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Lecture 1
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Introduction
the music of the worlds culture emphasizing their diversity and the uniqueness a sense of the character of music and musical life of everyone Too many cultures, by sampling Include Europe as a music culture
Introduction (cont.1)
To provide a degree of depth, being selective India, Middle East, China, Japan, Indonesia, Africa, Europe, American Jazz
Introduction (cont.2)
introduction to the cultures and societies of the area musical life and ideas about music musical style music history musical instruments recent developments
Introduction (cont.3)
describe musical cultures at the present time as well as their history to dispel the notion that Western academic or art music lives in a sense through its history but not the others
Introduction (cont.4)
Every musical system is a very complex phenomenon Not practical to deal with every aspect in each individual system Selecting more interesting concepts in each system to discuss
Introduction (cont.5)
explain music as a cultural phenomenon listen and enjoy to music of other societies Music for enjoyment is a Western notion In some societies, music identies clans and social classes, conrms political status, expresses communication from the supernatural etc.
to understand how a particular work of music interacts with its culture Using a local event to demonstrate
Eason Chans performance on in Concert YY A series of concert that features lyricist Wong Wai Man Each singer is assigned to sing a few songs mostly hit songs Instrumentation - keyboard, guitar, bass, synthesizer, drum set, amplied voice
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Composed by CY Kong Using Cantonese A mixture of colloquial Chinese and formal Chinese Small degree of reverb revealing musical taste outt, dancers, staging, lighting etc. Compare with popular cultures of other societies
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In terms of Cantonese pop, good singer/ good interpretation/ effective way of using the instrument etc. But from the view point of an Indian musician whose task is improvising within a framework of melodic and rhythmic rules this performance did not do well African percussion ensemble might nd the rhythm boring and repetitive
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Introduction (cont.6)
each society has a musical system that suits its culture compare them in terms of their structure and function avoid making these comparisons the basis of qualitative judgements For example, Chinese music vs Western classical music recognize that each society evaluates its own works of music by its own criteria
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Music, universal?
Each society has its own principal music Members of a society know and respond to their music with a kind of common understanding similar to understanding their own language Same kind of music could mean very differently to different people
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Example 2
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Kiyari uta (Song for carrying Heavy Logs) often sung on a traditional festival and happy ceremony
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All societies at least have something that sounds to us like music Not many societies have a concept of music for which they have one word, like our music Persian language has one word for instrumental music and another for vocal music All societies do have music that is produced vocally But not all societies share the idea that all sounds that are sung could be categorized under one conceptual umbrella
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Three-part Model
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Example
At a concert, we hear musicians making SOUND = music classical piano recital, performer usually plays as if she were alone only acknowledges the audience when bowing before and after folk concert, singer always addresses the audience rock concert, members of the audience make all sorts of sounds or get up and dance
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Example (cont. 1)
These different kinds of BEHAVIORS are as important to the music as a social and aesthetic event as are the sounds In church service, congregation sings a hymn, minister would not think they sang that hymn badly today; it was better last week IDEA is the congregation communicates with God, and musical virtuosity is NOT an issue
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Example (cont. 2)
music should be studied as a group of sounds as behavior that leads to these sounds as a group of ideas or concepts that govern the sound and the behavior
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Western music is dynamic while all other music are static Chinese music is ancient? All music have history and they all change Music does not uniformly change from simple to complex Each music has its own unique history
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Contact with other culture leads to change Western culture affecting non-Western music Example, Chinese orchestra Violin in Cantonese Opera
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Musical Change, Transmission, and History (cont. 1) Method of transmission in most societies, music lives in oral tradition i.e. passed on by word of mouth and learned by
hearing live performance
such form of transmission inevitably causes songs to change Different societies have different views towards the changes made on a particular song Example, guchin music
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Musical Change, Transmission, and History (cont. 2) Oral transmission limits the degree of
complexity Notation Western academic music is traditionally notated Some Asian music too Change from written to printed music led to a different set of ideas about the nature and stability of a musical work
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Musical Change, Transmission, and History (cont. 3) Music changed rapidly in the late 19th century,
and even more so since 1950, because
the colonization of most of the world by Western nations increased political and economic integration of nations advances in communication by mass media, airlines, and computer networks dissemination of Western and Middle Eastern cultural values through the diffusion of Christianity and Islam
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Western-style harmony, synthesizers, instrumental ensembles pervade much of the worlds music a layer of music added to the older tradition Music getting more similar all over the world? Or advance communication create more channels for everyone in the world to enjoy all different kinds of music?
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