2. 3. JIM CUSTOMER Oh, he's (to down Ben) in Texas somewhere. EXT. CLUMP OFYou TREES in a DAY hurry?

BARBER UNDER TITLES AND I know. THEME Look SONG BEN like Pierce and Colby Yeah.No, too. I sure it couldn't am. be, though. JACK COLBY (Lee Van Cleef) sits smoking a cigarette on a rock He returns in a clump to shaving of trees hisout JIM customer. in the countryside. His horse grazes nearby. You're a fool. C'mon. EXT. HADLEYVILLE STATION - DAY Jack wheel They rises and ride lookson. into the distance. BEN MILLER (Sheb Wooley) Jack, Ben, rides andup Jim from ride the updistance to the station. and dismounts. INT. JUSTICE OF THE PEACE - DAY Theystation The rise and comprises head foratheir STATION horses HOUSE, as and JIM a PIERCE WAITING (Robert ROOM,J. Wilke) The with three a WATER rides gunmen up. are TANK a little seen through way off, the and window a STABLE behind across JUDGE the PERCY METTRICK (Otto Kruger), riding past. tracks. The three ride off. As a CHURCH BELL rings, EXT. TICKET OFFICE - DAY JUDGE PERCY METTRICK TITLES AND THEME All SONG right, END allNOON right, let's begin. HIGH The STATION MASTER (Ted Stanhope) reads a TELEGRAM while the EXT.judge The telegraph CHURCH is-addressing chatters. DAY a by SMALL CROWD. In the middle are 50yr old MARSHAL WILL KANE (Gary Cooper) and his pretty young PARISHIONERS bride AMY FOWLER mount (Grace the steps Kelly), STATION of dressed the MASTER church in their as Jack, wedding Ben, best. and Carl Foreman Jim ride past into(re town. telegram) My goodness JUDGE PERCY METTRICK based on the gracious. magazine story In a wagon a COUPLE Now will look theat bride eachand other groom significantly. He looks up, and kindly his step eyes forward. grow wide with concern as the three "The Tin Star" EXT. SIDE gunmen walk STREET up to-the (they DAYticket approach) office after stabling their horses. Will Kane and Amy Fowler, you by Jack, Ben, and appear Jim ride before into methe in quiet my capacity main street. An OLD SPANISH WOMANas sees Justice them and of JIM the crosses Peace herself. of this John W. Cunningham township, Noon trainto onbe time? joined together They ride past inthe thefire bonds brigade. of holyAmatrimony... FIREMAN polishing his engine drops his cloth and STATION runs inside. MASTER INT. BARBER SHOP Yes sir. DAYThat is, I- I think so, They ride past sir. Ramirez Don'tSaloon. know a reason why it The BARBER (William shouldn't 'Bill' be, Phillips) Mister Pierce. shaves How a CUSTOMER. Through EXT. RAMIREZ the window SALOON are you, we - see DAY Mister theMiller? three gunmen Misterride past. Pierce? Mister Colby? A small crowd on the saloon CUSTOMER porch corner watch the three ride past. One Man, of them it sure is JOE is hot. BARTENDER (Lucien Prival). JOE BARTENDER BARBER Did you Hot. Yousee call what this I hot? saw? The barber looks up through DRINKER the window, goes to the door, and peers out. Come on, Joe, open it up. We're gonna have a big day today. BARBER (CONT'D) They enter the Well saloon. I'll be-EXT. MAIN STREET - DAY CUSTOMER What's the matter? Movie released 1952 The three ride up to a building with the sign "MARSHAL". Transcribed They halt and look at it.BARBER Jim wants to ride from on. the movie by M.B. October, 2013. Thought I saw Ben Miller. FADE IN:

2. 3. 4. JIM KANE CUSTOMER WILL I do. Oh, he's (to down Ben) in Texas somewhere. EXT. CLUMP OFYou TREES in a DAY hurry? BARBERPERCY METTRICK JUDGE UNDER TITLES AND I know. Do you, THEME Look Amy, SONG BEN like Will take Pierce toand be your Colby Yeah.No, too. lawful Iwedded sure it couldn't am. husband, be, tothough. have JACK COLBY (Lee andVan to Cleef) hold from sits this smoking day forward, a cigarette on a rock He returns in a clump tountil shaving of trees death hisout do JIM customer. you in the part? countryside. His horse grazes nearby. You're a fool. C'mon. EXT. HADLEYVILLE STATION AMY DAY FOWLER Jack wheel They rises and I ride looks do. on. into the distance. BEN MILLER (Sheb Wooley) Jack, Ben, rides andup Jim from ride the updistance to the station. and dismounts. INT. JUSTICE OF THE PEACEJUDGE - DAYPERCY METTRICK Theystation The rise and comprises Ring, head for please. atheir STATION horses HOUSE, as and JIM a PIERCE WAITING (Robert ROOM,J. Wilke) The with three a WATER rides gunmen up. are TANK a little seen through way off, the and window a STABLE behind across JUDGE the PERCYMan tracks. Best METTRICK MAYOR JONAS (Otto HENDERSON Kruger), riding (Thomas past. Mitchell) hands Will The ring, the three and ridehe off. puts Asit a on CHURCH Amy's BELL finger. rings, EXT. TICKET OFFICE - DAY JUDGE PERCY METTRICK TITLES AND THEME All SONG right, END all JUDGE right, PERCY let's METTRICK begin. The STATION MASTER Then by (Ted theStanhope) authorityreads vested a TELEGRAM in while the EXT.judge The telegraph CHURCH is-addressing chatters. me DAY by the laws a SMALL of this CROWD. territory, In the middle are 50yr old MARSHAL I WILL pronounce KANE (Gary you man Cooper) and wife. and his pretty young PARISHIONERS bride AMY FOWLER mount (Grace the steps Kelly), STATION of dressed the MASTER church in their as Jack, wedding Ben, best. and Jim rideapplause General past into as (re town. Will telegram) nervously gives Amy a tiny peck. My goodness gracious. JUDGE PERCY METTRICK In a wagon Judge Mettrick a COUPLE Now approaches will look theat Amy. bride eachand other groom significantly. He looks up, and kindly hisstep eyesforward. grow wide with concern as the three EXT. SIDE gunmen walk STREET up to-the (they DAYticket approach) JUDGE office PERCYafter METTRICK stabling their horses. Will I can't Kane speak and Amy for Fowler, the restyou of you Jack, Ben, and appear men, Jimbut ride before I into claim methe in an quiet my ancient capacity main street. An OLD SPANISH WOMANas privilege. sees Justice them and of JIM the crosses Peaceherself. of this township, Noon trainto onbe time? joined together They ride Judge Mettrick past ingives the thefire bonds Amybrigade. aof big holy hug Amatrimony... FIREMAN and a kiss. polishing his engine drops his cloth and STATION runs inside. MASTER INT. EXT. BARBER HOTEL -SHOP DAY Yes sir. DAYThat is, I- I think so, They ride past sir. Ramirez Don'tSaloon. know a reason why it The BARBER (William shouldn't 'Bill' be, Phillips) Mister Pierce. shaves How a CUSTOMER. Through EXT. RAMIREZ the window SALOON are you, we - see DAY Mister theMiller? three gunmen Misterride past. Pierce? Mister Colby? A small crowd on the saloon CUSTOMER porch corner watch the three ridethree The past.walk One Man, of them off it down sure is the JOE isstoop hot. BARTENDER and settle (Lucien down Prival). to wait on the porch of the Waiting Room. JOE BARTENDER BARBER The station master Did you Hot. You agitatedly see call what this locks I hot? saw?up his ticket office and, with a quick glance back to see he isn't observed, runs into The barber town with the looks telegram up through inDRINKER his the hand. window, goes to the door, and peers out. Come on, Joe, open it up. We're INT. JUSTICE OF gonna THEhave PEACE a big DAY day today. BARBER (CONT'D) Theywedding The enter the ceremony Well saloon. I'll continues. be-EXT. MAIN STREET - DAY CUSTOMER JUDGE PERCY METTRICK What's Do you,the Will matter? Kane, take Amy to be The three ride your up to lawful a building wedded with wife,the to sign have "MARSHAL". They halt andand look toat hold it.from BARBER Jim wants this day to ride forward on. Thought until death I saw doBen youMiller. part? FADE IN:

2. 3. 4. 5. JIM KANE CUSTOMER WILL I'm Oh, I do. he's gonna (to down Ben) try,in Amy. Texas I'll somewhere. do my best. You in a hurry? BARBER JUDGE AMY KANE PERCY METTRICK Dowill I know. you,too. LookBEN Amy, like Will take Pierce toand be your Colby Yeah.No, too. lawful Iwedded sure it couldn't am. husband, be, tothough. have They kiss, for and real to this hold time. from this day forward, He returns tountil shaving death hisdo JIM customer. you part? Mayor Henderson You're peers a out fool. the C'mon. door. EXT. HADLEYVILLE STATION AMY DAY FOWLER They wheel and I ride do. on. MAYOR HENDERSON Jack, Ben, and The Jim honeymoon ride up to is the officially station. over. INT. JUSTICE OF C'mon THEeverybody. PEACEJUDGE - DAY And PERCY don't METTRICK look The station comprises Ring, so shocked. please. a STATION HOUSE, and a WAITING ROOM, The three with a WATER gunmen TANKare a little seen through way off, the and window a STABLE behind across JUDGE the PERCYMan tracks. Best Mayor METTRICK Henderson MAYOR JONAS (Otto leadsHENDERSON Kruger), the crowd riding (Thomas to the past. Mitchell) office marshal's hands Will where the ring, they surround and Will he puts andit Amy. on Among Amy's them finger. is young businessman EXT.FULLER SAM TICKET(Harry OFFICEMorgan) - DAY JUDGE and retired PERCY METTRICK marshal MARTIN HOWE (Lon Chaney Jr.) All right, all JUDGE right, PERCY let's METTRICK begin. The STATION MASTER Then by (Ted theStanhope) authorityreads vested a TELEGRAM in while the The judge chatters. telegraph is addressing me by the laws aMARTIN SMALL of this CROWD. HOWEterritory, In the middle are 50yr old MARSHAL I WILL No pronounce privacy KANEon (Gary you his man Cooper) wedding and wife. and day.his pretty young bride AMY FOWLER (Grace Kelly), STATIONdressed MASTER in their wedding best. General ribbing applauseensues. as (re Will telegram) nervously gives Amy a tiny peck. My goodness gracious. JUDGE PERCY METTRICK Judge Mettrick Now approaches will theJUDGE Amy. bridePERCY and groom METTRICK He looks up, and kindly Well, his one step eyes more forward. grow ceremony wide with and concern Will's as the three gunmen walk up a to free the (they man. ticket approach) More JUDGE office or PERCY less. after METTRICK Marshal, stabling their horses. Will I can't turn Kane in your speak andbadge. Amy for Fowler, the restyou of you appear men, but before I claim me in an my ancient capacity as privilege. Justice of JIM WILL theKANE Peace of this township, Noon To tell train you to on the be time? joined truth, together I kinda Judge Mettrick in hate gives the tobonds Amy do this aof big holy without hugmatrimony... and your a kiss. new marshal being STATION here. MASTER INT. EXT. BARBER HOTEL -SHOP DAY Yes sir. DAYThat is, I- I think so, sir. Don't know MAYOR a reason HENDERSON why it The TWO BARBER OLD TIMERS (William shouldn't sit on 'Bill' the be,stoop Phillips) Mister asPierce. the shaves Station How a CUSTOMER. Master runs Through past. the window are you, we see Mister theMiller? three gunmen Misterride past. Pierce? Mister Colby? CUSTOMER OLD TIMER ONE The three walk Man, Moving offit down mighty sure the is fast stoop hot. for and a settle Sunday.down to wait on the porch of the Waiting Room. The other Old Timer nods in BARBER agreement. The station master Hot. You agitatedly call this locks hot?up his ticket office and, with MARSHAL'S INT. a quick glance OFFICE back - DAY to see he isn't observed, runs into The barber town with the looks telegram up through in his the hand. window, goes to the door, and marshal's The peers out.office adjoins the justice of the peace office. INT. and Will JUSTICE Amy leave OF THEthe PEACE celebrations - DAY for a private moment. BARBER (CONT'D) The wedding ceremony Well I'll continues. be-WILL KANE All those people. Amy... (they pause. CUSTOMER JUDGE he PERCY holds METTRICK What's Do you, her) the Will matter? Kane, take Amy to be your It seems lawful to me wedded likewife, people toought have andbe to toalone hold when from BARBER this get they day married. forward Thought until death I saw doBen youMiller. part? AMY KANE I know.

3. 4. 5. 6. CUSTOMER WILL MARTIN KANE HOWE Oh, I I'm So do. can he's gonna I.down try,a And in Amy. good Texas I'll thing, somewhere. do too. my best. BARBER JUDGE AMY KANE PERCY METTRICK I will Do know. you, (thankful too. Look take Amy, like forWill Pierce the toand be your Colby too. No, lawful support) wedded it couldn't husband, be, tothough. have They kiss, for and Thank real toyou. this hold time. from this day forward, He returns tountil shaving death hisdo customer. you part? Mayor Henderson peers outWILL the door. KANE EXT. HADLEYVILLE You STATION didn't talk AMY DAY that FOWLER way when you I do.wearingMAYOR were a star. HENDERSON All right, Jack, Ben, and The it's Jim honeymoon coming ride up off. to is the officially But station. I got to over. be C'mon first. paid, everybody. JUDGEAnd PERCY don't METTRICK look The station comprises Ring, so shocked. please. a STATION HOUSE, and a WAITING ROOM, with grabs Will a WATER Amy TANK andaperches little her way on off, a sideboard. and a STABLE across the tracks. Best Mayor Man Henderson MAYOR JONAS leadsHENDERSON the crowd(Thomas to the marshal's Mitchell) office hands Will where the ring, they surround and Will he puts andit Amy. on AMYAmong Amy's KANE them finger. is young businessman EXT.FULLER SAM TICKET(Harry OFFICEMorgan) (laughing) - DAY and retired marshal MARTIN HOWE (Lon Chaney Jr.) Ooh, let me down! JUDGE PERCY METTRICK The STATION MASTER Then by (Ted theStanhope) authorityreads vested a TELEGRAM in while the telegraph chatters. me by the laws MARTIN WILL ofKANE this HOWEterritory, I pronounce No Not privacy until you on you his kiss man wedding me. and wife. day. STATION MASTER General ribbing applauseensues. as (re Will telegram) nervously AMY KANE gives Amy a tiny peck. My goodness Let me down,gracious. you fool. Judge Mettrick approachesJUDGE Amy. PERCY METTRICK He looks They kiss, up, and and Well, Will his one lifts eyes more grow her ceremony to wide thewith floor. and concern Will's as the three gunmen walk up a to free the man. ticket More JUDGE office or PERCY less. after METTRICK Marshal, stabling their horses. To APPLAUSE, he I can't turn unpins in your speak hisbadge. BADGE for the and rest sticks of you it in a GUNBELT hanging on the men, wall. but I claim an ancient privilege. WILL JIM KANE General ribbing. Noon To tell "...you train youon shoulda the time? truth, been I a kinda lawyer." Judge Mettrick hate gives to Amy do this a big without hug and your a kiss. new marshal being STATION WILL here. KANE MASTER EXT. HOTEL - DAY Yes I was sir. cutThat out to is,be I-aIstorekeeper. think so, sir. Don't know MAYOR a reason HENDERSON why it TWO Station The OLD TIMERS Master shouldn't Will, sit bursts on Fuller, the be,in stoop Mister Howe andas and hands Pierce. the I are Station Will How the theMaster telegram. runs past. are you, entire board Mister of selectmen Miller? Mister in this Pierce? Mister community. We're STATION Colby? also MASTER your very good friends. Marshal, telegram OLD With TIMER for theyou. ONE fine job The three walk Moving you've off(down mighty done the I feel fast stoop for free and ato settle Sunday. say, down to wait on the porch of the and Waiting the judge Room. will bear me out, The other Oldthis Timer town nods will in agreement. be safe 'til The station master tomorrow. agitatedly locks up his ticket office and, with MARSHAL'S INT. a quick glance OFFICE back - DAY to see he isn't observed, runs into town with General laughter. the telegram in his hand. The marshal's office adjoins the justice of the peace office. INT. and Will JUSTICE Amy leave OF THEthe PEACE celebrations WILL - DAY KANE for a private moment. You win. But don't ever marry a The wedding ceremony Quaker. continues. She'll WILL have KANE you running a All those people. Amy... store. (they pause. JUDGE he PERCY holds METTRICK Do you, her) WillSAM Kane, FULLER take Amy to be your It I can't seems lawful picture to me wedded like youwife, people doing to that, ought have andbe to Will. toalone hold when from they this get day married. forward until death do you part? AMY KANE I can. know.

