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pros thet ics (pros thetiks), n. the branch of surgery or dentistry that deals with the replacement of missing parts with articial structures.
Tech Notes
This word has come a long way since Webster. It no longer means some doctor making a doll-like part to replace a missing part. It now includes an artist altering a subjects natural appearance so they look like something else. In effect, the art of prosthetic makeup has enabled actors to be more convincing, effects to be more realistic, and in general, movies to be more believable. One of the all time industry greats, Dick Smith, made many lms work by enabling an actor to age before our eyes. To truly appreciate the art of aging an actor (by applying custom made prosthetic appliances to the face), you rst have to understand the tremendous amount of delicate work involved in the process. Its denitely not easy. As a matter of fact, Dick has spent most of his life lending technical assistance to any person in need, and believe us, there are plenty. He, as well as many other artist, have helped us develop a comprehensive line of prosthetic products so you wont have to waste your time and money locating materials. The entire art form of prosthetics evolved like it did because of the vast amount of raw materials available. They started off using liquid latex and then discovered the beauty of creating light weight appliances out of foam latex. The problem is foam latex is difcult to use because its hard to control the chemical reactions. Even the most seasoned effects artist has run-ins with foam latex or any catalyzed material from time to time. It is this factor in the art of prosthetic makeup that separates the professional from the amateur. It is our advice to study as much as you can and remember there is no better way to learn than by doing. In addition to dealing with the unpredictability of foam latex, you also have to be concerned with safety. Three dimensional makeup artists use a lot of hazardous materials, and believe us, we have heard a lot of horror stories (ie: people vulcanizing their faces...developing rashes...becoming dizzy). Many of the materials we sell are not fun to work with.
As a makeup artist, professional or amateur, it is your responsibility to learn about the safety hazards accompanying the products you use and the products you apply to other peoples faces.
There is a vast amount of information available for those willing to learn about chemical safety; consult libraries, school chemistry departments, request and read Material Safety Data Sheets (MSDS). Before you work with a chemical, investigate its hazardous factors. Use precautions when handling any chemicals. Consult local authorities on proper material disposal.
Product Warnings
We have decided to be a bit more specic about our product warnings. A product is subjected to any or all of the following labels:
-FLAMMABLE -RESPIRATORS REQUIRED -SENSITIVE SKIN ALERT -TOXIC IN UNCURED STATE -HAZARDOUS TO YOUR HEALTH
Basically FLAMMABLE means it will ignite. Dont smoke when using it. Dont drive around town on a hot day with this material in the trunk of your car. Basically...use your head! RESPIRATOR REQUIRED means just that. Wear a respirator with the proper lters for the proper type of material being used. In the SAFETY EQUIPMENT Section you will nd respirators and dust masks. Although this gear is not foolproof, it does help. Always work in a well ventilated area (preferably outside during a typhoon). Install a vent system at your work bench to pull the air out. Invest in a continuous air supply system. Whatever the material calls for...do! SENSITIVE SKIN ALERT means this material may cause irritation to sensitive skin. Things like spirit gum, collodian, and latex have been known to irritate actors' skin. Always consult with the actor about skin sensitivity before applying any makeup to their face or body. Try one of the Barrier Creams listed in this catalogue. They really work! TOXIC IN UNCURED STATE means you will get a rash if you expose your skin to these chemicals when they are in a liquid state. But once these chemicals are mixed and cured, it becomes a non-toxic matter. Prime examples...Foam Latex Components, RTV Molding Compounds, and Urethane Foams. In the SAFETY EQUIPMENT Section you will nd protective gloves. In many cases thin vinyl or latex gloves provide enough protection, but certain chemicals penetrate these gloves without you knowing it. From there, the chemical runs through your blood stream. Make sure you are wearing the right glove for the right chemical. HAZARDOUS TO YOUR HEALTH means we dont recommend you use this product. Thats right...well sell it but we dont recommend it. You use these and all other products we offer at YOUR OWN RISK.
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Photography from Starlog SFX Issue #3 Article-Life Casting with Bryant Tausek Photograph by David Motok
-Mix the alginate according to directions. Cold water extends the gelling time. -Apply to subjects face using your hands with your ngers pressed together like a spatula making sure you leave the breathing passage uncovered. Work quickly yet carefully. -Once the entire face is covered, begin wrapping strips of plaster bandages around and over the face. Pay attention to reinforcing the delicate areas. -Once the plaster bandage hardens, gently remove the alginate cast by jiggling it.
See the Books & Videos Section for detailed casting directions!
-Immediately brush on a thin layer of White Hydrocal making sure there are no bubbles, then pour in additional plaster. It is wise to position a handle in the back of your life cast so it will be easier to separate the molds.
-Teledyne - Getz Company, one of the major producers of the dental impression materials, has a Prosthetic Grade Cream which is a colorless, odorless, ne-grade, slow-setting alginate impression material. As Teledyne Getz Prosthetic Grade Cream has less than three percent deformation, very accurate casts can be made with it. Recently they improved the alginate by extending its setting time to between 5 and 7 minutes. Mix with water until its a creamy batter and then apply to the face. Make sure you dont block the subjects airway. Reinforce with plaster bandage. Remove. For more details see the Books & Video Section.
-Excellent for casting because its inexpensive, durable and yet has thin edges. It is accompanied by step-by-step instructions on application. Made of rubber.
Descrition Shipping Wt. Woochie Bald Cap 3 oz. Woochie Bald Cap-Extra Large 5 oz.
NOT FOR USE IN MOUTH Product # Size PMPGC01 1 lb. bag PMPGC25 25 lbs. container
-A slow-setting alginate which may be mixed with warm water (even very warm water) and will still allow 8-10 minutes of working time. Is used in a slightly different way than traditional alginate. See the Books and Video Section for a most unusual Life Casting Video. -Perfect for body casts when the cold water used with traditional alginate causes unwanted goose bumps.
NOT FOR USE IN MOUTH Product # Size PMPHAS01 1 lb. bag PMPHAS22 22 lb. barrel
Prosthetic Makeup
-A cool water alginate with a working time of approximately 3 minutes. The least expensive alginate we sell.
