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The best way to learn about screenplays is to read a variety of film scripts.
But before you can understand everything you read you need to know about
basic script terminology. Most of the following applies to both film scripts
and television scripts.
TRANSITIONS
Traditionally, screenplays (dramatic film scripts) start with fade in and close
with fade out. Fade-ins and fade-outs within the production can signal a
major change or division within the story structure, such as a passage of
time.
A cutaway is a related shot that is "away" from the basic scene. For
example, during a basketball game you might "cut away" from the action on
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the floor to a shot of a fan in the stands eating a hot dog.
Even so, in dramatic scripts you will often see the terms
camera finds indicate the camera moves in on a particular
portion of a scene; camera goes with to indicate the camera
moves with a person or object; reverse angle to indicate a
near 180-degree shift in camera position; and shot widens to
signal a zoom or dolly back.
When the entire camera is moved toward or away from the subject, it's
referred to as a dolly.
To indicate either one, a script notation might say, "camera zooms in for
close-up of John," or "camera zooms out to show that John is not alone."
When a lateral move is needed, the term is truck (note the illustration
above).
In film, both the dolly and truck movement are often referred to as tracking
shots. Sometimes you also see the term moving shot to indicate that the
camera moves in some way during the course of a scene
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Shot designations for films include:
Extreme close-ups (XCUs) are reserved for dramatic impact. The XCU shot
may show just the eyes of an individual.
A boom shot, jib shot, or crane shot refer to high-angle shots, sometimes
with the camera moving.
An establishing shot is a wide shot (WS) or a long shot (LS). This type of
shot gives an audience a basic orientation to the geography of a scene —
who is where — after which there should be cuts to closer shots.
Thereafter, establishing shots can be momentarily used as reminders or
updates on scene changes where people have moved in relation to each
other, etc. In this context they are called reestablishing shots.
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the scene is generally shot over again from different camera positions so
that there are shots (especially close-ups) of each actor. Dialogue and actor
reactions are repeated each time the camera is repositioned.
Actors must repeat everything over again in exactly the same way for each
take in the coverage. This means they must use the same energy level with
the same actions at the exact points in their dialogue. This is essential in
being able to later unobtrusively cut together the various takes during
editing to create a smooth, unbroken flow of action.
The term subjective shot indicates that the audience (camera) will see
what the character sees. Often it indicates a handheld camera shot
that moves in a walking or running motion while following an actor.
Subjective camera shots can add drama and frenzy to chase scenes.
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abbreviations used in script writing.
• POV (point of view). Screenplays will sometimes note that a shot will
be seen from the point of view of a particular actor.