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What humor gives us? Respect Remembrance Reward MAP Theory Audience Material Performer The material must be appropriate to the interests of the audience, and each must also relate to the persona of the performer. The audience must complement both the material and the presentation style. How to think? For any situation, ask What if? Realignment of diverse elements into new and unexpected relationships. See what is logically illogical, the way no one else considers the situation/thing. Exercise the step above consistently; write down all creative/weird possibilities. Focus on a realistic action/logical thought and destroy it. The Notes on which humor is played, chords are formed 1. Double Entendres Playing on Words (Clich Reformation & Take offs) 2. Reverses Trick the audience by switching the point of view 3. Triples Build tension, lead to an exaggerated finale 4. Incongruity Pair two logical but unconventional ideas 5. Stupidity Encourage audience to feel superior to silly thoughts & actions 6. Paired Phrases Utilize the rhythms of antonyms, homonyms & synonyms 7. Physical Abuse Cater to the delight of someone elses misfortune Why people laugh? 1. Surprise a. Unintentionally done something foolish b. Having been tricked c. Surprise from misdirection d. Surprise from incongruity 2. Superiority a. Comparing themselves with others they consider inferior by ridiculing their intelligence, social standing and physical infirmities b. Insult Humor c. Social Criticism
3. Biological a. An attempt to vent hostility when physical aggression is not practical 4. Incongruity a. Unconventional pairing of speech, actions, character revelation and thoughts 5. Ambivalence a. Stress on conflicting emotions (love/hate relationships in families. e.g. Whatever happened to good ol days, when children worked in factories? 6. Release a. Embarassment & Innocent Errors b. They are anxious to participate in a shared social experience 7. Configuration a. When disjointedness falls into place b. e.g. I learned about sex the hard way-from books! 8. Psychoanalytical a. To socially accomplish childish regression without feeling foolish (Comic Strips) b. The kid inside who resents growing up Anatomy of Humor THREES formula 1. Target (Humor is criticism, cloaked as entertainment, directed at a specific target) a. People as Targets (physical characteristics, finances, intelligence, success, ideas, mannerisms, prejudices) i. Self deprecating humor, e.g. Im the most successful dropout Bill Gates ii. Celebrity Names (Tangy Gossips) b. Places as Targets (Countries, States, Cities, Local Spots in News) c. Things as Targets (Buildings, Automobiles, Sports Equipment, Jewelry, Junk food, etc.) d. Ideas as Targets (Controversial ideas that can be humor targets) e.g. Bisexuality 2. Hostility (Ridicule/Target Hostile Feelings) a. Sexual Frustration i. e.g. I satisfy my wife every night. We get into bed completely nude. Then I say, Darling, Im very tired and I think Ill go to sleep. And she says, Im satisfied. b. Intrusion of authority into our private lives (politicians, bosses, faculties, administration i. e.g. Artificial hearts are nothing new. Politicians have had them for years. c. Financial Concerns (personal, wages, taxes, investments, gambling, lottery awards, credit cards) i. e.g. I have a serious investment problem. I have no money. ii. Ive got all the money I need-if I die by four oclock. d. Family Problems (responsibilities, restrictions, competing interests) e. Angst and our Feelings of powerlessness in the wake of technology i. Angst (fear of death, coping with deformity, deprivations, paranoia, insecurity, narcissism, kinky sexual drives, etc.) e.g. God has Alzheimers disease. Hes forgotten we exist.
ii. Technology (Hopelessness coming from inability to control/understand the environment) e.g. high-tech machines, computers, gadgets, nuclear war, alien invasion, mutation, etc. f. Our insecurity about our own physical characteristics, which triggers prejudices & taunts against minorities (Physical Appearances, Ethnic Mannerisms, Colloquial speech, social attitudes drugs, sex, education, profession, music, literature, humor) 3. Realism (Fundamental basis of truth for audiences to associate) a. State some commonly accepted problem, frequently with a clich b. In the last word or two change the expected ending to a surprise e.g. People who lose sleep over the stock market are lucky. I lose money. Yesterday they told you, youd not go far. Last night you opened and-they were right! Incongruous humor Two or more realistic but contrasting circumstances united into one thought. E.g. What can you expect from a day that begins with getting up in the morning? Note: Facts of humor should be logical-the relationship between people clear and predictable, the time and locale of the story familiar, the hostility common to the audience and commensurate to the irritation. 4. Exaggeration follows from Realism (Utilize hyperbole, blatant distortion, overstated figures absurd subject matter cant possibly be true) e.g. A politician and a gorillas image got switched in a newspaper. The gorilla sued them. 5. Emotion (Building up anticipation, anxiety and tension in the audience requires voice, enthusiasm and action, when to pause, for how long, the rhythm of inflection, a gesture) Note: The personality/character is more important than the material/joke. Five ways to maximize emotion/increase audience tension i. The pregnant pause A pause just before the payoff word/words that increases tension, promises to deliver Relieved by surprise ending. E.g. Take my wife--Please!! ii. Ask the audience a question (encourages them to be involved) e.g. Remember how hot it was yesterday? Well a dog was chasing a cat, and they were both walking. Ask the question How many here have ever..? e.g. How many here paid to get in? How many here know what sex is? iii. Triples Discussed later iv. A Joke on the way to a joke v. Build emotional tension by working the audience Discussed later 6. Surprise (Absolute must. Sacrifice grammar, logic, if required, use keywords to set up/fool the audience, perform without giving any hint of the surprise ending.) e.g. My wife and I have many arguments, but she only wins half of them. My mother-in-law wins the other half. (Half keyword used to get the audience to assume the ending. Then misdirected and fooled.)