RETARDER. Algislo is the alginate-retarding agent created especially for artists, special effects, restorers, taxidermists, sculptors, mold makers and anyone who wished they had more control over their alginate product. Algislo is the answer to all alginate users! To slow set time: in 1 6 ounces (480 ml) of water simply substitute approximately 12 ounce (15 ml.) of your water mix to 12 ounce (15 ml.) of Algislo for each minute of additional set time desired, for up to ve and even more minutes. OR for every pound of water remove 1/2 oz. (15 ml.) of Algislo to add one minute (approximately) of set time. BONDER. For best results surface to be bonded should be recently set. The longer the set, the poorer the bond. Thoroughly spray the surface of the alginate and apply your new alginate layer. We recommend spraying the surface rather than using a paint brush for more even results and to avoid pulling on a tacky area.
A REAL STUDIO BREAKTHROUGH - ArtMolds has created the 3-in-1 alginate control formula . . . a must have for anyone who uses alginate. This is an indispensable multi-use formula for all brands of alginate. USE AS A . . . RETARDER . . . increase set time up to 5 or more minutes. BONDER . . . bond a set layer to a new layer stronger than any other method available. SOFTENER . . . soften freshly set alginate to allow application of ber to the surface to rmly hold a mother mold.
SURFACE SOFTENER. When applied to a recently set surface, Algislo will soften it sufciently to allow the application of ber to secure a mother (shell) mold. For best results we recommend spraying the surface before it sets. This will act as a surface set retarder giving the lifecaster ample time to apply ber on the surface.
Net Wt. - 16 oz. Shipping Wt. - 1.5 lbs. Product # PMAMA16 Product # PALF1KG PALF5KG PALF10KG PALF18KG PALFF1KG PALFF5KG PALFF10KG PALFF18KG Speed Standard Standard Standard Standard Fast Fast Fast Fast
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Size 1 kg/2.2 lbs 5 kg/11 lbs 10 kg/22 lbs 18 kg/40 lbs 1 kg/2.2 lbs 5 kg/11 lbs 10 kg/22 lbs 18 kg/40 lbs
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Shipping Wt. 1.8 lbs. 12 lbs. 24 lbs. 43 lbs. 1.8 lbs. 12 lbs. 24 lbs. 43 lbs.
NOT FOR USE IN MOUTH Product # Size PMAM2 2 lb. bag PMAM110 10 lb container
Net Wt. - 4 lb kit (2 lbs A & 2 lbs B) Shipping Wt. - 5 lbs Product # PMPOL
Plaster Bandage
J & J Bandage
Product # PMJJF01 PMJJF12 PMJJEF01 PMJJEF12 PMJJEF601
Dental Stone is very hard, accurate, and can be used to make foam-latex
Shipping Wt. 1 lb. 7 lbs. 1 lb. 7 lbs. 1 lb.
molds, but it does not stand up to baking (curing) as long as Ultracal, and it is very expensive. NOT AVAILABLE FROM ALCONE.
Size Speed 4" x 5 yd roll Fast Box of 12 rolls Fast 4" x 5 yd roll Extra Fast Box of 12 rolls Extra Fast 6" x 5 yd roll Extra Fast
We will ship 25 and 50 pound bags via U.P.S. (They have a weight restriction of 72lbs.)
White Hydrocal
Product # PMWH025 PMWH050
-Fast-setting, it is not ideal for foam latex because the latex will stick to it. Very accurate. Ideal for life casts.
Plaster is generally used to make molds although sometimes a exible or an indestructable mold is used such as RTV Rubber, Two Part Silicone, Epoxycal or Fiberglass. It is most important that the correct plaster is used for the specic job you are doing. Basically, White Hydrocal is used to make the positive mold because it is most accurate and Ultracal is used to make the negative mold because it can withstand curing at high temperatures. It may also be necessary to increase the strength of your mold. You can do this by mixing Acryl 60 (Acrylic Latex Cement Hardener) in place of water when mixing up the Ultracal. In most cases, the negative molds must withstand multiple bakings and you dont want them to crack. Learn to use Acryl 60. Tech notes available. Many artists reinforce their molds with loose weave burlap. The burlap costs less and weighs less than the cement, so it is an economical technique. Due to the fact that any plaster weighs a lot, you may want to purchase it locally if available.
Ultracal 30
Product # PMU025 PMU050
-The best for foam-latex molds. It sets slowly and stands up to the heat of the oven.
Acryl 60
-Recommended for reinforcing the strength of Ultracal 30. Molds facing a lot of handling and repeated baking should be mixed with Acryl 60. Molds take many hours and hard work to create, avoid cracking with Acryl 60. (acrylic latex cement hardener)
Burlap
-Used to reinforce plaster molds (loose weave) or large latex pieces (tight weave). Sold by the yard.
Product # PMBL
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Modeling Clay
Product # PMMCCM PMMCCS
- A liquid vinyl/plastic used for repairing rips in and concealing edges of plastic bald caps.
2lbs 2lbs
Duplicating Material
Flexible compounds (RTV or Silicone) that are used in the makeup lab for duplicating purposes, but it can also be used to make bladders, puppet heads and stop animation gures. RTV molds are used for duplicating and reproducing break away props.
Polytek #74-55
- Clear - rm - durable excellent for casting plasters, cement, polyester, wax, and most other materials. 15 minute pour time, demold after 24-48 hours at room temperature. Most resistant to shrinkage as it is nearly pure urethane containing no oils or release agents to migrate and cause shrinkage after prolonged use. -Molds of Polytek# 74-55 often require less rubber because the increased stiffness allows thinner sides and bottoms. -Release agents sold separately. Porous models such as plaster or wood should be sealed, preferably with wax or several coats of nitrocellulose lacquers, but petroleum jelly, paint, shellac (soap on plaster) also work well. Excellent for longlasting rm molds.
