Huddersfield Jazz Guitar Society

Newsletter No. 28 December 2013

Hi Jazz Guitar Fans,
What an interesting night. It began with assorted members carrying boxes of goodies for the bring & buy. Music, magazines, CDs, videos, assorted guitar spares and even a few guitars were all displayed in a separate annex room at the side of our regular meeting room (the old ticket office).

Following a good hours worth of rummaging it was time to start with the regular players night. This kicked off with Andy Hulme and Darren playing Honeysuckle Rose followed by On a Clear Day. Both tunes were beautifully played and, as ever with musicians of this quality, it sounded as if they had played together for years. In actual fact this was the first time that they had played together. Next up was Robins short talk on more modern players. This was a useful list of whos out there for people to check out in their own time. It was a handy overview for those unfamiliar with the names and a helpful starting point for further listening. Robin was followed by a scaled down version of The Idle Guits; comprising this time of only three players. They played a nice contrapuntal version of Fly Me to the Moon. A great theme arrangement with every guitar taking a vital and effective voice. Darren and Colin were the featured soloists. The first half was brought to a close by Idle Guit Tim playing a slow blues in C.

Following the interval two new faces at HJGS, Dave Evans (right) and Mike Dexter (left) played a Django set, starting with Minor Swing followed by I Cant Give You Anything But Love. All played on Maccaferri/Selmer look-alikes and sound-alikes, with just the right combination of sparkle and brashness. HJGS then gave a very warm welcome to guest duo Trefor Owen and Andy Hulme who began their set with Jerome Kerns Yesterdays. This was followed by How About You in a tasty arrangement with a beautifully harmonized head. Their enjoyable set concluded with Mancinis Days of Wine and Roses. Trefors and Andys mainstream jazz guitar set was then contrasted by the more earthy funk-based music of Martin and Jez whose set began with Thats Why That Happened an original composition by Jez with a gentle bossa feel. Jez took the first solo which was imbued by a Mullenish fleshy (thumb) tone. Great playing but a little marred by tuning issues. New strings? Or too light for the genre? Martins playing has become more studied and careful, exactly what is required to realize his profound musical vision and move away from a lick informed approach. Their second tune, a laid back reading of Mr PC, was an altogether funkier affair, replete with bends, slaps and slides.

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Members News Call for Membership Participation

We have a few successful, I believe, examinations/investigations of members favourite tunes. If you feel you could do a similar job please let me know. Send an email to huddjazzguitsoc@gmail.com or chat to any of the committee at the next meeting.

Remember the HJGS exists for the benefit(s) of its members, so we need to hear from YOU: good, bad, indifferent, news, views, gossip, ideas, viewpoints, gigs, sales wants, swaps etc, etc! Please keep us informed of any jazz guitar related gigs, events, sales or other item of interest, so that we can pass information on to other members. HJGS needs to develop its wider network as an important forum for jazz guitar related information and information exchange, so that we may all benefit from the collective wisdom and uncoordinated information that undoubtedly exists amongst fans and connoisseurs.

HJGS Jazz Guitar Showcase

Tuesday 3rd December 8:00 9:30 Head Of Steam We now have the line-up for the showcase. The format is essentially the same as last year (if it works, why change it!). Here is the line-up
Time 20:00 20:15 20:40 21:05 21:30 21:45 21:55 22:20 22:45 23:10 Duration 00:15 00:25 00:25 00:25 00:15 00:10 00:25 00:25 00:25 Jazz Dawgs 2 tunes Dave Vangelderen + Chris Brown Stephen Frazer/Adam Hinchliffe (shared slot) Martin Chung + Jez Platt Finish (with jam session if time permits) Introduction + Jazz Dawgs 2 tunes Robin Thomas Darren Dutson-Bromley + Idle Guits Tom Prior + ?? Break

Let me know if this presents a problem for anyone.

Diary of a Seven String Virgin

A blow by blow account of getting to grips (sic) with the 7 string guitar.

Ian Wroe Week 3. I need to get used to the un-natural interval (a 5th) between the A and E bass strings so I start practising 10ths (think 3rds but with more strings between). Still having trouble with seeing the extra string and wondering if my hands are in the right place. Week 4. Bass string still a bit slappy so up to 76 thou. As a guitarist I would normally only think to tow a car with a piece of cable this thick, still it seems to do the trick. Start working on chords which would normally have bass on 5th string. The mechanics of moving a finger the extra inch over proving troublesome. Week 5. Week 6. First gig on 6 string where I started reaching over for the 7th string. Looks like Im going to have to decide which route to take. First gig on 7 string. A duo with the lovely Carol Brown singing. Having the extra bottom end on the guitar really fills the sound out. Im getting to like this.