Whens your birthday? Oct, 17th What year? Every year! How the simple truth works Re examine every major word in the clich, reject its most common connotation and go back to Basic English. e.g. What would you say to a martini? Depends on what the martini said to me first! Will you join me? Why, are you coming apart? Note: Play with a view or word Basic Rules First part or first sentence is a clich. Second part (punch line) is an unexpected interpretation thats realistically literal. E.g. Wife: You never look out for me! Husband: Of course, I do. And when I see you coming, I run like hell. Research Reports/Statistics (excellent source) If a single dolphin has as many as two thousand babies, can you imagine how many shed have if she were married? The Non Sequitur An illogical statement which is humorous because of the juxtaposition of two elements. E.g. I shot an elephant in my pajamas. How he got in my pajamas, Ill never know. / Store sign: Big Sale Last Week! On stage Examine words closely for incongruous variations. E.g. I woke up one morning and my girlfriend asked me if I slept good? I said, No, I made a few mistakes. 3. Reforming Three ways to reform clichs. a. Alter or transpose the words and create a new related thought (Juggle the words, Reverse the order) e.g. Im not as think as you stoned I am. b. Replacing one or two letters in a key word of the clich e.g. spite my race. (face) c. With a homonym, a similar sounding word with a double entendre interpretation The things my wife buys at shops are keeping me Baroque. (broke) The Oral Clich Using homonyms for puns Hair(here) yesterday, gone today./ Oh, my cod! With friends like you, who needs enemas? Definitions Gigolo? A fee male Note. Homonyms can be used to form an entire dialogue scene. How to do it 1. Take a word thats appropriate to the occasion 2. Put down as many sound-alikes as come to mind 3. Write the joke e.g. Word Hormone Like: Whore moan, her moan. E.g. How do you make a hormone? Dont pay her! Fractured clichs Another homonym device split reforming separating one word into two to get a surprise double meaning. E.g. Bedridden Bed + Ridden(Riding) Common category of splits words beginning with a alone, abreast, around, ahead, etc.) e.g Would you like to play around? Girlfriend: Are you asking as a lover or a golfer? Dont worry. Ive got a backup system. So everybody, back up! Words ending with er catcher, licker, player or start with the sound of her harass, words that invite him in work vitamin, Himalayan, hemisphere. Words can be reformed by adding, deleting or separating prefixes (such as a, an, I, pre, un or in) and by using suffixes as homonyms (such as ize) Plagiarism: the unoriginal sin Writing a reformed clich for print (Get a picture in front of you of the event find the keyword) 1. Write down all the homonyms associated with the sound of the word 2. Substitute the word in all the above expressions and determine if the caption syncs with the specific picture described above select the best one
Writing a reformed clich as a pun 1. Locate the important word or phrase write as many words as you can think of that rhyme with the word/phrase. E.g. loan 2. Select the words from your list that seem to have double entendre possibilities. E.g. moan, lone. 3. Start eliminating. E.g. moan has negative associations. Lone, own, phone probables 4. Write as many clichs with the word or homonym in it. E.g. Can you float a loan/The loan ranger 5. A little reforming. S.B Bank Phone the loan arranger and pronto (Lone Ranger and Tonto) Three prerequisites for a reformed clich to be funny 1. The take off cannot be obvious it must be a surprise 2. It must be, at least mildly outrageous 3. The original clich or title must be immediately familiar to the audience Note: Never do more than three jokes on one topic. 4. The Take off Idea behind take off clich is implicit it implies something more than whats explicitly stated. (Complete the clich with a bizarre reference) Note: The clich can either start the joke or be the punch line. e.g. My father never liked me. For Christmas he gave me a bat. The first time I tried to play ball with it, it flew away. Clich First, Then Take off If at first you dont succeed, try, try again-she expects you to. Clich is second Wife to friend: Im in trouble. I broke my husbands favorite golf club. What did he say? He said, What hit me? / If you dont want the dentist to hurt you, keep your mouth shut Note: Humor is written backwards. (Find the clich first, build story around it) Double pleasure More than once clich Give a man enough rope and hes tied up in the office 5. Associations Putting together two activities that havent been previously associated into a plausible but audacious scenario. / Combine two simple elements that are logical but impossible. 1. Clich with a celebrity name My opponent has done the work of two men: Laurel and Hardy! 2. Teaming two clichs I call Herbs salary a phallic symbol because it only rises once a year. 3. Teaming of verbs or adverbs with nouns Its a dogs life he muttered Associations as Warm-ups Warm up writing twenty five one liners inspired by the morning paper. (Funny captions to news photos, news stories) - Get to work. Associate puns on famous names Before she became Madonna, she was pre-madonna. Note: The more we combine realism and exaggeration, the more humorous it will be. Disrespectful association of the rich/famous with book/movie Elizabeth Taylor in Once is Not Enough Associate last names of two celebrities Isadora Duncan, Robert Donat Dunkin Donut!