4. 5. 6. 7. WILL KANE MARTIN STATION HOWE MASTER And I I'm So do. can gonna that I.ain't try,aall. And Amy. goodBen I'll thing, Miller do too. my is best. down at the depot now with Jim Pierce and Jack JUDGE AMY Colby. KANE PERCYThey METTRICK asked Dowill I about you, (thankful the too. Amy, noon take train. forWill the to be your lawful support) wedded husband, to have They kiss, for and Thank real toyou. this hold time. from WILL this KANE day forward, until The noon death train? do you part? Mayor Henderson peers outWILL the door. KANE Will looks upYou at the didn't clock. talk AMY that FOWLER way when you I do.wearingMAYOR were a star. HENDERSON All right, CU CLOCK: 10:40 Theam. it's honeymoon coming [09:38] off. is But officially I got to over. be C'mon first. paid, everybody. JUDGEAnd PERCY don't METTRICK look Ring, so shocked. please. MAYOR HENDERSON Will grabs Amy Will, and perches you get her out on of a this sideboard. town. Best Man Mayor Henderson MAYOR Get JONAS leads out HENDERSON of the this crowd town (Thomas tothis the marshal's Mitchell) very hands Will office where the ring, they surround andminute. he puts Will andit Amy. on AMYAmong Amy's KANE them finger. is young businessman SAM FULLER (Harry Morgan) (laughing) and retired marshal MARTIN HOWE (Lon Chaney Jr.) Ooh, let me down! JUDGE PERCY MARTIN HOWE METTRICK Then byLet's C'mon. the authority get 'em going. vested in me by the laws MARTIN WILL ofKANE this HOWEterritory, They usher Will I pronounce No Not and privacy until Amyyou out. on you his kiss General man wedding me. and hubbub. wife. day. General applause ribbing ensues. as Will nervously AMY KANE MAYOR HENDERSON gives Amy a tiny peck. Let memind Never down, that younow. fool. Don't stop Judge Mettrick till approaches you getJUDGE Amy. to Clarksburg. PERCY METTRICK They kiss, and Well, Willone lifts more her ceremony to the floor. and Will's EXT. MARSHAL'S a OFFICE free man. - DAY More JUDGEor PERCY less. METTRICK Marshal, To APPLAUSE, he I can't turn unpins in your speak hisbadge. BADGE for the and rest sticks of you it in a GUNBELT hanging As they pour on the out men, wall. the butdoor I claim ontoan the ancient stoop, Amy turns to Martin. privilege. WILL KANE General ribbing. To tell "...you you shoulda the AMY truth, KANEbeen I a kinda lawyer." Judge Mettrick hate But gives what to Amy do isthis a it, big without Mr. hug Howe? and your a kiss. new marshal being WILL here. KANE EXT. HOTEL - DAY I was cut out MARTIN to beHOWE a storekeeper. Don't you worry, MAYORma'am. HENDERSON Just get TWO Station The OLD TIMERS Master Will, out sit ofbursts on Fuller, town theand stoop in Howe and everything as and hands the I are Station Will will the theMaster telegram. runs past. entire be all right. board of selectmen in this community. We're STATION also MASTER your very Martin helps Amy goodup Marshal, friends. onto telegram the OLD With waiting TIMER for theyou. ONE fine buggy. job Moving you've (to mighty done theIMayor) fast free feel for ato Sunday. say, and the It's terrible. judge MAYOR will It's HENDERSON bear shocking. me out, The other OldWe'll this Timer town take nods will care in agreement. be ofsafe everything. 'til Will reads, and tomorrow. looks up. INT. MARSHAL'S OFFICE - DAY General laughter. WILL KANE The marshal'sThey office pardoned adjoins Frank the justice Miller. of the peace office. Will and Amy leave the celebrations WILL KANE for a private moment. You win. ButAMY don't KANE ever marry a Quaker. What is it She'll about WILL have Miller? KANE you running a All those people. Amy... store. (they pause. MAYOR he HENDERSON holds her) (reading SAM the FULLER telegram) I Itdon't can't seemsbelieve picture to me like it. you doing peoplethat, ought to be(handing Will. alone when it back) they get married. Nice of them to let you know. AMY KANE I can. know.

5. 6. 7. 8. They drive past the FLORES WILL MARTIN STATION HOTEL KANE HOWE on MASTER the road out of town. I'mcan So And gonna that I.ain't try,aall. And Amy. goodBen I'll thing, Miller do too. my is best. INT. HELEN'S HOTEL down at ROOM the-depot DAY now with Jim Pierce and Jack AMY Colby. KANE They asked Deputy Marshal I HARVEY about will (thankful the too. PELL noon(Lloyd train. for the Bridges) looks down from the balcony as Will support) and Amy ride by. They kiss, for Thank realyou. this time. WILL KANE The noon train? HARVEY PELL Mayor Henderson Huh. peers That's outfunny. WILL the door. KANE Will looks upYou at the didn't clock. talk that way when you HELEN RAMIREZwere (Katy wearing Jurado) MAYOR a stands star. HENDERSON All in the right, room in her CU CLOCK:gown dressing 10:40 The it's doing am. honeymoon coming [09:38] her hair. off. is She officially But walks I got over to over. beto Harvey. C'mon first. paid, everybody. And don't look so shocked. HELEN MAYOR RAMIREZ HENDERSON Will grabs Amy Will, and(thick perches you get Spanish her out on ofaccent) a this sideboard. town. Mayor Henderson What? Getleads out of the this crowd town tothis the marshal's very office where they surroundminute. Will and Amy. AMYAmong KANE them is young businessman SAM FULLER (Harry Morgan) (laughing) HARVEY and retired PELL marshal MARTIN HOWE (Lon Chaney Jr.) Ooh, Well,let youme can't down! MARTIN seeHOWE now. Kane and C'mon. his newLet's wife just get 'em took going. off. In a big hurry. WILL MARTIN KANE HOWE They usher Will No and Not privacy until Amyyou out. on kiss his General wedding me. hubbub. day. HELEN RAMIREZ General ribbing What's ensues. so funny? AMY KANE MAYOR HENDERSON Let memind Never down, that younow. fool. Don't stop till you getHARVEY JUDGE to Clarksburg. PERCY PELL METTRICK They kiss, and Well, I Will meanone lifts a big more her hurry. ceremony to the floor. and Will's EXT. MARSHAL'S a OFFICE free (hopeful) man. - DAY More or less. Marshal, To APPLAUSE, he turn Hey. unpins in your You don't hisbadge. BADGE suppose andKane's sticks it in a GUNBELT hanging As they pour on the out scared wall. theof door those onto three the stoop, gunnies? Amy turns to Martin. WILL KANE General Helen gives ribbing. him To a tell "...you pitying you shoulda the AMY smile, truth, KANEtweaks been I a kinda lawyer." his chin, and turns away. hatewhat But to do isthis it, Mr. without Howe? your new marshal being WILL here. KANE I was cut out MARTIN HARVEY to bePELL HOWE a storekeeper. Don'tyou Well youdidn't worry, MAYOR see ma'am. HENDERSON 'em.Just I never get The Station Master Will, out saw ofbursts him Fuller, town whipand in aHowe horse and everything and hands that I are Will way. will the the telegram. entire be all right. board of selectmen in this Helen looks at community. Harvey doubtfully, We're STATION also MASTER then yourwalks very out the door. Martin helps Amy goodup Marshal, friends. onto telegram the With waiting for theyou. fine buggy. job you've (to done theIMayor) feel free to say, and the It's terrible. judge MAYOR will It's HENDERSON bear shocking. me out, this town We'll takewill carebe ofsafe everything. 'til Will reads, and tomorrow. looks up. WILL KANE General laughter. I think I ought WILLto KANE stay. They pardoned Frank Miller. WILL KANE MAYOR HENDERSON You you Are win.crazy? ButAMY don't Think KANE ever of Amy. marry a Quaker. What is it She'll about have Miller? you running a Will ponders,store. then gets on the buggy. MAYOR HENDERSON General goodbyes. (reading SAM the FULLER telegram) I don't can't believe picture it. you doing that, Martin slaps the Will. horses (handing to get it back) them going. Will and Amy drive off down the main Nice street, of them past to let the you Hadleyville know. Bank (twice. heh.) AMY KANE I can.

6. 7. 8. 9. They drive past the FLORES MARTIN STATION HELEN HOTEL RAMIREZ HOWE on MASTER the road out of town. So can And Ben that Miller I.ain't And is in aall. good town. Ben thing, He Miller has too. two is INT. HELEN'S HOTEL down of the at ROOM old thebunch depot DAY with now him. with Jim Pierce and Jack AMY Colby. KANE They asked Deputy Sam looks Marshal concerned, about HARVEY (thankful the and PELL noon grabs (Lloyd train. forhis the Bridges) hat and coat. looks down from the balcony as Will support) and Amy ride by. Thank you. SAM WILLTHE KANE GOPHER The I guess noonI'll train? HARVEY take aPELL look around. Huh. That's funny. WILL KANE Will He leaves. looks upYou at the didn't clock. talk that way when you HELEN RAMIREZwere (Katy wearing Jurado) a stands star. All in the right, room in her CU CLOCK: dressing EXT. COUNTRY gown 10:40 ROAD it's doing am. coming [09:38] her DAY hair. off. She But walks I got over to beto Harvey. paid, first. Will and Amy gallop alongHELEN MAYOR at high HENDERSON RAMIREZ speed on the buggy, heading Willof out grabs town. Amy Will, and(thick perches you get Spanish her out on ofaccent) a this sideboard. town. What? Get out of this town this very Will is deep in minute. thought. AMY KANE (laughing) HARVEY PELL He reaches a decision, Ooh, Well,let youme and can't down! MARTIN pulls seeHOWE on now. the Kane reins. and C'mon. his newLet's wife just get 'em took going. off. In a big hurry. AMY WILLKANE KANE They usher Will Notand Why until are Amy you you out. stopping? kiss General me. hubbub. HELEN RAMIREZ What's so funny? AMY KANE MAYOR WILL KANE HENDERSON Let me Never It's no mind down, good. that you I've now. fool. got Don't to go stop back, till you getHARVEY Amy. to Clarksburg. PELL They kiss, and I Will mean lifts a big her hurry. to the floor. EXT. MARSHAL'S OFFICE (hopeful) - DAY AMY KANE To APPLAUSE, he Hey. Why? unpins You don't his BADGE suppose andKane's sticks it in a GUNBELT hanging As they pour on the out scared wall. theof door those onto three the stoop, gunnies? Amy turns to Martin. WILL KANE General Helen gives ribbing. him a"...you pitying (snorts) shoulda AMY smile, KANEtweaks been a his lawyer." chin, and turns away. But what This is crazy. is it,IMr. haven't Howe?even got any guns. WILL KANE I was cut out MARTIN HARVEY to bePELL HOWE a storekeeper. Don'tyou Well youdidn't worry, AMY see KANE ma'am. 'em.Just I never get The Station Master out him saw Then of let's bursts town whip go and in aon. horse and everything Hurry. hands that Will way. willthe telegram. be all right. Helen looks at Harvey doubtfully, STATION WILL KANE MASTER then walks out the door. Martin helps Amy Marshal, No. up That's onto telegram what the waiting I've forbeen you. buggy. thinking. INT. HOTEL CORRIDOR They're (to -making DAY the Mayor) me run. I've never It'sfrom run terrible. anybody MAYOR It's before. HENDERSON shocking. Helen crossesWe'll the corridor take care and ofknocks everything. on the door opposite. Will checks reads, his and watch. looks up. INT. SAM THE GOPHER'S HOTEL WILL ROOM KANE - DAY I think I ought WILLto AMY KANE KANE stay. SAM THE GOPHER They I (Tom don't pardoned London), understand Frank Helen's any Miller. of assistant, this. sits at a table. MAYOR HENDERSON Are you crazy? AMYThink WILL KANE KANEof Amy. What is Well, I haven't it about HELEN got Miller? RAMIREZ time to (O.S.) tell Will ponders,you. Sam! then gets on the buggy. MAYOR HENDERSON General goodbyes. (reading SAM AMY the THE KANE telegram) GOPHER I Come don't in,believe Helen. it. Martin slaps the horses (handing to get it back) them going. Will and Amy drive off down Helen enters. the main Nice street, of them past to let the you Hadleyville know. Bank (twice. heh.)

10. 7. 8. 9. He They kicks drive the past brake theloose FLORES and STATION HELEN HOTEL turns RAMIREZ on MASTER the thebuggy road around. out of town. And Miller Ben that ain't is in all. town. BenHe Miller has two is They INT. gallop HELEN'Sback HOTEL down of the the at ROOM old way thebunch they depot DAY came. with now him. with Jim Pierce and Jack Colby. They asked EXT. Deputy Sam looks HADLEYVILLE Marshal concerned, about HARVEY STATION the and PELL noon grabs DAY (Lloyd train. hisBridges) hat and coat. looks down from the balcony as Will and Amy ride by. The three gunmen on the stoop WILLTHE SAM are KANE GOPHER getting impatient. One checks his watch. The I guess noonI'll train? HARVEY take aPELL look around. Huh. That's funny. EXT. Will He leaves. STREET looks up OUTSIDE at theHOTEL clock. - DAY HELEN RAMIREZ (Katy Jurado) stands in the room in her Will CU CLOCK: dressing EXT. and COUNTRY Amy gown 10:40 drive ROAD doing am. -past. [09:38] her DAY hair. Harvey She and walks Helen over watch to from Harvey. the window. Will and Amy gallop alongHELEN MAYOR at high HENDERSON RAMIREZ speed on the buggy, heading Harvey out of looks town. puzzled. Will,(thick youHelen get Spanish out smiles ofaccent) this as if town. to say "I told you so" and walksWhat? Get offout with ofathis tosstown of her this head. very Will is deep in minute. thought. EXT. STREET OUTSIDE MARSHAL'S HARVEY OFFICE PELL - DAY He reaches a decision, Well, you and can't MARTIN pulls seeHOWE on now. the Kane reins. and Will and Amy drive C'mon. his new up Let's wife and stop get 'em just by took the going. off. stoop. In a big hurry. AMY KANE INT. They BARBER usher Will SHOP Whyand are DAY Amy youout. stopping? General hubbub. HELEN RAMIREZ The Barber isWhat's busy with so funny? CUSTOMER MAYORKANE WILL HENDERSON 2. OLD FRED the coffin maker bursts in. Neverno It's mind good. that I've now. got Don't to go stop back, till you getHARVEY Amy. to Clarksburg. PELL I mean a bigOLD hurry. FRED EXT. MARSHAL'S Kane OFFICE is (hopeful) back. - DAY AMY KANE Hey. You don't suppose Kane's Why? As they pour out scared theof door those BARBER onto three the stoop, gunnies? Amy turns to Martin. I don't believe WILLit. KANE Helen gives him a pitying (he (snorts) draws AMY smile, Old KANE Fred tweaks his chin, and turns away. But what This is crazy. aside isand it,whispers) IMr. haven't Howe?even got How any many guns.coffins we got? MARTIN PELL HARVEY HOWE Don'tyou Well youdidn't worry, OLD AMY see FRED KANE ma'am. 'em.Just I never get Two. out him saw Then of let's town whip go and aon. horse everything Hurry. that way. will be all right. Helen looks at Harvey doubtfully, BARBER WILL KANEthen walks out the door. Martin helps Amy We're No. up That's gonna ontowhat the needwaiting I've at least been buggy. two thinking. INT. HOTEL CORRIDOR more They're no-matter making DAY how me run. you figure I've never it. You run better from anybody get MAYOR busy, before. HENDERSON Fred. Helen crossesWe'll the corridor take care and ofknocks everything. on the door opposite. Old WillFred checks nods his and watch. walks to a back room. INT. SAM THE GOPHER'S HOTEL WILL ROOM KANE - DAY INT. MARSHAL'S I OFFICE think I-ought DAY AMY to KANE stay. SAM THE GOPHER I (Tom don'tLondon), understand Helen's any of assistant, this. sits at a Will table. and Amy walk in. Will MAYOR hangs HENDERSON up his jacket and takes down the gun belt. Are you crazy? WILL Think KANEof Amy. Well, I haven't HELEN got RAMIREZ time to (O.S.) tell Will ponders,you. Sam! then gets on the buggy. General goodbyes. SAM KANE AMY THE GOPHER Come don't Then in, Helen. go back, Will. Martin slaps the horses to get them going. Will and Amy drive off down Helen enters. the main street,WILL pastKANE the Hadleyville Bank (twice. heh.) I've got to. That's the whole thing.

10. 11. 8. 9. He They kicks drive the past brake theloose FLORES and WILL HELEN HOTEL turns KANE RAMIREZ onthe thebuggy road around. out of town. I Ben sent Miller a man isup infive town. years He has agotwo They INT. gallop HELEN'Sback HOTEL for of the the murder. ROOM old waybunch they He DAY was came. with supposed him. to hang. But up north they commuted EXT. Deputy Sam looks HADLEYVILLE Marshal concerned, itHARVEY to STATION life. and PELL grabs Now DAY (Lloyd he's hisBridges) free. hat and I don't looks down from coat. the balcony as know Will how. andAnyway, Amy ride itby. looks like The three gunmen he'son coming the stoop back. SAM THE areGOPHER getting impatient. One checks his watch. I guess I'llHARVEY take aPELL look around. Will buckles on Huh. the That's gun belt. funny. EXT. He leaves. STREET OUTSIDE HOTEL - DAY HELEN RAMIREZ (Katy Jurado) AMYstands KANE in the room in her Will dressing EXT. and COUNTRY Amy gowndrive ROAD Idoing still -past. her DAY don't hair. Harvey understand. She and walks Helen over watch to from Harvey. the window. Will and Amy gallop alongWILL HELEN at high KANE RAMIREZ speed on the buggy, heading Harvey out of looks town. puzzled. He's a-(thick Helen Well, Spanish smiles he was accent) as always if to wild. say "I told you so" and walksKind What? off with of crazy. a toss He'll of her probably head. Will is deep in make thought. trouble. EXT. STREET OUTSIDE MARSHAL'S HARVEY OFFICE PELL - DAY He reaches a decision, Well, you and can't AMY pulls see KANEon now. the Kane reins. and Will and Amy drive But his that's new upwife and nostop just concern by took the of off. stoop. yours. In a Not big any hurry. more. AMY KANE INT. BARBER SHOP Why are DAY you stopping? Will checks his revolver.HELEN RAMIREZ The Barber isWhat's busy with so funny? CUSTOMER WILL KANE 2. OLD FRED the coffin maker bursts in. It's no good. WILL I've KANE got to go back, I'm Amy.the one who HARVEY sent PELL him up. I mean a bigOLD hurry. FRED Kane is (hopeful) back. AMY KANE But Hey.that Why? You was don't part suppose of your Kane's job. It's scared finished of those BARBER now. three They've gunnies? got a I don't new marshal. believe WILLit. KANE Helen gives him a pitying (he (snorts) draws smile, Old Fred tweaks his chin, and turns away. This aside is crazy. and WILL I haven't whispers) KANE even got How He anywon't many guns.be coffins here until we got? tomorrow. Seems to me I've HARVEY got PELL to stay. Well (re: you didn't star) OLD AMY see FRED KANE'em. I never Anyway, Two. saw him Then let's I'm whip go the aon. horse same Hurry. man thatwith way.or without this. Helen looks at Harvey doubtfully, BARBER WILL KANEthen walks out the door. Will holstersWe're No. theThat's revolver gonnawhat need and I've at pins least been thetwo thinking. star on his shirt. INT. HOTEL CORRIDOR more They're no-matter making DAY how me run. you figure I've never it. You run better from anybody get AMYbusy, KANE before. Fred. Helen crossesOh, thethat corridor isn'tand so.knocks on the door opposite. Old WillFred checks nods his and watch. walks to a back room. INT. SAM THE GOPHER'S HOTEL WILL ROOM KANE - DAY INT. MARSHAL'S I OFFICE expect he'll DAY AMYcome KANElooking for SAM THE GOPHER me. I (Tom don't Three London), understand of hisHelen's old any bunch of assistant, this. are sits at a Will table. and Amy walk waiting in.at Will thehangs depot. up his jacket and takes down the gun belt. WILL KANE Well, I haven't AMY HELEN got KANE RAMIREZ time to (O.S.) tell Amy has not accepted That's Sam! you. exactly his decision, why we and ought tries to go. to change his mind. WILL SAM KANE AMY THE KANE GOPHER Come don't Then in, Helen. go AMY back, KANEWill. Please, Will. If you'll just tell Helen enters.me what thisWILL is all KANE about. I've got to. That's the whole thing.