To be continued

Swap an Idea
This column appears to be popular so we will keep it for the time being. But, and this is an important but we do NEED YOUR CONTRIBUTIONS for this to be successful. Contributions please to huddjazzguitsoc@gmail.com. This month a festive contribution from Darren.

More Festive Fun (Bah Humbug) Jazz Guitar Christmas Advent Calendar
For a bit of seasonal festive fun why not take a look at the GuitarBytes advent calendar. Each day when you open a door youll find a video performance by HJGS member Darren Dutson Bromley showing you how to play a different Christmas song especially arranged for the calendar. Each piece is accompanied by a score to help you learn it. The songs vary in difficulty, some are intermediate level some are more advanced but each is a useful lesson in arranging as well as a worthy addition to the Christmas repertoire. http://www.guitarbytes.co.uk/podcasts/advent/

This Alternative fake book index was recently posted by Joe Finn (http://joefinn.net/index.html) in the jazz guitar news group rec.music.makers.guitar.jazz

A Day in the Wife of a Ghoul A Loan To Get Her A Month in Tunisia A White Sportcoat and a Pink Crustacean Afternoon in Pear-ass Ah, Sweet Mastery of Wife Ah, Sweet Misery of Lice All Booze All Them Leaves All You Think You Are Angel Thighs Angle Eyes Are You Loathsome Tonight? Autumn Heaves Baby Wont You Please Go Home Beaver Of Dreams Bernies Tuned Black Orifice Blame it on Vermouth Butt Beautiful Cant Elope, Ivan Christmastime Means Beer Die, Anne

Do You Know What It Means To Mess Your Blue Jeans? Dont Flame Me [newsgroup favorite] Ellington Medley: Sat-on Doll Prelude to a Quiche Don't Get To Clown Much Anymore Constipated Lady Hes Got a Badge and That Aint Good Everything I Had Is Yours Flamingo Retches Foodprints Fry me a Liver Gee Baby Aint I Glued to You Giant Schlepps Give Me the Sinful Life Glue Bossa Harbor Lice Have A Tequila Have you Wet, Miss Jones? Hello Dowry Hello Young Losers Honey Suck My Hose I Bite The Schlongs

I Could Bite a Rook I'd Love You More if You'd Ever Go I Caught You Under My Twin I'd Love To Be Loved by Two If Ever I Would Peeve You If I Were a Pitch Man I Got Kicked Out By You I Hear A Rap CD I Love Pear-ass I Dismember You I Guess Ill Have to Change My Pants I Laid A Fart In San Francisco I'll Dismember April I Only Have Ice For You Ill Fake Romance In a Semi-Mental Mood In The Nude In Waked Mud Im Getting Cement All Over You Im In The Nude For Love Ive Thrown a Custard in Your Face I Fall In Holes Too Easily If I Wore A Bell Inflatable You Isnt Tit Romantic? Killing Me Softly With Her Thong Lady of Pain Lullaby of Nerd Land Lush Wife Mean Dolphy Streak Medication Moonlight in Vermouth Mr. Licky My Card Belongs To Daddy My Old Phlegm My One and Only Glove My Phony Valentine Neuralgia in Times Square Oh, You Crazy Goon Oil of Me Old Level Spoon On A Queer Day One OClock Dump Ovine Medley: Do Ewe Know What it Means to Do Miss New Orleans? Ewe Don't Know What Love Is Ewe Took Advantage of Me Paint Jane's Infirmary Peg Am I Hard Plastical Glass Plague of my Heart Poisoner of Love Rin Tin Tin Deo

