Académique Documents
Professionnel Documents
Culture Documents
3
Releases 52, 53 and 54 | 2010
FF Advert, FF Advert Rough
ff Alega, ff Alega Serif
ff Amman Sans, ff Amman Serif
ff Angie, ff Angie Open
FF Archian
ff Basic Gothic
FF Bau
FF Bradlo Sans, FF Bradlo Slab
ff Cellini, FF Cellini Titling
FF Childs Play
FF CST Berlin
ff Dax
FF DIN Round
ff Engine
FFFontesque, FF Fontesque Sans,
FF Fontesque Text, FFFontesqueDisplay
FF Ginger
ff Good, ff Good Headline
ff Erikrighthand, ff Juslefhand
FF Hydra, FF Hydra Text
ff Instant Types
ff Kava
ff Marten, ff Marten Grotesque
ff Massive
FF Meta Condensed
ff Milo Serif
f Olsen
ff Signa
ff Suhmo
ff Tisa
ff Unit Slab
Fifty2|3|4
Fify234
c o l o p h o n
Fify234
p r e f a c e
Thanks to web fonts, 2010 became a groundbreaking year in the type industry. The news about the
new typographic freedom on the web spread across the world in no time, and the FontFont Library
contributed to it. Together with FontFont co-founder Erik Spiekermann, we made a clear commit-
ment to the new format. When Mozilla announced the implementation of the new Web Open Font
Format (.wof) in the Firefox browser FontFont designed the frst website using a woff font. And the
day Firefox 3.6 was released, we ofered ff Nuvo Medium Web the worlds frst professional woff
font for free! Now all major FontFont text fonts are available in the web font formats .wof and .eot,
a total of 2000 fonts.
Web FontFonts are already supported by the major browsers: Internet Explorer, Firefox and
Chrome. Safari and Opera are about to follow the woff standard. The revolutionary FontFonter, a
toolbar app from FontShop that lets you try web FontFonts on any website, has already convinced
countless web designers of the suitability of FontFonts. It is no surprise infuential sites like Mozilla
or I Love Typography rely on FontFonts. Just like two of the frst Webfont Awards winners owe their
victories to fonts with ff in the name.
Besides the technical updates, some remarkable new designs were added to the FontFont Library
as well: the highly anticipated ff DIN Round, the Arabic-Latin type system ff Amman (recently
awarded at the TDC 2011 competition), the playful yet very functional ff Suhmo, the new extended
family ff Basic Gothic, and the artful layered display face ff Massive. Furthermore we have also
reworked some of our most popular families, augmenting some of them with new weights or lan-
guages, e.g. ff Bau, ff Hands, ff Fontesque, ff Tisa, ff Angie, ff Kava, ff Good, ff Meta Condensed,
ff Signa, ff Dax and ff Unit Slab.
It is no wonder this release magazine is as fat as an annual report. It includes more font samples
and information than the previous two releases. There is actually even more to announce, e.g. that
the Museum of Modern Art in New York chose to admit four FontFonts in its architecture and design
collection, or the redesign in progress of our web site www.FontFont.com. Unfortunately there is not
enough space for all of this, so please do look forward to the 2011 magazine.
Ivo Gabrowitsch
Marketing Director fsi FontShop International
Fify234
c o n t e n t
i n t r o d u c i n g w e b f o n t f o n t s (1/3)
Web FontFonts are based on TrueType-favored OpenType fonts and come in two formats woff
and eot lite as the most common web browsers Microsof Internet Explorer, Mozilla Firefox,
and Google Chrome are currently supporting them. woff is very likely to be supported by Apple
Safari and Opera. If you license Web FontFonts on FontFont.com or FontShop.com, you can also
host the fles on Typekit. The service delivers fonts from a global network of servers to every browser
that supports @font-face. This means the compatibility extends to browsers not yet supported by
woff and eot. Afer purchasing your fonts youll fnd a link on your checkout confrmation page.
Simply click it to send your license and fonts to Typekit, then follow their instructions to add a single
line of code to your site and your fonts will be served immediately. The Typekit option under their
free Trial account implies certain limitations. For details see their website. Hosting your fonts this
way is purely optional.
The Web FontFonts are available as single fonts, as Basic Sets consisting of Regular, Bold, Italic,
and Bold Italic (if available in the family), and as family packages. Just like the Ofce FontFonts, fsis
webfonts have Tabular Lining Figures as their default fgure set. Small Caps with proportional Old-
style Figures are also available, but as separate fonts. Every Web FontFont comes with an html test
page and a User Guide.
More important than ever is language support. While Web fonts contain the characters necessary
for writing 58 Western languages such as English, French, Spanish and German, Web Pro fonts sup-
port at least 36 more Latin-based languages (especially Central European languages like Czech, Turkish,
Latvian, Polish and Romanian). Many Pro fonts also speak Greek and/or Cyrillic.