10. 11. 12. 9. He CLOCK: CU kicks the 10:51 brake am [14:43] loose and WILL HELEN turns KANE RAMIREZ the buggy around. I Ben sent Miller a man isup infive town. years He has agotwo They gallop back for of the the murder. old waybunch they He AMYwas KANE came. with supposed him. to hang. got We've But an up hour. north they commuted EXT. Sam looks HADLEYVILLE concerned, it to STATION life. and grabs Now DAY he's hisfree. hat and I don't coat. know how. Anyway, WILL KANE it looks like The three gunmen he'son What's coming the an hour? stoop back. SAM What's THE areGOPHER getting a hundred impatient. One checks his watch. miles? I guessWe'd I'llnever take be a look ablearound. to keep Will buckles on that the store, gun belt. Amy. They'd come after EXT. He leaves. STREET OUTSIDE us and HOTEL we'd have - DAY to run again, as long as we live. AMY KANE Will EXT. and COUNTRY Amy drive ROAD I still -past. DAY don't Harvey understand. and Helen watch from the window. AMY KANE Will and Amy gallop No, we along wouldn't. WILL at high Not KANEspeed if they on the buggy, heading Harvey out of looks town. puzzled. He's a-didn't know Helen Well, where smiles he to wasfind as always if us. to wild. say "I told you so" and walksKind off with of crazy. a toss He'll of her probably head. Will walks is deep toin make the thought. door. trouble. Amy blocks his way. EXT. STREET OUTSIDE MARSHAL'S OFFICE - DAY He reaches a decision, and AMY pulls KANEon the reins. Will and Amy drive ButWill, Oh that's up and I'm nostop begging concern by the you. of stoop. yours. Please Not us let anygo. more. AMY KANE INT. BARBER SHOP Why are DAY you stopping? Will checks his revolver.WILL KANE The Barber isIbusy can't. with CUSTOMER WILL KANE 2. OLD FRED the coffin maker bursts in. It's no good. WILL I've KANE got to go back, I'm Amy.the one who AMY sent KANE him up. Don't try toOLD be a FRED hero. You don't Kane to have is be back. aAMY hero. KANE Not for me. But Why?that was part of your job. It's finished BARBER WILL now. KANE They've got a I don't new marshal. (getting believe WILL angry) it. KANE I'm not (he (snorts) trying draws to Oldbe Fred a hero. If you Thisthink is crazy. aside Iand like WILL I this, whispers) haven't KANE you're even got crazy. How He anywon't many guns.be coffins here until we got? tomorrow. Seems(softening) to me I've got to stay. Look,(re: Amy.star) This OLD AMY is FRED KANE my town. I've Anyway, got Two. Thenfriends let's I'mgo the here. on. same I'll Hurry. man swear within ora without bunch ofthis. special deputies and with a posseBARBER WILL behind KANE me, maybe Will holstersthere We're No. theThat's revolver won't gonnawhat even need and I've be at pins any least been the trouble. two thinking. star on his shirt. more They're no matter making how me run. you figure I've never it. You run better from anybody get AMYbusy, KANE before. Fred. Oh, that (bitterly) isn't so. Old WillFred checks nods his You and watch. know walks there'll to a back be trouble. room. WILL KANE INT. MARSHAL'S I OFFICE expect he'll DAY AMYcome KANElooking for me. I don't Three understand of his old any bunch of this. are Will and Amy walk waiting in.at Will thehangs depot. up his jacket and takes down the gun belt. WILL KANE Well, I haven't AMY KANE got time to tell Amy has not accepted That's you. exactly his decision, why we and ought tries to go. to change his mind. WILL AMY KANE KANE He'll Then don't just come go AMY back, after KANEWill. us. Four of them. Please, We'll Will. beIf all you'll alonejust on the tell prairie. me what thisWILL is all KANE about. I've got to. That's the whole thing. Will looks up at the clock.

10. 11. 12. 13. He CLOCK: CU kicks the 10:51 brake am [14:43] loose and WILLturns KANE the buggy around. I sent Of course a man I do. up I five know years it'sago They gallop back for the against murder. way yourthey He AMY religion. was KANE came. supposed Sure I to hang.how We've know Butyou got up feel. an north they commuted hour. EXT. HADLEYVILLE it to STATION life. Now DAY he's free. I don't know how. Anyway, WILLKANE AMY KANE it looks like The three gunmen he'son What's But you're coming the an hour? stoop doing back. What's are it, getting just a hundred theimpatient. One checks his watch. miles? We'd never be able to keep same. Will buckles on that the store, (gives gun belt. Amy. him aThey'd long look, come after EXT. STREET OUTSIDE us and and HOTEL we'd holds have - DAY him) to run again, as longWill. Oh, as weWe live. AMY were KANE married just a Will and Amy drive I still few minutes past. don't Harvey ago. understand. We've and Helen got our watch from the window. whole lives ahead AMY KANE of us. Doesn't No, we that mean wouldn't. anything WILL Not KANE toif you? they Harvey looks puzzled. He's a-didn't know Helen Well, where smiles he to wasfind as always if us. to wild. say "I told you so" and Will pushes walks her Kind off away. with of crazy. a toss He'll of her probably head. Will walks tomake the door. trouble. Amy blocks his way. EXT. STREET OUTSIDE MARSHAL'S WILL OFFICE KANE - DAY You know I've AMY only KANE got an hour Will and Amy drive ButWill, Oh and that's I've up and I'm got nostop begging lots concern by to the you. do. of stoop. yours. Stay Please at Not hotel let the anygo. us more. until it's over. INT. BARBER SHOP - DAY Will He moves checks to the his door. revolver. SheWILL doesn't KANEmove. The Barber isIbusy can't. with CUSTOMER 2. OLD FRED the coffin maker bursts in. WILLKANE AMY KANE I'm I No. the won't one be who AMYhere sent KANEwhen him it's up. Don't You're over. try toOLD be a asking FRED hero. me to You wait don't an Kane to have hour is find back. be aAMY hero. out KANE ifNot I'mfor going me.to Butathat be wifewas or a part widow. of your I say job. it's It'slong too finished to wait. BARBER WILL now. KANE IThey've won't do got it. a I don't new marshal. (getting believe angry) it. I'm not (hetrying draws WILL to Old KANE be Fred a hero. If you Amy... think asideIand like WILL whispers) this, KANE you're crazy. Howwon't He many be coffins here until we got? tomorrow. Seems(softening) to me I've AMY KANE got to stay. Look, I mean (re: Amy. it.star) This If OLD you is FRED won't my town. go with I've Anyway, got Two. me now, friends I'm I'llhere. the be same onI'll that man swear train within ora without bunch when it ofthis. leaves special here. deputies and with a posseBARBER behind me, maybe Will The challenge holstersthere We're the is out revolver won't gonna there. even need and She be at pins looks any least the trouble. defiant. two star on his shirt. more no matter how you figure it. You better get AMY WILL busy, KANE KANEFred. Oh, I'vethat (bitterly) got isn't to stay. so. Old Fred nodsYou andknow walks there'll to a back be trouble. room. WILL KANE INT. MARSHAL'S I OFFICE expect he'll DAY WILL come KANE looking for me. Three Then, it'sof better his old to have bunchit are here. Will and Amy walk waiting in.at Will thehangs depot. up his jacket and takes Amy downdoes the not gun accept belt. this and turns away from him. The atmosphere is tense between AMYthem. KANE Amy has not accepted That's exactly his decision, why we and ought tries to go. to change his mind. WILL KANE I'm sorry, honey. WILL KANE I know how you He'llabout feel just it. come AMY after KANE us. Four of them. Please, We'll Will. beIf all you'll alonejust on the tell prairie. me what thisAMY is all KANEabout. Do you? Will looks up at the clock.

11. 12. 13. 14. CU CLOCK: Judge Mettrick 10:51walks am [14:43] intoWILL the JP's KANE office. I sent Of course a man I do. up I five know years it'sago INT. JUSTICE OF forTHE against murder. PEACE yourHe AMY religion. DAY was KANE supposed Sure I to hang.how We've know Butyou got up feel. an north they commuted hour. Judge Mettrick itdrops to life. the saddlebags Now he's free. on the I don't desk and starts packing up documents know how. from Anyway, WILL AMY theKANE desk. KANE it looks Willlike watches from the door. he'syou're What's But coming an hour? doing back. What's it, just a hundred the miles? We'd never same. JUDGE be PERCY able METTRICK to keep Will buckles on that Have the store, you (gives gun forgotten belt. Amy. him aThey'd long thatlook, comethe I'm after us and man who and we'd passed holds have sentence him) to run on again, Frank as longWill. Oh, Miller? as You weWe live. shouldn't AMY were KANE married havejust comea I still few back, minutes Will. don't ago. It understand. was We've stupid. got our whole lives ahead AMY KANE of us. Doesn't No, we that mean wouldn't. anything WILL Not KANE toif you? they He's didn't I figured a-know Well, I had where he to. was to Ifind always figure us.I wild. Will pushes her Kind had away. to ofstay. crazy. He'll probably Will walks tomake the door. trouble. Amy blocks his way. WILL KANE JUDGE PERCY METTRICK You figure know I've wrong. AMY only KANE got an hour ButWill, Oh and that's I've I'm got nolots begging concern to do. you. of Stay yours. Please at Not hotel let the anygo. us more. until WILLit's KANEover. I can deputize a posse. Ten, Will He moves checks to the his twelve revolver. door. guns Sheis WILL doesn't all KANE I move. need. I can't. WILLKANE AMY JUDGE KANE PERCY METTRICK I'm I No. Mmf. the My won't one be intuition who AMYhere sent KANE tells when himme up. it's Don't You're over. otherwise. try to asking be a hero. me to You wait don't an have to find hour be aAMY hero. out KANE ifNot I'mfor going me.to Butathat be wifewas orWILL part a widow. KANE of your I say job. it's It'slong too Why? finished to wait. WILL now. KANE IThey've won't do got it. a new marshal. (getting angry) I'm not trying WILL JUDGE toKANE be PERCY a hero. METTRICK If you Amy... No time think for I like a WILL lesson this, KANEinyou're civics, crazy. He boy. my won't be here until tomorrow. Seems(softening) to me I've AMY KANE got to stay. The judge takes Look, I mean down, (re: Amy. it. folds, star) This If you and iswon't my packs town. gothe with I've US FLAG behind the desk. Anyway, got me now, friends I'm I'llhere. the be same onI'll that man swear train within ora without bunch when it ofthis. leaves special here. deputies and with a posseJUDGE behind PERCY me, maybe METTRICK (CONT'D) Will The challenge holstersthere In the isthe out revolver won't fifth there. even century and She be pins looks any BCthe trouble. the defiant. star on his shirt. citizens of Athens, having AMY WILLKANE KANE Oh, I'vethat (bitterly) got isn't to stay. so. You know there'll be trouble. He moves to her. She brushes WILLpast KANEhim and out the door. I expect he'll WILL come KANE looking for EXT. MARSHAL'S me. Then, OFFICE Three it's -of DAY better his old to have bunchit are here. waiting at the depot. Amy does climbs not onaccept the buggy thisand anddrives turns away from as Will him. looks The on. atmosphere is tense between AMYthem. KANE In the BG Judge That's Mettrick exactly unloads why we saddlebags ought to and go. steps onto the stoop. WILL KANE I'm sorry, honey. WILL KANE I know how you He'llabout feel just it. come WILLafter KANE us. Four of them. Glad you We'll gotbe here, all alone Percy.on the prairie. AMY KANE Do you? JUDGE PERCY METTRICK Will looks upAre at the you?clock.

12. 13. 14. 15. CU CLOCK: Judge Mettrick 10:51walks am [14:43] intoJUDGE WILL the JP's KANE PERCY office. METTRICK (CONT'D) Ofescaped I course death I do. only I know through it's the INT. JUSTICE OF against intercession THE PEACE yourAMY religion. of DAY a KANE lady of Sure somewhat I We'vehow know dubious got reputation, you an feel. hour. and the cost Judge Mettrick ofdrops a very thehandsome saddlebags ring onwhich the desk and starts packing up documents once belonged fromAMY WILL the toKANE desk. my KANE mother. Will watches from the door. What's But Unfortunately, you're an hour? doing IWhat's it, just have no a more hundred the rings. miles? We'd never same. JUDGE be PERCY able METTRICK to keep that you Have store, (gives forgotten Amy. him WILLaThey'd KANE long thatlook, comethe I'm after us and man You're who and we'd a passed judge. holds have sentence him) to run on again, Frank as longWill. Oh, Miller? as You weWe live. shouldn't were married havejust comea The judge selects few minutes back, LAW Will. BOOKS ago. It for was We've packing. stupid. got our whole lives ahead AMY KANE of us. Doesn't No, we that mean wouldn't. anything WILL Not JUDGE KANE PERCY toif you? they METTRICK didn't I I've figured been know I judge a where had to. toIfind many figure times us.in I Will pushes her hadaway. many to towns. stay.And I hope to live to Will walks tobe the a door. judge Amy again. blocks his way. WILL KANE JUDGE PERCY METTRICK You figure know I've wrong. AMY WILL only KANE KANE got an hour Ohcan't and I Will, I'vetell I'm you got begging lots what to do. you. to do. Stay Please at let hotel the us go.until WILLit's KANEover. I can deputize JUDGE a posse. PERCY Ten, METTRICK He moves to the twelve Why door. must guns She youis WILL doesn't beall so KANE I move. stupid? need. Have I can't. you forgotten what he is? Have you forgotten AMY JUDGE what KANE PERCY he's done METTRICK to No. IMy Mmf. people? won't intuition have be AMY you here KANE forgotten tells whenme it's that Don'tcrazy? over. otherwise. he's try to asking You're be a hero. me to You wait don't an have to hour (points be a out find hero. at chair) ifNot I'mfor going me.to be Don't a wife you remember orWILL a widow. KANE when I he saysat it's too Why? there long andto said: wait. WILL KANE I won't do it. (getting angry) I'm not trying WILL JUDGE VOICE toKANE be PERCY OF a FRANK hero. METTRICK MILLER If you Amy... No You'll time think never for I like ahang lesson this, me.in I'll you're civics, come crazy. my back. boy. I'll kill you, Will Kane. I swear(softening) it, I'll AMYkill KANEyou! The judge takes Look, I mean down, Amy. it. folds, This If you and iswon't my packs town. gothe with I've US FLAG behind the EXT.desk. STATION WAITING got me now, friends ROOM I'llhere. beDAY onI'll thatswear trainin a bunch when it ofleaves special here. deputies and with a posseJUDGE behind PERCY me, maybe METTRICK (CONT'D) The challengethere In isthe out won't fifth there. even century She belooks any BC trouble. the defiant. citizens of Athens, having suffered grievously AMY WILLKANE KANE under a tyrant, I've got managed (bitterly) to todepose stay. and banish him. You However, know there'll when he returned be trouble. years He moves to her. later She with brushes an army past ofhim mercenary, and out the door. those same citizens WILL KANE not only EXT. MARSHAL'S Then, opened OFFICE it's their - DAY better gatesto for have him, itbut here. stood by while he executed members Amy does climbs not onaccept of the the buggy this League and and of drives turns Government. away from asAWill him. looks The on. atmosphere issimilar tense between thing happened them. about, er, In the BG Judge eight Mettrick years unloads ago in asaddlebags town called and steps onto the stoop. Indian Falls. WILL KANE I'm sorry, honey. I know how you The judge takes feel down about andit. packs WILL KANE the SCALES OF JUSTICE. Glad you got here, Percy. AMY KANE Do you? JUDGE PERCY METTRICK Are you?

13. 14. 15. 16. Judge Mettrick walks intoSTATION WILL JUDGE the JP's KANE PERCY MASTER office. METTRICK (CONT'D) Ofescaped I Maybe course you'd I rather death do. only I know wait through it's somewhere's the INT. JUSTICE OF against intercession else. THELike PEACE your atreligion. of the DAY a hotel, lady of Sure maybe. somewhat I know howreputation, dubious you feel. and the cost Judge Mettrick ofdrops a very thehandsome saddlebags AMY KANEring onwhich the desk and starts packing up documents once belonged Fine. Thank fromyou. AMY the toKANE desk. my mother. Will watches from the door. But you're doing Unfortunately, I have it, just no more the rings. same. JUDGE PERCY STATION MASTER METTRICK Haveawfully I'm you (gives forgotten sorry him WILLaKANE about long thatlook, I'm this, all the man Kane. You're Mrs who and apassed judge. holds But don't sentence him) you worry. on Frank Oh, marshal Miller? The Will. You Wecan shouldn't were take married care haveof just comea The judge selects few minutes back, himself LAW Will. all BOOKS ago. It right. for was We've packing. stupid. got our whole lives ahead of us. Doesn't that mean anything WILLKANE JUDGE AMY KANE PERCY to you? METTRICK I figured I've Thank been you very I judge a hadmuch. to. many I figure times in I Will pushes her hadaway. many to towns. stay.And I hope to live to EXT. STATION WAITING be a judge ROOM again. - DAY WILL KANE JUDGE PERCY METTRICK Ben Miller notices You figure know something I've wrong. WILL only and KANE got turns an to hour the other two. and I can't I'vetell got you lotswhat to do. to do. Stay at the hotel until WILLit's BEN KANEover. I canthat Hey, deputize wasn't JUDGE a there posse. PERCYfive Ten, METTRICK years He moves to the twelve Why ago. door. must guns She youis doesn't beall so stupid? I move. need. Have you forgotten what he is? Have you forgotten AMY JUDGE JIM what KANE PERCY he's done METTRICK to No.what? Mmf. people? So IMy won't intuition have be you here forgotten tells whenme it's that over.crazy? otherwise. he's You're asking me to wait an hour to (points findBEN out at chair) if I'm going to be Nothing. Don't a wife youYet. orWILL remember a widow. KANE when I he saysat it's too Why? there long andto said: wait. I won't do it. INT. HELEN'S HOTEL ROOM - DAY WILL JUDGE VOICEKANE PERCY OF FRANK METTRICK MILLER Helen and Harvey Amy... No You'll time sitnever and for drink ahang lesson tea. me.in I'll Helen civics, come glances at the clock. my back. boy. I'll kill you, Will Kane. I CU CLOCK: 10:53 swear am [19:02] it, I'll AMYkill KANEyou! The judge takes I mean down, it. folds, If you and won't packs gothe with US FLAG behind the EXT.desk. STATION WAITING me now, ROOM I'llHELEN beDAY onRAMIREZ that train when it Don't Harvey. leavesyou here. think Kane will A bottle smashes be looking on the tracks. for JUDGE youPERCY Ben right Miller METTRICK now? has(CONT'D) been drinking. The challenge three gunmen In isthe out arefifth there. getting century She impatient looks BC the defiant. with waiting. citizens of Athens, HARVEY PELL having EXT. TICKET OFFICE suffered (- DAY grievously WILL KANE under a tyrant, I've gotto managed todepose stay. and banish him. Amy purchasesHowever, a ticketwhen fromhe the returned Stationyears Master. He moves to her. later She with brushes an army past ofhim mercenary, and out the door. The Station Master those punches same citizens the ticket. not only EXT. MARSHAL'S opened OFFICE their - DAY gates for him, but stood by while STATION he executed MASTER members Amy climbs onof Here the the buggy you League are, andof ma'am. drives Government. This'll away asA take Will looks on. similar you to St. thing Louis. happened about, er, In the BG Judge eight Mettrick years unloads ago in asaddlebags town called and steps onto the stoop. Indian Falls. AMY KANE Thank you. The judge takes down and packs WILL KANE the SCALES OF JUSTICE. She puts the ticket Glad you ingot herhere, purse, Percy. and turns to look at Ben Miller who is leering at her from further down the platform. JUDGE PERCY METTRICK The Station Master Are you? senses trouble brewing.

