises.”
Few published works of the 20th century have exerted the influence or
had as devoted a following as Security Analysis. Prior to its publication,
investors often relied on intuition or the character of a business owner to
make their decisions. Writing in the wake of the catastrophic stock
market crash, Graham and Dodd designed “value-oriented investment,”
a disciplined, realistic approach to constructing a solid financial portfolio.
Popular when it was published, it continues to shape the strategies and
the training of financiers. The original 1934 work is extremely scarce.
Without the scarce dust jacket. Bookplate. Gift inscription. Occasional
pencil marginalia, underlinings. A most attractive copy in very nearly
fine condition.
85
First edition in English of a “milestone” in Mises’ groundbreaking theory of human action, containing “his seminal philosophical
and methodological” argument for the scope of economic science, a very scarce presentation/association copy inscribed by
Mises: “To Dean Joseph H. Taggart, with kindest regards, Ludwig Mises.”
This important work contains foundational thoughts on Ludwig von Mises’ theory
of human action, or “logic of action,” which forms the “distinctive methodology of
the Austrian School… Mises was not only the major architect and elaborator of this
methodology, but also the economist who most fully and successfully applied it to
the construction of economic theory” (Rothbard). Mises first began working on the
subject in a series of articles published in the 1920s. He “collected and published
them in his seminal philosophical and methodological work, Grundprobleme der
Nationalökonimie in 1933,” which was not translated into English until this edition.
To Mises “the epistemology of economics was not just an idle pastime for ivory
tower intellectuals. It was of direct practical relevance.” Recipient Dean Taggart
joined New York University in 1956, at a time when Mises’ seminars at NYU had
achieved considerable renown. A fine copy.
86 Signed And Dated By Einstein Soon After Publication
95. (EINSTEIN, Albert) BARNETT, Lincoln. The Universe and Dr. Einstein.
H oli day 2013 | H istory, R eligion , P h i losoph y & E conom ic s
New York, 1948. Octavo, original half black cloth, dust jacket. $8500.
Original protective pass issued by Raoul Wallenberg to Erno Wollak in Budapest during the height of the Holocaust, proclaiming
the bearer to be a Swedish civil servant, signed by Wallenberg beneath the Hungarian text and then again beneath the German.
A stirring and important document.
Swedish diplomat Raoul Wallenberg engaged in extraordinary efforts to save Hungarian Jews during the Holocaust. His heroic
actions began in July 1944, when “the Swedish Foreign Ministry, at the request of Jewish organizations, sent him on a rescue
mission to Budapest, as an attaché to the Swedish Embassy. Wallenberg’s chief operation was the distribution of Swedish certificates
of protection (‘Wallenberg Passports’ or Schutz-Pass)” (Encyclopedia Judaica). Armed with these passports, Jews fell under the
protection of Sweden, an officially neutral nation. The present pass was hastily issued during Eichmann’s attempts to exterminate
the Jewish population of Hungary; his death marches began on November 20th, five days before this pass was issued. Wallenberg
relocated from Buda to Pest, where the two Jewish ghettos were located. His Swedish legation continued to grow and he had 340
permanent “employees.” This pass appears to have belonged to one of those 340. This protective pass states in Hungarian and
German that the bearer of the pass is a Swedish civil servant. A small photograph of Wollak is attached and stamped. The pass is
signed twice by Wallenberg using a fountain pen, once beneath the Hungarian text, and once beneath the German text. Translations
have been provided in Russian (“Hungarian Passport,” “Erno Wollak,” and “Swedish Embassy”), presumably by Soviet liberators
of Hungary. Fine condition. Rare, especially in original passport cloth.
88 “A Masterpiece Of Historic Biography”
98. (HENRY VIII) HERBERT, Edward. The Life and Raigne of King
H oli day 2013 | H istory, R eligion , P h i losoph y & E conom ic s
Henry the Eighth. London, 1649. Small folio, contemporary tooled brown
calf rebacked and recornered. $1800.
Few were “less likely to lead the English Reformation and break
away from Rome than Henry VIII. That, nevertheless, is what he
did. It was the need for a male heir and his passion for a court
lady named Anne Boleyn that propelled him into a religious and
political revolution” (Fraser, 255). Elder brother of poet George
Herbert, Edward Herbert drew on a wealth of original sources for
this well-respected history of one of England’s most notorious
rulers, written chiefly to rescue Henry from slanders by Herbert’s
contemporaries. Horace Walpole described Life and Raigne as “a
masterpiece of historic biography” (Allibone, 828). Without
frontispiece portrait of Henry VIII or final blank leaf. Wing
H1504. Ownership signature and initials to title page. Library
number to verso of title page; a few library stamps. Occasional
light pencil underlining and marginalia. Interior quite clean;
contemporary calf boards show expected wear.