The appearance of webfonts is optimized for on-screen viewing. Complying with the most cur-
rent standards, Web FontFonts are extensively optimized for use with ClearType, available from
Windows xp and the standard way of type smoothing since Windows Vista. Many families can be
tested on your own website using the FontFonter.
Web FontFonts are licensed not by domain or bandwidth, but by the average monthly pageviews
for all websites managed by the person or organization licensing the webfonts. We chose pageviews
because we feel metrics like number of domains and bandwidth arent accurate representations of an
organizations popularity on the web, and would ofen be unfair to the licensee. Our goal is to be sure
the fonts are licensed properly and fairly, not to monitor every pageview on every domain. In fact, we
dont even require a domain name when you license. Theres no drm involved.
Choosing a web license is the same as it has always been for desktop fonts: pick the license that best
fts you. Extend when you need to. We trust you. There are three simple licence levels: up to 500,000;
up to 5 million; and up to 50 million pageviews per month. Enterprise licensing beyond that level is
negotiable on a case-by-case basis. With the three tiers were dividing Web FontFont use into broad
categories so that a large international corporation isnt paying the same rate as a personal blog.
The best thing: You wont have the recurring fees that webfont services charge.
For more details about licensing and technical issues please see the Web FontFont eula and the
Web FontFont User Guide.
Add the two @font-face
rules to your CSS.
Upload the woff and eot
fles to your web server.
2
1
Apply your web font
to any html elements. 3
web fontfont
quick user guide
Its that easy to use.
Web FontFont Pro
Advert Rough
Advert
Alega
Alega Serif
Amman Sans
Amman Serif
Angie
Archian
Archian Stencil
Avance
Basic Gothic
Bau
Brokenscript
Celeste
Celeste Sans
Celeste Small Text
Clan
Clan Compressed
Clan Condensed
Clan Extended
Clan Narrow
Clan Wide
Cliford
Cocon
Cocon Extra Condensed
Cocon Condensed
Dagny
Dax
Dax Compact
Dax Condensed
Dax Wide
Daxline
DIN
DIN Condensed
DIN Round
Disturbance
Duper
Enzo
Fago
Fago Extended
Web FontFont Pro
Fago Condensed
Folk
Fontesque
Fontesque Display
Fontesque Sans
Fontesque Text
Ginger
Good
Good Condensed
Good Wide
Good Headline
Good Headline Condensed
Good Headline Wide
Hands
Hardsoul
Hydra
Hydra Extended
Hydra Text
Instant Types
Kava
Kievit
Mach
Mach Condensed
Mach Wide
Market
Masala
Masala Script
Meta
Meta Condensed
Meta Serif
Milo
Milo Serif
Netto
Nuvo
Olsen
Prater Block
Prater Sans
Prater Script
Prater Serif
Providence
Web FontFont Pro
Providence Sans
Quadraat
Quadraat Display
Quadraat Headliner
Quadraat Sans
Quadraat Sans Display
Scala
Scala Sans
Signa
Signa Condensed
Signa Extended
Sofsoul
Speak
Suhmo
Super Grotesk
Tisa
TradeMarker
Trixie
Typestar
Unit
Unit Rounded
Unit Slab
Yoga
Yoga Sans
More Web FontFonts will be
available soon.
i n t r o d u c i n g w e b f o n t f o n t s (3/3)
Smooth
vs.
Rough
@
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5 Layers
Smrrebrd
Bratpfel
Kirsebrsauce
La Befana
AAAAA
8_ FontFont Release Magazine Fifty2|3|4
FF Advert a humanist take on W.A. Dwiggins Metro is a good-natured
text face drawn by Just van Rossum and is much appreciated by graphic
designers for its unique lowercase a; there are single and two-story
versions included in each font. FF Advert is the smooth alternative to
FF Advert Rough which includes fve roughened variations of FF Advert
Bold, in progressive degrees of thickness. All the variations have the same
widths so they can be layered on top of each other as though they formed
a colorful, mind-expanding cake. Yet most interesting things happen when
you slightly shift and/or rotate the stacked weights.
Now available as:
OpenType (OT),
Offce FontFont (Offc) and
Web FontFont (Web)
Light
Regular
Bold
Black
One
Two
Three
Four
Five
FF Advert | FF Advert Rough by Just van Rossum | 1991
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Wagennummer
Gltigkeit siehe Tarif
Befrderungsbedingungen
sind einzuhalten!