Sam And Janet Evening Sealed With a Knish Shes Phony That Way Shit Could Happen to You Simple Mental Journey Sit On A Happy Face Sleazy Living Someday My Pants Will Come Someone to Squat Over Me Stars Fell On Als Banana Stella by Headlights String Can Really Bang You Up the Roast Stolen Comments Summertime and Her Living Room's Sleazy That Old Squealing The Booze My Naughty Sweetie Gives To Me The Chateau Of Your Smile The Days of Whining Hosers The Gentile Reign The Last Time I Saw Pear-ass The Girl With Emphezema This Time the Cream's On Me The Object of my Infection The Queerness of You The Sheep of Araby The Summer Nose The Touch of Your Whips There Is No Grater, Love There Will Never Be Another Yew This Nearly Was Mime Thou Smell Three Groins in a Fountain Unchanged Malady Unchain Melanie Violence or Your Furs Wash What Happens We Bitched, Bothered and Belittled Will You Still Be Slime? What Are You Doing with the Breast of My Wife? What Is This Thing Called, Love? When Your Liver has Gone When You Swish a Spawning Jar Who Can I Turn On? Whos Soggy Now? Without a Schlong You and the Night and the Mucus You Bite Up My Wife You Can Descend on Me You Go For My Head You Schlepped Out Of a Dream Youd Be So Sleazy To Love Youre Somebody Till Nobody Loves You

Membership
Some memberships are now falling due for renewal, remember membership lasts for a full 12 months from the paid up month and the following benefits are only available to current paid up members. The following deals have been negotiated for members on production of a current membership card: Bulldog Pickups (Huddersfield) www.bulldogpickups.com 15% off all pickups and repairs/rewinds. ElectroMusic (Doncaster) www.electromusic.co.uk Variable discount depending on the item(s) purchased. GTR (Huddersfield) www.gtrguitars.co.uk 10% discount on strings and accessories. The Music Room (Cleckheaton) www.the-music-room.com Variable discount depending on the item(s) purchased. Matt Ryan 10% off guitar repairs/setups www.guitarrepairer.com

AmplifierCoversOnline.com www.amplifiercoversonline.com Customised Equipment Covers On Demand Frailers www.frailers.com Variable discount depending on the item(s) purchased. Foulds Guitars - Derby www.fouldsmusic.co.uk Variable discount depending on the item(s) purchased. The Amp Shack Contact Andrew Lazdins Valve/Solid-State amp and Effect pedal repairs. Discount available.
Phone: +44 (0) 7716 460 163 Email: theampshack@gmail.com

MicroVox www.westf.demon.co.uk 10% discount (see feature later in this newsletter)

Phone: +44 (0) 1924 361550 Email: andrew@westf.demon.co.uk

Vinyl Tap have been removed from the list as they have decided that they will no longer offer any discount on new cds and discount by negotiation on second-hand cds. As a consequence we feel we can no longer include them.

We are actively pursuing other supplier/retailers and will let you know as soon as we confirm them. Remember also that we welcome your suggestions re the future direction of HJGS. Please get in touch.

Committee
Martin Chung Publicity, joint treasurer, website/facebook and development Darren Dutson-Bromley Ensembles, education, website/facebook and development Adrian Ingram Newsletter, education, international liaison and development Ian Wroe Host, joint treasurer, artiste relations, events and development

Gigs Monday night jazz at The Head of Steam December

2nd 9th 16th 23rd Terry Kenyon Blues Night TBA TBA TBA

A message from Paul Hartley Tuesday Jazz at the Bakers Vaults, Stockport 2013
December 10th Andzrej Baranek (piano

9 - 11pm FREE admission Bakers Vaults, Market Place, Stockport Tel 0161 477 7312

Other Jazz Guitar Clubs/Societies

(We are 1 of only 4 jazz guitar societies in England)

Here are a few links: http://cheadlejazzguitarclub.wordpress.com/ http://www.southjazzguitar.org ------- Note new website address http://www.treforowen.com/index.php?id=38 http://www.meetup.com/LondonJazzGuitarSociety/

Meetings
The first Tuesday of the month at The Head of Steam: Huddersfield Railway Station (see http://www.theheadofsteam.co.uk/huddersfield ) Remember the society needs YOUR views and input so, if you want to provide a short introduction/discourse for a tune yourself or make any suggestions for a tune, please speak to a committee member. We have already had some other interesting ideas put forward which we are looking into. YOUR ideas are both vital and welcome. It is YOUR society and the committee is there entirely on YOUR behalf. Please, please get involved if you can!

2013 meetings
Dec 3rd - Christmas Showcase

2013 meetings
Jan 7th Feb 4th Mar 4th Apr 1st May 6th Jun 3rd Jul 1st Aug 5th Sep 2nd Oct 7th Nov 4th Dec 2nd - Players night

- Showcase

Workshop/seminars

Please note that in order to ensure an effective combination of complete workshop and some time for playing, these sessions will commence at 8:30 on

the

dot.
Of Interest, News and Reviews
Found anything on the web or heard of something which may interest our members, then this is the place for it.