First edition, first state, of what Hume considered “incomparably the best” of all
his work, his corollary to Treatise of Human Nature and a key work within the
Utilitarian school of political and moral philosophy, one of the most important
traditions in English-speaking philosophy, including such eminent thinkers as
Adam Smith, Jeremy Bentham and John Stuart Mill.
Hume’s Treatise of Human Nature (1739-40) was the first attempt to apply
principles of Locke’s empirical psychology to a theory of knowledge. In this and
his Enquiry Concerning the Principles of Morals, Hume stands as a leading voice
in the school of Utilitarianism, “the most influential and longest continuing
tradition in English speaking moral philosophy… marked by a long line of
brilliant writers” that includes Adam Smith, Jeremy Bentham and John Stuart
Mill. An Enquiry was, in Hume’s own opinion, “Of all my writings incomparably
the best” (Autobiography). Todd 193-94 (a). Early ink owner inscription and
mathematical calculation. Early title page ink owner signature partially removed.
Expert paper repairs to first four leaves of text and B5-B8, including some title
page letters in facsimile; mild scattered foxing to text, expert restoration to
contemporary calf. An extremely good copy.
“My Spirit Waits The Impassioned Word That Shall Shatter 89
The Walls Of Sense And Sunder The Gates Of Silence”
First edition of this book of verse by author and activist Helen Keller,
inscribed across the first three pages in pencil with a lengthy original poem
and signed by her.
“The Song of the Stone Wall is conceived and executed in the Whitman spirit and
with the Whitman influence apparent in its form… In the delicate nature
touches here and there, the pictures and conjures, Miss Keller leaves us filled
with wonder” (New York Times). The original inscribed poem reads: “Of time
when my heart is sad / I go to the old wall that divides my neighbour’s fields and
mine / And there beside the broken line of stone / I kneel and whisper my woes
/ To the spirits that live in the wall. / They never speak or stir / Yet I know they
sense my grief / For they have measured their strength / With the mighty forces
of God / Storm, sun and wintry blast / And they lie there / Between my
neighbour’s fields and mine / Pinioned to earth / More marred than any child of
flesh / Yet in their heart burns still the flames / Hot shock of steel sets free. /
Prisoned like flame / My spirit waits the impassioned word/ That shall shatter the walls of sense / And sunder the gates of silence /
Beyond the obstructing wall of sense / How fair the land of all desire / The promised land of light and song. Helen Keller. Wrentham
Mass. Sept 14, 1916.” Faint scattered foxing, several leaves with marginal restoration; spine and board edges expertly restored.
First edition of this famed defense of Richard the Third by Sir George
Buck, with fine engraved frontispiece portrait, very scarce in contempo-
rary calf boards.
Sir George Buck, “historian, poet, and master of the revels, was
descended from a good family which had formerly held large estates in
Yorkshire and Suffolk. For taking the side of King Richard III at the
battle of Bosworth Field his ancestors were deprived of most of their
possessions, and, had not a powerful member of the Howard family
interceded on their behalf, would have lost everything… The history
attempts to prove that Richard III was a virtuous prince and innocent of
the crimes imputed to him, and must be regarded to some extent as an
anticipation of Horace Walpole’s ‘Historic Doubts” (DNB). As Master of
the Revels from 1606 to 1620, Buck was the Court’s official licenser of
plays, and he associated professionally with the great playwrights of the
Jacobean theater, including Shakespeare, whose masterful Richard III
immortalized the king with a brooding eloquence, electrifying even in the play’s opening line: “Now is the winter of our discontent.”
Published posthumously in 1646. Wing B5306. Early owner signature above title page dated 1698. Interior fresh with only lightest
occasional edge-wear to leaves, small bit of faint dampstaining to a few rear leaves, slight rubbing to contemporary boards. A
highly desirable extremely good copy.
90
john lock e
“The Basis Of The Principles Of Democracy” (PMM):
First Collected Edition Of Locke’s Letters On Toleration, 1765, In Original Morocco-Gilt
102. LOCKE, John. Letters Concerning Toleration. London, 1765. Quarto, contemporary full crimson morocco gilt rebacked
with original spine panels neatly laid down. $14,500.