Small Caps
Numeral Sets
Arrows
Small Caps
Numeral Sets
Arrows
Greek Language Support
|:glt
Light Italic
Regular
Italic
Bold
Bold Italic
Light
Light Italic
Regular
Italic
Bold
Bold Italic
2010 FontShop International
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believe
the hype!
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Serif Italic
Serif Medium Italic
Serif Bold Italic
Serif Extra Bold Italic
Serif Regular
Serif Medium
Serif Bold
Serif Extra Bold
Serif Arabic Italic
Serif Arabic Medium Italic
Serif Arabic Bold Italic
Serif Arabic Extra Bold Italic
Serif Arabic Regular
Serif Arabic Medium
Serif Arabic Bold
Serif Arabic Extra Bold
Sans Thin
Sans Thin Italic
Sans Light Italic
Sans Italic
Sans Medium Italic
Sans Bold Italic
Sans Extra Bold Italic
Sans Black Italic
Sans Light
Sans Regular
Sans Medium
Sans Bold
Sans Extra Bold
Sans Black
Sans Arabic Thin
Sans Arabic Thin Italic
Sans Arabic Light Italic
Sans Arabic Italic
Sans Arabic Medium Italic
Sans Arabic Bold Italic
Sans Arabic Extra Bold Italic
Sans Arabic Black Italic
Sans Arabic Light
Sans Arabic Regular
Sans Arabic Medium
Sans Arabic Bold
Sans Arabic Extra Bold
Sans Arabic Black
2010 FontShop International
Amman
The frst digital typeface containing true Arabic Italics.
n
e
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Angie a t le premier caractre typographique cr
par Jean Franois Porchez, dbut pendant ses annes
dcole de design en 1989. Le design lpoque avait
t cr la main sur papier calque et carte gratter.
Quelques mois plus tard, lunique graisse du Angie
a t soumise au Prix Morisawa et remporta le prix
Brattinga en 1990.
BLOOMING
FloweRS
T f f f f f f f f f f f f f f f
typofonderie.com
Hederahedera felx
A | A | A | A | A | A | A | A | A | A | A
* * * * * *
*with small caps caps
{ }
14_ FontFont Release Magazine Fifty2|3|4
ff Angie has a humanistic touch. Its roots are in cuneiform writing; the asymmetrical serifs
remind us of triangular-shaped fgures engraved onto tablets. Legibility is improved by keep-
ing letter shapes open and quite distinct from one another. The Italics are lighter, narrower and
more fowing than the Romans. Ornaments together with Black Open Caps for headlines
complete the ff Angie family. Angie won the Brattinga prize at the 1990 Morisawa Awards
in Japan. With the release of the OpenType versions, Demi Bold and Extra Bold weights have
been added.
Now available as:
OpenType (OT/Pro),
Ofce FontFont (Ofc/Ofc Pro) and
Web FontFont (Web/Web Pro)
With the recent update completely new
Demi Bold and Extra Bold weights have been
added.
Regular
Italic
Demi Bold
Demi Bold Italic
Bold
Bold Italic
Extra Bold
Extra Bold Italic
Black
Black Italic
open Black
ff Angie by Jean Franois Porchez | 1993, 2010
A | A | A | A | A | A | A | A | A | A | A
}
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2010 FSI FontShop International
Gyrgy Sznye
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2010 FontShop International
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ff Cellini
pure poetry
FF Cellini Titling
Smoking in medium size
by Francesco Bello
24_ FontFont Release Magazine Fifty2|3|4
Designed in 1974 for the Hollenstein collection, these particular
Bodoni typefaces had existed only for photosetting. Albert Boton
designed the Regular in the 90s, adding the Italic in 2002. For the
release of ff Cellini, Boton completed the family with small caps for
the Regular weight, Titling versions, and a Medium and Bold. The
structure of ff Cellini is similar to other Bodonis (in fact all Bodonis
are similar to each other, but difer in details like the curves in O, G, Q,
the forms of the serifs, the arm of the t, etc.). Noteworthy in ff Cellini
are the ball terminals which were lengthened into drop-like shapes
in a, f, j etc.
Now available as:
OpenType (OT/Pro)
Regular
Italic
Medium
Bold
Titling Regular
Titling Italic
ff Cellini | FF Cellini Titling by Albert Boton | 2003
Acherontia
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Parnassius apollo
Mountain Apollo
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Old World Swallowtail
Catocala nupta
French Red Underwing
Limenitis populi
Poplar Admiral
Catocala fraxini
Blue Underwing
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Cellini & FF Cellini Titling
Albert Boton
2010 FSI FontShop International
Image: 1895, Dr. F. Nemos
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Hank stinks!
YEAH!
no, me!
04.09.
Teenage
Mutant
Ninja
Turtles!
18.2.
YOU!
Brian was here.
18.12.2010
I B Stacey.
