Blind Texas: How Books Relate to M.O.A.T.

By

Jenny, Kelly, T.T., Ora, And Billy McBride

Copyright , by William McBride ISBN 978-0-557-51200-3

1. One can ask why the monument goes over there to become built? We chose that nice place in our Texas; and would love to have our art settle on it.

2. Because one finds Texas a great place, many tourists are coming forever to see its land; and to own two acres is a good start. Is our town nowhere to be found?

3. In many ways, a Texas landscape the tourists find awesome. They may cleverly go and support the economy by seeing our two acres and buying.

4. On the Texas landscape one finds things. In the Tempest by William Shakespeare one knows how Prospero and company are on the peaceful island alone.

5. Menos diagram in Platos Meno provides much. Texas, a land of plenty, also by others is divided up just fine as by Meno, the slave who is careful.

6. Texas has much land to be given to M.O.A.T. Agamemnon has much sway and promises Achilles to give him land if he fights.

7. On the road of the Texas landscape on finds many possibilities offered to one. Sigmund Freuds psychic map of the mind always is changing, never so plain.

8. You can find that Texas is barren in places as a land of the Wilderness in the Torah. In that book one finds a land of milk and honey promised.

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9. What goes on in Texas is a link to Hamlet. Hamlet asks if it is ever a truth that his undiscovered country, which frightens, is a gloomy death or not.

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10. There are two acres to be bought. As in many cases there is one set, and they provide entertainment, the charitable monuments on the two acres to be discovered.

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11. On the road of life the Tempest is like the two acres found on a peaceful drive going along the road; both are places where one can laugh and find peace.

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12. One is happy to take apart the diagram in Meno. To buy the two acres also is good. Platos work is a reaction to having seen a blind-to-what-comes-next man as a kind of slave.

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13. One makes suggestions to others to know where one is. The two acres to be bought to be seen by open minded people are promises of what they find in Agamemnons promise too.

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14. Two acres of land for the monument is all. Freuds map of the mind is all to him, as both are wild; so this is an awesome idea.

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15. The two acres of land are represented in the Hebrew Bible, in the Torah, based out upon Ha-Shems donations. Our buying of the land is as the land of milk and honey - a given.

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16. One finds a wild two acres is bought. It is Hamlets judgment that amazing is the undiscovered country of death. The country of M.O.A.T. is a similarity.

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17. As on reads the Tempest, one sees how tourists find on the land that it is a good, a peaceful land. Also, the two acres of land in M.O.A.T. projects are good.

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18. One finds that even a slave can learn. The two acres of tourist land are similar to Menos slaves diagram as forms are drawn. The M.O.A.T. project is awesome.

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19. There are two acres to visit the land of M.O.A.T. And like the general, Agamemnons promise to Achilles, we also promise as a reward.

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20. Two acres of M.O.A.T. to tour are visitable. Freuds map of the mind, as Freud would say, is a great vista as similarly the two acres are also beautiful.

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21. To the Israelites as to visitors now the wilderness and the great promised land are given, as the M.O.A.T. project is given land as well.

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22. To be interested in M.O.A.T. is as Hamlets undiscovered country - we know that it is inevitable as the two acres project also is strong.

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23. There is something to be said about the Tempest, about its place of a peaceful land, like the projected Menos diagram drawn by a slave.

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24. So the peaceful land of the Tempest is very much absolutely a kind of gift, like the promised land during a quarrel, over fighting, which Achilles and Agamemnon have.

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25. The peaceful land of the characters in the Tempest is good to be studied, it makes sense forever always like Freuds map of the mind, a place destined for wellness.

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26. And, reading one has knowledge of the Tempest and the awesome way of life on a peaceful landscape. It is like the promised land in the Torah.

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27. One searches for the knowledge of the Tempest way, and of the peaceful land. And, the greatest gift of life could be Hamlets undiscovered country.

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28. Agamemnon to Achilles promises land. Agamemnon who promises this to him is as the master of Menos diagrams slave to whom Socrates promises much positively beneficial.

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There is the diagram of course, and Freuds map of the mind indeed which Menos slave and Freud have in repression in representation in common.

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30. To the careful reader, the overall sense of Menos slave is interesting, just as when Ha-Shem promised a land of milk and honey to the Israelites.

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31. The one who seeks to know learns, like Menos slave who does know, why one draws upon the undiscovered; and so our Hamlet is not so ordinary either.

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32. Agamemnon is careful to give out to Achilles his promise. Freuds map of the mind is also a place given to us, by Freud.

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33. To Achilles, the general who is brave, Agamemnon, gives his promise of it, just as Ha-Gadol Ha-Shem promises to those who wander the wilderness, his promise of land.

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34. Our Hamlet is one who is one who is like deaths messenger; Agamemnon who promises much is an aid to Achilles if he fights the war.

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35. The idea like the idea of our Freuds map of the mind is the one in which Ha-Shem gives the land of milk and honey forever.