First collected edition of Locke’s influential letters defending the cause of religious liberty, published by Thomas Hollis,
containing Locke’s four letters in English, along with the first printing of the Latin text of Locke’s first letter since a 1705
printing—“it was becoming exceeding scarce and known to very few” (Preface). A splendid wide-margined copy, with scarce
engraved frontispiece portrait, in the original John Matthewman red morocco binding with Giovanni Cipriani-designed
ornaments depicting Britannia on the front cover, Liberty on the rear cover, and the Liberty cap on the spine.
Together with Locke’s Treatises on Government, these Letters Concerning Toleration “provide a classic example of the empirical
approach to social and political economy which has remained ever since the basis of the principles of democracy” (PMM 163).
This is one of the key texts published by the English libertarian and philanthropist Thomas Hollis for donation, particularly to
American colleges, and most especially to Harvard. “Convinced of the decadence of his own times but hopeful for the future,
Hollis’ principal contribution to public service was the protection and advancement of English liberty by circulating appropriate
books on government, for he argued that ‘if government goes right, all goes right.’ From 1754 onwards he reprinted and
distributed literature from the 17th-century republican canon, thus keeping the cause of parliamentary reform alive during a
difficult period… they were elegantly bound to give them greater effect and tooled with libertarian ornaments such as the liberty
cap” (ODNB). Hollis was a friend of Giovanni Cipriani, who designed the set of 19 gilt republican ornaments that adorned the
special red goatskin bindings of his publications, which were executed by John Matthewman. In this copy, the two Cipriani
emblems on the covers (Britannia and Liberty) are also found inside, stamped as smoke prints on the first and final blanks. The
Cipriani-designed frontispiece portrait and the final leaf of text (page 399) also bear the woodcut Liberty cap (as issued). Light
foxing to frontispiece and first few leaves. An excellent wide-margined Hollis production in the original binding with ornaments
depicting Britannia, Liberty and the Liberty cap.
91
First edition in English of this comprehensive collection of the great Italian statesman’s most important writings,
the foundation of the modern study of politics. Includes The Art of War, Discourses on Livy, and his primer of
power politics, The Prince, with the armorial bookplate of Knightly Chetwood Esq. of Ireland.
“Machiavelli founded the science of modern politics on the study of mankind… Politics was a science to be di-
vorced entirely from ethics, and nothing must stand in the way of its machinery” (PMM 63). “Machiavelli is a
popular symbol for the… completely unprincipled, and unscrupulous politician whose whole philosophy is
that the end justifies the means. The highest law to Machiavelli, it is universally believed, was political expedi-
ency… From a comparative reading of [Discourses and The Prince], one must come to the startling conclusion
that Machiavelli was a convinced republican. He had no liking for despotism, and considered a combination of
popular and monarchical government best… It
is hardly disputable that no man previous to Karl
Marx has had as revolutionary an impact on po-
litical thought as Machiavelli” (Downs, 12).
Wing M128. Armorial bookplate of Knightley
Chetwood (alt. Chetwode) (1679-1752) of
“Woodbrook in Queen’s County in Ireland,
Esq,” which displays the motto “Corona mea
Christus.” (Christ is my Crown). Opposite the
bookplate, on the initial blank leaf, is the signa-
ture, “K’tly Chetwode,” likely that of Knightley
Chetwode, whose family motto is the same as
that on the bookplate. His marriage in 1700 to
Hester Brooking brought “substantial land and a
house which Knightley renamed Wood Brooke
(now known as Woodbrook), an amalgamation
of the couple’s family names. In 1714, he struck
up a relationship with Swift, one that was to last
18 years. Their friendship seems to be have been
genuine on both sides: Swift visited Woodbrook
on a number of occasions and… Swift even had
the honour of having a field named after him
and the ‘Dean’s Field’ retained the name well
into the 20th century” (British Library). Text
generally fresh, faint occasional marginal damp-
staining. Expert restoration to contemporary
calf spine. A scarce extremely good copy.
92
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thom a s m a lthus
“One Of The Founders Of Modern Economics”
104. MALTHUS, Thomas. An Essay on the Principle of Population. London, 1803. Quarto, period-style full straight-
grain red morocco gilt. $12,500.