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Makin It & Take Your Pick Johnny Pisano and Billy

Bean. Fresh Sound Records FSR-CD 736 Back in 1970 as a cash-strapped music student, I came across a copy of Makin It at a Birmingham flea-market. I had just enough money for a tin of beans (no pun intended) and my bus fare home. As I was, even then a jazz guitar fanatic, I carefully studied the sleeve notes. Billy Bean! Who was this player with a cartoon character/comic book name? Was it a pseudonym, was he any good, was it commercial rubbish or was it an anonymous non-jazz playing studio guitarist? All of those questions were running through my head. I had come across John or Johnny Pisano, as he was then known, but knew little of his work and had yet to make the connection that he was the suave looking guitarist who skilfully wove the descending diminished passage from the Villa Lobos Study No 1 (for classical guitar) into his featured solo with Chico Hamilton in the classic Jazz On A Summers Day film. Anyway my ignorance, coupled with shortage of money and some concern re the condition of the LP (already 12 years old by then) led me to put it back in the record bin! What a stupid mistake. Ironically, John Pisano told me a similar story years later about seeing the name on a Charlie Ventura album and thinking surely a guy with a name like that has to be suspect. He bought the album anyway because it also featured Dave McKenna, Johns favourite pianist at the time. He got the album home and was totally blown away by Billys playing, so much so that within months he had located Billy and insisted they get together. The first fruits of their work can be found on Makin It Again on which they can be heard jamming in the basement of Johns parents home in New York. Their first official recording, for Decca, was made in Jan/March of 1958. The album: Makin It is rather an uneven affair with predominantly fussy arrangements in the then fashionable Third Stream style including strings, oboe, tuba and the like, mixed in with typical West Coast period arrangements by Fred Katz, Bill Potts and Calvin Jackson. The entire record is rescued, however, by one really stunning track: The Song Is You. This is performed by a stripped down trio comprising Billy, John and bassist Hal Gaylor a brilliant and unsung player in his own right. The playing on this cut is mind blowing, worth the price of the LP many times over. The technique of both guitarists is flawless, their time is perfect and their ideas and sounds complement each other perfectly. Billys early, electric, Epiphone Deluxe has the bigger fatter, more electric, tone while Johns DAngelico Excel is more acoustic, with that stringy floating pickup tone. Gaylors bass is big round and beautifully driving. The results are sublime, a real jazz guitar masterpiece! Take Your Pick the duos follow-up album for Decca is an altogether more successful affair. Again it features predominantly arrangements in the popular West Coast style (think Shorty Rogers, Gerry Mulligan, Marty Paich) with only one Third Stream arrangement: Pastorale, the most ambitious but, in my opinion, weakest track on the album. This album also features several great originals by John and Billy such as the title track, Fat Feet, Billys Beanery and Pixie all of which prove perfect vehicles for the duo. Billys tone is wonderfully fat and full his drive is unsurpassed in the vein of early Joe Pass (CED, Catch Me etc.) and mid 60s Pat Martino (The Prestige albums) and his lines have the creativity and skill of Clifford Brown. If, arguably, Billy is the stronger soloist, John is the chord master with a great rhythmic tone and beautiful voice leading. However, Billy is no slouch as a chord player and John is a perfectly capable soloist. In short, the perfect team.

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Take Your Pick was my introduction to Billy. I once paid the price of a small car to obtain a clean copy in an auction. To return to my earlier story, several years after passing on Makin It a friend and great jazz player (Mel Gibbons) lent me a copy of Take Your Pick. It was, like my first experience of Wes Montgomery, life changing, through lifes ups and downs Take Your Pick has always been with me, one of the tiny handful of possessions from which I am inseparable. Miss this reissue at your peril!! Adrian Ingram ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Here is a new guitar strap/support we came across at a recent guitar show. It looked very impressive.

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Most jazz guitars have magnetic pickups and jazz guitarists often have strong views as to which type or make of pickup provides them with their favoured sound. Many players will take the trouble to fit replacement pickups in order to find the ideal sound for their taste. There is a wide choice available. However for the player who requires a true acoustic tone for their style of playing, Hot Club for example, all too often the choice is limited to a microphone (mic) on a stand or an under saddle transducer. The worst case scenario is when the guitarist has to borrow whatever mic comes with the house P.A., point it at the instrument and hope for the best! If the player is lucky, the mic will be one designed for instruments rather than the more common vocal mic, (an SM58 is great for vocals but its frequency response and proximity effect which are designed to enhance vocals make it less than ideal for instruments), and of course the stand mic requires the guitarist to maintain a constant distance between the instrument and the mic (posture issues). The under saddle transducer produces a distinctive electro-acoustic sound. This is because it feels the structural vibrations of the instrument rather than hearing the sound waves transmitted through the air, as our ears do. Extensive eq correction is often required in order to produce an acceptable sound and even then it is not a true acoustic sound.