Prosthetic Makeup
Prosthetic Makeup
Polytek #74-30
- Opaque - soft - easy to use. Loved by those who do stop-animation because of its accuracy, durability and elasticity. Easy 1-1 mix by volume or weight, lowcost, low viscosity, easy thickening to a buttery poly gel consistency, long working time and long-lasting non-stick molds that dont creep or sag in storage are some of the reasons why this is our hottest selling RTV molding compound. -Polytek# 74-30 molds can be stored for many years with no signicant deteriorating. -Excellent for puppet skins because it is transparent tan in color and very exible. -Release agents sold separately. Porous models such as plaster or wood should be sealed, preferably with wax or several coats of nitrocellulose lacquers, but petroleum jelly, paint, shellac (soap on plaster) also works well.
-A blend of silicone oils and resins in a convenient aerosol spray. We Recommend Pol-Ease 2300, as an effective release agent, for use with Polytek 74-55 and 74-30. The use of a soft brush to distribute the release agent evenly after spraying is recommended.
Product # PMPE2300
Size 12 oz.
Smooth-On #PMC-72
-Urethane rubber with plasticizer (part A & B). Easy to use for making molds. The more plasticizer you use, the shorter the life of the mold. The mold will start deteriorating in approximately 1-1/2 to 2 years. Chemicals have a short shelf life. Black in color. -Release agents sold separately. Sonile Seal Release wax, petroleum jelly or shellac (for porous casts).
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#GI1110
Size Shipping Wt. Quart Kit 5 lbs. Gallon Kit 17 lbs. 5 Gallon Kit 80 lbs.
- Similar to GI1000 except it is softer and is especially good for molds with deep undercuts and for pieces where exing is important in removal. Excellent for puppet heads as well as arms and legs. It will cure at room temperature. Mixed in a 10:1 mixing ratio. Cure Time: 16 hours Base Color: Off White & Activator: Clear We sell the translucent color.
#P656
- Platinum based silicone used for mold making and special effects. Very quick drying and the cure time can be shortened with accelerator. Mixed in a 1:1 mixing ratio. Base Color: Clear & Activator: Clear We sell the translucent color.
Size Shipping Wt. Quart Kit 5 lbs. Gallon Kit 17 lbs. 5 Gallon Kit 80 lbs.
Size Shipping Wt. Quart Kit 5 lbs. Gallon Kit 17 lbs. 5 Gallon Kit 80 lbs. Accelerator 6 oz.
Excellent for: - body parts - small appliances - when articulation and elasticity are not needed. Low Shrinkage! No Curing! Less expensive than foam latex! Looks very similar to esh This improved formulation makes two part gelatin systems obsolete. The pieces are less sensitive to heat than old style gel kit formulas but are still slightly sensitive to heat. Four component kit available. plus ocking.
Shapes of the cubes may vary, but you will always receive a pound.
Very easy to use cubes that you melt in the microwave. Requires a mold.
Mold Releases
These foam systems are composed of two ingredients (component A & B) that you mix according to the specic systems directions. Requires a release agent, two part molds, and a triple beam scale. Does not require curing in an oven. Produces a porous foam. The grade of softness can be controlled by varying the catalyst. (For denser foam, add less catalyst.) Yields approximately 7 times the volume, allowing for over spill, if mixed according to the directions. A nose will cure in approximately 20 minutes.
Separating mediums are used to ensure two materials, similar or dissimilar, can be easily withdrawn from each other when desired. The most versatile separating agent is petroleum jelly used to coat facial and body hair when taking a cast with either a rigid or a exible impression material. Cap material (Paramount or Kryolan Glatzan) is used to seal Plastalene.
Product # Decription PMSMR Dow Corning Silicon 200 Fluid PMMCMR Krylon Silicone Spray -aerosol PMPFCSR Sterate Release Size 32 oz. 16 oz. 4 oz. Shipping Wt . 3 lbs. 1 lb. 6 oz.
The Release Agent is ammable. Dangerous Goods fees and handling are additional. Safe to ship via ORM-D Ground.
Description Shipping Wt . Kryolan Cold Foam-Pint Kit 4 lbs. Kryolan Cold Foam-Gallon Kit 16 lbs.
Prosthetic Makeup
Prosthetic Makeup
Skin Prep
Before adhering any appliance (whether cold foam, gelatin, foam latex or silicone), prep the skin with alcohol or one of the items we sell specically formulated for this purpose. It makes the adhesive stick better.
Less sting than alcohol. Used to clean the skin before applying adhesive. Helps remove oils and dirt on the skin and makes the glue stick better. Individually wrapped pads.
Product # PASPW50
Size 50 wipes
Used to clean the skin before applying adhesive. Helps remove oils and dirt on the skin and makes the glue stick better. Individually wrapped pads.
Less sting then alcohol. Used to clean the skin before applying adhesive. Helps remove oils and dirt on the skin and makes the glue stick better.
Product # PAAP
Size 200
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A very challenging product to learn to use, but once you understand how to slightly alter the formulation with regard to atmospheric variances, excellent results can be yielded. These systems require a two part mold, an oven to cure the foam in and a gram scale.
GM Latex Stabilizer
Have you ever had gels that were just too fast? Think its the temperature? Maybe the humidity? Try the GM Latex Stabilizer. Especially useful in summer, the GM Latex Stabilizer will give you that extra bit of working time you need. It youre using older Base and are afraid it will gel too fast, this will also help you. Developed to aid the user in getting consistent batches every time. -Heres how it works: Use 2 to 5 grams per 150 gram batch of foam. Add at the beginning of your run.
GM Micad
MICAD is a foam latex additive that allows whipping to greater volumes while still keeping the cells ne. Very soft foams can be achieved using this additive. Normally, high rise foams tend to get thick, and the cells become large. With this additive, the cells still remain small, and the foam remains pourable. Use 2 to 8 grams MICAD per 150 grams High Grade Latex Base. There will be greater frothing action, and the foam will rise higher in the bowl, producing a softer foam after curing.
