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Lukes Church
A Journey From Iron To Stone
Contents
02 04 06 08 12 14 18 20 22 The Iron Church St. Lukes Church The View From The Top Inside St. Lukes Church Worship Stained Glass Windows A Time To Remember St. Lukes Vicars The Grand Old Lady
Designed and edited by Alex Greenhead. First Edition: 2014. Many thanks to Jo Wheeler for allowing access to the St. Lukes Church archives.
Towards the end of the 19th century, Tunbridge Wells was experiencing rapid growth in the north, especially in the area between St. Johns Road and Upper Grosvenor Road. The Shatters Wood suburb, now the Silverdale Road area, was a distance from St. Johns Church. Their vicar, Rev. Henry Eardley arranged for open air services to be carried out in the district by Captain Batstone, a Church Army captain. The services went from being in the open air to being conducted in a tent, but this was soon to be
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replaced by a Mission Room, which was opened on October 13th 1895. Built mainly from metal, it became known as The Iron Church and held about 200 people. It was built on a piece of land that ran between Silverdale Road and Upper Grosvenor Road. The work and worship of the Mission Church continued to grow, and in 1896, a church infants day school was started. The following year the site was extended and licensed for Holy Communion, irst celebrated at Easter.
In 1898, the Rev. A. D. Ferrier - Rowe came to St. Johns as a curate, and by 1903 his main work was in the rapidly growing Silverdale area. Around this time the district started being referred to as St. Lukes. In 1904 the Vicar of St. Johns made clear reference to the need to create a new Parish with a substantial Church, capable of holding about 500 or 600. Fund raising began, but building a replacement Infants School became priority as the old building was condemned. It was opened on the 18th October 1905. In the meantime, the pupils used the Mission Room, which now held 300 people. The wish to build a permanent church was still strongly in peoples minds, but it was not until the Golden Jubilee for St. Johns Church in January 1908 that a scheme for building a new Church was fully launched. By 26th May 1909, when the building committee appointed by the Bishop of Rochester irst met, 3,000 had been raised, with the initial
1,500 donation being given by Miss Adelaide Mitchell, with Mr. J. Deacon adding 500 and Mr. F. Smart a similar sum. The remainder constituted of smaller donations. By 1909, the land in Silverdale Road was now not considered suitable and the Iron Church was to become a Parish Room, so a piece of land in Wilkin Road (now St. Lukes Road) was purchased, again courtesy of Miss Mitchell. She laid the new churchs foundation stone on February 26th 1910, placing a sealed bottle underneath that contained a copy of The Times, The Courier, St. Lukes Magazine and coins of the period. On October 31st 1910, the church was consecrated by Bishop Harmer, the Bishop of Rochester at that time. St. Lukes had become a separate parish under the Bishop on 1st October 1908, but legally it was declared on the 22nd May 1911. Four days later, the Rev. A. D. Ferrier-Rowe became the irst vicar after previously being the Curate - in - Charge.
The view north over St. Lukes Road and neighbouring areas.
An organ chamber was provided at the base of the tower, and on 18th October 1915 St. Luke's Day an organ built by Norman & Beard Ltd. was installed and dedicated. The organ underwent major renovation in 1991. On October 12th 1919, the clock and eight bells were installed in the tower and dedicated In Memory of Those Who Fell in the Great War 1914 1918 with one bell being inscribed with the phrase. The bells are clavier chime with ringing clappers and were cast by Gillett & Johnston of Croydon. Records show when the church was irst built there was one bell with a weight of 14cwt, with a diameter of 41 inches. It was cast by John Warner & Sons and is presumed to have been removed although no record exists of what happened to this bell. Information about the bells can be read on the board in the ringing chamber.
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The building and furnishing of the church both initially, and in later alterations and additions has relied heavily on the generosity of individuals donating monetary sums or purchasing items, often in memory of people who served the church. This generosity, which has enabled the beauty and the work of the church to grow, has been regularly noted from the time since the church was irst planned until the current day. The lectern is a brass eagle, presented by A. D. Ferrier - Rowe while the pulpit is of Caen stone with marble pillars and was given in memory of Rev. John Ferrier - Rowe by his widow and family. The font is also made from stone, with an oak cover bearing a cross that was given by the children of the Parish in 1913. A table font, bought with a bequest in 1994 is now used.
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Internally, the roofs are stained and varnished pitched pine, sitting upon arched ribs that are supported by stone shafts. The nave and chancel roofs are formed with trussed rafters, with the tower featuring a pine-framed spire. The wall surfaces are generally plaster, featuring stone dressings over archways. Tiled loorings cover the chancel and sanctuary with the space under the seats being paved with wood blocks and the aisles with tiled paving. The reredos is made from oak, with the sanctuary rail supported on polished brass standards. The prayer desk, choir stalls and seats in nave are also all oak. The choir stalls and pews in
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the nave were in the church for its consecration, but the side aisles were furnished with chairs. The chairs were replaced by pews of Austrian Oak (to match those in the nave) in 1912. In 1996, the back of the church was improved with new notice-boards to improve displays and shelving for storage of service books. A small number of pews have since been removed to improve space at the front and back of the church. In addition, the North Porch was cleared and refurbished to be used as a room for prayer meetings and small services such as mid - week communion. This was named the Whyte Room in memory of Canon Whyte (Vicar 1954 1992.)
