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Ver.1.0.6 Nov. 30th 2009 Association of Musical Electronics Industry MMI Promotion Project MMA Version RP-048/amd1 Feb. 7 2011
Contents
1 Background ..................................................................................................................................- 1 - 2 User interface for mobile phones as musical instruments (numeric keypad) .........................- 2 -
2.1 Numeric keypad key assignment ......................................................................................................... - 2 - 2.1.1 Numeric keypad key assignment for melodic instruments.......................................................... - 3 - 2.1.2 Numeric keypad key assignment for drum sets ........................................................................... - 6 - 2.2 Directional pad assignment.................................................................................................................. - 9 - 2.2.1 Directional pad assignment for melodic instruments .................................................................. - 9 - 2.2.2 Directional pad assignment for drum sets.................................................................................. - 11 - 2.3 Center octave ...................................................................................................................................... - 12 -
4 Guidelines for mobile phone as a musical instrument settings (numeric and QWERTY keypads).............................................................................................- 18 -
4.1 Recommended settings ....................................................................................................................... - 18 - 4.1.1 Instrument type ........................................................................................................................... - 18 - 4.1.2 Keypad key assignment ............................................................................................................... - 18 - 4.1.3 Root key ........................................................................................................................................ - 18 - 4.1.4 Octave ........................................................................................................................................... - 18 - 4.1.5 Scale.............................................................................................................................................. - 18 - 4.1.6 Program number .......................................................................................................................... - 18 - 4.1.7 Volume .......................................................................................................................................... - 18 -
History
Version 1.0.0 1.0.1 Date Jan. 9th 2007 Jan. 12th 2007 2.2.2 First Edition []: Octave up each time the directional key is pressed . The new octave is then held. is changed to []: Octave up while pressing the directional key. []: Octave down each time the directional key is pressed . The new octave is then held. is changed to []: Octave down while pressing the directional key. In figure 13, Held is eliminated. 1.0.2 1.0.3 Nov. 11th 2007 Jul. 27th 2009 3 4 1.0.4 Oct. 8th 2009 Figures 14 and 15 4 4.1 4.1.3 4.1.5 1.0.5 Oct. 30th Entire Document 1 2.1 1.0.6 Nov. 30th 2009 3.2.1 3.2.2 RP48amd1 Feb 7 2011 --2.2.1 2009 2.2.1 Added support for directional pad interaction for melodic instruments Added support for QWERTY keypads Added support for QWERTY keypads Corrected a typo. Removed assignments for [F] and [K] keys in Figure 14 Changed the wording of the title Changed the wording of the title Added (=C) wording Removed Dorian Changed mobile phone to mobile phone device. Changed standard numeric to numeric. Added lines 15 17 Changed The standard mobile phone to A mobile phone with a numeric keypad Changed directional pad assignment to Default, Option 1, Option 3, & Option 4 and Option 2 & Option 5 Changed to match Section 2.2.1 Changed to match Section 2.2.1 Reformat for MMA Publication 3.1.5 Corrected scale definition Revisions
Background
The evolution of mobile phone functionality in recent years is quite remarkable. One example is the
approach to music, with FM tone generators used for playing ringtones appearing in mobile phones around 1999. Since then, mobile phone tone generators have continued to evolve, reaching sound quality equivalent to that of PC-based softsynths. Using the numeric keypad for text messaging, mobile phone usersparticularly younger usersare able to communicate easily and with great agility. As using the mobile phone keypad as a musical instrument spreads, it is not unimaginable that users could become as virtuosic as on any other musical instrument. However, if each mobile phone maker independently implements the way the numeric keypad is used to play music, this could mean that a user would have to re-learn a new interface for each mobile phone. as a musical instrument. Rather than be restricted to mobile phone devices numeric keypads, guidelines for also using the QWERTY keypads of mobile phones and PCs as a musical instrument has been appended since version 1.0.3 of this document as Section 3. This document provides a suggestion for standardizing the user interface specification for using the mobile phone
Figure 1
Figure 2
Figure 3
Figure 4
Figure 5
Figure 6
Figure 7
Figure 8
Figure 9
Figure 10
Figure 11
The following table illustrates the division of the forty-seven GM1 drum set instruments between the number key assignments for drum sets. Key# 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 Instrument Acoustic Bass Drum Bass Drum 1 Side Stick Acoustic Snare Hand Clap Electric snare Low Floor Tom Closed Hi-Hat High Floor Tom Pedal Hi-Hat Low Tom Open Hi-Hat Low Mid Tom Hi Mid Tom Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Hi Bongo Low Bongo Mute Hi Conga Open Hi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short Whistle Long Whistle Short Guiro Long Guiro Claves Hi Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Drum1 * 0 7 8 7 6 # 6 # 5 9 5 4 1 4 3 2 3 4 2 8 1 3 9 8 9 * 0 6 5 3 6 2 7 2 5 1 4 1 8 0 7 * 9 # Drum2 * Perc.1 Perc.2
# up
Basic Pitch
Oct. Down
Oct. up
b down
Figure 12
A system can be implemented such that the above values can be changed. (*2) Alternatively, it is acceptable to implement it such that each time the [] or [] key is pressed by itself, the octave is raised or lowered. It is also acceptable to implement the system so that the user can switch between the two implementations described. (*3) The depth values of modulation depths 1 and 2 can be implemented differently between systems. It is also acceptable to implement a system such that the depth values can be edited
Accent
Basic Assign
Reserved
Reserved
Change Set
Figure 13
[Note] The volumes of normal notes and accented notes depend on the implementation of the system.
Figure 1 Center Octave PC# 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Instrument Acoustic Grand Piano Bright Grand Piano Electric Grand Piano Honky-Tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavinet Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Drawbar Organ Percussive Organ Rock Organ Church Organ Reed Organ Accordion Harmonica Tango Accordion Acoustic Guitar (nylon) Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Center Oct. 0 0 0 0 0 0 0 0 +2 +2 +1 0 +1 +2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 SynthStrings 1 SynthStrings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2 PC# Instrument Center Oct. -2 -2 -2 -2 -2 -2 -2 -2 +1 0 -1 -2 0 0 0 -1 0 0 0 0 0 0 0 0 0 -1 -2 0 0 0 0 0
PC# 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95
Instrument Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (Square) Lead 2 (Sawtooth) Lead 3 (Calliope) Lead 4 (Chiff) Lead 5 (Charang) Lead 6 (Voice) Lead 7 (Fifths) Lead 8 (Bass+Lead) Pad 1 (New Age) Pad 2 (Warm) Pad 3 (PolySynth) Pad 4 (Choir) Pad 5 (Bowed) Pad 6 (Metallic) Pad 7 (Halo) Pad 8 (Sweep)
Center Oct. +1 0 -1 -2 +1 0 -1 0 +2 +1 +1 +1 0 0 +2 +1 +1 +1 +1 +1 +1 +1 +1 +1 0 0 0 0 0 0 0 0
PC# 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127
Instrument FX 1 (Ice Rain) FX 2 (Soundtrack) FX 3 (Crystal) FX 4 (Atmosphere) FX 5 (Brightness) FX 6 (Goblins) FX 7 (Echoes) FX 8 (Sci-Fi) Sitar Banjo Shamisen Koto Kalimba Bag pipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot
Center Oct. 0 0 +2 +1 +1 0 0 0 0 0 0 0 +1 +1 +1 +1 +2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Q A
W S Z
E D X
R F C
T G V
Y H B
U J N
I K M
O L
Figure 13