One Gallon Kit consists of: 1 - gallon Latex Base 2 - 16 oz. Foaming Agent 1 - 16 oz. Curing Agent 1 - 16 oz. Gelling Agent 1 - 4 oz. Release Agent Product # PMGM01 PMGM05
Five Gallon Kit consists of: 4.5 - gallons Latex Base 8 - 16 oz. Foaming Agent 4 - 16 oz. Curing Agent 4 - 16 oz. Gelling Agent 1 - 16 oz. Release Agent Size 1 gallon kit 5 gallon kit 16 oz. 16 oz. 16 oz. 16 oz. Shipping Wt 15 lbs. 56 lbs. 1.5 lbs. 1.5 lbs. 1.5 lbs. 2 lbs.
GM Cell Choke
GM Cell Choke is a foam latex additive that produces ner cells, and makes softer foam, even when not whipped to higher volumes. Normally, ner cells in foam make it thick and hard to pour. With GM Cell Choke, the foam still pours normally, so there is less need to worry about trapping air bubbles. The cured foam ends up softer, too. Use 2 to 5 grams GM Cell Choke per 150 grams High Grade Latex Base. Heres how it works: GM Cell Choke causes a different kind of frothing action. The cells will be smaller, and the overall look of the foam is shinier. Since it causes a bit of extra frothing action, take care to not overwhip. You may need to turn the mixers whip speed down a bit earlier to achieve normal height in the bowl. At normal whipping height, the nished foam piece will be softer than usual, and the cells will be ner. Also, since GMCell Choke has a slightly retarding effect on the gel, you may want to add about 30-seconds to your running schedule.
GM Flow Increaser
Foam too thick? Wont pour into your mold? Having trouble getting it into your injector gun? These are common problems with high volume, uffy batches of foam. Many times such batches wont even catch all the details in your mold. GM Foam Flow Increaser provides a drastic change in the pourability of your processed foam. Your seven volume batch will ow like a ve volume batch. You can get better detail and your gelling agent will mix more consistently. The GM Flow Increaser may be added at any time during or before the processing, giving you a versatile way to control the run and the nal product. -Heres how it works: Use up to 15 grams per 150 gram batch of foam. Add at any time, or to the gelling agent.
This comprehensive guide takes you through all the important stages of foam processing. Join master foam technician Gil Mosko as he takes you behind the scenes and teaches you all the tricks to give you the competitive edge in foam processing. -In this interesting and informative video, you learn how the pros do it. From preparing your molds, to demolding your pieces, you will learn the how and the why of foam latex techniques. Gain a basic knowledge of the chemistry of foam latex and learn to use it to produce consistent results every time.
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-When running foam or using large quantities of latex, it is good to use a respirator. -It is important to use a respirator that is approved to protect against the type of chemical you will be using. Latex is an organic vapor so use a respirator designated for that. NIOSH (National Institute of Safety & Health) does not approve any air-purifying respirator for use with isocyanates because they have no smell at low but dangerous levels. If your cartridge wasnt working, you wouldnt be aware of it. Also at high levels, cartridges wouldnt lter out enough. -3M endorses their 8709 Paint Spray Respirator for specied low levels of isocyanates but can do this because that cartridge has not been rated by NIOSH yet. - It has been learned that organic vapor respirators and cartridges will lter out some amount of isocyanates and reduce your exposure. A paint spray pre-lter in front of the organic vapor cartridge gives some additional protection because some of the vapor from a polyurethane foam reaction are in the form of mist that the pre-lter will screen out, thus reducing the load on the cartridge. See our Safety Equipment Section page 181. The only type of respirator approved by NIOSH is the supplied-air kind. These give you excellent protection even in strong vapors because you are breathing contained oxygen. Unfortunately such systems are very expensive. Whenever working with any chemical, limit your exposure. #1 -Work outside where there is the best ventilation. #2 - Wear a fresh, well-tted organic vapor respirator with a paint spray pre-lter. See Respirator Fit Technote #3 - Keep your exposure brief. Have all the materials youll need ready so you can just mix, pour and walk away. -Wear gloves (latex or vinyl) when handling chemicals to avoid skin irritation.
-Formulated in England for Alcone. There are two different types of foaming agents, Prosthetic Grade and Animatronic Grade, so you can vary your results. The Animatronic is excellent for injection into molds because it is very stable. The Prosthetic is more delicate. -Four part system complete with release agent.
One Gallon Kit consists of: 1 - gallon High Solid Latex Base 1 - 32 oz. Foaming Agent 1 - 12 oz. Curing Agent 1 - 8 oz. Gelling Agent 1 - 12 oz. Release Agent Five Gallon Kit consists of: 1 - 5 gallon High Solid Latex Base 5 - 32 oz. Foaming Agent 2 - 32 oz. Curing Agent 1 - 32 oz. Gelling Agent 1 - 8 oz. Gelling Agent (Release agent not included with 5 Gallon Kit.) Product # PMPFAG PMPFPG Description Animatronic Prosthetic Components: PMHSL High Solid Latex Foaming Agent PMPFCFAA Animatronic PMPFCFAP Prosthetic PMPFCCA Curing Agent PMPFCGA Gelling Agent PMPFCRA Release Agent Size Gallon Gallon Gallon Quart Quart 12 oz. 8 oz. 12 oz.
Shipping Wt 15 lbs. 15 lbs. 9 lbs. 3 lbs. 3 lbs. 2.5 lbs 10 oz. 1 lbs.
-Holds 1.5 quarts of foam. Interchangeable cone-shaped nozzle. See-thru chamber allows foam to be monitored during injection. Constructed of plastic.
Gram Scale
-A High Rise Foaming Agent. Add in addition to or in place of Foaming Agent. Keep Foam Log when experimenting with Potassium Oleate.
Gram Scale
Shipping Wt 3 lbs.
Prosthetic Makeup
Gram scales (whether electronic or manual) are a must for working properly with special effects materials.
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Clear Latex
Flesh Latex
-Synthetic Latex, thin bodied, prevulcanized (air cure). -Used for dipping or making thin pieces. Also excellent for aging on skin with tissue.
Size Gallon
Shipping Wt 9 lbs.
-Its primary use is as a base for foam latex. A very pure, high solid latex.