Microvox offers a solution to many problems of reproducing a true acoustic sound. The system consists of a dedicated power supply (NB it is not a preamp) and a miniature flat response condenser mic. The mic element is housed in a small black aluminium block and faces down onto the instrument. It attaches to the instrument by means of a Velcro pad. This method of fixing isolates the mic from unwanted structural vibration and ensures the mic is a fixed and constant distance from the sound source.
Any pickup device is the first link in the amplification chain. Microvox system mics ensure that this first crucial link is as faithful to the true sound as possible. Members of HJGS will receive a 10% discount on all Microvox products from Westfield Music in Wakefield. Contact details: -

Website Email Tel.

www.westf.demon.co.uk Andrew@westf.demon.co.uk +44 (0) 1924 361550

The recommended Microvox for acoustic guitar is M400 with either PSU.

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www.mambo-amp.co.uk www.adrianingram.com www.jazzdawgs.co.uk http://jazzguitarscene.wordpress.com/ http://www.joefinn.net/html/jazz_guitar_almanac.html http://jamieholroydguitar.com http://www.darrendutsonbromley.com Check out Darrens pod casts

Tuition

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Sales
Please let me know as soon as items are sold to remove them from the list. --------------------------------------------------------------------------------------------------------------------------Set Bulldog Stratocaster Pickups, Haydens finest, lovely sound..120 Pair Gi son P100 Pickups (From ES-135)...!0 "o#plete guitar synt$ rig, co#prising% &

'()

*anelectro +2 guitar fitted ,it$ -oland synt$ pickup a surprisingly great sounding guitar and excellent tracking. .a#a$a G/0 0idi "onverter -oland 1210!0 Synt$ #odule 3u rack #ount carry case.

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4n afforda le rig for t$ose ,$o ,ant to e5peri#ent ,it$ guitar synt$s, "$rist#as is 6ust round t$e corner7 .3/0 ono

4ll prices are negotia le and interesting trades are ,elco#e Contact Ian Wroe - ianmwroe@virginmedia.com -------------------------------------------------------------------------------------------------------------------------1980s Heritage Golden Eagle, near mint. Blonde, with jaw droppingly spectacular woods. Made at the original Gibson by ex-Gibson employees, who knew how to make archtops. Bargain at 3,000 for quick sale. Includes case and upgraded electrics. Px considered.

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Polytone Mega Brute, mint. 110 watts, final model from the original polytone manufacturers. Small, light, loud and quality sound375 Musicman RD50 112, fantastic condition. The most sought-after Musicman. Small, loud and reliable. Possibly the most useable (re sound and size) valve amp, for the jazz player. Re-grilled and serviced at Matamp with a new upgraded celestion speaker ..550 ono Fender Pro Junior Valve amp. 15 watt but as loud as a 100 watt trannie amp. Mint with upgraded celestion speaker..250 ono (used exclusively by brilliant jazzer, Terry Smith)

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1969 Gibson L5CES. Near mint, all original with case. This is an exceptionally fine

guitar. A great player, and a fabulous jazz sound. Same colour and specifications as a 1962 model for half the money.

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Pickups Clear-out. A big selection of pickups; humbuckers, P90s and Tele pickups, various makes. s/h and new. Call or email with your wants ------ Great prices! Speaker Clear-out. 12 and 10 speakers, new and s/h (fully tested) all 8 ohm and various makes. Call or email with your wants ------ Great prices! CONTACT Adrian Ingram: Tel 01484 314529; Email adrian@jazzdawgs.co.uk ---------------------------------------------------------------------------------------------------------------------------