Mr. Anderson
26_ FontFont Release Magazine Fifty2|3|4
FF Childs Play is a collection of unique typefaces
frozen in time! They are based on the handwriting
of children between 5 and 10 years old, and include
a special dingbat font composed entirely of chil-
drens drawings and featuring a series of paint
effects. It enables the user to rediscover their
frst tentative scribbles and progress to more delib-
erate letterforms.
Now available as:
OpenType (OT)
Age Five
Age Six
Age Seven
Age Eight
Age Nine
Age Ten
Dingbats NouhC
FF Childs Play by John Critchley | 1993
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2010 FSI FontShop International
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11.09.1989
STOP
Which one is more aggressive?
In alphabetical order:
EAST vs. WEST
A A A A A
A A A A
vs.
28_ FontFont Release Magazine Fifty2|3|4
For decades two different signage systems divided East and West Berlin. The West used a sans
serif dating back to the 1930s, while the East preferred a technically-tinted sans face from the
1950s. Ole Schfer and Verena Gerlach based their designs on the street signs themselves rather
than the sketches from which the signs were made. This resulted in there being two versions for
the East and a single version for the West. The FontFont character set includes many characters
that would never be found on a street sign so Schfer and Gerlach designed the missing letters,
punctuation and symbols. They also designed special headline fonts for both East and West
available in three weights: Regular, Medium and Bold. In addition, they created lining gures
and a series of arrows and other useful symbols.
Now available as:
OpenType (OT)
CST Berlin East Original Round
CST Berlin East Original
CST Berlin East Regular
CST Berlin East Medium
CST Berlin East Bold
CST Berlin West Original
CST Berlin West Regular
CST Berlin West Medium
CST Berlin West Bold
FF City Street Type (CST) by Verena Gerlach & Ole Schfer | 2000
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5
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0 5 10 15 20 25 30 km
Z E I C H E NE R KL R U NG
City Street Type | FF CST Berlin | Verena Gerlach, Ole Schfer
FSI FontShop International
Ost
West
A stream-
liner
provides
less
resistance
to air.
+
,
!
...
_
=
*
/
%
{00}
$
Sender: Surname, Name / Company (max. 23 chars)
(Name of the bank) (Bank code)
Dax /
Oldstyle Figures Lining Figures
Published by (Type Foundry):
Weight (light / light italic):
Weight (regular / italic):
Weight (medium / medium italic):
Weight (bold / bold italic):
Weight (extra bold / extra bold italic):
Weight (black / black italic):
Range:
Location:
Date Signature
WEIGHTS
kecheI, hans
1312101749
IontIont
o8)z6!qoz
3647589102
6,
A A A A A A A A A A A A
2010 FontShop International
Hans Reichels first design to be published by was
Dax Condensed, which developed from the idea
of combnng the cIarty of a narrow Futura wth
a slightly Roman touch to make a space-saving
but very legible typeface of timeless design.
Very characteristic are the missing spurs.
.
DIN
101215
968473
[Regular]
[Medium]
[Black]
[Light]
[Bold]
_
_
&
+
aaaaa
32_ FontFont Release Magazine Fifty2|3|4
FF DINs simplicity and industrial straightforwardness have been softened and
rendered more emotional thanks to FF DIN Round. Especially comprehensive de-
sign projects with disparate elements need to be clearly distinguishable yet still
recognizable as players on the same team will benet from combining of FF DIN
and FF DIN Round.
Think of logos, slogans, price tags, etc. as part of advertising campaigns and shop
designs, calling attention and communicating their uniqueness. FF DIN Round is
not only a good companion to FF DIN, as a standalone typeface its smooth and
friendly curves make it a perfect candidate for branding strategies for products
and services as varied as family cars, bikes, household applian ces, sportswear,
shoes or medical products. The typeface is also very suitable for screen-based
applications: in web design or mobile devices.
New FontFont
Available as:
OpenType (OT/Pro),
Ofce FontFont (Offc/Offc Pro) and
Web FontFont (Web/Web Pro)
Light
Regular
Medium
Bold
Black
FF DIN Round by Albert-Jan Pool | 2010
DIN
[Black]
n
e
w
|017.
|943.
|205.
|846.
Garabr
Black
Medium
Bold
Regular
Light
Norfolk
amrun
Mnchen
FF DIN Round Albert-Jan Pool
|253.
B
B
M
R
L
2010 FSI FontShop International
Ladies and gentlemen,
start your FF Engines!
Choose your bodywork:
Light, Regular or Bold...