Size Gallon
Shipping Wt 8 lbs.
-These certied cosmetic grade pigments can be mixed into most water-soluble or oil-soluble substances. For instance, they can be mixed into latex, acrylic mediums, castor oil, gelatin, Karo Syrup, urethanes, silicones, glycerin... Dont just dump the pigment in. A little goes a long way. Sift in gradually until the desired shade is achieved.
Product #
BK8710 BK8715 BK8720 BK8725 BK8730 BK8740 BK8745 BK8750 BK8760 BK8765 BK8770
Description
Bright Yellow Bright Red (Blood) Light Flesh Medium Flesh Dark Flesh Black Brown White Mustard Yellow Blue Green
Net Wt.
2 oz. 6 oz. 1 oz. 1 oz. 1 oz. 5 oz. 4 oz. 4 oz. 1 oz. 4 oz. 4 oz.
2.5 oz. 6.5 oz. 2 oz. 2 oz. 2 oz. 5.4 oz. 4.4 oz. 4.4 oz. 2 oz. 4.4 oz. 4.4 oz.
Shipping Wt.
-One 1/2 oz. bottle of each of the following colors: red, yellow, blue, black, esh & tan. A half ounce bottle of pigment can color up to fty batches of foam.
The GM Latex Pigment dispersions, designed especially for foam latex, are water-based and very concentrated usually 4 to 6 drops per 150 grams of latex. For darker applications, you can use as many as 50 drops per 150 grams of latex. Since the vehicle is water, you wont over plasticize the foam. No gummy edges.
Prosthetic Makeup
-A harmless, clear, slightly viscous cosmetic uid with some unusual and useful properties. Its a moisturizer, emollient and humectant all of which means it feels great on the skin. -You can use GP-20 to mix with so many cosmetic materials. Dry cosmetic pigments blend into it easily. So do ground-up cake cosmetics. If you add enough color to undiluted GP-20, youll get a base with great opacity that works on skin or latex. Run a test before you go on set with it. In an emergency, when you dont have a certain rubber mask grease color, you can mix it from other cosmetics and GP-20. You can also use it to thin creme foundations so they apply easier (ie: to loosen up Mehron Economy Rubber Mask Grease).
-Net Wt. - 4 oz -Shipping Wt. - 5 oz. Product# . PMLP04R PMLP04Y PMLP04BL PMLP04FL PMLP04TT PMLP04BK
Barrier Creams
Derma Shield
192
Barrier Cream creates an invisible barrier that actually seals the skin and protects the skin against discoloration from pigments and the damage from chemicals. They are non-greasy, non-toxic and can be applied to any area of the skin. Simply wash hands, dry them thoroughly, rub on a generous portion, and allow to set for 4 to 5 minutes. They guard the skin from Acetone, Ammonia, Peroxide and most hazardous chemicals.
Derma Shield Foam forms a molecular bond with the epithelial layer of the skin. The mesh-like bond actually keeps most elements from penetrating where stains, odor retention and damage can occur. The would-be problem causing elements simply stay isolated on the skins surface, where they can be more easily cleaned off when you have completed your task.
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PA-X Fomula
-PA-X was developed for professional use in painting latex masks and appliances. It is a 50 - 50 mix of Pros Aide and acrylic paint (ie: Liquidex). Once combined, the PAX formula has a very strong adhesive bond. It is not recommended for direct use on skin because acrylic paint is not an FDA approved pigment for the skin. -If using PA-X formula on the skin, it is recommended that the formula be mixed 5 parts acrylic paint to 4 parts Pros Aide. The reduction of Pros Aide reduces the adhesive and makes it easier to remove from skin. It is the makeup artist's responsibility if this procedure is not a sufcient safeguard. Some makeup artists are using Barrier Cream or Dermashield on the skin before applying PA-X because this forms a protective layer on the skin to shield it from the paint and to make it easier to remove. -When removing a PA-X appliance, never tear the appliance off. Some skin will come off with it. You must soak the edges with remover, the edges will begin to lift up and the appliance will come off easily. Try Tincture of Green Soap (available at your local drug store) and warm water. For stubborn residue, try Detachol or the very popular, economical remover Bond Off by Ben Nye. We have had many inquiries regarding PA-X formula. PA-X is the number one method of painting prosthetic pieces. We are supplying this technote for informational use only. All adhesives and removers are used at your own risk. Todays adhesives are very strong and when misused can be very dangerous. -Because the use of PA-X is so common, there are a number of new products out there to make your life easier. We always want to offer you the latest and greatest products. In addition, there are several new formulas of Pros Aide Adhesive. Check out their benets in regard to the project you are doing. -Experimenting with chemicals is very dangerous. The excessive layering of adhesives (ie: latex, spirit gum and Pros Aide) may be very difcult or virtually impossible to remove because each adhesive may use a different solvent and one adhesive layer may prevent a solvent from reaching a second adhesive layer.
Pros-Aide 2 Adhesive
Product # PMPA202 PMPA204 PMPA208 PMPA216 Size 2 oz. 4 oz. 8 oz. 16 oz.
PA-X
-A milder formula of the original Pros-Aide. Its still strong (but not as strong) and excellent for sensitive skin. It is much easier to remove and you can use ordinary spirit gum removers.
-All the great properties of "The Original" Pros-Aide but with less residual tackiness. It is used just like Pros-Aide for producing PAX Paint but has signicantly reduced stickiness or tack after drying. Just like The Original, No-Tack has great adhesion, water-resistance and exibility.
Pros-Aide No-Tack
This is a very strong, non-toxic, waterproof adhesive for use with prosthetic appliances. It is gentle to all skin types, and will not be affected by perspiration or moisture. Requires a specic remover. -This is the material used to create PAX Paint. -Certain skin areas such as the neck, back and chest are more sensitive and must be handled with even more care. Because removal of PROS- AIDE is difcult, avoid the eye area. When removing any latex appliance, never tear the appliance off. Some skin will come off with it. You must soak it with remover as you peel it until it comes off easily. Allow the solvents/remover to loosen the adhesive. Excessive rubbing to loosen adhesive residue will only irritate the skin. Remove the latex appliances & adhesive residue with Ben Nyes Bond-off or Detachol.