14. 15. 16. 17. Judge He gathers Mettrick his hat walks and into gunbelt JUDGE STATION the JP's and PERCY MASTER office. heads METTRICK for the (CONT'D) door. I escaped Maybe you'd death rather only wait through somewhere's the INT. In passing JUSTICE Helen OF intercession else. THE heLike PEACE tries atto of the DAY kiss a hotel, lady her. ofmaybe. She somewhat looks away. He leaves. dubious reputation, and the cost Judge Mettrick ofdrops a very thehandsome saddlebags AMY KANEring onwhich the desk and starts packing INT. SAMup THE documents GOPHER'S once belonged Fine. Thank from HOTEL you. the to ROOM desk. my mother. DAY Will watches from the door. Unfortunately, I have no more rings. Sam the Gopher is seated with JUDGEaPERCY STATION newspaper. MASTER METTRICK He sees through his open doorI'm Have that awfully you Harvey forgotten sorry WILL is leaving KANE about that Helen's I'm this, all the room. man Kane. You're Mrs whoapassed judge. But don't sentence you worry. on Frank He gazes thoughtfully Miller? The marshal You after shouldn't can the take whistling care haveof come Harvey. The judge selects back,LAW himself Will. all BOOKS It for right. was packing. stupid. INT. HOTEL LOBBY - DAY WILLKANE JUDGE AMY KANE PERCY METTRICK Harvey walks down I figured I've Thank the been youstairs I judge a very hadmuch. and to. many out I figure times the door. I in The oily HOTEL CLERK watchesmany had himto go. towns. stay.And I hope to live to EXT. STATION WAITING be a judge ROOM again. - DAY EXT. MARSHAL'S OFFICE - DAY JUDGE PERCY METTRICK Ben Miller notices You figure something wrong. WILLand KANE turns to the other two. Judge Mettrick I is can't packed telland youon what histo horse. do. Will stands on the stoop and chats with him. WILL KANE BEN I canthat Hey, deputize wasn't JUDGE a there posse. PERCYfive Ten, METTRICK years twelve Why ago. must guns youis JUDGE beall soPERCY I need. stupid? METTRICK Have you forgotten Goodbye, Will.what he is? Have you forgotten JUDGE JIM whatPERCY he's done METTRICK to Mmf. people? So what? My have intuition WILL you forgotten KANE tells me that otherwise. he's Goodbye. crazy? (pointsBEN at chair) Nothing. Don't youYet. remember WILL KANE JUDGE PERCY when he METTRICK sat Why? You there think and I'm said: letting you down, INT. HELEN'S HOTEL don't ROOM you? - DAY JUDGE VOICE PERCY OF FRANK METTRICK MILLER Helen and Harvey No You'll time sitnever and for drink a WILL hang lesson KANE tea. me.in I'll Helen civics, come glances at the clock. my No. back. boy. I'll kill you, Will Kane. I CU CLOCK: 10:53 swear am [19:02] it, I'll kill you! The judge takes down, folds, JUDGE and PERCY packs METTRICK the US FLAG behind the EXT.desk. STATION WAITING (last ROOM attempt HELEN - DAYRAMIREZ to Harvey. persuade Don't you Will) think Kane will A bottle smashes be looking Look, onthis the tracks. for is JUDGE just youPERCY Ben right a dirty Miller METTRICK now? little has(CONT'D) been drinking. The three gunmen In the arefifth getting century impatient BC the with waiting. citizens of Athens, HARVEY PELL having EXT. TICKET OFFICE suffered (unconcerned) - DAY grievously under a tyrant, managed to depose and banish him. Yeah. Amy purchasesHowever, a ticketwhen fromhe the returned Stationyears Master. later with an HELEN armyRAMIREZ of mercenary, The Station Master those You really punches same sore citizens the atticket. him. not only opened their gates for him, but stood by while HARVEY STATION he executed PELL MASTER members of Wouldn't Here the you League you are,be of ma'am. if Government. you This'll were me? A take similar you to St. thing Louis. happened about, er, eight years ago HELEN inRAMIREZ a town called Indian I suppose... Falls. AMY If I KANE were you. Thank you. The judge Harvey considers takes down her challenge. and packs the After SCALES a beat, OF JUSTICE. he throws down his She napkin puts the and ticket rises. in her purse, and turns to look at Ben Miller who is leering at her from further down the platform. HARVEY PELL The Station Master Be back senses in a trouble while. brewing.

15. 16. 17. 18. He gathers his hat and gunbelt JUDGEKANE STATION WILL and PERCY MASTER heads METTRICK for the (CONT'D) door. I escaped Maybe Johnny! you'd Why death rather aren't only wait you through in somewhere's church? the In passing Helen intercession else. heLike tries atto of the kiss a hotel, lady her. ofmaybe. She somewhat looks away. He leaves. dubious reputation, JOHNNY and the cost of aain't Why very you? handsome AMY KANEring which INT. SAM THE GOPHER'S once belonged Fine. Thank HOTEL you. to ROOM my mother. DAY Will mock hits Unfortunately, him for insolence. I haveThey no more are clearly rings. old friends. Sam the Gopher is seated with STATION a newspaper. MASTER He sees through his open doorI'm that awfully Harveysorry WILL is leaving KANE about Helen's all this, room. You're Mrs Look, Kane. will a judge. But youdon't do something you worry. for me? He gazes thoughtfully The marshal after canthe take whistling care of Harvey. The judge selects himself LAWall BOOKS right. JOHNNY for packing. INT. HOTEL LOBBY Sure. - DAY JUDGE AMY KANE PERCY METTRICK Harvey walks down I've the Thank been youstairs a judge very WILL much. and KANE many outtimes the door. in The oily HOTEL CLERK watchesGo many him find go. towns. Jonas And Henderson, I hope toMartin live to EXT. STATION WAITING be a and Howe judge ROOM Sam again. Fuller, DAY and tell 'em EXT. MARSHAL'S I OFFICE want 'em - DAY here. Ben Miller notices something WILLand KANE turns to the other two. Judge Mettrick I is can't packed telland JOHNNY youon what histo horse. do. Will stands on the stoop andRight. chats with him. BEN Hey, that wasn't JUDGEthere PERCYfive METTRICK years Why must youWILL ago. JUDGE be so KANE PERCY stupid? METTRICK Have you then Goodbye, And forgotten Will.Harve find what he Pell. is? Have you forgotten JIM what he's done to Johnny dashesSo people? off. what? Harvey haveWILL Pell you forgotten KANE appears on that the stoop. he's crazy? Goodbye. (pointsHARVEY BEN at chair) PELL Nothing. You Don't don't youYet. remember have JUDGE to do PERCY when that. he METTRICK sat I Here You am. there think and I'm said: letting you down, INT. HELEN'S HOTEL don't ROOM you? - DAY WILL VOICEKANE OF FRANK MILLER Helen and Harvey Where You'll sit you never and bin? drink WILL hangKANE tea. me. I'll Helen come glances at the clock. No. back. I'll kill you, Will Kane. I CU CLOCK: 10:53 swear am [19:02] it, I'll HARVEY killPELL you! Busy. JUDGE PERCY METTRICK EXT. STATION WAITING (last ROOM attempt HELEN - DAYRAMIREZ to They turn to enter Harvey. persuade the Don't marshal's you Will) think office. Kane will A bottle smashes be looking Look, onthis the tracks. forjust is you Ben right a dirty Miller now? little has been drinking. The three gunmen village are getting in the WILL middle impatient KANE of nowhere. with waiting. Nothing You knowthat what's HARVEY happens doing? PELL here is EXT. TICKET OFFICE really (unconcerned) -important. DAY C'mon. Get out. Yeah. HARVEY PELL Amy purchasesSure. a ticket from WILL the KANE Station Master. There isn't time. HELEN RAMIREZ The Station Master You really punches sore WILL the at KANE ticket. him. Well, come on. JUDGE We've PERCY gotMETTRICK lots to do. What a waste. HARVEY STATION Good luck. PELL MASTER Harvey stops Will Wouldn't Here in youthe you are, doorway. be ma'am. if you This'll were me? take Judge Mettrick you realizes to St. he Louis. cannot change Will's mind. He gives him a salute, wheels HELEN HARVEY his horse, RAMIREZ PELL and trots off. I suppose...AMY If I KANE were you. Will watches him Thank goyou. with an anxious expression. He realizes Harvey a majorconsiders ally has just her challenge. deserted him. After a beat, he throws down his She napkin puts the and ticket rises. in her purse, and turns to look at Ben He Miller calls who tois JOHNNY, leering a young at herteenager from further who has down been thelounging platform. on the stoop, watching them. HARVEY PELL The Station Master Be back senses in a trouble while. brewing.

16. 17. 18. 19. He gathers his hat and gunbelt STATION WILL HARVEY KANE and PELL MASTER heads for the door. Maybe well Johnny! Yeah, you'd Whythat rather aren't generally waitin you somewhere's church? means In passing Helen else. something. heLike tries atto So the you kiss hotel, just her. listen maybe. She looks a away. He leaves. second. JOHNNY Why ain't you? AMY KANE INT. SAM THE GOPHER'S Fine. Thank HOTEL you. WILL ROOM KANE - DAY Will mock hits All him right, for insolence. I'm listening. They are clearly old friends. Sam the Gopher is seated with STATION a newspaper. MASTER He sees through his open doorI'm that awfully Harveysorry WILL HARVEY is leaving KANE about PELL Helen's all this, room. Mrs Kane. Look, Now, this willis But you the don't doway something you I see worry. it. forIf me? He gazes thoughtfully The marshal you'd gone, after canthe with take the whistling caremarshal new of Harvey. himself not due in alltill right. JOHNNY tomorrow, I'd be INT. HOTEL LOBBY Sure. in charge - DAY around here, right? AMY KANE Harvey walks down Thankthe youstairs very WILL much. and KANE out the door. The oily HOTEL CLERK watchesRight. Go him find go.Jonas Henderson, Martin EXT. STATION WAITING Howe andROOM Sam Fuller, DAY and tell 'em EXT. MARSHAL'S I OFFICE want 'em - DAY here. HARVEY PELL Ben Miller notices Well tell something me this, andthen. turnsIf toI'm the other two. Judge Mettrick good is packed enough and to JOHNNY hold on his down horse. the job Will stands on the stoop andwhen Right. chats there's with him. BEN trouble, how come Hey,city the thatfathers wasn't didn't there five trust years me ago. it permanently? with JUDGEKANE WILL PERCY METTRICK Goodbye, And then find Will.Harve Pell. JIM KANE WILL Johnny dashesI So off. don't what? Harvey know. WILL PellKANE appears on the stoop. Goodbye. BEN HARVEY PELL Nothing. You don't (notYet. have buying JUDGE toit) do PERCY that. METTRICK Here I Don't You think am. you?I'm letting you down, INT. HELEN'S HOTEL don't ROOM you? - DAY WILL KANE Helen and Harvey No. Where sit you and bin? drink WILL KANE tea. Helen glances at the clock. No. CU CLOCK: 10:53 am [19:02] HARVEY PELL Well Busy.that's funny. JUDGE PERCY I figured METTRICK you carried (last a lot attempt HELEN of weight. RAMIREZ to They turn to enter Harvey. persuade the Don't marshal's you Will) think office. Kane will be looking Look, this is for WILL just you KANE right a dirty now? little Maybe village they in didn't the WILL middle KANE ask me. of nowhere. Maybe they Nothing You know figured that what's HARVEY you happens doing? were PELL here too young. is really (unconcerned) important. C'mon. Get out. Yeah. HARVEY PELL Do Sure. you thinkWILL I'm too KANEyoung, too? There isn't time. HELEN RAMIREZ You really sore WILLat KANE him. You Well, sure come act on. JUDGE like We've it, PERCY got sometimes. METTRICK lots to do. Come What on. a waste. HARVEY Good luck. PELL Harvey stops Will Wouldn't in the youdoorway. be if you were me? Will Judgepushes Mettrick past realizes Harvey into he cannot the office. change Will's mind. He gives him a salute, wheels HELEN HARVEY his horse, RAMIREZ PELL and trots off. I suppose... Now hold up aIf second. I wereThis you.ain't Will watches him really go with a job, anyou anxious know.expression. He realizes Harvey a majorconsiders ally has just her challenge. deserted him. After a beat, he throws down his napkin and rises. WILL KANE He calls to JOHNNY, Well, that's a young what teenager everybody who has keeps been lounging on the stoop,telling watching me. them. HARVEY PELL Be back in a while.

17. 18. 19. 20. He gathers his hat and gunbelt WILL KANE HARVEY and PELL heads for the door. Johnny! Yeah, It's very well Why simple, that aren't generally Will. you in All church? means you In passing Helen something. gotta hedo tries isSo tell to you kiss the just her. old listen boys She looks a away. He leaves. second. when they come JOHNNY that I'm the new Why ain'tAnd marshal. you? tomorrow they can INT. SAM THE GOPHER'S tell the HOTEL other WILL ROOM fellow KANE - DAY they're Will mock hits All sorry him right, for but insolence. the I'mjob's listening. filled. They are clearly old friends. Sam the Gopher is seated with a newspaper. He sees through his open door that HarveyWILL HARVEY is leaving KANE PELL Helen's room. Look, Now, You really this willis you mean the do it, way something don't I seeyou? it. forIf me? He gazes thoughtfully you'd gone, after with the the whistling new marshal Harvey. not due in till JOHNNY HARVEY tomorrow, PELL I'd be INT. HOTEL LOBBY in charge Sure. - DAY around here, right? Harvey walks down the stairs WILLand KANE out the door. The oily HOTEL CLERK watchesWell, Go Right. him find go. I can't Jonas do Henderson, it. Martin Howe and Sam Fuller, and tell 'em EXT. MARSHAL'S I OFFICE want 'em - DAY here. HARVEY PELL Wellnot? Why tell me this, then. If I'm Judge Mettrick good is packed enough and to JOHNNY hold on his down horse. the job Will stands on the stoop andwhen Right. chats there's with him. WILL trouble, KANE how come theyou If city don't fathers knowdidn't it's no trust use me with it you. telling permanently? JUDGEKANE WILL PERCY METTRICK Goodbye, And then find Will.Harve Pell. Will chooses a rifle and props WILL KANE it by the window. He starts Johnny dashes placing boxesIof off. don't ammunition Harvey know. WILL Pell onKANE appears the deskon the stoop. Goodbye. HARVEY PELL You mean don't (notyou have buying JUDGE won't toit) do PERCY dothat. it! METTRICK Here I Don't You think am. you?I'm letting you down, don't you? WILL KANE Have it yourWILL way.KANE No. Where you bin? WILL KANE Harvey rises angry No. and resentful from the marshal's chair. HARVEY PELL Well Busy.that's funny. JUDGE PERCY HARVEY I PELL figured METTRICK you carried All right. (last a lot The attempt of truth weight. tois you've They turn to enter probably persuade thetalked marshal's Will) against office. me from Look, the start. this You've is WILL just KANE been a dirty sorelittle about Maybe village me andthey Helen in didn't the WILL Ramirez middle KANE askright me. of nowhere. Maybe along, they Nothing You ain't know figured you? that what's you happens doing? werehere too young. is really important. C'mon. Get out. Will seems shaken by the news. HARVEY PELL Do Sure. you thinkWILL I'm too KANEyoung, too? There isn't time. WILL KANE You and Helen WILL Ramirez? KANE I... It so You Well, happens sure come Iact didn't on. JUDGE like We've know it, PERCY got sometimes. and METTRICK lots it to do. Come What on. doesn't a waste. mean anything Good luck. to me one Harvey stops Will way or inthe theother. doorway. You ought to Will Judgepushes Mettrick past know realizes Harvey that. into he cannot the office. change Will's mind. He gives him a salute, wheels HARVEY his horse, PELL and trots off. INT. MARSHAL'S Now OFFICE hold upDAY a HARVEY second. PELL This ain't Will watches him really Yeah. goYou've with a job, an been you anxious know.expression. washed up for He realizes Will a major andally harvey has more enter. just thandeserted Will a year. goes him. Well, overyou've to the rifle rack and tries the action goneon out one and of WILL got theyourself KANE half-dozen married, rifles. Replaces it, He calls triesto another. JOHNNY, Well, that's a young what teenager everybody who has keeps been lounging on the stoop,telling watching me. them. Harvey leans back in the marshal's chair.