Oh, no! Collisions:
Feels like warp speed!
parking
6.2-liter V8
e
g g
Alternates
Ee_
_
_
111111
136km
Gasoline
Power
FAIRY TALES
1674 Sheep
LittleRedRiding Hood
Mom & Dad
a | a
Grimms Fairy Tale:
Display
Combine styles as layers
really this way
fury frames included
+ =
Text
small brains, big muscles
What
dreams
are
made
of.
Flamboyant
ITALICS &
sober ROMANS
17:4523
_
|
q
Format Error:
too much Data!
I cant show em all
REGISTRY
Loading...75%
OK
a | a | a
Condensed | Regular | Wide
ff Good ff Good Headline
a a
4
[ [
40_ FontFont Release Magazine Fifty2|3|4
What was boosted from 9 styles to 60 styles? FF Good.
ukasz Dziedzics versatile straight-sided sans serif has
been radically overhauled. The original incarnation of this
contemporary alternative for News/Trade Gothic was a
rather small family of three weights in three widths, with
no italics. The new version however comes in fve weights
ranging from Light to Black, in Condensed, Regular, and
Wide widths, all with matching italics, and small caps
for both Roman and italic styles.
Now available as:
OpenType (OT/Pro),
Ofce FontFont (Ofc/Ofc Pro) and
Web Font (Web/Web Pro)
21 new weights and italics, as well as 30 additional
new Headline styles have been added.
Condensed Light
Condensed Light Italic
Condensed Book
Condensed Book Italic
Condensed Medium
Condensed Medium Italic
Condensen Bold
Condensed Bold Italic
Condensed Black
Condensed Black Italic
Light
Light Italic
Book
Book Italic
Medium
Medium Italic
Bold
Bold Italic
Black
Black Italic
Wide Light
Wide Light Italic
Wide Book
Wide Book Italic
Wide Medium
Wide Medium Italic
Wide Bold
Wide Bold Italic
Wide Black
Wide Black Italic
Condensed Light
Condensed Light Italic
Condensed Book
Condensed Book Italic
Condensed Medium
Condensed Medium Italic
Condensen Bold
Condensed Bold Italic
Condensed Black
Condensed Black Italic
Light
Light Italic
Book
Book Italic
Medium
Medium Italic
Bold
Bold Italic
Black
Black Italic
Wide Light
Wide Light Italic
Wide Book
Wide Book Italic
Wide Medium
Wide Medium Italic
Wide Bold
Wide Bold Italic
Wide Black
Wide Black Italic
ff Good | ff Good Headline by ukasz Dziedzic | 2007, 2010
Good | Good Headline
by ukasz Dziedzic
30 styles each
design: jonas kaminski
2010 FontShop International
dat;:a error
dta loss
s_ystem problem
invali request
ail on INT 24.
ERROR_PIPE_LOCAL
access denied
IOCTL call
ROCKN & ROLL
is a handscript
fot with
small caps
and fracios!
Thats Right!
right?!
4(+) []
a b b c e e e e f f f
Excptioal Leteors
Although digital it sems like handwrite!
realy?
84
0:57
= 3,14159265
I HATE MATHS ... NOT
a T c c e e e e e e e e e e
f f f f f f f f l o o o o r
t t t t t t
I dot think
it make sese!
Try this: 2+54
W
h
y
i
s
t
h
e
e
a
p
y
t
h
o
n
o
m
y
d
e
k
t
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p
?
!
42_ FontFont Release Magazine Fifty2|3|4
Te archetype of digital handwriting, thee fots wee the
reult of expeimets with (at the time) new sofware,
and years of indocrinatio of how to writ. Erik van
Blokland and Jus van Rossum of LetEror wee educatd
in an eviromet whee handwrite leteforms wee
cosideed to be the origin of al typography (boh sudid
at the Royal Academy of Fine Arts in Te Hague unde
Geit Noordzi). It was a natural sep for them to deive
a typographicaly sound fot from their own hands. Tey
wroe out the alphabet (Jus is lef-handed and used a thin
fneline; Erik is right-handed and used a fat marke.),
the scanned and digitized the letes o a computr.
Thee fots became the frs o many that alowed
people to indulge in the iroy o typing a lete in a
handwrite script. In the mean time a lo o ohe
rough handwriting fots have be deigned by
ohes. Yet ff Erikrighthand and ff Juslefhand
remain quit difeet from the ret. LetErors
pioeing work in this area has opeed up whole
new areas in type deign. For typo-bufs, ff Hands
also include a set o smal caps and oldsyle fgure,
and eve ligature. In 2010 the worlds frs digital
handwriting fots have be optimized again and
fnaly covetd to OpeType.