Second and greatly expanded edition, the first to carry Malthus’ name, of one of the landmark works in economics—four
times larger than the first edition and extremely important, embodying “Malthus’ mature views of his subject.”
This 1803 edition, the first with Malthus’ name, was four times larger than the first—“practically a new book” (Osler 1297).
“Malthus was one of the founders of modern economics. His Essay was originally the product of a discussion on the
perfectibility of society with his father, [who] urged him to publish. Thus the first edition (published anonymously) was
essentially a fighting tract, but later editions were considerably altered and grew bulkier as Malthus defended his views
against a host of critics… The Essay was highly influential in the progress of thought in early 19th-century Europe [and] his
influence on social policy was considerable… Both Darwin and Wallace clearly acknowledged Malthus as a source of the
idea of ‘the struggle for existence” (PMM 251). “In 1803 Malthus published under his own name the stout quarto that
embodies his mature views of his subject. The author confesses in his preface that he had taken too gloomy a view of human
nature in his first essay… The achievement of Malthus was the exposition of the theory of population; and his name has
been associated so closely with this theory that, like Darwin’s, it has added a new adjective to the language of civilized
peoples” (Palgrave II:670-1). The first edition was published in 1798. Occasional light foxing, title page with light expert
cleaning. A magnificently bound copy.
93
“Among The True High Points Of Man’s Efforts To Bring Reason And Dignity To His World”
105. PLATO. The Republic of Plato. Glasgow, 1763. Quarto, contemporary full calf. $25,000.
First edition in English of the greatest of Plato’s dialogues, printed at the Foulis Press, one of a scant number of large-paper
copies published by Glasgow’s renowned Foulis brothers, handsome in contemporary calf boards.
A cornerstone of Western philosophy and politics, Plato’s extended dialogue on justice and the ideal state contains one of
the most powerful descriptions of the human condition in world literature, his allegory of the cave (in Book VII). “Of all
Plato’s works, this is perhaps the most important and widely read. Ranging from a discussion of the ‘Good’ to an examination
of the nature of the State, it remains among the true high points of man’s efforts to bring reason and dignity to his world”
(Jenkins 404). “The Republic is a very famous dialogue, built up from a minor one, which survives as its first book, to a huge
set piece. Its setting and its characters are full of political meaning. Its arguments are tantalizing and its fables fascinating…
[Plato’s] utopia is alarming and his metaphysics are intoxicating. It is all an essay in how the state might be governed and
man as a citizen governed by the vision of goodness and truth” (Levi, 348). This translation by the Rev. Henry Spens is
“very faithful… containing not only a general epitome of the Republic of Plato, but an accurate delineation of the characters,
manners, and philosophy of the ancient Greeks” (Lowndes, 1878). The Foulis brothers were known for books “plainly
printed with no extraneous ornament, and soon established a reputation for their carefully edited editions of Greek and
Latin classics” (Glaister, 182). Occasional light foxing. Boards with expert restoration to extremities. A beautiful copy.
94
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Fine 19th-century oil portrait of one of England’s most revered military heroes, together with a medal
given to a participant in Wellington’s most famous success, the final defeat of Napoleon at Waterloo.
Known as “the Iron Duke,” Arthur Wellesley rose to prominence as a general during the Peninsular
campaign of the Napoleonic Wars; during the Hundred Days in 1815, he commanded the allied army
which defeated Napoleon at the Battle of Waterloo. This commemorative medal is inscribed on one side
with an image of an angel and the words “Wellington” and “Waterloo” and the date June 18, 1815. The side
of the medal is inscribed with the name of the recipient, “William Halfpenny, 2nd Batt[alion] 95th
Regiment Foot.” The 2nd Battalion of the 95th Regiment of Foot served with distinction at some of the
major battles of the Peninsular campaign. After Waterloo, the 2/95 had the honor of leading Allied forces
into Paris. Minor repairs to mildly darkened frame; a bit of fraying to upper edge of ribbon. Medal fine.