18. 19. 20. 21. HARVEY WILL KANE PELL It's very Johnny! Yeah, (angry) well Why simple, that aren't generally Will. you in All church? means you something. gotta You're... do isSo tell youthe just old listen boys a second. when they come JOHNNY that I'm the new He glances upmarshal. Why at the ain't clock. And you? tomorrow they can tell the other WILL fellow KANE they're Will CU CLOCK: mock hits 11:02 All sorry him am right, for [22:26] but insolence. the I'mjob's listening. filled. They are clearly old friends. HARVEY WILL KANE PELL (CONT'D) You Look, Now, I haven't really this willis got you mean the time, do it, way something don't Harve. I seeyou? it. forIf me? you'd gone, with the new marshal Will sits in the not marshal's due in till JOHNNY HARVEY chair. tomorrow, PELL Harvey I'd leans be on the desk. in charge around here, right? Sure. HARVEY PELL Okay. Then let's WILL get KANEdown to Go Right. Well, business. find I can't Jonas You do Henderson, want it. me to Martin stick, Howe you put andthe Samword Fuller, in for andme tell like 'em I I said. want 'em here. HARVEY PELL Wellnot? Why tell me this, then. If I'm good enough to JOHNNY WILL hold KANE down the job Right. when Sure there's I want you WILL trouble, to KANE stick. how come But I'm the If notyou city buying don't fathers it. know It's didn't it's gotta no trust use be up me with telling to you. it you. permanently? WILL KANE And then find Harve Pell. Will Harvey chooses glaresaat rifle Willand forprops WILL a long KANE itmoment, by the window. then throws He starts down Johnny placing his star dashes boxes on the Iof off. don't desk. ammunition Harvey know. He hangs Pell on the appears up his desk gunbelt on the stoop. by the door as he stalks out. HARVEY PELL Will toys with You some don't mean (not ammunition you have buying won't toit) as do dohe that. it! thinks. Here I Don't am. you? EXT. HADLEYVILLE STATION WILL DAYKANE Have it yourWILL way.KANE Still no train. No. Where Benyou continues bin? drinking. Jim confronts him. Harvey rises angry and resentful from the marshal's chair. HARVEY JIM PELL Well Busy. I thought that's you'd funny. HARVEY grew I PELL figured up by now. you carried All right. a lot Theof truth weight. is you've They turn to enter probably thetalked marshal's BEN against office. me from the I thought start.your You've WILL disposition KANE been sore about Maybe me might've andthey Helen sweetened didn't WILL Ramirez KANE ask upright me. a little Maybe along, they You ain't downknow figured in you? Abilene. what's youdoing? were I guess toowe're young. Will seems shaken by the news. HARVEY PELL Do Sure. you think I'm too young, too? WILL KANE You and Helen WILL Ramirez? KANE I... It so You Well, happens sure come Iact didn't on. like We've know it,got sometimes. andlots it to do. Come doesn't on.mean anything to me one Harvey stops Will way or inthe theother. doorway. You ought to Will pushes past knowHarvey that. into the office. HARVEY PELL INT. MARSHAL'S Now OFFICE hold upDAY a HARVEY second. PELL This ain't reallyYou've Yeah. a job,been you washed know. up for Will and harvey more enter. than Will a year. goes Well, overyou've to the rifle rack and tries the action goneon out one and of WILL got theyourself KANE half-dozen married, rifles. Replaces it, tries another. Well, you only, that's can't what stand everybody anybody keeps tellingyour taking me. place, now, can you? Harvey leans back Especially in theme. marshal's chair.

19. 20. 21. 22. HARVEY WILL HELEN KANE RAMIREZ PELL When are Yeah, It's very (angry) well you simple, that going generally Will. to grow All means up? you something. gotta You're... do isSo tell youthe just old listen boys a second. when they come HARVEY thatPELL I'm the new He glances upI'm marshal. at the getting clock. Andtired tomorrow of that theykind can of tell the other talk. WILL fellow KANE they're CU CLOCK: 11:02 Allam sorry right, [22:26] but the I'mjob's listening. filled. HELEN RAMIREZ Then grow up. HARVEY WILL KANE PELL (CONT'D) Now, You I haven't really this is got mean the time, it, waydon't Harve. I seeyou? it. If you'd gone, with HARVEY the PELL new marshal Will sits in the not marshal's due (annoyed) in till HARVEY chair. tomorrow, PELL Harvey I'd leans be on the desk. in charge Sure. Cut it out! around here, right? HARVEY PELL Harvey stompsOkay. over to Then the let's WILL window get KANE and down looks to out. Right. Well, business. I can't You do want it. me to stick, Helen followsyou himput andthe speaks wordwith in for a smile. me like I said. HARVEY PELL Wellnot? Why tell meHELEN this,RAMIREZ then. If I'm goodright. All enough to WILL hold KANE down the job when Sure there's I want you WILL trouble, to KANE stick. how come But I'm Harvey is notIf the not mollified. you city buying don't fathers it. He know is It's didn't still it's gotta no fuming. trust use be up me with telling to you. it you. permanently? HARVEY PELL Will Harvey chooses glaresa Why at rifle Will shouldn't and forprops WILL ahe long have KANE itmoment, by gone thefor window. then it? throws He starts down placing his starboxes on the Iof He don't desk. needs ammunition know. He me.hangs He'll on the up need his desk me gunbelt plentyby the door as he stalks out. when Frank Miller gets here. HARVEY PELL Will toys with You some mean (not ammunition you buying HELEN won't it) as RAMIREZ dohe it! thinks. Don't That'syou? possible. EXT. HADLEYVILLE STATION WILL DAYKANE Have it yourWILL HARVEY way.KANE PELL Still no train. No. Should Ben continues of had me drinking. made marshal Jimto confronts him. Harvey rises angry begin and with. resentful He's just from sore, theis marshal's chair. all. Sore about HARVEY JIM youPELL and me. Well I thought that's you'd funny. HARVEY grew I PELL figured up by now. you carried All right. a lot The HELEN of truth weight. RAMIREZ is you've probably Is he? talked BEN against me from the I thought start.your You've WILL disposition KANE been sore about Maybe me might've andthey Helen sweetened didn't HARVEY Ramirez ask up PELL right me. a little Maybe along, they ain't Sure. down figured in you? Abilene. you were I guess toowe're young. both wrong. Will seems shaken by the news. HARVEY HELEN RAMIREZ PELL INT. HELEN'S HOTEL Do you (doesn't ROOM think - DAY I'm like too this young, too? news) WILL KANE Helen sits and You does told andher Helen him? nails WILL Ramirez? while KANE Harvey I... Itstands so with a drink. Helen laughs. You happens sureIact didn't likeknow it, sometimes. and it Come doesn't on.mean anything to me one way or the other. HARVEYYou PELL ought to Will pushes past know What's Harvey that. so funny? into the office. INT. MARSHAL'S OFFICE - DAY HARVEY HELEN RAMIREZ PELL Yeah. Did you You've really been think washed you up could for Will and harvey more putenter. that thanover Will a year. on goes Kane? Well, overyou've to the rifle rack and tries the action goneon out one and ofgot theyourself half-dozen married, rifles. Replaces it, tries another. only, you can't HARVEY stand PELL anybody taking Why not? your place, now, can you? Harvey leans back Especially in theme. marshal's chair.

20. 21. 22. 23. WILL KANE HELEN HARVEY RAMIREZ PELL Why? Didn't It's When very are (angry) you simple, you going want Will. tohim grow All toup? you know? gotta You're... (realizing) do is tell the old boys Hey... when they Whocome did HARVEY the thatwalking PELL I'm theout new He glances upanyway? marshal. I'm at the getting clock. You Andor tired tomorrow him? of that theykind can of tell the other fellow they're talk. Helen CU CLOCK: stalks 11:02 angrily sorry am [22:26] but over theto job's the door filled. and opens it. HELEN RAMIREZ Then grow up. HELEN WILL KANE RAMIREZ (CONT'D) Get You I haven't out, really Harvey. got mean time, it, don't Harve.you? HARVEY PELL Will sits in the marshal's (annoyed) HARVEY chair. PELL Harvey leans on the desk. I Sure. Cut might it out! just do that. HARVEY PELL Harvey stompsOkay. over to Then the let's HELEN WILL window get KANE RAMIREZ and down looks to out. Then Well, business. do I it. can't You do want it. me to stick, Helen followsyou himput andthe speaks wordwith in for a smile. me like I said. HARVEY PELL Why not? (secondHELEN thoughts) RAMIREZ You All don't right.mean WILL that. KANE Sure I want you WILLto KANE stick. But I'm Harvey is notIf not mollified. you buying don't it. He HELEN know is It's still it's RAMIREZ gotta no fuming. use be up me Try telling to you. me. you. HARVEY PELL Will Harvey chooses glaresa Why at rifle Will shouldn't and forprops HARVEY ahe long have it PELL moment, by gone thefor window. then it? throws He starts down placing his starboxes on the You're He ofdesk. needs ammunition gonna He me.hangs talk He'll on the different up need his desk me gunbelt plenty when by the door as he stalks out. Frank when Frank Miller Miller gets here. gets here. Might want somebody HARVEY around PELL when you try Will toys with to You some explain mean ammunition you to HELEN won't him about as RAMIREZ dohe it! thinks. Kane. That's possible. EXT. HADLEYVILLE STATION HELEN WILL DAYKANE RAMIREZ I Have canit take your care HARVEY way. of myself. PELL Still no train. Should Ben continues of had me drinking. made marshal Jimto confronts him. Harvey rises angry begin and with. resentful He's HARVEY just PELL from sore, theis marshal's chair. Sure. all. Sore Onlyabout from JIM what you and I've me. heard, you I thought might not you'd HARVEY begrew soPELL pretty up by when now. he Allgets right. through The HELEN truth with RAMIREZ you. is you've probably Is he? talked BEN against me from Helen continues the I thought to start. stand your You've by the disposition been opensore doorabout and glare at Harvey. me might've and Helen sweetened HARVEY Ramirez up PELL right a little along, Harvey picks up ain't Sure. down his in you? hat. Abilene. I guess we're both wrong. Will seems shaken by the news. HARVEY HELEN RAMIREZ PELL INT. HELEN'S I HOTEL won't (doesn't ROOM be back. - DAY like this news) WILL KANE Helen sits and You does told andher Helen him? nails HELEN Ramirez? while RAMIREZ Harvey I... Itstands so with a drink. Helen Good. laughs. happens I didn't know and it doesn't meanHARVEY anything PELL to me one Harvey stalksSure. way off. or the other. HARVEYYou PELL ought to know What's that. so funny? Helen closes the door. She HELEN looks RAMIREZ at the clock. (angry)HARVEY HELEN RAMIREZ PELL CU CLOCK: 11:05 You Yeah. Didam are you [25:02] You've a really fool. been think washed you up could for more put that thanover a year. on Kane? Well, you've gone out and got yourself married, only, you can't HARVEY stand PELL anybody taking Why not? your place, now, can you? Especially me.

21. 22. 23. 24. 25. Sam the Gopher enters. WILLKANE HELEN HARVEY AMY KANE RAMIREZ PELL When Didn't Why? Yes. are (angry) youyou going want tohim grow toup? know? You're... (realizing) SAM THE GOPHER Hey... I just Who saw did harvey. HARVEY HOTEL theCLERK walking Is PELL everything out He glances upanyway? I'm all at the getting right? clock. You or tired him? of that kind of talk. Helen CU CLOCK: stalks 11:02 angrily am [22:26] overHELEN to the RAMIREZ door and opens it. I think I have HELEN to talk RAMIREZ with Mr. Then grow up. Weaver. HELEN WILL KANE RAMIREZ (CONT'D) Get I haven't out, Harvey. got time, Harve. HARVEY SAM THEPELL GOPHER Will sits in the You're marshal's (annoyed) getting HARVEY chair. out?PELL Harvey leans on the desk. I Cut might it out! just do that. HELEN HARVEYRAMIREZ PELL Harvey stompsYes. Okay. over to Then the let's HELEN window get RAMIREZ and down looks to out. Then business. do it. You want me to stick, Helen followsyou himput andthe speaks word SAM with THE in for GOPHER a smile. me like I You said. want me to HARVEY givePELL Kane a hand? (secondHELEN thoughts) RAMIREZ Helen thinks for You All a don't right. while. mean WILL that. KANE Sure I want you to stick. But I'm Harvey is notnot mollified. buying it. He HELEN is It's still RAMIREZ gotta fuming. be up Try No. to you. me. HARVEY PELL Harvey glaresWhy at Will shouldn't forHARVEY SAM ahe long THE have PELL moment, GOPHER gone for then it? throws down his star on the You're He desk. All needs right. gonna He me.hangs talk He'lldifferent up need hisme gunbelt plenty when by the door as he stalks out. Frank when Frank Miller Miller gets here. gets here. Might Sam the Gopher want leaves. somebody Helen around is alone whenwith you her try bleak thoughts. Will toys with tosome explain ammunition to HELEN him about as RAMIREZ he Kane. thinks. INT. HOTEL LOBBY That's - DAY possible. EXT. HADLEYVILLE STATION HELEN DAY RAMIREZ Amy Kane walks I in. can Through take care HARVEY the ofdoor myself. PELLwe see her buggy parked outside. Still no train. Should Ben continues of had me drinking. made marshal Jimto confronts him. begin with. He's HARVEY just PELL sore, is She approaches Sure. all. theSore Hotel Onlyabout from Clerk JIM what you reading and I've me. the heard, newspaper at his counter. you I thought might not you'd begrew so pretty up by when now. he gets through HELEN with RAMIREZ you. Is he? AMY BEN KANE Helen continues May I thought to I stand waityour here by the disposition foropen the door noon and train? glare at Harvey. might've sweetened HARVEY up PELL a little Harvey The Clerk picks ignores up Sure. down his her. inhat. Abilene. I guess we're both wrong. HARVEY HELEN AMY KANE RAMIREZ PELL INT. HELEN'S I HOTEL May won't I(doesn't ROOM wait be back. inDAY the likelobby this until noon? news) The Helen Clerk sitslooks and You does at told her her him? disrespectfully. nails HELENwhile RAMIREZ Harvey He speaks stands to with her a with drink. a knowing Helen Good. laughs. tone. HARVEY PELL Harvey stalksSure. off. HOTEL HARVEYCLERK PELL Sure, What'slady. so funny? Helen closes the door. She HELEN looks RAMIREZ at the clock. (angry)AMY HELEN KANE RAMIREZ CU CLOCK: 11:05 You Thank Didam are you [25:02] you. a really fool.think you could put that over on Kane? There is a knock at the door. HOTEL CLERK You're Mrs Kane, HARVEY ain't PELLyou? Why not? HELEN RAMIREZ Come in.

22. 23. 24. 25. Sam the Gopher enters. HELEN HARVEY AMY KANE RAMIREZ PELL When Didn't Why? Yes. are youyou going want tohim grow toup? know? (realizing) SAM THE GOPHER Hey... I just Who saw did harvey. HARVEY HOTEL theCLERK walking Is PELL everything out anyway? I'm right? all You're getting leaving You or tired him? on the of that noonkind train? of talk. Helen stalks angrily overAMY HELEN to the KANE RAMIREZ door and opens it. I think I have Yes. HELEN to talk RAMIREZ with Mr. Then grow up. Weaver. HELEN RAMIREZ Get out, Harvey. HOTEL CLERK But your husband HARVEY SAM THE ain't? PELL GOPHER You're (annoyed) getting HARVEY out?PELL I Cut might it out! justAMY do that. KANE (getting HELEN annoyed RAMIREZ by Harvey stompsYes. overthis to the man) HELEN window RAMIREZ and looks out. Then No. Why? do it. Helen follows him and speaks SAM with THE GOPHER a smile. You want me to HARVEY HOTEL give CLERK PELL Kane a hand? No reason. (second But HELEN thoughts) it's RAMIREZ mighty Helen thinks for You All a interesting. don't right. while. mean that. (gloating) Harvey is notNow mollified. me, I wouldn't He HELEN is still RAMIREZ leavefuming. this Try town No. me. at noon for all the tea in China. No sir, HARVEY it'sPELL going to be quite Why shouldn't a sight HARVEY SAM to heTHE see. have PELL GOPHER gone for it? You're He needs All right. gonna me. talk He'lldifferent need me plenty when Amy gives himFrank when a withering Frank Miller Miller look gets and here. getssits here. Might down in the lobby near Sam the theGopher door. want leaves. somebody Helen around is alone whenwith you her try bleak thoughts. to explain to HELEN him about RAMIREZ Kane. INT. CHURCH HOTEL LOBBY -That's DAY- DAY possible. HELEN RAMIREZ The Amy church Kane walks isIsmall in. can Through take and plain. care HARVEY the ofDR. door myself. PELL MAHIN we see the her Minister buggy parked (Morgan Farley) outside.stands Should at a lectern of had me onmade a raised marshal dais tofront center. Behind him the begin choir with. sings He's HARVEY "Myjust eyes PELL sore, have seen is the glory of the She coming approaches ofSure. all. the theLord". Sore Hotel Onlyabout from Clerk what you reading and I've me. the heard, newspaper at his counter. you might not be so pretty when The church ishe full gets ofthrough townsfolk, HELEN with RAMIREZ fanning you. themselves in the heat. Is he? AMY KANE Helen continues Mayto I stand wait here by the foropen the door noon and train? glare at Harvey. The church doors open. Sam HARVEY the Gopher PELL enters and removes his Harvey hat. The Clerk Hepicks stands ignores up Sure. there. his her. hat. In the choir, ED WEAVER (Cliff HARVEY HELEN AMY KANE Clark) RAMIREZ PELL sees Sam. Sam motions with his head. I May Outside, won't I(doesn't wait be please. back. in the likelobby this until noon? news) Ed TheWeaver Clerk puts looks You down at told her his him? disrespectfully. hymn HELEN book RAMIREZ with aHe resigned speaks air to her and slips with aout knowing a side Good. tone. door. HARVEY PELL Harvey Sam thestalks Gopher Sure. off. walks out again. HOTEL CLERK Sure, lady. Helen INT. MARSHAL'S closes the OFFICE door.-She DAY HELEN looks RAMIREZ at the clock. (angry)AMY KANE CU CLOCK: 11:05 11:09 You Thank am are [25:02] [27:05] you. a fool. There is a knock at the door. HOTEL CLERK You're Mrs Kane, ain't you? HELEN RAMIREZ Come in.