Now available as:
OpeType (OT/Pro),
Ofc FotFot (Ofc/Ofc Pro) and
Web FotFot (Web/Web Pro)
Erikrighthand
Juslefhand
ff Hands by Erik van Blokland & Jus van Rossum | 1990, 2010
4(+) []
Playlis
by Erik & Jus*
09-11-10
2010 FSI FotShop Intrnatioal
1.DooDoo(Lo-f)
2.Gasbuis
3.Get Away From
3.Get Away From My Tune
4.Its Showing
5.Koptr(Helicoptr)
6.Kortbrok
7.Leteor Hoompah
Ancient
nameless
serpent-
like
chthonic
water-
beast
Greek Island
Satellite of Pluto
Cluster of Galaxies
Hydrogen Ship
Chess Computer
Record Label
Royal Navy Vessel
Rock Band
What is FF Hydra?
Some texts about
All gods have tattooed
(*_
@
1253 BC
TYPHON
+ ECHID-
NA
a
m
y
t
h
o
l
o
g
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a
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a
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o
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t
F
o
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t
a
T
r
a
n
s
f
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m
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s
c
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a
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a
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a
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y
a
l
N
a
v
y
v
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s
s
e
l
2010 FSI FontShop International
A A A A A
Im glad stamps
have lowercase
letters, too!
vintag
ID: 25046
Sorry, but this is FF condential
top secret
on a FF Karton?
46_ FontFont Release Magazine Fifty2|3|4
Just as popular as FF Trixie are
the FF Instant Types. Named after
the places they come from, the fonts
are character sets from the world
around us. We see them every day,
but do not really see the letters as
typefaces. FF Instant Types makes
those alphabets available to the
digital typographer.
Now available as:
OpenType (OT),
Ofce FontFont (Offc) and
Web FontFont (Web)
Condential
Dynamoe
Flightcase
Karton
Stamp Gothic
ff Instant Types by Just van Rossum | 1992
vintag
Just van Rossum
FF Confidential
2010 FSI FontShop International
F
F
D
Y
N
A
M
O
E
2010 FSI FontShop International
F
F
D
Y
N
A
M
O
E
2010 FSI FontShop International
FF
Flight
case
199
2
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2010 FSI FontShop International
F
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2010 FSI FontShop International
0934
S
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9
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9
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2
2010 FSI FontShop International
I dont like
the taste
of cofee ...
{
;)
*
./
125.6 F
... and I hate
yogurt, too!
I prefer some small cups of tea...
... best served at:
52 C
Yummy,
pepper plants!
o
52_ FontFont Release Magazine Fifty2|3|4
ff Kava started out as a free typeface called Kafeesatz, published by
Yanone in 2004 during the early stages of his type designing career.
The bold weight was reminiscent of cofeehouse grotesk typefaces
of the 1920s, while the lighter versions were supposed to bridge
the gap to contemporary type design. The current ff Kava family is
a carefully revised, more rounded version of the old Kafeesatz fonts.
A black weight has been added as well as small caps and more fgure
sets to form now an attractive modern and soft sans serif type family.
In 2010, Italics were designed to enhance the familys usefulness.
Now available as:
OpenType (OT/Pro),
Ofce FontFont (Ofc/Ofc Pro) and
Web FontFont (Web/Web Pro)
Accompanying italics complete the family now.
Thin
Thin Italic
Light
Light Italic
Regular
Italic
Bold
Bold Italic
Black
Black Italic
ff Kava by Yanone | 20092010
2010 FSI FontShop International
The FontFeed
FF Kava
The cofee part of the name comes from the cafs that infuenced its design. For the new
typeface Yanone was looking for a short and striking name with an indirect connection to
cofee or at least food. Kava is a coinage that has many connotations. The Arabic Qahwah
sounds similar and etymologically is the origin of the word cofee. Cava is the Catalan
equivalent of the French Champagne of course superior according to the Catalans which
is another sound-alike that Yanone really doesnt mind for his typeface. The connection
with the pepper plant of the same name, however not intentional, is not disliked.
2010 FSI FontShop International
The FontFeed
FF Kava
The cofee part of the name comes from the cafs that infuenced its design. For the new
typeface Yanone was looking for a short and striking name with an indirect connection to
cofee or at least food. Kava is a coinage that has many connotations. The Arabic Qahwah
sounds similar and etymologically is the origin of the word cofee. Cava is the Catalan
equivalent of the French Champagne of course superior according to the Catalans which
is another sound-alike that Yanone really doesnt mind for his typeface. The connection
with the pepper plant of the same name, however not intentional, is not disliked.
How Grotesque!
This font has small caps,
several numeral sets,
fractions
-!
You crazy FF Marten...
No worries, FF Marten has lowercase letters, too
Siamese twins:
one hard,
one soft.
2 }
S
M
R
B
A
A
3
O
V
T
5
C
1
T
Martin Wenzel
2010 FSI FontShop International
Designed by
1$ 1$
Base 1+Line 1
ITs only a
If youre loosing
CA$H
?