-A thick Pros-Aide adhesive excellent for lling in seams or gaps in appliances and also great for repairs. It does not contain any articial llers to make it thick yet it has the properties of Pros-Aide at heavy viscosity. This adhesive can be easily colored to make thick PAX Paint for use as a ller. It can also be used to create scars or textures in molds or directly on the skin.
Product # PMPAC06
Size 6 oz.
Pros-Aide Go Kit
-Contains every type of Pros-Aide you need and the Pros-Aide Remover with cotton swabs for applying and removing. Small bottles are excellent for on set touch ups. In a convenient vinyl pouch.
Product # PMPAGK
Remember products like Pros Aide, Acrylic Paint and P-AX Formula are ruined when they are exposed to freezing conditions. We will ship in the winter At Your Own Risk! Please anticipate your needs.
Prosthetic Makeup
-You may think that PA-X paint sticks well to foam, but anyone who has had an animatronic skin shred before their eyes knows that the paint easily chafes off. There is an answer! GM Foam Water Based Primer allows PA-X paint (or any other paint, for that matter) to adhere to foam like gangbusters. This is not an exaggeration. A thin layer of GM Water Based Primer bonds so securely to the foam that you will be amazed. Any paint, especially PA-X, will stay where you put it.
GM PA-X Remover
-GM Foam PA-X Remover offers the makeup artist an easy, comfortable way to remove appliance makeup. -Heres how it works: -The GM Foam PA-X Remover is applied to the makeup and allowed to stand for a few minutes. It is best to apply the PA-X before appliances are removed. Never use myristate before using the PA-X remover, since myristate creates a barrier to the remover. A hot towel is then used to gently lift off the PA-X makeup. If some PA-X persists, simply repeat process. Never rub harshly with the towel. Works on PA-X paint, Pros-Aide 1 & 2. -As with any cosmetic product, test a small, inconspicuous area for sensitivity and/or allergy. If sensitivity or allergic reaction is produced, discontinue use immediately.
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Acrylic Tubes
-Net Wt.-120 ml -Shipping Wt.-4 oz.
-We always told you to buy your acrylic paint for P-AX some where else, but now we have it!
Product # PARLA101
Burnt Sienna
Product# PARLA102
Yellow Ochre
Product# PARLA103
Cobalt Blue
Hookers Green
Product# PARLA104
Product# PARLA105
Raw Sienna
Product# PARLA106
Lemon Yellow
Primary Yellow
Product# PARLA107
Product# PARLA108
Cadmium Yellow
Cadmium Orange
Product# PARLA109
Cadmium Red
Product # PARLA110
Product# PARLA111
Product# PARLA112
Product# PARLA113
Primary Cyan
Dk Ultramarine
Product# PARLA114
Dk Cobalt Violet Pthalocaynine Grn Also available in Gold and Silver. They offer many other colors which we do not stock. If you want other Royal & Langnickel items, please contact a sales rep. representative.
Product# PARLA115
Product# PARLA116
Product# PARLA117
Cadmium Green
Naples Yellow
Product# PARLA118
Product # PARLA119
Burnt Umber
Product# PARLA120
Mars Black
Titanium White
Product# PARLA121
Product# PARLA122
Venetian Red
Product# PARLA123
Light Blue
Gold
Silver
The Chemist
MEL PA-X Products
We stock a variety of household chemicals used by the special effects makeup artist. The alcohol products are ammable. Dangerous Goods fees and handling are additional. Safe to ship via ORM-D Ground.
The MEL PA-X Airbrush Thinner is designed to clean PA-X out of your airbrush. The MEL Adhesive Remover is formulated to remove stubborn adhesive build-up. The MEL PA-X Thinner does just that, it thins your PA-X to give you a translucent wash. The MEL Edge Rening Cream helps repair edges that are obvious.
Description MEL Airbrush Thinner MEL Adhesive Remover MEL Pax Thinner MEL Pax Thinner MEL Pax Thinner MEL Edge Rening Cream
Prosthetic Makeup
Latex Sealer
Ben Nye Castor Sealer
Product # BNKS02 BNKS08 Size 2 oz. 8 oz.
-Apply a micro-thin layer to seal all latex appliances, balds caps, and liquid latex products. Afterwards, use creme colors to color the texture. Sealer eliminates having to use rubber mask grease.
Product # PAWH16 PAHP16 PMA7016 PMA9908 PMA9916 PMA9932 PPIG04 PPIG08 PPIPM04 PPIPM08 PMIM08 PMIM16 PMIM32 PMG08
Description Witch Hazel Hydrogen Peroxide 70% Isopropyl Alcohol 99% Isopropyl Alcohol 99% Isopropyl Alcohol 99% Isopropyl Alcohol Gelled Isopropyl Alcohol Gelled Isopropyl Alcohol Gelled Isopropyl Myristate Gelled Isopropyl Myristate Isopropyl Myristate Isopropyl Myristate Isopropyl Myristate Glycerin
Size 16 oz. 16 oz. 16 oz. 8 oz. 16 oz. 32 oz. 4 oz. 8 oz. 4 oz. 8 oz. 8 oz. 16 oz. 32 oz. 8 oz.
Shipping Wt. 1 lb. 1 lb. 1 lb. 10 oz. 1.3 lbs. 1.9 lbs. 6 oz. 10 oz. 6 oz. 10 oz. 10 oz. 1.5 lbs. 3 lbs. 12 oz.
Matting Agent
-Many materials (adhesives and sealers) are shiny by nature. This, of course, is unacceptable in theatre and television. By adding a small amount of matting agent, any adhesive or sealer can have a matte nish.-RESPIRATORS
-A thickening agent (amorphous fumed silica), used to prepare the rst layer of an RTV rubber or Silicone when making a negative mold. -Add approximately 2 Tablespoons of Cab-o-Sil per 100 gram batch of base rubber.