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36. The ideas not simplistic are those of Freuds map of the mind, with him being a conquistador, as Hamlet, for Hamlets undiscovered country.

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37. There is much to be said about the land of milk and honey of the chosen similarity between that and Hamlets undiscovered country of all.

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38. An I-beam is absolutely one kind of structure. To an Ibeam, we catalogue the awesome part to say also that a home is a monument of a monument.

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39. Inside these kinds of ideas, fun. An I-beam is what one sees on each structure of a monument set of spiraling monuments in a spot.

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40. Inside our thanks is a connection to an I-beam, as in Julius Caesar of William Shakespeare, the swords of Brutus and the other conspirators connect to the whole.

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41. Inside our minds we can also know an I-beam is multifunctional like the jail bars which hold Platos Socrates in Athens.

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42. An I-beam idea comes to us at M.O.A.T. The I-beam of M.O.A.T. is a very important material like the spears in Homers Iliad to the men.

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43. Totem poles are studied by Freud. A M.O.A.T. I-beam connects also to them and connects in a way with figuratively Freuds tribes notions even of stacking up.

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44. Moshe from the Torah connects with an I-beam because he uses a rod in the way an I-beam is used, to prepare for the long road of wonder.

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45. A foil is what Hamlet uses to play. Hamlet uses a foil, and we at M.O.A.T. use and I-beam to build up our own kind of play and wonder.

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46. In M.O.A.T. a monument is seen as amazing. Why? A monument of M.O.A.T. and swords are big challenges; this is how it relates to the swords of Brutus and co.

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47. In our M.O.A.T. there lies the idea of constructing a monument. This is a wrap like the jail bars of Socrates, which all could see surrounded him in Athens.

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48. It is important for us to also link the monument to the uses of the spears of Homers men in the Iliad; for causes they were and are used.

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49. One seeks an understanding of how a monument of M.O.A.T. may be understood? We do seek the connection that a Freudian tribe totem pole comes close to it.

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50. Where Moshe used his rod to get by, a single monument of M.O.A.T. is a part again which aids in the way all think about freedom.

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51. The overall connection is there: a M.O.A.T. monument does, in a playful way, link to our Hamlets use of a foil, as it is important to discover.

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52. A monument set is great; and, to be tourists and to see it is wonderful, and in intensities it has similarities with the swords of Brutus and the conspirators.

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53. Overall M.O.A.T. monuments are useful for charities. Similarly, in Athens Socrates was in jail without complaint. An overall purpose of all of us may be to be as happy as we can be.

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54. The physicality of the monuments of our own good M.O.A.T. monument sets are as real as the spears of Homers men. Like spears, monuments are used to move the ideals of us - to help others out.

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55. There is much to add about the good monument set, and how it links to life. So between it and our writers, Freuds, totem pole, much is there.

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56. Here at M.O.A.T. we build up now the monument set. Moshe also built up his confidence in Ha-Shem since, like a boost, the rod worked.

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57. The M.O.A.T. monument set is something which wraps around and can tie into the overall scenario of the plays sword play in Hamlet.

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58. The swords of Brutus and the other conspirators relate to the bars of steel in a jail, the one confining Platos Socrates, who dies.

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59. Inside the play of William Shakespeare, Brutus and the conspirators are against Julius Caesar and their swords speak as Homers mens spears speak.

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60. The swords of Brutus and company help to make up a firm relation between them and the totem poles of the various tribes who need power.

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61. Between the fallen rod of Moshe and the swords of Brutus and the conspirators a relation of powerful sway is created since it obviously emerges.

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62. There is a passage of relation twixt the swords of Brutus and co. and some other objects in literature like the foils of Hamlet and Laertes.

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63. The solidity of the jail bars of Platos Socrates, which hold him indeed captive, in one manner, links to the spears of Homers soldiers who wield them.

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64. It is not impossible that one might find how now the jail bars of Socrates within his prison relate to our Freuds totem poles rigidity.

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65. In order to find a clue one may think about the jail bars of Socrates. One is to meditate also upon them and the staff of Moshe together.

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66. Socrates prison bars, which in Athens, kept him unfree relate in a strange way to Hamlets foils because the projections are both treated as silly by their characters.

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67. One finds interesting a relation twixt Homers mens spears used in a war, and Freuds tribes totem pole, used for making a threat.

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68. To the soldiers fighting in the Iliad, Homers mens spears are tools which are as important as, now, the rod of Moshe is for threatening.

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69. The spears of Homers men are just as symbolically significant to their story as the foils of Hamlet and of Laertes, though just not obviously as deadly.

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70. Freuds totem pole is an object of magic regularly used by the tribes as the staff of Moshe in the Torah in Exodus is a miracle of Ha-Shem.

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71. Freuds totem pole is an object of rivalry as Hamlets foils are to the characters who use them; and both relationships are connected.

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72. The rod of Moshe is a seriousness. But the foils of Hamlet and Laertes, who in the play are used for sparring, are also secretly serious weapons.