100% win
Bucks!
Gimme some more
{/}
****
Ante UP
gambling
problem
Base 1+solid 1
5$ 5$
solid 1+Top 1
20$ 20$
Base 2+Line 2
3$ 3$
Base 2+solid 2
8$ 8$
solid 2+Top 2
47$ 47$
56_ FontFont Release Magazine Fifty2|3|4
FF Massive is a typeface system designed by Amsterdam based
designer Donald Beekman. With original sketches dating back as
far as 2001, FF Massive already has a long history and has since
been used in many DBXL designs. The typeface is suitable for
logos, fyers, posters and magazine headlines. Be it drumnbass,
techno or trance, FF Massive has a distinct musical background.
With its 2010 release the FF Massive OT family was expanded
with an extra outline version into eight different OpenType fonts,
divided in four variations which together form a versatile typo-
graphic system. The eight different FF Massive variations enable
the user to compose a number of combinations, which can lead to
surprising results, especially when using contrasting colors. The
fonts come with a manual explaining how the FF Massive type
system is best employed. Enjoy!
new fontfont
Avalable as:
OpenType (OT)
1 Base
1 Line
1 Solid
1 Top
2 Base
2 Line
2 Solid
2 Top
ff Massive by Donald Beekman | 2010
If youre loosing
n
e
w
size zero
a
!
/Polyglot*
+
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! !
g g
12% more condensed
less readable!
Not 24%
alternates
no introduction needed
starring in Wagners The Ride of the Valkyries
|
|
|
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Yummy,
chocolate
and malt
powder.
T f f f f f f f f f f f f f
c c c g i i i i i s s s s
I love pretzels
*
Moms secret recipe
Sounds very nice
&
%
2 l Cacao
220 C for 20 mi
Psss ...
60_ FontFont Release Magazine Fifty2|3|4
ff Milo was started in 2000 with the goal of creating a com-
pact typeface with very low ascenders and descenders. Because
of its compact design ff Milo is a workhorse typeface suit-
able for magazine and newspaper typography. It has modern
bones with a touch of detail to make it distinctive (especially
in the italics). The name Milo comes from a resilient grain and
thats why the designer chose this name for the typeface. He
wanted it to be a basic usable font like corn or grain is to any
culture.
With the help of Paul van der Laan for kerning, spacing
and production, Mike Abbink developed ff Milo Serif as a
companion to the Sans, but it is also perfectly suitable as a
stand alone typeface or used together with any other sans serif
typeface. Like ff Milo, it is a text face with the utmost legibility,
perfect for setting newspapers and magazine copy. Although
rooted with historical attributes it is truly a contemporary
face. ff Milo Serif comes with small caps, tabular fgures,
oldstyle fgures, lining fgures as well as a wealth of ligatures.
Just like the Sans, ff Milo Serif is also a resilient grain!
Now available as:
OpenType (OT/Pro),
Ofce FontFont (Ofc/Ofc Pro) and
Web FontFont (Web/Web Pro)
ff Milo Serif supports now Baltic, CE,
Turkish, Latin 3 and Latin Extended.
Regular
Italic
Text
Text Italic
Medium
Medium Italic
Bold
Bold Italic
Extra Bold
Extra Bold Italic
Black
Black Italic
ff Milo Serif by Michael Abbink & Paul van der Laan | 20092010
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Text Italic
Medium Italic
Bold Italic
Extra Bold Italic
Black Italic
Regular
Text
Medium
Bold
Extra Bold
Black
zooq Mx ADx s Pti vtD Dx IttD
Milo Serif
C s IortSlop Irterratioral
rock-hard.
Sklskr
Kbenhavn, Center
55 41 N, 12 35 O
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extended
vehicolo longo
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64_ FontFont Release Magazine Fifty2|3|4
ff Signa is radically different from most sans-serif text typefaces
introduced during the 1990s. It does not belong to the category
of humanist sans-serif; nor can it be blessed with grotesques
based on 19th-century models. Its forms are basic and simple,
showing minimal details. Yet its proportions are classical, and the
underlying geometry has been subtly adjusted in order to create
letterforms that are at once interesting, harmonious and con-
temporary, making for pleasant reading even at very small sizes.
Concise letterforms and a minimum of detail produce clear and
harmonious word images. ff Signa is a typically Danish typeface,
rooted in architectural lettering rather than book typography.
Originally designed for signage hence the name ff Signa is now
a family with three widths, including italics and small caps for all
weights and several types of fgures. The typeface has devel-
oped into a versatile family (there are Condensed, Extended and
Correspondence versions, and in 2005 even ff Signa Serif was
added) which can be used for corporate identities, brochures,
magazines, communication, books and on-screen publications.
