Académique Documents
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Warm stone zinc based Warm stone coloured oilpaint zinc based oilpaint
Mid cream plus varnish Warm stone coloured (Woodgraining zinc based oilpaint scheme?)
2 tone marble scheme 2 tone marble scheme Warm stone coloured zinc based oilpaint (some later retouching) (some later retouching)
Scheme 5 retained
Softwood
Pale grey lead oilpaint Pale grey lead oilpaint No evidence. Element either extensively cleaned back or replaced
Pale marbling scheme Pale marbling scheme Woodgraining scheme Woodgraining scheme Mid brown lead oilpaint with gilding
Softwood 3. 1761-2 Kettle Scheme 2. 1720 Witherington Scheme Pale peach coloured lead oilpaint Pale cream lead oilpaint Suggestion: Stone Colour Pale blue lead oilpaint Mid grey distemper Warm cream lead oilpaint Warm cream lead oilpaint Warm cream lead oilpaint Warm cream lead oilpaint Suggestion for redecoration: Stone Colour Pale marbling scheme Pale marbling scheme Pale brown lead oilpaint Lead white oilpaint
Pale brown lead oilpaint Pale marbling scheme Pale marbling scheme Rich brown lead oilpaint Lead white oilpaint (Cedar Colour) Suggestion for redecoration: Stone Colour
Rich brown lead oilpaint Pale stone coloured lead oilpaint CEDAR COLOUR STONE COLOUR
Rich brown lead oilpaint Pale stone coloured lead oilpaint CEDAR COLOUR STONE COLOUR
Substrate
Fine plaster
Lime plaster
Timber
Oak
Oak
Oak
Oak
Oak
Oak
Oak
In 2008 I appointed Crick Smith to undertake research into the painted plaster and timber finishes with the Sheldonian Theatre; the main ceremonial hall of the University of Oxford, and Sir Christopher Wrens first architectural commission, (built 1664-69). Their work included archival research and the analysis and interpretation of samples of paint finishes within the main auditorium and adjacent circulation areas, to help identify the original and subsequent painted finishes.