23. 24. 25. 26. Sam the Gopher enters. HARVEY AMY HERB KANE BAKER PELL Why? Didn't Yes. Will. I justyou heard want about him it. to know? (realizing) SAM THE GOPHER Hey... I just Who saw did harvey. HOTEL WILL the KANE CLERK walking Is everything out anyway? all right? You're Hello, leaving Herb. You or him? on the noon train? Helen stalks angrily overHERB HELEN AMY to the KANE BAKER RAMIREZ door and opens it. I think Yes. You can count I haveon tome. talk You with know Mr. Weaver. that, don't you? HELEN RAMIREZ Get out, Harvey. HOTEL CLERK Will shakes his Buthand yourgratefully, husband SAM THE ain't? then GOPHER sits at his desk. You're getting HARVEY out?PELL I might justWILL AMY do that. KANE KANE I was(getting figuring HELEN annoyed I could. RAMIREZ by Yes. this man) HELEN RAMIREZ Then No. Why? do it. HERB BAKER Will, you cleaned SAM THE this GOPHER town up. You made want it me fit to HARVEY HOTEL give for CLERK PELL Kane aand women hand? No reason. kids (second to live But thoughts) in. it's Miller mighty nor nobody Helen thinks for You interesting. else a don't will while. mean ever that. drag it down again. (gloating) Now me, I wouldn't HELEN WILL KANE RAMIREZ leave this Try town No. I was me. at hoping noon for people allwould the tea feel in China. that way. No sir, it's going to be quite a sight HARVEY SAM toTHE see. PELL GOPHER Will hands Herb You're Allaright. star. gonna Herb talk sticks different it onwhen his shirt. Amy gives himFrank a withering Miller look gets and here. sits Might down in the lobby near Sam the theGopher door. want leaves. somebody Helen HERB around is BAKER alone whenwith you her try bleak thoughts. to What explain other to wayhim is about there?Kane. How many INT. CHURCH HOTEL LOBBY -men DAYyou DAY got lined up? HELEN RAMIREZ The Amy church Will Kane hesitates walks isIsmall in. to cananswer. Through take and plain. care the ofDR. door myself. MAHIN we see the her Minister buggy parked (Morgan Farley) outside.stands at a lectern on a raised dais front center. Behind him the choir sings HARVEY WILL "MyKANE eyes PELLhave seen the glory of the She coming approaches ofSure. None, the theLord". Hotel Only yet. from Clerk what reading I've the heard, newspaper at his counter. you might not be so pretty when The Herb's church faceis drops. he full gets of Hethrough townsfolk, looks at with the fanning you. time. themselves in the heat. AMY KANE Helen continues Mayto I stand wait here by HERB the for BAKER open the door noon and train? glare at Harvey. The church doors Well, open. you Sam better theget Gopher going, enters man.and removes his Harvey hat. The Clerk Hepicks stands ignores upthere. his her. (heading hat. for the door) I'll be back in ten minutes. You In the choir,ought ED WEAVER to prepare. (Cliff HARVEY AMY KANE Clark) PELL sees Sam. Sam motions with his head. I May Outside, won't I wait be please. back. in the lobby until noon? Will writes on the back of an old reward poster "Back in 5 Ed The minutes" Weaver Clerk puts looksdown at her hisdisrespectfully. hymn HELEN book RAMIREZ with aHe resigned speaks air to her and slips with aout knowing a side Good. tone. door. He looks to the cells. DRUNKEN CHARLIE (Jack Elam) lies Harvey Sam passed thestalks out. Gopheroff. walks out again. HOTEL CLERK Sure, lady. Helen INT. MARSHAL'S closes the OFFICE door.-She DAYlooks at the clock. AMY KANE CU CLOCK: 11:05 11:09 Thank am [25:02] [27:05] you. There Will paces is a knock while at checking the door. HOTEL his watch. CLERK The door opens and Deputy Sheriff You're HERB BAKER Mrs Kane, (James ain't Millican) you? bustles energetically in. HELEN RAMIREZ Come in.

24. 25. 26. 27. Sam the Gopher enters. AMY KANE HERB HELEN BAKER RAMIREZ Yes. is Will. Where I just he? heard about it. SAM THE GOPHER I just saw harvey. HOTEL WILL SAM THE KANE CLERK Is GOPHER everything all right? You're Hello, He's coming leaving Herb. up the on the back noon way. train? There's a careful man. HELEN AMY HERB KANE BAKER RAMIREZ There is another I think Yes. You knock can count I at have the on todoor. me. talk You Helen with know Mr. opens it. It's Weaver. Weaver. that, don't you? HOTEL CLERK Will shakes his Buthand yourgratefully, husband SAM THE HELEN ain't? RAMIREZ then GOPHER sits at his desk. You're Come in, getting Mr. Weaver. out? AMY KANE WILL KANE I was(getting figuring HELEN ED annoyed I WEAVER could. RAMIREZ by Yes. (wondering this man) what he's No. Why? there for) HERB BAKER Hello, Will, you Mrscleaned Ramirez. SAM THE this GOPHER town up. You made want it me fit to HOTEL give for CLERK Kane aand women hand? No reason. kids to live But HELEN in. it's Miller RAMIREZ mighty nor nobody Helen thinks for Sit interesting. else a down, will while. please. ever drag it down again. (gloating) Helen, Ed, and Now Sam me, seat I wouldn't themselves HELENKANE WILL RAMIREZ leave round this a small occasional table. town No. I wasat hoping noon for people allwould the tea feel in China. that way. No sir, it's going to be Ed is very respectful quite a sight towards SAM toTHE Mrs see. GOPHER Ramirez. Will hands Herb Allaright. star. Herb sticks it on his shirt. Amy gives him a witheringED look WEAVER and sits down in the lobby near Sam the theGopher door. Isleaves. there anything Helen HERBis BAKER wrong, alone with Mrs her bleak thoughts. Ramirez? What other way is there? How many INT. CHURCH HOTEL LOBBY -men DAYyou DAY got lined up? HELEN RAMIREZ The Amy church Will Kane hesitates walks isNo. small in.answer. to Through and plain. the DR. doorMAHIN we see the her Minister buggy parked (Morgan Farley) outside.stands at a lectern on a raised dais front center. Behind him the choir sings ED WILL "My WEAVER KANE eyes have seen the glory of the She coming approaches ofThen None, the theLord". why Hotel yet. didClerk you send reading for the me? newspaper at his counter. The Herb's church faceis drops. full of He townsfolk, looks HELEN at the RAMIREZ fanning time. themselves in the heat. I'm leaving town. AMY KANE I want to sell the May store. I wait You here HERB want for BAKER to thebuy noon metrain? out? The church doors Well, open. you Sam better theget Gopher going, enters man.and removes his hat. The Clerk He stands ignores there. her. (heading EDfor WEAVER the door) Well, I'll be how back much indid tenyou minutes. want? You In the choir,ought ED WEAVER to prepare. (Cliff AMY KANE Clark) sees Sam. Sam motions with his head. May Outside, I wait please. in HELEN the lobby RAMIREZ until noon? Will writes on the back of an old reward poster "Back in 5 Ed The minutes" Weaver Clerk puts looksdown at her hisdisrespectfully. hymn book with aHe resigned speaks air to her and slips with aout knowing a side tone. door. He looks to the cells. DRUNKEN CHARLIE (Jack Elam) lies Sam passed theout. Gopher walks out again. HOTEL CLERK Sure, lady. INT. Will MARSHAL'S sticks hisOFFICE hand-written - DAY notice on the door and walks out. AMY KANE CU INT. CLOCK: HELEN'S 11:09 HOTEL Thank am [27:05] ROOM you. - DAY Will Helenpaces paces, while reading checking a document. HOTEL his watch. CLERK There The isdoor a knock opens atand the Deputy door and Sheriff Sam the You're HERB Gopher BAKER Mrs enters. Kane, (James ain't Millican) you? bustles energetically in.

25. 26. 27. 28. AMY KANE HERB HELEN BAKER RAMIREZ All right. Yes. Will. Where I just is he? You heard can pay about Sam it. the rest in six months. And he'll get it to me. IsSAM HOTEL WILL that THE KANE a CLERK deal? GOPHER You're Hello, He's coming leaving Herb. up the on the back noon way. train? Ed can hardlyThere's believeahe careful has such man. a good deal. AMY KANE HERB BAKER There is another Yes.knock You can count atED the on WEAVER door. me. You Helen knowopens it. It's Weaver. that,(big don't smile) you? Why, yes, ma'am. HOTEL CLERK Will shakes his Buthand yourgratefully, husband HELENain't? RAMIREZ then sits at his desk. Come in, Mr.HELEN Weaver. RAMIREZ All right, Mr. AMYWeaver. WILL KANE KANE Thank you. I was(getting figuring EDannoyed I WEAVER could. by They rise to go. Ed this (wondering stops. man) what he's No. Why? there for) HERB BAKER Hello, Will, you Mrscleaned Ramirez. ED WEAVER this town up. Mrs You Ramirez, made it fit HOTEL I want for CLERK to women thank andyou for No reason. kids everything. to live But HELEN in. it's IMiller mean, RAMIREZ mighty when nor nobody you Sit first interesting. else down, will called please. ever medrag in and it put downthe again. deal to (gloating) me about staking me in Helen, Ed, and the Now Sam store me, seat I and wouldn't themselves WILL being KANE leave a round silent this a small occasional table. partner. town I wasat hoping noon You know, for people all my would the wife-tea feel in China. that way. No sir, it's going to be Ed is stiffens. Helen very respectful quite There a sight towards is obviously to Mrs see.Ramirez. some history there. Will hands Herb a star. Herb sticks it on his shirt. Amy gives him a witheringED look WEAVER and sits (CONT'D) down in the lobby near the door. Is there Uh, what I anything really HERB BAKER wrong, mean toMrs say is Ramirez? that What you've other way been isreal there? decent How to many INT. CHURCH -me men DAY right you got along. lined And up? I want you to know that I've HELEN been RAMIREZ honest with you. The Willchurch hesitates isNo. small to answer. and plain. DR. MAHIN the Minister (Morgan Farley) stands at a lectern HELEN on a RAMIREZ raised dais front center. Behind him the I choir know you sings have, ED WILL "My WEAVER Mr. KANE eyes Weaver. have seen the glory of the coming ofGoodbye. Then None, the Lord". why yet. did you send for me? The Herb's church faceis drops. full of He townsfolk, looks HELEN ED at WEAVER the RAMIREZ fanning time. themselves in the heat. I'm leaving Goodbye, Mrstown. Ramirez. I want Good toluck sell theyou. to store. You HERB want BAKER to buy me out? The church doors Well, open. you Sam better theget Gopher going, enters man.and removes his hat. He stands there. (heading EDfor HELEN WEAVER the door) RAMIREZ Well, Thank I'll be how you. back much indid tenyou minutes. want? You In the choir,ought ED WEAVER to prepare. (Cliff Clark) sees Sam. Sam motions Ed with leaves his head. the room. Outside, Sam leaves please. HELEN also. RAMIREZ Helen is alone. Will writes on Two the thousand. back of an I think old reward that'sposter fair. "Back in 5 EXT. Ed minutes" Weaver STREET puts OUTSIDE down HOTEL his hymn - DAY book with a resigned air and slips out a side door. ED WEAVER He looks to the Well, cells. it'sDRUNKEN fair all CHARLIE right,(Jack but IElam) lies Sam passed theout. Gopher couldn't walks out raise again. that much right now. INT. Will MARSHAL'S sticks hisOFFICE hand-written - DAY HELEN notice RAMIREZ on the door and walks out. How much can you raise? CU INT. CLOCK: HELEN'S 11:09 HOTEL am [27:05] ROOM - DAY ED WEAVER Will Helenpaces paces, while reading Oh... checking A a thousand document. his watch. dollars. There The isdoor a knock opens atand the Deputy door and Sheriff Sam the HERB Gopher BAKER enters. (James Millican) bustles Helen energetically thinks for in.a bit.

26. 27. 28. 29. This is not what she wanted HERB HELEN toBAKER hear. RAMIREZ Will. Where All right. I just is he? You heard can pay about Sam it. the rest in six months. AMY KANEAnd he'll get itthought I to me. you IsSAM WILL that had THE KANE a deal? changed GOPHERyours. Hello, He's coming (she Herb. draws up the away back from way. Ed can hardlyThere's believe him) ahe careful has such man. a good deal. No, Will. I-HERB I have BAKER my ticket. There is another You knock can count atED the on WEAVER door. me. You Helen knowopens it. It's Weaver. that,(big don't smile) you? WILL KANE Why, I see. yes, ma'am. Will shakes his hand gratefully, HELEN RAMIREZ then sits at his desk. Will walks over Come toin, theMr. Hotel HELEN Weaver. Clerk. RAMIREZ All right, Mr. WILL Weaver. KANE Thank you. The clerk addresses I was figuring a CHAMBERMAID. ED I WEAVER could. They rise to go. Ed (wondering stops. what he's there for) HERB BAKER HOTEL CLERK Hello, Will,Nineteen Open you Mrscleaned Ramirez. EDand WEAVER this town clean it up up. Mrs You Ramirez, good. made Mr.it Miller's fit I want forvery to women thank particular. andyou for kidseverything. to liveHELEN in.IMiller mean, RAMIREZ when nor nobody you Sit first elsedown, will called please. ever WILL medrag in KANE and it put downthe again. deal Is Helen to me Ramirez about staking in? me in Helen, Ed, and the Sam store seatand themselves WILL being KANE a round silenta small occasional table. partner. I was hoping YouHOTEL know, people CLERK my would wife-feel that sir. Yes, way. Ed is stiffens. Helen very respectful There is towards obviously Mrs Ramirez. some history there. Will walks hands to Herb the a staircase. star. Herb sticks it on his shirt. ED WEAVER (CONT'D) Is there Uh, what I anything really HERB BAKER HOTEL wrong, mean CLERKto (CONT'D) Mrs say is Ramirez? that What you've other (snide) way been isreal there? decent How to many me men Think right you you got along. can lined find And up? it I want all right? you to know that I've HELEN been RAMIREZ honest with you. Will hesitates pauses on No. to theanswer. stairs and gives the Hotel Clerk a dirty look. HELEN RAMIREZ I know you have, ED WILL WEAVER Mr. KANEWeaver. Amy seated inGoodbye. Then None, the lobby why yet. did gives you Will send an foranxious me? look. Herb's Will continues. face drops. He looks HELEN ED at WEAVER the RAMIREZ time. I'm leaving Goodbye, Mrstown. Ramirez. I want Good toluck sell INT. HELEN'S HOTEL theyou. to store. ROOM You HERB DAY want BAKER to buy me out? Well, you better get going, man. There is a knock at (heading the door. EDfor HELEN WEAVER the door) RAMIREZ Well, Thank I'll be how you. back much indid tenyou minutes. want? You ought to prepare. HELEN RAMIREZ Ed leaves theCome room. in. Sam leaves HELEN also. RAMIREZ Helen is alone. Will writes on Two the thousand. back of an I think old reward that'sposter fair. "Back in 5 EXT. minutes" Will STREET enters OUTSIDE and drops HOTEL his hat DAY on a chair by the door. ED WEAVER Will He looks approaches to the Well, on cells. foot. it'sDRUNKEN fair He stops all CHARLIE right, when he (Jack but sees IElam) his buggy lies parked passed outside. out. couldn't After a raise pause, that hemuch monts right the steps now. to the hotel INT. Will HOTEL sticksLOBBY his hand-written - DAY HELEN notice RAMIREZ on the door and walks out. How much can you raise? Amy INT.is HELEN'S seatedHOTEL by the ROOM door. - DAY She brightens when she sees Will. She rises to greet him. ED WEAVER Helen paces, reading Oh... A a thousand document. dollars. There is a knock at the door and Sam the Gopher enters. WILL KANE Helen thinks for Amy.aYou've bit. changed your mind?

27. 28. 29. 30. This is not what she wanted HELEN to hear. RAMIREZ (CONT'D) Where All You right. want is me he? You to beg can for pay you? Sam the Well, rest I would in not six do months. AMYit. KANE IAnd would he'll notget itthought I lift toame. finger IsSAM you that had for THE a deal? changed you. GOPHERyours. He's coming (she draws up the away back from way. Ed can tone Will's hardly is There's believe neutral, him) ahe careful concerned. has such man. a good deal. No, Will. I-- I have my ticket. There is another knock atWILL ED the WEAVER door. KANE Helen opens it. It's Weaver. I came (big to tell smile) WILL you KANE he was coming. Why, I should see. yes,have ma'am. figured you would know about it. HELEN RAMIREZ Will walks over Come toin, theMr. Hotel HELEN Weaver. Clerk. RAMIREZ All right, Mr. HELEN Weaver. RAMIREZ Thank you. The clerk addresses I know a about CHAMBERMAID. ED it. WEAVER They rise to go. Ed (wondering stops. what he's there for) HOTELKANE WILL CLERK Hello, Open I think Nineteen Mrs youRamirez. ought EDand WEAVER clean to getit out upof Mrs good. town. Ramirez, Mr. I might Miller's Inot want be very to able thank particular. to-you for Well, everything. anything HELEN can I mean, RAMIREZ happen. when you Sit down, first called please. WILL me in KANE and put the deal Is Helen to me Ramirez about HELENstaking in? RAMIREZme in Helen, Ed, and the I Sam amstore not seat afraid and themselves being of him. a round silenta small occasional table. partner. YouHOTEL know,CLERK my wife-Yes, sir. WILL KANE Ed is stiffens. Helen very respectful I know There you're towards is obviously not. Mrs But Ramirez. some you-history You there. Will walks toknow the staircase. how he is. ED WEAVER (CONT'D) Helen looks pensive, Is there Uh, whatand anything I really stares HOTEL mean wrong, CLERK at old to (CONT'D) Mrs memories. say is Ramirez? that you've (snide)been real decent to me Think right youalong. can HELEN find And RAMIREZ it I want all right? you to know I know that howI've he HELEN is. been Maybe RAMIREZ honest he with doesn't you. Will pauses on No. know. the stairs and gives the Hotel Clerk a dirty look. HELEN RAMIREZ I know you have, ED WILL WEAVER Mr. KANEWeaver. Amy seated inGoodbye. Then He's the lobby why probably did gives you gotWill send letters. an foranxious me? look. Will continues. HELEN ED WEAVER RAMIREZ I'm Goodbye, Probably. leaving Mrstown. Ramirez. I want Good toluck sell INT. HELEN'S HOTEL theyou. to store. (turning ROOM You DAY to want Will) to buy me out? Nothing in life is free. I'm There is a knock getting at the out. door. ED HELEN I'm WEAVER packing. RAMIREZ Well, you. Thank how much did you want? HELEN RAMIREZ Ed leaves theCome room. in. Sam leaves HELEN also. RAMIREZ Helen is alone. Two thousand. I think that's fair. EXT. Will STREET enters OUTSIDE and drops HOTEL his hat DAY on a chair by the door. ED WEAVER Will Helenapproaches enters from Well, onafoot. it's sidefair He room stops all andright, when stops, he but none sees I too hispleased buggy to parked see him. outside. couldn't After a raise pause, that hemuch monts right the steps now. to the hotel INT. HOTEL LOBBY - DAY HELEN RAMIREZ How Whatmuch are can you you looking raise? at? You think Amy is seatedIby have thechanged? door. She brightens when she sees Will. She rises to greet(beat) him. ED WEAVER Oh... Well, A what thousand do youdollars. want? You want me to help you? WILLYou KANE want me to Helen thinks for Amy. ask a Frank You've bit.tochanged let youyour go? mind? (MORE)