Roland GR33 guitar synth + pickup : 200 ono Session Rockette 30 fantastic little jazz amp : 90 ono JMP 50 1980 Marshall head : 600 Eventide Time-Factor delay/sampler/loop pedal : 220 Tone Pros locking nickel stoptail (335/ Les Paul etc) : 20 Boss digital dimension (1980s) pedal as new (Mike Stern/Sco/Metheny etc) : 80 Fender Hot-Rod Telecaster with case900 o.n.o. Fender 57 USA reissue Strat. Mint with upgraded pickups...950 Fender Eric Johnson Strat. Sunburst maple neck. Good condition.975 Contact Hayden Minett on 07967 831193 or hjm@bulldogpickups.com
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!"#!! $%&''"
I've hung it up on ebay for 5.5k which is very close to what I paid a few years back. I live in Mirfield approx 15 mins from uddersfield if you or anyone else wants to come try it out. It!s a "5#"" $% &55 and is in great shape. Many thanks 'ary (ebb gary)webb*btinternet.com

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The Comins Jazz amp has a power attenuator...all valve 1x12...nice & light combo & built by the great amp builder George Allesandro....1,000

The Ameson 50watt is all tube & a small head... 750

The Ameson 120w is a very small transistor amp...very high quality....650

'Triggs Jazzbox the top is laminate....2,500 2,200

Schaefer 15''Jazzer3,500

For more info contact Paul Wright on: ptw01@btinternet.com or mob 07527 389637 ---------------------------------------------------------------------------------------------------------------------------

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Antoria telecaster, 1970's, dark surburst green, all original, comes with soft case. good condition. 150.00 vintage strat copy, dark wood stain, 50.00 Double Bass, Antoni, professionally setup by Crinson and Gohlman, comes with soft case and stand. good condition. 380.00 Contact Andrew Lazdins
The Amp Shack The Professional Tone Breakdown Service

For all amp (valve and solid state) and effect pedal repairs.

Ph: +44 (0) 7716 460 163 Email: theampshack@gmail.com

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Triggs Sal Salvador. Top-of-the-line archtop. Beautiful AAA solid timbers with stunning onepiece maple neck a la Jimmy DAquisto/John DAngelico. The previous owner calls this a Sal Salvador model, but in reality it is more like a 1962 Gibson Johnny Smith in dimension, design, sound and playability. Mint, with mint hardshell case, half the present rrp at 3,000 ono. Swaps/trades considered.

CONTACT Pat on 07963 154845 or guitarcollective@hotmail.com

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--------------------------------------------------------------------------------------------------------------------------Hello HJGS, here are some photos of the gear I am thinking of selling. The Gibson L-7 is very nice an !as o!ne by "S# bl$esman %$ke &obillar , looking for '(()*.

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The #bbott +ictor ,$rlington is a fab piece of ,ritish g$itar history. -bony neck plays better than almost anything. .a e in /01*2s, may have been starte before 33II an finishe off after, accor ing to 4rank 5ambri ge. So rare that I can2t fin another one to compare for val$ation, b$t I2 like '/)** for it.

The Gibson ,& 6 0 amp is late /01*2s, last time I playe thro$gh it I !as not a!estr$ck so it maybe nee s a bit of a look at, it $se to so$n 7 Gol en8 - so maybe nee s a valve or a bit of kno! ho! 9 ':** as it is.

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#lso for the collector a J.G.#bbott senior /0(;ish, ro$n so$n hole archtop, <$ite like the Gibson L-: or L-1 of the late (*2s, light as a feather, very nice plectr$m g$itar, again too rare to fin a val$e b$t I2 like to think '0** !o$l be fair.

#nyone intereste can call me on *77//*)*;1=. Thanks, #n re!.

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Heres a message from Dan at Foulds Guitars I'm running short of jazz guitars again! I've still got a bigger stock than most but decent jazzers between 300 and 1500 I'm selling everything I get so if you have any members that would like to move any unwanted guitars on we may be able to help. Of course I am happy to offer a deal on goods for members, they just need to mention when enquiring.
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Trades Wants 1. 2. small amp : Polytone (any model considered); Musicman RD50 (1x10 or 1x12); Peterson (Wood cab 10 speaker) AER etc Seymour Duncan alnico Pro II neck telecaster neck pickup

If you have of know the whereabouts of any of the above please contact Adrian Ingram adrian@jazzdawgs.co.uk
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Gypsy jazzer (Doubling Double Bass & Rhythm Guitar) seeking fellow Gypsy jazzer's for blow.
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Tel. Mike on: 01663 743610. ---------------------------------------------------------------------------------------------------------Charts Huddersfield Jazz Guitar Society
Contact huddjazzguitsoc@gmail.com If you don't want to continue receiving newsletters and notices then send an email with the subject 'REMOVE' to huddjazzguitsoc@gmail.com Cheers Ian

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