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Alcone Company
-RESPIRATORS REQUIRED Product # Size Shipping Wt. PMCOS08 8 oz. 8 oz. PMCOS1 1 lb. 1 lb.
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-The best rubber mask grease we sell. For color swatches see page 24.
-Made exclusively for Alcone, these very handy palettes are economical and offer a full range of color. The Fleshtone has six shades that range from light to dark. The Bright Color has Red, Blue, White, Black, Yellow & Green.
Product # Color KR2582 517 Dark Grey KR2582 512 Medium Green KR2582 091 Blue KR2582 509 Bright Yellow KR2582 079 Red KR2582 081 Dark Red
Kryolan Mini-Palettes
- All the mini-palettes contain 16 color samples in a small clear plastic palette.
The F/X Rubber Mask Grease Wheel was developed with the assistance of an Academy Award winning makeup artist. He selected these six colors as the most useful and commonly required shades for creating a wide variety of characters when coating latex or foam latex appliances. The Derma Wheel was developed by the staff of one of the nest makeup training schools in the country - The Makeup Designory - or MUD. The Primary Wheel is as youd expect, White, Black, Red, Yellow and Blue. Ideal for Jokers and Clowns. RMG is ideal for coating latex and foam latex due to its castor oil content which both protects the latex pieces and lends them an oil content similar to your skin. This second benet becomes apparent when the latex coated area and your esh yield similar nishes once coated instead of having the latex area look chalky as would happen if you had used ordinary creme foundation over untreated latex. To treat latex for use with regular creme foundations, see Castor Sealer on page 179.
Shipping Wt. - 3 oz. Product # KR25831 Flesh Colors Product # KR25832 Bright Colors Product # KR2584 KR2586 Description 12 Shades 24 Shades
-RCMA AF colors that have more viscosity, coverage and do not separate on standing. Very high pigment values allow brush or sponge application with ease and efciency. For color swatches see page 37-39. Net Wt. - 1 oz. Shipping Wt. - 2 oz.
Color Black White KN-5 Dk Brwn CS-2 Counter Shading 2 CMAFKW4 KW-4 Olv Bg CMAFSHI Shinto I CMAFSHIV Shinto IV CMAFKT1 KT1 Lt Yell Tn CMAFKT3 KT3 Dp Yell Tn
- An economical formulation for covering latex rubber prosthetic pieces. The draw back with this rubber mask grease is it doesnt spread that well. Try adding a drop of GP-20 Fluid to this rubber mask grease or use a brush dipped in the GP-20 Fluid to correct this. For color swatches see page 25.
1.5 oz. Color Mid-Lite Olive Medium Olive Mid-Dark Olive Soft Beige Light Tan
Product# ME5LM10 ME5LMO ME5LME ME5LMW ME5LMR ME5LMG ME5LMBL ME5LMY ME5LMM ME5LMBK
Color Bronze Tan Oriental Ebony Brown White Red Green Blue Yellow Monster Grey Black
Colors 1624, 2817, 3277, 6205, KW-2, KM-2 Red, Yellow, Blue, Black, White, KN-5 CS-2, KW-4, Shinto II, Shinto IV, KT-1, KT-3 Shinto I, Shinto III, Olive 1, Olive 2, Olive 3, Olive 4 Shinto I, Shinto II, Shinto III, Shinto IV, CS-2, KT-1, KT-2, KT-3, 1624, 2817, 3277, KN-5, Red, Yellow, Blue, Black
Prosthetic Makeup
-Specically designed for RCMA Appliance Foundations or adding shine to powdered surfaces.
Mehron Rubber Mask Grease Palette -Most of the Mehron Mask Cover Colors
(except Monster Grey) are included in a handy palette. Look for color changes in this palette in the future.
Net Wt. - 2 oz. Shipping Wt. - 3 oz. Product # Description ME5LMK 15 shade palette
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Effects Materials
Description Blue No Veins Blue With Veins Brown No Veins Brown With Veins Green No Veins Green with veins Fire Eye - Red only Cat/Reptile - Green only
-This themoplastic is excellent for under mascot heads because it is light weight and vented. Heat with a heat gun to shape or drip in hot water.Use dishwashing gloves so your hands can handle the heat. As a release agent for the gloves, use a little petroleum jelly. Once the pellets are heated, they become translucent. You can then mold and shape. This plastic hardens and will accept paint well. Even painted, it is 100% recyclable. Simply melt it down again, reshape and repaint. It's that simple.
Varafoam
Heavy
Shipping Wt. - 8 oz. Product # Description Size UNVFH Heavy 36 x 52 UNVFL Light 36" x 52"
Friendly Plastic
Ultra Materials
UltraTar Movie Tar
Product # PMUT16 PMUT1G
-Very stringy. -Very stringy. Cleans up with water. Low staining. Gallon is a special order.
-A very handy product. These little pellets can be heated in a microwave, in hot water or with a heat gun. Use dishwashing gloves so your hands can handle the heat. As a release agent for the gloves, use a little petroleum jelly. Once the pellets are heated, they become translucent. You can then mold and shape. This plastic hardens and will accept paint well. Even painted, it is 100% recyclable. Simply melt it down again, reshape and repaint. It's that simple.
-A very thick, very shiny, self leveling liquid for super smooth, wet look effects on hair, skin, clothes and entire sets. Thin with water. Washes off in plain water. Also excellent for medical simulations. Non-toxic.
Product # PMUW16 PMUW32 Shipping Wt 1.5 lbs. 1.5 lbs. 1.5 lbs.
-Unique, opaque white, sculptable gel visually becomes part of the actor's face and body transmitting even the most subtle expression or movement for unparalleled expressiveness and realism. Use water as a sculpting aid. Water soluble and non-toxic. Color with water based pigments or mix in makeup. Apply conventional makeup over gel.
Prosthetic Makeup
-Makes creatures look real. Super stringy consistency simulates saliva and body secretions better than Methocel. Color with food color. Non-toxic. Methocel free. Gallons are special order.
Shipping
-A nely ground mineral that, when added to water, results in an excellent mud consistency. Start with about 10 parts water to one part UltraMud. Non-toxic. (Contains no Fuller's Earth or Bentonite.) One pound makes 1 gallon. Grey in color- not brown.