28. 29. 30. 31. This is not what she wanted HELEN to hear. RAMIREZ (CONT'D) All want You Kane. right. If you're meYou to beg can smart, pay you for Sam will you? the Well, rest I get would out in too. six do not months. AMYit. KANE IAnd would he'll notget itthought I lift toame. finger Is that you had you. for a deal? yours. changed (she draws WILLaway KANEfrom Ed can tone Will's hardly is Ibelieve neutral, can't. him)heconcerned. has such a good deal. No, Will. I-- I have my ticket. ED WEAVER WILL HELEN KANE RAMIREZ I know. came (big to tell smile) WILL you KANE he was coming. Why, I should see. yes,have ma'am. figured you would Kane leaves. know about it. Will walks over to the Hotel HELEN Clerk. RAMIREZ INT. HOTEL LOBBY All right, DAY Mr. HELEN Weaver. RAMIREZ Thank you. The clerk addresses I know a about CHAMBERMAID. it. They On the rise stairs, to go. the EdHotel stops. Clerk adjusts the clock as Will descends. It starts striking HOTEL WILL the KANE CLERK quarter-hour. Open I think Nineteen you ought EDand WEAVER clean to getit out upof CU CLOCK 11:15 Mrs good. town. amRamirez, [32:26][clock Mr. I might Miller's Inot want be not very to able actually thank particular. to-youshown in close up] for Well, everything. anything can I mean, happen. when you first calledWILL me in KANE and put the Will paues atdeal Is the Helen seated to me Ramirez about Amy. HELENShe staking in? RAMIREZ looks meaway. in Will walks out. the I amstore not afraid and being of him. a silent Amy thinks for partner. a bit, then YouHOTEL know, walks CLERK my over wife-to the Hotel Clerk at his counter. Yes, sir. WILL KANE Helen stiffens. I know There you're is obviously not. Butsome you-history You there. Will walks toknow the staircase. how he is. AMY KANE May I ask you EDsomething? WEAVER (CONT'D) Helen looks pensive, Uh, whatand I really stares HOTEL mean CLERK at old to (CONT'D) memories. say is that you've (snide)been HOTELreal CLERK decent to me Sure. Think right youalong. can HELEN find And RAMIREZ it I want all right? you to know I know that howI've he is. been Maybe honest he with doesn't you. Will pauses on know. the stairsAMY andKANE gives the Hotel Clerk a dirty look. Who is Miss Ramirez? HELEN RAMIREZ I know you have, WILL Mr. KANEWeaver. Amy seated inGoodbye. He's the lobby probably gives HOTEL gotWill letters. CLERK an anxious look. (knowing smile) Will continues. Mrs Ramirez?ED HELEN She WEAVER used RAMIREZ to be a Goodbye, friend Probably. ofMrs your Ramirez. husband's Good a while luck INT. HELEN'S HOTEL to back. you. (turning ROOM Before - DAY that, to Will) she was a friend Nothingof inFrank life Miller's. is free. I'm There is a knock getting at the out. door. HELEN I'm packing. RAMIREZ Thank you. AMY KANE I see. ThankWILL HELEN you.KANE RAMIREZ Ed leaves theThat's Come room. (beat) in. Sam good. leaves also. Helen is alone. You don't like my husband, do you? EXT. Will A long STREET enters look OUTSIDE and drops passes between HOTEL his hat them. DAY on a chair by the door. HOTEL CLERK Will Helenapproaches enters No. from onafoot. side He room HELEN stops and RAMIREZ when stops, henone seestoo hispleased buggy to parked see him. outside. U nanyu Aftersimpri. a pause, [garbled.] he monts the steps to the hotel AMY KANE INT. HOTEL LOBBY - DAY HELENKANE WILL RAMIREZ Whatlo Si, are s. you [Yes, looking I know.] at? You think Amy is seatedIby have thechanged? door. She brightens when she sees Will. She Another rises lingering to greetsilence. (beat) him. Kane turns to go. Well, what do you want? You want me to help you? WILLYou KANE want (CONT'D) me to Amy. ask Goodbye, Frank You've Helen. tochanged let youyour go? mind? (MORE)

29. 30. 31. 32. This is not what she wanted HELEN HOTEL to hear. RAMIREZ (CONT'D) CLERK You want Kane. Lots of Ifreasons. me to beg you're smart, One for thing, you?will you Well, this I would get place out was not too. always do AMYit. KANE busy I would when Frank not I thought lift Miller a was finger you around. had you. for changed I'm notyours. the only one. (she There's draws WILLaway KANE plenty frompeople Will's tone is I neutral, around can't. him) hereconcerned. think he's got a No, Will. I-comeuppance coming. I haveYou my asked ticket. me, ma'am, so I'm WILL HELEN telling KANE RAMIREZ you. I know. came to tell WILL you KANE he was coming. Amy gives theIclerk see. a dirty should have figured look and you returns would to the seat by Kanedoor. the leaves. know about it. Will walks over to the Hotel Clerk. INT. STATION EXT. HOTEL LOBBY WAITING - DAY ROOMHELEN - DAYRAMIREZ The clerk addresses I know a about CHAMBERMAID. it. On the Jack plays stairs, a mouth the organ Hotel as Clerk Benadjusts and Jimthe wait. clock Jimas strolls Will descends. down the track. It starts striking HOTEL WILL the KANE CLERK quarter-hour. Open I think Nineteen you ought and to clean getit out upof CU CLOCK Ben stands 11:15 and good. town. am [32:26][clock stretches. Mr. I might Miller's not be not very able actually particular. to-- shown in close up] Well, anything can happen. WILL KANE BEN Will paues atI'll Is the Helen seated go and Ramirez Amy. get HELEN some She in? RAMIREZ looks liquor. away. Will walks out. I am not afraid of him. Amy thinks for a bit, then HOTEL JIM walks CLERK over to the Hotel Clerk at his counter. Do Yes, you sir. have to WILL have KANE it? I know you're not. But you-- You Will walks toknow the staircase. how he is. AMY KANE BEN May I ask you something? Yeah. Helen looks pensive, and stares HOTEL CLERK at old (CONT'D) memories. (snide)JIM HOTEL CLERK Sure. Think(re youAmy) can HELEN findRAMIREZ it all right? I know If you're howgoing he is. after Maybe that he woman-doesn't Will pauses on know. the stairsAMY andKANE gives the Hotel Clerk a dirty look. Who is Miss Ramirez? BEN I said I wasWILL going KANE for liquor. Amy seated inHe's the lobby probably gives HOTEL gotWill letters. CLERK an anxious look. (knowing JIM smile) Will continues. Mrs You Ramirez? keep away HELEN She from used RAMIREZ Kane. to be a friend Probably. of your husband's a while INT. HELEN'S HOTEL back.(turning ROOM Before -BEN DAY that, to Will) she was a friend Sure. Nothing Iof inFrank can life wait. Miller's. is free. I'm There is a knock getting at the out. door. I'm packing. Ben mounts his horse and rides AMY KANE off into town. I see. ThankWILL HELEN you.KANE RAMIREZ INT. RAMIREZ SALOON Come (beat) That's in. good. DAY You don't like my husband, do you? Harvey Will A long enters walks look passes and in through drops between his the hat them. bat-wing on a chair doors. by He theis door. well known to the regulars and they greet HOTEL him CLERK in friendly fashion. Helen enters No. from a side room HELENand RAMIREZ stops, none too pleased to He seewalks him. to the U nanyu end of simpri. the bar [garbled.] and the Joe Bartender serves him a shot without being asked. AMY KANE Why? HELENKANE WILL RAMIREZ Some cowboys whisper Whatlo Si, are s. to you GILLIS [Yes, looking Ithe know.] at? saloon You owner think (Larry J. Blake) down the I have other changed? end of the bar. They've noticed the lack Another of a lingering star. Joe silence. (beat) walks over Kaneto turns Harvey, to go. who is pouring himself another Well, drink. what do you want? You want me to help you? WILLYou KANE want (CONT'D) me to ask Goodbye, FrankHelen. toGILLIS let you go? (MORE)

30. 31. 32. 33. HELEN CLERK HOTEL HARVEY RAMIREZ PELL (CONT'D) How are You Kane. Lots want of Ifyou? reasons. me to beg you're smart, One for thing, you?will you Well, this I would get place out was not too. always do it. busy I would when Frank not lift a was Miller finger around. GILLIS for you. I'm not the only one. Where's the There's tin WILLstar? KANE plenty people Will's tone is I neutral, around can't. hereconcerned. think he's got a comeuppance coming. HARVEY PELL You asked me, ma'am, I turned soit I'm in. WILL HELEN telling IKANE quit. RAMIREZ you. I know. came to tell you he was coming. Amy gives theIclerk should a dirty have GILLIS figured look and you returns would to the seat by Kanedoor. the leaves. Smart know about move.it. INT. STATION EXT. HOTEL LOBBY WAITING - DAY ROOMHARVEY HELEN - DAYRAMIREZ PELL I didn't know about ask you it. for your opinion. On the Jack plays stairs, a mouth the organ Hotel as Clerk Benadjusts and Jimthe wait. clock Jimas strolls Will descends. down harvey the grabs track. It the starts bottle striking and WILL athe glass KANE quarter-hour. and sits alone at a table by the window. I think you ought to get out of CU CLOCK Ben stands 11:15 and town. am [32:26][clock stretches. I might not be not able actually to-- shown in close up] RAMIREZ SALOON EXT. Well, anything - DAY can happen. BEN Willrides Ben pauesup aton I'll the his seated gohorse. and Amy. get HELEN TWO some She INDIANS RAMIREZ looks liquor. watch away.as Will he dismounts walks out. and ties the reins I am not to the afraid hitching of him. rail. Amy thinks for a bit, then JIM walks over to the Hotel Clerk at his walks Ben counter. up to Do the you saloon have to WILL door. have KANE it? I know you're not. But you-- You INT. RAMIREZ SALOON know how - DAY he is. AMY KANE BEN May I ask you something? Yeah. Helen Ben walks looks inpensive, through the and door. staresHe's at old obviously memories. a popular guy, and there are many friendly HOTEL JIM greetings. CLERK "Hey, Ben." "How are you?" "Hey, look Sure. who's (re Amy) here." HELENetc. RAMIREZ I know If you're howgoing he is. after Maybe that he woman-doesn't know. AMY BARTENDER JOE KANE Who are How is Miss you,Ramirez? BEN Ben? I said I wasWILL going KANE for liquor. He's probably HOTEL BEN got letters. CLERK All right. (knowing Gimme JIM smile) the bottle. Mrs You Ramirez? keep away HELEN She from used RAMIREZ Kane. to be a Ben slaps a coin friend Probably. on the of your counter husband's and grabs a while the bottle. Gillis walks up. back.(turning BeforeBEN that, to Will) she was a friend Sure. Nothing Iof inFrank can life wait. Miller's. is free. I'm getting out.GILLIS I'm packing. Ben mounts his It's horse been and a rides long AMY KANE time, off into Ben.town. I see. ThankWILL you.KANE INT. RAMIREZ SALOON That's (beat) good. DAYBEN You Yeah. don't Yes,like sir.my husband, do you? Harvey A long walks look passes in through between thethem. bat-wing doors. He is well known to the regulars and they greet HOTEL GILLIShim CLERK in friendly fashion. No. How's Frank?HELEN RAMIREZ He walks to the U nanyu end of simpri. the bar [garbled.] and the Joe Bartender serves him is Ben a shot knocking without back being the shots asked. AMY KANE like there's no tomorrow. Why? WILL KANE Some cowboys whisper Si, lo s. to GILLIS [Yes, BEN Ithe know.] saloon owner (Larry J. Blake) down the He's other not end complaining. of the bar. They've noticed the lack Another of a lingering star. Joe silence. walks over Kaneto turns Harvey, to go. who is pouring himself another drink. GILLIS Well, there'll WILL beKANE a hot (CONT'D) time in the Goodbye, old town Helen. GILLIS tonight, eh, Ben? Hello, Harve.

31. 32. 33. 34. HELEN CLERK HOTEL HARVEY BEN RAMIREZ PELL How are Kane. Lots of (smiles) Ifyou? reasons. you're smart, One thing, you will this get place I wouldn't out was too. always be surprised. busy when Frank Miller was around. GILLIS I'm not the INT. MARSHAL'S only Where's OFFICE one. the -There's DAY tin WILLstar? KANE plenty people I can't. around here think he's got a CU CLOCK: 11;18 comeuppance am [35:39] coming. HARVEY PELL You asked me, ma'am, I turned soit I'm in. HELEN telling I quit. RAMIREZ you. Will enters the I know. empty office. He walks over to the desk and Amy gives gets a bunch theof clerk tin stars a dirty GILLIS from look the and drawer. returns Heto walks the out seatagain. by Kanenotice the His door. leaves. still Smart flaps move. on the door. INT. STATION EXT. MARSHAL'S HOTEL LOBBY WAITING OFFICE - DAY ROOM - DAY HARVEY - DAY PELL I didn't ask you for your opinion. On the Jack Will plays stuffs stairs, athe mouth the tinorgan Hotel starsas Clerk inBen his adjusts and pocket Jimthe wait. as clock he Jimas walks strolls Will the down descends. down harvey street, the grabs atrack. It the look starts ofbottle determination striking and athe glass on quarter-hour. his andface. sits alone at a table by the window. CU CLOCK Ben Will stands walks 11:15 andto up amthe stretches. [32:26][clock Ramirez Saloon. not actually shown in close up] RAMIREZ SALOON - DAY EXT. Ben exits the saloon suddenly. BEN They both stop, surprised to Willeach Ben see rides paues other. up aton I'll the his seated gohorse. and Amy. get TWO some She INDIANS looks liquor. watch away.as Will he dismounts walks out. and ties the reins to the hitching rail. Amy thinks There is a close for a range bit, then stare-down, JIM walks over then toBen thesmiles Hotel to Clerk himself at his walks Ben and counter. up to on. Do the you saloon have todoor. have it? INT. looks Will RAMIREZ grim, SALOON and-walks DAYBEN AMY into KANE the saloon. May I ask you something? Yeah. Ben walks INT. RAMIREZ in SALOON through-the DAYdoor. He's obviously a popular guy, and there are many friendly HOTEL JIM greetings. CLERK "Hey, Ben." "How are you?"walks Will "Hey,in look Sure. through who's (re the Amy) here." door. etc. Gillis is pontificating at the bar, and doesn't If you're notice goingWill. after that woman-AMY BARTENDER JOE KANE Who are How is Miss you,Ramirez? BEN GILLIS Ben? I said I'll give I was yougoing odds.for Kane's liquor. dead five minutesBEN HOTEL afterCLERK Frank gets off All train. the right. (knowing Gimme JIM smile) the bottle. Mrs You Ramirez? keep awayShe from used Kane. to be a Ben slaps a coin friend on the of your counter DRINKER husband's and grabs a while the bottle. Gillis walks up. back. That'sBefore not much BEN that, time. she was a friend Sure. Iof can Frank wait. Miller's. GILLIS Ben mounts his It's That's horse been all and aFrank'll rides long AMY KANE time, off need, into Ben. because town. I I-see. Thank you. INT. RAMIREZ SALOON (beat) - DAYBEN They become aware You Yeah. don't of Yes, Will's like sir.presence. my husband, do you? Harvey walks in through the bat-wing doors. He is well known to the regulars and they greet HOTEL GILLIShim CLERK in friendly fashion. No. How's Frank? He walks to the end of the bar and the Joe Bartender serves him is Ben a shot knocking without back being the shots asked. AMY KANE like there's no tomorrow. Why? Some cowboys whisper to GILLIS BEN the saloon owner (Larry J. Blake) down the He's other not end complaining. of the bar. They've noticed the lack of a star. Joe walks over to Harvey, who is pouring himself another drink. GILLIS Well, there'll be a hot time in the old townGILLIS tonight, eh, Ben? Hello, Harve.

32. 33. 34. 35. HOTELKANE HARVEY BEN WILL CLERK PELL You're Lots How are of (smiles) right. reasons. One thing, this you? place I wouldn't was always be surprised. busy when Frank Will is stricken. Miller Hewas knows around. GILLIS it was I'm wrong not of thehim. He extends a INT. to hand MARSHAL'S help Gillis only Where's OFFICE one. up. the -There's DAY Gillis tin star? pushes plenty it people away. around here think he's got a CU CLOCK: 11;18 comeuppance am [35:39] coming. HARVEY PELL GILLIS You asked me, ma'am, I No. turned soit I'm in. telling I quit. you. Will enters the empty office. He walks over to the desk and Amy gets A couple gives a bunch of the drinkers of clerk tin stars ahelp dirty GILLIS from Gillis look the and over drawer. returns to a chair. Heto walks the Joe seatagain. out by the notice His Bartender door. brings still Smart flaps him move. a drink. on the door. EXT. MARSHAL'S Will addresses STATION WAITING OFFICE the sullen ROOM - DAY HARVEY - DAY PELL crowd. I didn't ask you for your opinion. Jack stuffs Will plays athe mouth tinorgan starsas WILL inBen his KANE and pocket Jim as wait. he walks Jim strolls down the down the harvey street, grabs atrack. look the I of guess bottle determination youand allaknow glass onwhy his and I'm face. sits here. alone at a table by the window. I need deputies. I'll take all I Ben stands Will walks up and can to stretches. the get.Ramirez Saloon. EXT. RAMIREZ SALOON - DAY Ben exits the saloon suddenly. Crickets. BEN They both stop, surprised to Ben each see ridesother. up on I'll his gohorse. and get TWO some INDIANS liquor. watch as he dismounts and ties the reins to theGILLIS hitching rail. There is a close You range must be stare-down, crazy, JIM coming thenin Ben here smiles to himself Ben walks on. and up to Do the you saloon raise have a posse. todoor. have Frank's it? got friends in this room. You ought INT. looks Will RAMIREZ grim, SALOON to know and-walks that. DAYBEN into the saloon. Yeah. Ben walks INT. RAMIREZ in SALOON through-the DAYdoor. WILL KANE He's obviously a popular guy, and there areSome manyof friendly you were JIMgreetings. special deputies "Hey, Ben." "How are you?"walks Will "Hey,in look when through who's we (rebroke the Amy) here." door. this etc. Gillis bunch. is I need pontificating at the bar, and doesn't If you're you again. notice going Now.Will. after that woman-JOE BARTENDER How are you,DRINKER BEN GILLIS Ben? I said I'll Things give I was were you different going odds.for Kane's then, liquor. dead Kane. fivehad You minutes six steady BEN after deputies Frank gets tooff All train. the start right. off with. Gimme JIM Every the bottle. one a top You keep gun. You ain't away from got but Kane. two now. Ben slaps a coin on the counter DRINKERand grabs the bottle. Gillis walks up. That's not much BEN time. DRINKER TWO Sure. You ain't I can got wait. two. Harve Pell here says heGILLIS just quit. Why? Ben mounts his It's That's horse been all and aFrank'll rides long time, off need, into Ben. because town. Will and Drinker I-- Two look over to Harvey at his table. INT. RAMIREZ SALOON - DAYBEN They become aware Yeah.of Yes, Will's sir. WILL presence. KANE Harvey walks in That's through between the bat-wing the two of doors. us. He is well known to the Will grabs regulars Gillis and bythey the shirt greet GILLISand him punches in friendly him.fashion. One punch and he's down. How's Frank?GILLIS He walks to the You're end of asking the bar an awful and the lot, Joe Kane, Bartender serves him is Ben Dead asilence shot knocking without in considering back the being bar theas asked. shots the Gillis kind like sits ofthere's man upFrank onno the tomorrow. floor, feeling his chin. Some cowboys whisper to GILLIS BEN the saloon owner (Larry J. Blake) down the He's other not end complaining. GILLIS of the bar. They've noticed the lack of a star. YouJoe carry walks a badge over to andHarvey, a gun, who is pouring himself another Marshal. drink.YouGILLIS ain't no call to do Well, there'll be a hot time in that. the old townGILLIS tonight, eh, Ben? Hello, Harve.