Reverses
Adding a contradictory tag line to the opening line of a clich. E.g. I couldnt wait for success, so I went ahead without it. A situation in which the outs take over from the ins e.g. I have a job at the local radio station. I get in my car at rush hour and report on helicopter traffic. Def: An unexpected switch in the audiences point of view. Catch the audience off guard because they cover their embarrassment with laughter. e.g. A man and woman are making passionate love in the bedroom. Suddenly the apartment door opens and a man comes in: Darling! Im home , my love. He walks into the bedroom, looks at the naked couple and says, What is she doing here? (Drop at least one clue to push the audience in a false direction. E.g. Man shouting: Darling!) I have a brother in Harvard Med School. Whats he studying? Nothing, theyre studying him. Is everybody having a good time? Well, well put an end to that right now! Retaliatory Humor Delivering an insult or a surprise compliment e.g. Howard Coswell is Americas greatest sportcaster. And thats not only my opinion, its his too! Changing the Point of View Offer a solution which is both logical and diametrically opposite to whats expected e.g. When Is young, I thought money was most important thing in life. Now I know it is. Note: Only one reverse is permissible in any one story or script. e.g. A man finds a chimp in the middle of the street. He asks the police: What do I do with him? Policeman: Take him to the zoo. Next day police notice the same man with chimp. Officer: I thought I told you to take it to the zoo. Man: I did, and we had so much fun, today Im taking him to Disneyland. Note: Dont telegraph the message, lay out the plot line of a story as realistically as possible and carefully set up for the surprise ending. e.g. Walking down the street, I saw a blind man being led by his dog. Suddenly, the dog pissed on the blind mans leg. His owner took a biscuit out of his pocket, bent down and gave it to the dog. I walked over and said to the man, Sir, I couldnt help noticing what you did. Its one of the greatest acts of kindness Ive ever seen. The man said, Kindness, hell, I just want to find where his head is so I can kick him in the ass.
Anecdote A tall tale told as a small story with a sudden climax. With the setup, we mean to confuse the audience. So we include just enough information in the body of the story to encourage them to proceed automatically in the direction well reverse at the end. e.g. Let me tell you about my big spending husband, one woman said to another. It was our anniversary, so he took me to the most famous restaurant in town and told me to order the most expensive dish on the menu. I did..a Big Mac. Note: One word clues are shuffled into anecdotes which, when combined with a reverse, prove to be the surprise detonator cap. E.g. A worker on a construction site would wait until the end of the day and then walk out past the guards with a wheelbarrow filled with dirt. Management was positive he was stealing supplies, but every check of the wheelbarrow accounted for nothing but plain sand. After the job was completed, the foreman walked up to the worker, who had his last paycheck, and said, Mike, I know you were stealing something. Tell me the truth, what were you taking? Mike said: Wheelbarrows! Other Benefits Reverses are excellent technique for speeches and essays. Also very practical for deflecting insults. e.g. Redneck: What did the doctor say about your big fat ass? Wife: Sorry, Your name never came up. Examples My boyfriend and I broke up, even though were still deeply in love. He wanted to get married and I didnt want him to. / They just took away the license of one of our doctors for having sex with his patients. And thats too bad, because hes the best veterinarian in town.