-Simulates ice or color to simulate skin. Unique, clear, sculptable gel visually becomes part of the actor's face or body transmitting even the most subtle expression or movement for unparalleled expressiveness and realism. Use water as a sculpting aid. Water soluble and non-toxic. Color with water based pigments or mix in makeup. Apply conventional makeup over gel.
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Respiratory Protection
3M Dust, Mist & Fume Respirators
Sold 20 per box Shipping Wt. - 1 lb Product #SE8210
Respiratory Protection
Respirators come in two basic types, air-purifying and air-supplied. Air-purifying are more common because they are cheaper and dont restrict your mobility, but the lters have short lives and can only deal with low levels of hazardous contaminants in the air. Consequently they should be used only when there is good enough ventilation to keep the contaminants at a low level. There are several other conditions for the proper use of air-purifying respirators. Every one is important to know and comply with. Otherwise putting on a mask is just fooling yourself. 1. The respirator must be tted so that all air breathed comes through the lter. Test your mask by covering the open area of the cartridges with your hands or rubber gloves, etc.; inhale gently and hold your breath for ve to ten seconds. If the facepiece collapses slightly, a proper t has been obtained. If leakage is detected, reposition and/or readjust the straps. Another test is to cover the exhalation valve and exhale. If the facepiece bulges slightly and no air leaks easily between the mask and the face, it ts properly. If not, readjust. 2. Filters or cartridges get used up as they absorb chemicals and dust/mist. Also the absorbing material begins to dissipate the minute you unseal a cartridge or mask package, so always mark the date on the item when you open it. The current guidelines for all chemical cartridges or respirators are to use them no longer then 10 calendar days after opening. Even unused but open, they are useless after 10 days and should be thrown away. If you are working with isocyanates, at low levels, the limit is 5 days. Those are maximum times. If you smell any odor while wearing a mask, there is a leak. Tighten or change the cartridge or respirator. If breathing becomes more difcult, try changing the cartridge. Dont be surprised if you have to change before 10 days are up. Actually a cartridge only provides ltration for about eight hours of cumulative use. Using old, depleted respirators is the most common mistake known. If a cartridge has not been dated or is over-age, throw it away. You might as well wear an old sock. 3. Respirators should be kept clean and disinfected (especially if not always worn by the same person) and stored in a clean place. They should also be inspected and maintained according to the instructions. 4. Always use NIOSH/MSHA approved respirators. As of July 10, 1998, NIOSH/MSHA implemented new regulations thereby making all other respirators sold before that date obsolete. Therefore, we have no replacement cartridges for old respirators and you must buy a new NIOSH approved respirator. 5. If you work in dust or mist as well as fumes, use an appropriate lter in front of the cartridge to keep it from being clogged. Change the lter when breathing is more difcult. Filters are cheaper and prolong the life of the cartridge under those circumstances.
Air-purifying Respirators
3M Particulate Respirator
Sold 10 per box Shipping Wt. - 12 oz. Product #SE8511
Protects against certain non-oil based particles Well suited for work settings that involve heat, humidity or long periods of wear.
3M Particulate Respirator
With nuisance level Organic Vapor Relief Protects against certain oil and non-oil based aerosol particles as well as organic vapors such as solvents, degreasers and resins.
3M Dust Mask
Protects against nuisance dust particles Disposable, maintenance free Lightweight, comfortable, easy to breathe through
Economy pack - 20 per box Shipping Wt. - 1.5 lbs. Product # SE8000
Provides relief from vapors and particles when spray painting Disposable, maintenance free Easy to breathe through Lightweight, dependable and economical
Safety Equipment
Low prole - ts under face shields and hoods Provides comfort in high heat jobs Flame retardant to help eliminate burn worries Lightweight, durable construction that can be individually shaped Provides relief from welding fume fever.
Unique head harness cradle assembly provides comfortable, balanced, no slip support Soft silicone facepiece for worker comfort Facepiece design permits glasses and goggles to be worn comfortably Adjustable four point strap attachment with convenient front strap Low prole placement of cartridges designed to give wide eld of vision Exhalation valve cover has permanent hinge attachment so it cant get lost Cat. # Description Size SE7018S 7018S Paint Spray Small-Medium SE7019S 7019S Paint Spray Medium-Large SE7251 Organic Vapor Cartridge SE7256 Paint Spray Pre-lter SE7287 Cartridge Retainer
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Cartridges are made for specic respirators. Please have respirator make and model ready when ordering.
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Shipping Wt. - 5 lbs Product # Description PMGLM Latex Gloves PMGLL Latex Gloves PMGLEL Latex Gloves
100 per package Not for use with hazardous chemicals Non-sterilized Use with 3rd Degree
Shipping Wt. - 5 lbs Product # Description PMGVM Vinyl Gloves PMGVL Vinyl Gloves PMGVEL Vinyl Gloves
Face Shield
20-25 PERSON KIT
Contents treat most minor emergencies Kit also contains cold pack,gauze pads, eye irritation solution, tweezers and scissors.
Designed for protection against ying particles and sparks during woodworking, metal nishing and spot welding Adjusts for all head sizes, child to adult Window pivots, enabling worker to raise or lower as required Size: 17 x 8 x .060 Clear
Shipping Wt. - 1 lbs. Product # Description SA1631 Kit SA1632 Replacement Shield
Flexible Goggles
1.5 lbs. Shipping Wt. - 8 oz. Product# SA432
Soft vinyl frame with perforations for maximum ventilation Optical quality, distortion-free, replaceable polycarbonate lens
Hearing Protection
Lab Glasses
Lightweight black nylon frames Lens wraps around to protect side of eye Fits most head sizes.
Safety Equipment
Hearing Protector
Shipping Wt. - 1 lb. Product# SA1435
Industrial
For moderate noise environments Cups adjust on one-piece plastic head band Designed for lighter tension and greater wearer comfort.
Lightweight black nylon frames Lens curves for a tight t Fits most head sizes.
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