Children’s Books 95
“A turning point, not only in the career of Dr. Seuss but in the reading habits
of American children, occurred in the late 1950’s. Inspired by a
thoughtful article by John Hersey in Life magazine, entitled
‘Why do Students Bog Down on the First R?,’ Seuss began
to address the problem… Seuss’ answer
was The Cat in the Hat. By enhancing
everyday situations with irresistible
imaginary characters and telling the
tales with cleverly rhymed, easily rec-
ognizable words, Seuss gave control of
learning to read back to children, while
providing wit, charm, comic verse, and a
surprise on every page. The Cat in the Hat
was so successful that Random House, pub-
lisher of all the Dr. Seuss books since 1937,
created a special division, Beginner Books, with the Cat in the Hat as the logo and Dr. Seuss as presi-
dent of the division” (Dr. Seuss from Then to Now, 45). First edition, with 200/200 on the inside
flap of dust jacket and all other first edition points. Younger & Hirsch 7. Book fine, bright dust
jacket slightly soiled and lightly rubbed. A lovely copy in very nearly fine condition.
96
H oli day 2013 | C h i ldr en ’s L i t er at u r e
wa lt disney
Boldly Inscribed By Walt Disney
109. DISNEY STUDIOS. Walt Disney’s Fantasia. New York,
1940. Folio, original tan cloth, original dust jacket. $12,500.
Signed limited first American edition, one of 200 large-paper copies signed by
Milne and illustrator Ernest H. Shepard, in the scarce original glassine and
publisher’s box.
Signed limited first edition, one of only 275 copies printed for the
United States, with four color plates and 17 in-text line cuts,
signed by Arthur Rackham. With scarce
original slipcase.
e . b . w hite
An Exceptional Rarity Signed By Both E.B. White And Garth Williams:
First Edition Of Stuart Little
112. WHITE, E.B. Stuart Little. New York and London, 1945. Octavo, original
pictorial olive cloth, dust jacket, custom slipcase. $40,000.
A great children’s rarity: first edition, first printing, of White’s “outstandingly funny
and sometimes touching” (Carpenter & Prichard, 568) first book for children, signed
by White and illustrator Garth Williams.
“The story had been brewing with White for years as a disconnected series of bedtime
tales for his nieces and nephews by the time it came to Harper. There, shepherded by
the distinguished editor Ursula Nordstrom and felicitously illustrated [with 87
drawings] by Garth Williams, the book was eventually published-generally to high
acclaim” (Silvey, 677). First edition, first printing, with code “I-U” on copyright page.
Anderson, 6. Interior fine. Light wear to extremities of dust jacket with toning to
spine, a tiny abrasion to spine, and a tiny closed tear and a tiny, unobtrusive open tear
to front panel. An about-fine signed copy.
“Avec Amour Amour Amour And Les Autres 99
Quelquechoses Or So—”: First Edition Of Eloise In Paris,
First edition of one of the most delightful and beloved children’s books, a
cornerstone of any collection of modern children’s literature.
The most celebrated of White’s three children’s books, “Charlotte’s Web is rightly
regarded as a modern classic” (Connolly, 322-23). With numerous endearing
illustrations by Garth Williams. Anderson, 6. Costen 11941. Books of the Century,
210. Book fine, dust jacket with only slight rubbing and toning to extremities. A
very nearly fine copy.
100
Art & Illustrated
H oli day 2013 | A rt & I llust r at ed
joa n miró
18 Original Miró Lithographs: Limited Edition Of Goll’s Bouquet, Signed By Miró
115. (MIRÓ, Joan) GOLL, Yvan. Bouquet de Rèves pour Neila. Paris, 1967. Quarto, 11 loose gatherings as issued, portfolio,
glassine, slipcase and chemise. $8500.
Signed limited edition of Goll’s poems, one of only 200 copies, signed by Miró in pencil, with cover design and 18 original
color lithographs.
Miró’s lithographic works often display “a whimsical or humorous quality, containing images of playfully distorted animal forms,
twisted organic shapes, and odd geometric constructions… and are printed in a limited range of bright colors, especially blue, red,
yellow, green, and black [as here]. Amorphous amoebic shapes alternate with sharply drawn lines, spots, and curlicues, all
positioned on the stone with seeming nonchalance” (Lenin Gallery). Perhaps the most famous couple on the European avant garde
scene during the 1920s and 30s was Claire and Yvan Goll. But, “as a Jew, Goll had to flee from Europe in 1940, reaching New York
with the last refugee steamer after Nazi Germany had occupied Paris… Just before he died at the American Hospital in Paris in
1950, Goll stated: ‘I leave with a French heart, German mind, Jewish blood, and an American passport” (Wendell Piez). Miró’s
splendid production of Goll’s expressionist poetry was arranged by Claire. The printer of Miró’s lithographs, Fernand Mourlot, ran
a lithography press in Paris, where such greats as Braque, Chagall, Matisse, Picasso and Miró came to have their designs printed
and to learn about this still nascent medium. Cramer 115. A few minor smudges to slipcase. A fine copy.