Triples
If peanut oil comes from peanuts, and olive oil comes from olives, where does baby oil come from? Humors PAP Test P Preparation (Situation setup) A Anticipation (triple) P Punch line Def: A sequence of three actions, comments, or categories that increase tension with longer buildup. e.g. P How many Delhiites does it take to change a light bulb? A A hundred and two: one to hold the ladder, one to screw the bulb, and P one hundred cops to make sure the first two arent mugged. / P If you want to be seen stand up! A If you want to be heard speak up! P If you want to be appreciated shut up! / P Waitress, in hoarse voice: For dessert, we got ice cream-vanilla, chocolate, and strawberry. A Customer: You got laryngitis? P No, just vanilla, chocolate, and strawberry. Dos and Donts for Triples 1. Never tell more than three jokes about one subject at any one time. 2. Dont spend more than three minutes on any one theme. 3. Three themes of about three minutes each are optimum for a ten minute stand-up monologue. 4. Three minutes is the best length for a skit. 5. Dont use more than three voices in a radio skit or commercial. Anecdote A small story (mentioned above) in the fewest possible words. (Weight loss Triples Story) Triple Takeoff Girl to marriage broker: Your prospect is old, his eyes squint, and he has no teeth. Broker: No need to whisper, he cant hear either! The Triple Reverse Start off with a triple, then switch to a reverse e.g. Any of you see Desperate Housewives on TV last night? Talk about plot, drama, great acting it had none of those things.
Groupings Group two or more words loosely associated with a particular activity or profession. e.g. I come from New York, where men are men-and women are men too! d. Paired Statistics Save the surprise number for the very last, just if it were a word. e.g. Did you hear about the Polish race driver at Indianapolis who had to make sixty-two pit stops? Three for fuel, four to change tires, and fifty-five to ask directions. / MC at old age home: Were going to give a prize to the oldest person here. First Voice: Im 63. Second Voice: Im 73. Third Voice: Im 83. Fourth Voice: Im dead! Note: Humor is written backwards joke first!
The Right Balance Take an incident that really happened and make it bigger than life. E.g. Prof to class: Good morning students. And to those of you on speed, good afternoon! / Wife: Well, your father is playing basketball again. Hes dribbling all over the house. (When personal comfort gets in the way of tender loving care, it creates great humor.) Note: Humor is most often written backwards. Once you have the punch line of the joke, its easy to write the opening. E.g. the aged father moved from New York to L.A to spend his last months with his son. As his father lay on his deathbed, the son whispered, Dad, I know you have a Masonic plot in Brooklyn and you know I have a family plot here. Tell me, which one would you like to be buried in? The old man looked at the son for a second and then said, Surprise me.
pursued by a nurse holding pot of scalding water. See what I mean? said the doctor, I distinctly told her to prick his boil. Note: Comedic Axiom Insult only ugly people or ignoramuses. It should be appropriate for the specific audiences. Test the limits of the racier subjects by inserting trial material up front. Understatement Both understated realism and understated shock cater to the audiences imagination and intelligence. E.g. Doc, my girlfriend has a problem. She thinks shes a rabbit. Okay, bring her in. Ill talk to her. Thanks, doc, but whatever you do, dont cure her! / My mother said, Why dont you wear your grandfathers nice dress slacks? So I grabbed the shovel Outrageous Humor Neednt be Obscene Reforming words is an easy way to be shocking. Talent comes from suggesting hard-core humor, but never actually stating it. e.g. A sexually frustrated young girl sat on Pinocchios nose and said, Now lie to me. Now tell me the truth. Now lie to me. Now tell me the truth. The Shock Exchange Another way to achieve shock is to use names of celebrities-national or local-in your humor. E.g. How fat is Elizabeth Taylor? Well, she has more chins than a Chinese phone directory. Rules for Playing the VIP Game 1. The person must be well known 2. The person should be controversial. E.g. Mallika Sherawat, Rakhi Sawant. 3. The audience feels you personally know the individual, so ur humor has the ring of inside gossip. 4. The humor must be based upon a realistic premise. e.g. Oprah said its not that she eats too much, its just that she retains water. Right now, shes retaining Lake Michigan. 5. What you say should sound so impermissible that it will create tension. Last Tips on Performance - Humor comes out of a character. The performer is the joke. Develop at least one basic and memorable character. - Do your homework, which means performer research - Stand up A series of one-liners and short comments on the contemporary scene. - Aggressor Below the belt insults. E.g. Youre Italian, right? What the hell do we need Italians for? Oh, yeah, to keep the cops busy. - You can play insecure, timed, always seeking approval, confused by women, unable to get dates or make relationships work, king of guy. With self deprecating humor. Makes the audience comfortable. E.g. Im dating a girl nowwhos unaware of it, evidently. - Satire should reflect who and what is in the news at the very time a joke is being told. - The Story Teller The story line is confined to one unique theme, with, heavy use of strong critical comment strung out for as much as ten minutes. Eventually it has a point. Story Teller should chat with his audience about a common problem, a facsimile of his family life. He calls it building rapport. He creates stock situation first, then follows with exaggerations. He builds animated cartoons with words, not jokes. Performance Secrets 1. Establish an identifiable character and stay in character 2. To make the audience feel secure, the performer must eliminate any threat of intimidation 3. Make the audience care extract caring through a discourse on your misfortunes.