Now available as:
OpenType (OT/Pro),
Offce FontFont (Offc/Offc Pro) and
Web FontFont (Web/Web Pro)
ff Signa now even speaks Cyrillic.
Condensed Light
Condensed Light Italic
Condensed Book
Condensed Book Italic
Condensed Bold
Condensed Bold Italic
Condensed Black
Condensed Black Italic
Light
Light Italic
Book
Book Italic
Bold
Bold Italic
Black
Black Italic
Extended Light
Extended Light Italic
Extended Book
Extended Book Italic
Extended Bold
Extended Bold Italic
Extended Black
Extended Black Italic
ff Signa by Ole Sndergaard | 20002004
2OE
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2O
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240
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Cyborgs:
Machine
Human
c/c/c/c/f/f/f/f/f/f/f/f/f/f/s/s/s/s
Choose between:
_ Pen & Paper
_Smartphone
_Laptop
_Typewriter
.53.
{You Cant Kill A Machine}
I guess
this robot
has
feelings
Screenplay
what a beauty!
*
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(8)
66_ FontFont Release Magazine Fifty2|3|4
ff Suhmo is inspired by classic Egyptian and
typewriter fonts such as Courier and American
Typewriter, which feature headline and text
use. This impressive duality was a guideline
for the concept. At the same time, many formal
details were derived from the typical neon-let-
tering you can fnd on aged Italian restaurants
in Germany. ff Suhmo has short ascenders and
descenders and a generous x-height, making it
a good choice for editorial design. It combines
simplicity and functionality with playfulness,
ofering interesting details such as loops and
swashes and a slight stroke contrast. Its varied
details are unobtrusive in text sizes while de-
veloping character and sparkle in headlines.
ff Suhmos extensive character set includes
numerous special characters and ligatures,
several fgure sets and small caps through-
out all styles. The ff Suhmo family consists of
4 weights: Light, Regular, Bold and Black, each
with an Italic. The weights were staggered to
complement each other within a layout, the
Black corresponding to the Regular and the
Light corresponding to the Bold weight, allow-
ing words or phrases to be clearly stressed
within a text. The Italics are lighter than the Roman
and have a relatively slight angle of slope. The forms
are derived from a manual writing process and of-
ten cross the baseline or the x-height.
New FontFont
Available as:
OpenType (OT/Pro),
Ofce FontFont (Ofc/Ofc Pro) and
Web FontFont (Web/Web Pro)
Light
Light Italic
Regular
Italic
Bold
Bold Italic
Black
Black Italic
ff Suhmo by Alex Rtten | 2010
2010 FontShop International
Designer
Light Light Italic Regular
.101201 .84
Lining
.1916
Italic Bold
Oldstyle Small Caps
Styles
Bo|d Ita|ic Black Black Italic
Suhmo
R
Light | Light Italic
Regular | Italic
Bold | Bo|d Ita|ic
Black | Black Italic
IIIIIIII
A|ex Rutten
0 1 2 3 4 5 6 7 8 9
o i ; _ 6 y 8 p
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Goal: soft
slab serif
wood type,
{ink traps}
T T T f f f f f f f f f f f f f
[14 2] = 7
excellent design*
(*tdc certificate)
weights
thinblack
ligatures
arrows
a | a | a | a | a | a | a
68_ FontFont Release Magazine Fifty2|3|4
Slovenian designer Mitja Miklavi drew ff Tisa
to meet the technological and aesthetic requirements
of modern magazine use. His primary goal was to de-
velop a softer, more dynamic version of a nineteenth-
century slab serif wood type. A large x-height and
pronounced serifs make ff Tisa extremely legible in
text sizes; its unique design details, including slightly
exaggerated ink traps and a fairly upright italic, are
becoming evident in display applications ff Tisa
Web even became one of the most popular web fonts
so far. The typeface was selected by the tdc judges
for a Certifcate of Excellence in Type Design in 2007.
Now available as:
OpenType (OT/Pro),
Ofce FontFont (Ofc/Ofc Pro) and
Web FontFont (Web/Web Pro)
New heavy weights (Extra Bold and Black)
join the ff Tisa family.
Latest news: ff Tisa Sans is coming soon.
Thin
Thin Italic
Light
Light Italic
Regular
Italic
Medium
Medium Italic
Bold
Bold Italic
Extra Bold
Extra Bold Italic
Black
Black Italic
ff Tisa by Mitja Miklavi | 20082010
@
*
2010 FontShop International
One small step
for {a} man,
one giant leap
for mankind ...
Mission Control: T 10
Neil Armstrong
* 1934, 1968
* 1930,
_
engine
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0.98476