“The Harvest Of A Gaze Trained On Wonder”: 101
Scarce Complete Six-Volume Lithographs Of Chagall, With 28 Original Lithographs
For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats
as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making
process. “For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his
first attempts printed” (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the
dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of
Chagall’s life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce
as a complete set. All volumes published simultaneously in English and French. Volumes I and II also issued in a deluxe signed
limited edition of only 100 and 150 copies. Gauss, 391. Freitag 1914. Books fine, only minor wear to dust jackets of Volumes I, III
and IV, others fine. A beautiful set.
The Czech-born artist Alphonse Mucha is widely celebrated for his “supreme
talent as a decorative artist” (Ray 366). The frontispiece by him, signed in
the plate, printed in two colors; a further plate opposite the Table of Contents
is a second illustration of his, also signed in the plate, finely printed on India
paper and mounted, with hand-colored highlights. Many of the illustra-
tions throughout are in the style of Mucha, who came to be nearly synony-
mous with the Art Nouveau movement—“for many years le style Mucha
guaranteed his international renown” (Ray). This volume is dedicated to
those “for whom the naked truth, unclad/ Is not a vision strange to set you
mad.” A few instances of very minor marginal soiling, not affecting illustra-
tions. A beautifully illustrated and bound volume in fine condition.
sep timus dawson
“Irish Travelers”: Beautiful Original Painting By Acclaimed 19th-Century British
Artist Septimus Dawson Depicting Irish Emigrants On Their Way To America,
Handsomely Framed
118. DAWSON, Septimus. Irish Travelers. Sunderland, Durham, England, circa 1880. Oil painting,
measuring 19 by 23 inches; framed, entire piece measures 25-1/2 by 29-1/2 inches. $15,000.
Beautiful original oil painting of two Irish travelers by late 19th-century British artist and Irish
Nationalism supporter Septimus Dawson, handsomely framed.
Painter Septimus Dawson was born in Sunderland, Durham, England in 1851. Though little is known of
his life, he showed a particular interest in painting genre scenes in oil. Several of his works depict working
class Irishmen or Irish peasants and he seems to have been sympathetic to Irish Nationalism, suggesting
that he may have visited Ireland at some point. This work—“Irish Travelers”—contains many of Dawson’s
characteristic elements. Slight wear to frame. Fine condition.
103
Deluxe signed limited first edition, one of only 300 copies, with
165 full-page color and black-and-white reproductions of
Wyeth’s paintings of Pennsylvania and Maine. This copy addi-
tionally inscribed and signed by Wyeth beneath a pencil draw-
ing of the Olson House: “The Olson House, drawn for James
Herr, Andrew Wyeth.” The Olson House is a colonial farmhouse
in Cushing, Maine, made famous by Wyeth’s depiction of it in
his painting Christina’s World.
Beautiful limited edition, one of 355 copies on vélin d’Arches, of a total limitation of 380 copies, with ten lithographed plates by
Toulouse-Lautrec, each in double suite, the second of each suite in black, green, or brown on papier de Chine, for a total of 20
plates, as well as several in-text illustrations.
This work is “the one substantial book illustrated by Lautrec… The text by Georges Clemenceau, the journalist and statesman,
consists of sketches of Jewish life and character from the millionaire Baron Moïse de Goldschlammbach to dwellers in Polish
ghettoes… Au Pied du Sinaï [was] a book of real elegance” (Ray 381). “A shrewd observer of his subjects, Lautrec spent hours in
the Tournelle quarter of Paris, sketching poor Russian and Polish Jews. Lautrec’s customary stippled grained ground, which he
achieved by an ink spatter, is evident in these plates” (The Artist & The Book 302). At the time of this book’s conception, France
was in the midst of the Dreyfus Affair. Clemenceau was a passionate supporter of Dreyfus, and used his position as a journalist
to vigorously defend the accused and denounce anti-Semitism; it was he who published Émile Zola’s J’accuse. Toulouse-Lautrec
was also a supporter of Dreyfus, and their shared political goals led the two men to create this volume with its sympathetic and
varied portrait of Europe’s Jews. Text in French. A fine copy with expert reinforcement to text block.
Index 105