Worship
The Altar and Ferrier -Rowe Memorial Chapel.
In 1953, the Church received two gifts, the irst from Miss D. Ferrier - Rowe for 300 in memory of her sister, and the second, 50 in memory of the Misses Hitchens by their nephew. This made various improvements in the sanctuary possible, including a new carved oak altar and riddle posts with angels, plus blue and gold curtains of the same material used in Westminster Abbey for the coronation, although these no longer hang. At the same time, a new blue patterned carpet was given for the sanctuary and all the woodwork
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and furniture was renovated and re - polished. The original altar and frontals were sent to Rev. Cecil Rhodes (Vicar 1944 1949) to be used in St. Augustines Church, Edgbaston, the Parish to which he had moved. The reredos is the original one put into the church when it was built. It is made from carved oak and has a gold letter inscription at the top stating Do This in Remembrance of Me with gold Alpha and Omega symbols placed respectively in the left and right panels.
The new altar was dedicated by Bishop Mann on 25th October 1953. The designer, Canon Laycock explained the meaning of his design in Decembers Parish Magazine.
The general idea underlying the design is the struggle of mankind against evil, and the plan of Salvation provided through Jesus Christ, our Lord, Who both died and rose again to this end. The four columns represent the human race in the perfect family of Father, Mother, Son and Daughter shown as bearing the heavy burdens (indicated by the heavy upper mouldings) which are the lot of us all. Without the mercy and grace of God we would certainly fail; therefore, upon the mensa (table top) stand the three great symbols of our Lords death and resurrection. The cross in the centre tells of the wondrous sacriice ofered up on Calvarys Hill where He died that we might be forgiven. After His death friends took His body down from the cross, and buried it. Hence the cross is shown empty, and not as a cruciix. But He rose from the dead, so the two candles (representing His human side and His divine side) are lighted to remind us that He said I am the light of the world. In the centre of the three front panels (three because of the doctrine of the Trinity) is a circle enclosing a maze of lamboyant tracery which twists and turns all ways to represent the diicult pathway we must all pursue; but through it there can be seen a golden cross shining right in the middle of our way, and touching the circle of eternity at all its points. As you draw near to partake of the great Sacrament of Gods love these symbolic features before you should help to promote the sense of worship.
The ive wonderful stained glass windows located behind the altar were dedicated on 11th May 1924, the central three given by the parish to the memory of Adelaide Anne Mitchell, the left one to the memory of Edward Maugham Kelsey (the Vicars Warden from 1911 1918) by his brother Mr. A. R. Kelsey, while the Vicar Rev. A. D. Ferrier-Rowe,
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gave the right one in memory of his mother. The windows all depict stories from St. Lukes Gospel The Annunciation, The Presentation of Christ in the Temple, Christs Ascension, and Christ and the Doctors with the ifth one being of St. Luke and St. Paul, taken from 2 Timothy.
The Rabboni window on the south wall. The window in memory of Canon Whyte.
A more recent addition is the north wall nave window dedicated in May 1994 to the memory of Canon Whyte (Vicar 1954 1992.) The subject matter of the Good Samaritan relects his close relationship with the Samaritans he was closely involved in the foundation of the Tunbridge Wells branch as well as work of a similar nature. Designed by Keith and Judy Hill, the central design is of handmade antique glass, painted, stained and kiln-ired in their studio. The background is in cathedral glass, matching the adjacent windows.
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To celebrate the churchs 21st birthday on November 1st 1931 All Saints Day several items were dedicated, including the Rabboni window on the naves south wall. It was dedicated to John Gresswell, who had been church warden since 1910. The window depicts Jesus appearing to Mary in the garden.
The location of the two windows next to the Ferrier-Rowe Memorial Chapel.
The two windows by the Ferrier - Rowe memorial chapel were designed by A. Buss, an artist working for the Shoreditch irm of Goddard & Gibbs. The process for designing the windows was long, initially starting in 1958 with a plan for one window, which then changed to two. They were itted and dedicated in June 1959, in
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memory of Benjamin Payne, Frank Stoneman, Charles Morris and Harry Waters, all founding members of the Mens Fellowship, with the former two also being church wardens. The windows feature the symbols of the cruciixion at the top of one window, with the communion symbols at the top of the other.
The three lowest windows on the west wall of the church, two of which show the evangelist symbols and one the Agnus Dei, were mentioned in the Couriers account of the churchs consecration as
being in the apse windows. Recent research into the windows shape and Parochial Church Council records when the current Glasby windows were installed in 1924 suggests they were moved.
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A Time To Remember
St. Lukes features many commemorative tablets and a Memorial Garden.
In addition to the dedicated stained glass windows, there are also a large number of commemorative tablets around the church, a small selection of which are visible here, as well as a memorial garden located on the east side of the church. The largest memorial, the War Memorial Tablet is located on the south wall of the chancel. It originally had 90 names of those who died ighting in the Great War, but in 1949, 23 names were added to for those who died in World War .
The St. Lukes War Memorial Tablet, containing a total of 113 names. 18
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was a most expensive task she was always ready and eager to do the best she could to help. Her mentality to lend a helping hand won her way into the hearts of her fellow parishioners by her devoutness and kindly interest in the welfare of those she was so often brought into contact with.