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73. Excellently, people have to go see the M.O.A.T. monument sets. In time they see how they must be near them and people must walk around them.

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74. In time as the M.O.A.T. monuments occur, people must take a trip to visit them. Afterwards, when tired, these people must go back home.

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75. Many people must visit M.O.A.T. monuments in Texas in awe just as Shakespeares King Lear ventured off into the wilderness.

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76. Many others indeed, who are able so must go to see and experience them with their eyes and senses, the M.O.A.T. projects, like coming out of Platos cave.

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77. Others happen to experience the M.O.A.T project in person as the men in Homers Iliad, who venture from camp in the day and night.

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78. Many of those people are. Like those who seek a remedy through psychoanalysis, visiting a M.O.A.T. project, many tend to their curiosities.

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79. It becomes important to study how those who go to see the M.O.A.T. monument set are just as determined as Abraham from the Torah, who went to Egypt.

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80. Those who go to see the M.O.A.T. monument are happy to have the chance; they are as Hamlet who goes himself to London with friends.

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81. It becomes excellent that lots of people walk around the monument set of the M.O.A.T. builders to eventually return home.

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82. Walking people who experience the monuments on the landscape in the fields of Texas are as King Lear who wanders around lost to see things for himself.

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83. Many of those who walk around the monuments are like the prisoner who came out of the cave into the light for the first time.

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84. People walk around the monument sets in the fields and they so relate to Homers men who walk around in places beyond their camps.

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85. In Texas, the monuments of M.O.A.T. are built for others to walk around and experience like analysis becomes a plan for the patient going to therapy to be healed.

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86. People visiting monuments with many others who are walking around, have an important time going far beyond their own neighborhoods like Abraham who with Sarai visited the farther Egypt.

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87. Like Hamlet going to London, people who go walking around the field to experience the M.O.A.T. monuments set are satisfying one need to find solitude.

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88. The monument set of M.O.A.T. may be visited by many others in the similar way mad King Lear had an adventure in the fields of England.

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89. Those who visit the M.O.A.T. field-monuments return home from their experiences with much to say like the freed prisoner of Platos Republic who went back to his earth dwelling.

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90. People who return home from their trip to visit the M.O.A.T. projects as the men who fight at Troy went back to their camps refreshed also.

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91. One who remembers the books one reads experiences much to build upon, like how there becomes a building relationship of going to therapy and going to visit a series of monuments.

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92. One goes happily home after visiting the M.O.A.T. project just as Abraham and Sarai were sent back to their homes by the Pharaoh of Egypt long ago.

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93. Others go back to their origins when seeing the M.O.A.T. series of monuments in the fields and this experience is like Hamlets who returned from his adventures in London.

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94. King Lear, when mad, wandered into the wilderness. Similarly, Plats cave dwelling prisoner wandered into the light of the real world.

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95. In the play King Lear wandered around alone, just as many soldiers fight one-on-one in Homers Iliad one fight at a time.

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96. It is excellent to relate this: mad King Lear wandered in the wilderness as others who have a need for psychoanalytic therapy.

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97. King Lear walked around alone in England; and Abraham and Sarai returned back from Egypt to their homes; and they are tied together, these concepts.

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98. King Lear was mad and as a result went into his self like Hamlet who went to London to be more solitary.

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99. Platos cave prisoner walked into the light and like the men of Homers Iliad, who return alive from fighting, had experiences of the greatest adventures.

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100. In the Republic, an unhappy book, Platos cave dweller returned from his adventure actually with much knowledge like many neurotics who undergo it, gain from Freudian psychoanalysis.

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101. Excellently, Platos cave dweller was much like the pair of Abraham and Sarai who returned back to their home illuminated.

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102. Platos cave dweller returned back to his cave as Hamlet returned back from London, both incidents helped the characters know something better.

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103. The therapist of Freud helps the patient, like the Homeric men who fight at Troy, in the patients own way, fight the problems she or he must face.

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104. Homeric men and women return to glory when things go well, just like the return to home, and to glory, from Egypt of Abraham and Sarai.

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105. One must be illuminated to see how Homers soldiers returned home from battle alive but still struggling like the Dane, Hamlet, who went to England and back similarly.

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106. Freudian psychoanalysts are there for the neurotic who needs help, who goes and returns home; this relates to Abraham and Sarai who went to Egypt and back.

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107. Freuds neurotics are much like Hamlet: when Hamlet retuned from England, Hamlet was facing still the reality of his life, like those who need emotional help.

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108. Abraham and Sarai returned back from their adventure in Egypt. Hamlet returned back from his adventure in England. All were troubled.

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FINIS

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Some Other Books by the McBrides: The Transcendence Beauty and Progress Hawaiian Sonnets and Other Poems Headbuttressia: a Fantasy The Wonder and Love of M.O.A.T. M.O.A.T. Fundraising Billy McBrides Marriage to Angels

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