33. 34. 35. 36. The drinkers look at eachWILL HARVEY BEN other. KANE PELL No takers. Only EYEPATCH JIMMY (William How You're Newell) are (smiles) right. you? looks interested. I wouldn't be surprised. Will turns Kane is stricken. and walks He out knows as GILLIS it the was drinkers wrong of laugh him.at Hehis extends failure. a INT. to hand MARSHAL'S help Gillis Where's OFFICE up. the - Gillis DAY tin star? pushes it away. EXT. RAMIREZ SALOON - DAY CU CLOCK: 11;18 am [35:39] HARVEY PELL GILLIS Will walks out I of No. turned the saloon it in. into I quit. the middle of the street. Will He pauses enters and the thinks. empty Where office. can Hehe walks findover deputies? to the[38:42] desk and gets A couple a bunch of drinkers of tin stars helpGILLIS from the Gillis over drawer. to a chair. He walks Joe out again. Hissets Bartender He notice off brings still for Smart Sam flaps him move. Fuller's a drink. on thehouse. door. Will SAM EXT. MARSHAL'S addresses FULLER'S OFFICE the HOUSE sullen - DAY HARVEY crowd.PELL DAY I didn't ask you for your opinion. Will approaches stuffs the on tinfoot. starsWILL in his KANE pocket as he walks down the harvey grabs street, a look the I of guess bottle determination youand allaknow glass onwhy his and I'm face. sits here. alone at a table by the INT. SAM window. FULLER'S I need HOUSE deputies. - DAY I'll take all I Will walks upcan to the get.Ramirez Saloon. EXT.Fuller Sam RAMIREZ spots SALOON Will - through DAY the window. Anxiously, he Ben exits Crickets. rushes to his the wife saloon MILDRED suddenly. FULLER They (Eve both McVeagh) stop, surprised to give her to Ben each see instructions. ridesother. up on his horse. TWO INDIANS watch as he dismounts and ties the reins to theGILLIS hitching rail. There is a close You range must be stare-down, crazy, SAM FULLER coming thenin Ben here smiles to himself Ben walks on. and up to Mildred, the raise saloon a posse. he's door. coming. Frank's Now you got do friends like I told in this you.room. I'm not Youhome. ought INT. looks Will RAMIREZ grim, SALOON to know Don't and let -walks that. DAY him into in. No the matter saloon. what he says, I'm not home. Ben walks INT. RAMIREZ in SALOON through-the DAYdoor. WILL KANE He's obviously a popular guy, and there areSome manyof friendly you were MILDRED greetings. special FULLER deputies "Hey, Ben." "How are you?"walks Will "Hey,in look when Sam, through who's we broke he's the here." your door. this friend. etc. Gillis bunch. is I need pontificating at the bar, and doesn't you again. notice Now.Will. JOE FULLER SAM BARTENDER How are Don't argue you,with GILLIS DRINKER Ben?me. He'll be I'll in Things here give were a second. you different odds. Kane's then,dead Kane. fivehad You minutes six steady BEN after deputies Frank gets tooff All train. the start right. off with. Gimme MILDRED Every theFULLER bottle. one a top gun. He won't You believe ain't got me. but He'll two know now. Ben slaps a coin I'm on lying. the counter DRINKERand grabs the bottle. Gillis walks up. That's not much DRINKER time. TWO You ain't got SAM two. FULLER Harve Pell here says (fierce) heGILLIS just quit. Why? It'sdo That's You been allaFrank'll like long I tell time, you. need, Ben. because Will and Drinker I-- Two look over to Harvey at his table. There is a knock at the door. BEN Sam disappears into a back room. They become aware Yeah.of Yes, Will's sir. WILL presence. KANE That's between the two of us. Will grabs Gillis by the shirt GILLISand punches him. One punch and he's down. How's Frank?GILLIS You're asking an awful lot, Kane, Ben is Dead silence knocking in considering backbar the theas shots the Gillis kind like sits ofthere's man upFrank onno the tomorrow. floor, feeling his chin. Miller is. BEN He's not complaining. GILLIS WILL KANE You right. All carry aWe badge all know and awhat gun, Marshal. like. Miller's YouGILLIS ain't That's no why callI'm to do Well, How that. here. there'll aboutbe it. a hot time in the old town tonight, eh, Ben?

34. 35. 36. 37. The drinkers look at eachWILL BEN other. KANE No takers. Only EYEPATCH JIMMY (William You're Do Newell) you (smiles) right. know looks where interested. he is, Mrs I wouldn't Fuller? It's beimportant surprised. to me that Will turns Kane is stricken. and I walks find Hehim. knows out asit the was drinkers wrong of laugh him.at Hehis extends failure. a INT. to hand MARSHAL'S help Gillis OFFICE up. - Gillis DAY pushes it away. EXT. RAMIREZ SALOON - DAYMILDRED FULLER CU CLOCK: 11;18 I think-am [35:39] He's GILLIS in church, Will. Will walks out No. He's of the gonesaloon to church. into the middle of the street. Will He pauses enters and the thinks. empty Where office. can Hehe walks findover deputies? to the[38:42] desk and gets A couple a bunch of drinkers of tin stars helpWILL fromKANE Gillis the over drawer. to a chair. He walks Joe out again. Hissets Bartender He notice off brings still for Sam flaps him (smelling Fuller's a drink. on the ahouse. door. rat) Without you? Will SAM EXT. MARSHAL'S addresses FULLER'S OFFICE the HOUSE sullen - DAY crowd. DAY MILDRED FULLER Will approaches stuffs the I'mon tin going foot. stars toWILL in go his in KANE apocket littleas while. he walks down the street, a look As I of guess soon determination as youIall dress. know onwhy hisI'm face. here. INT. SAM FULLER'S I need HOUSE deputies. - DAY I'll take all I There Will walks is a long upcan toglance the get.Ramirez between Saloon. Will and Mildred. She drops her Sam eyes. Fuller spots Will through the window. Anxiously, he Ben exits Crickets. rushes to his the wife saloon MILDRED suddenly. FULLER They (Eve both McVeagh) stop, surprised to give her to see each other. instructions. WILL KANE (cold) GILLIS There is a close Thank You range must you, be stare-down, Mrs crazy, SAMFuller. FULLER coming then Goodbye. in Ben here smiles to himself and walks on.Mildred, to raise he's a posse. coming. Frank's Now you got do Will leaves. Mildred friends like I told closes in this you. the room. I'm door, not Youunhappy home. ought at what transpired. Will looks grim, to know Don't and let walks that. him into in. No the matter saloon. what he says, I'm not home. EXT. INT. SAM RAMIREZ FULLER'S SALOON HOUSE - DAY -WILL DAY KANE Some of you were MILDRED special FULLER deputies Will walks down inSam, when through the wegarden he's broke the your door. path this friend. to Gillis bunch. the neat is I need pontificating picket fence. atHe exits the bar, theand gate doesn't you and again. turns notice Now. right Will. and continues walking. SAM FULLER INT. SAM FULLER'S Don'tHOUSE argue-with GILLIS DRINKER DAY me. He'll be I'll in Things here give were a second. you different odds. Kane's then,dead Kane. Sam comes outYou five thehad back minutes six room. steady after There Frank deputies is a gets long tooff glance between him and Mildred. the He start train. off realizes with. MILDRED she Every did FULLER one not a relish top what she did. gun. He won't You believe ain't got me. but He'll two know now. I'm lying. SAM DRINKER FULLER That's (fierce) not much DRINKER time. TWO Well, You ain't whatgot do SAM you two. FULLER want? HarveDo Pell you want here me says (fierce) tohe get GILLIS just killed? quit.Do Why? you want That's You do tolike all be a Frank'll Iwidow? tell you. Is need, that because what Will and Drinker you I-- Two want? look over to Harvey at his table. There is a knock at the door. Sam disappears into a back room. They become aware of Will's MILDRED WILL presence. KANE FULLER Mildred opensThat's the door. between It'sthe Will. two of us. Will grabs Gillis by the shirt and punches him. One punch and he's down. GILLIS WILL KANE You're Mrs Hello, asking Fuller. an awful Is Sam lot, in? Kane, Dead silence in considering the bar as the Gillis kind sits of man upFrank on the floor, feeling his chin. Miller is. MILDRED FULLER No. No, he isn't. GILLIS WILL KANE Sam is taken aback You right. All carry by the aWe badge news. all know and awhat gun, Marshal. like. Miller's You ain't That's no why callI'm to do that. How about it. here.

35. 36. 37. 38. The drinkers look at eachEYEPATCH WILL other. KANE No JIMMY takers. Only EYEPATCH JIMMY (William You're Do Nothin'. Newell) you know right. I-looks where I been interested. helooking is, Mrsfor Fuller? you. I want It'saimportant gun. I want to to me be that Will turns Kane is stricken. and I walks with find He you him. knows out when asit that the was drinkers train wrong comes of laugh him. in.at Hehis extends failure. a hand to help Gillis up. Gillis pushes it away. EXT. looks Will RAMIREZ atSALOON his eyepatch, - DAYMILDRED his bloated FULLER boozer's face, his swaying as heIstands. think--This He's GILLIS man in is church, a useless Will.drunk, but Will Will him lets walks down out No. He's kindly. of the gonesaloon to church. into the middle of the street. He pauses and thinks. Where can he find deputies? [38:42] A couple of drinkers helpWILL Gillis KANE over to a chair. Joe Bartender He sets off brings for CanSam him you (smelling Fuller's a handle drink. ahouse. gun? rat) Without you? Will SAM EXT. addresses FULLER'S theHOUSE sullen -EYEPATCH crowd. JIMMY DAY Sure I can. I-MILDRED I used FULLER to be good. Will approaches I'm Honest. on going foot. toWILL go in KANE a little while. As I guess soon as youIall dress. know why I'm here. INT. SAM FULLER'S I need HOUSE deputies. -WILL DAY I'll KANE take all I There is a long canglance But get. between Will and Mildred. She drops why-her Sam eyes. Fuller spots Will through the window. Anxiously, he Crickets. rushes to his wife MILDRED EYEPATCH FULLER (Eve JIMMYMcVeagh) to give her instructions.It ain't just WILL getting KANE even. It's a chance. (cold) ItGILLIS is what I need. Thank You must Please, you, Kane, beMrs crazy, SAM let Fuller. FULLER me coming get Goodbye. in inon here this. to raise he's Mildred, a posse. coming. Frank's Now you got do Will leaves. Mildred friends like I told closes in this you. WILL the room. I'm KANE door, not Youunhappy home. ought at what transpired. All to know Don't right, let that. him Jimmy. in. I-No matter I'll call what he says, you if I need I'm not you. home. EXT. SAM FULLER'S HOUSE (pressing -WILL DAY a coin KANE in Some of Jimmy's you were MILDRED hand) special FULLER deputies Will walks down when Sam, Get the yourself wegarden he's broke your apath this friend. drink, to bunch. the meanwhile, neat I need picket fence. He exits the gate you huh. and again. turnsNow. right and continues walking. SAM FULLER INT. SAM HOTEL FULLER'S LOBBY Don't -HOUSE DAY argue-with DRINKER DAY me. He'll be Things here inwere a second. different then, Kane. Sam Harvey comes strides outYou the inhad back past six room. the steady seated There deputies Amy is a and long to theglance Hotel between Clerk. him He walks and Mildred. up the start stairs. Heoff realizes with. They MILDRED she watch Every did FULLER as one not he a relish goes. top what she did. gun. He won't You believe ain't got me. but He'll two know now. INT. HELEN'S HOTEL I'm lying. ROOM -SAM DAYFULLER (fierce) DRINKER TWO Well, You ain't whatgot do SAM you two. FULLER want? HarveDo Pell you want here me says (fierce) tohe get just killed? quit.Do Why? you want You do tolike be aIwidow? tell you. Is that what Will and Drinker you Two want? look over to Harvey at his table. There is a knock at the door. Sam disappears into a back room. MILDRED WILL KANE FULLER Mildred opensNo, That's theSam. door. between No. It'sthe Will. two of us. EXT. SIDE STREET - DAY GILLIS WILL KANE You're Mrs Hello, asking Fuller. an awful Is Sam lot, in? Kane, AS Will walksconsidering along, Eyepatch the kind Jimmy ofapproaches. man Frank They stop and talk. Eyepatch MillerJimmy is. pleads MILDREDwith FULLER Will. No. No, he isn't. EYEPATCH WILL KANEJIMMY Sam is taken aback Kane. All right. by the Wenews. all know what Miller's like. That's why I'm here. How about WILLit. KANE What's the matter, Jimmy?

36. 37. 38. 39. The drinkers look at eachHARVEY WILL EYEPATCH other. KANE PELL No JIMMY takers. Only EYEPATCH JIMMY (William DoNewell) Nothin'. That you doesn't know I-looks where I been make interested. helooking much is, sense. Mrsfor You Fuller? you. afraid, I want It'saAfraid huh? important gun. Iof want to to Miller. me be that Kane turns and I walks with find you him. out when asthat the drinkers train comes laugh in.at his failure. HELEN RAMIREZ EXT. looks Will RAMIREZ atSALOON No. his eyepatch, - DAYMILDRED his bloated FULLER boozer's face, his swaying as heIstands. think--This He'sman in is church, a useless Will.drunk, but Will Will him lets walks down out He's kindly. of the gonesaloon toHARVEY church. into PELL the middle of the street. He pauses andSure thinks. you Where are. You canwouldn't he find deputies? be [38:42] running-- You've WILL got KANEnothing to He sets off for CanSam worry you (smelling about Fuller's handle as long ahouse. gun? rat) as I'm around. Without You knowyou? that. I'm not a-scared EXT. SAM FULLER'S of Miller. HOUSE I'll EYEPATCH DAYtake him JIMMY on anytime. Sure I can. I-MILDRED I used FULLER to be good. Will approaches I'm Honest. on going foot. toHELEN go inRAMIREZ a little while. As soon (not asimpressed) I dress. INT. SAM FULLER'S I believe HOUSEyou. -WILL DAY KANE There is a long Butglance why-- between Will and Mildred. She drops her Sam eyes. Fuller spots Will through HARVEY the PELL window. Anxiously, he rushes to hisThen wifewhy MILDRED areEYEPATCH you FULLER going? (Eve JIMMY You're McVeagh) to give her instructions.cutting It ain'tout just with WILL getting Kane. KANE even. It's a chance. (cold) It is what I need. Now Helen is mad. Thank Please, She you, Kane, slams Mrs SAM let down Fuller. FULLER methe get Goodbye. lid in of on the this. suitcase and turns to Harvey. Mildred, he's coming. Now you do Will leaves. Mildred like I told closes you. WILL the I'm KANE door, not unhappy home. at what transpired. All Don't right, let him Jimmy. HELEN in. I-No RAMIREZ matter I'll call what Oh, he says, you Harvey... if I need I'm not you. home. EXT. SAM FULLER'S HOUSE (pressing - DAY a coin in Jimmy'sHARVEY MILDRED hand) PELL FULLER Will walks down Then Sam, Get the yourself why he's garden are your you apath friend. drink, going to the meanwhile, away? neat picket fence. He exits the gate huh. and turns right and continues walking. HELEN SAM FULLER RAMIREZ INT. SAM HOTEL FULLER'S LOBBY What Don't -HOUSE difference DAY argue-with DAYdoes me. it He'll make? be here in a second. Sam Harvey comes strides out the in back past room. the HARVEY seated There PELL Amy is a and long theglance Hotel between Clerk. him He walks and Mildred. up the It's stairs. He Kane! realizes They It's MILDRED she watch Kane! did FULLER as I not know he relish goes. it's what she did. Kane. He won't believe me. He'll know INT. HELEN'S HOTEL I'm lying. ROOM -SAM DAYFULLER (fierce) HELEN RAMIREZ Helen is packing Well, It isn't her what clothes Kane. do SAM you But into FULLER want? I'm a suitcase. going Do you to There is a knock at the door. want you tell me (fierce) to something get killed? about Doyou youand want your You do tolike friend be aKane. Iwidow? tellYou're you. Is that a goodwhat you want? looking boy.HELEN You have RAMIREZ big, broad There is a knock Comeat in, the Sam. door. Sam disappears into a back room. MILDRED FULLER Mildredwalks Harvey opensin. No, theSam. door. No. It's Will. EXT. SIDE STREET - DAY WILL KANE HELEN RAMIREZ Hello, leaving You're Mrs Fuller. town. IsWhere Sam in? you AS Will walksgoing? along, Eyepatch Jimmy approaches. They stop and talk. Eyepatch Jimmy pleads MILDREDwith FULLER Will. Helen turns her No.back No, on he him isn't. and continues packing. EYEPATCH JIMMY Sam is taken aback Kane. by theHELEN news.RAMIREZ I don't know yet. WILL KANE What's the matter, Jimmy?

37. 38. 39. 40. Harvey kisses her, hard. She WILLdoesn't EYEPATCH HARVEY KANE PELL JIMMY kiss back. She confronts him. That Do Nothin'. you doesn't know I--where I been make helooking much is, sense. Mrsfor You Fuller? you. afraid, I want It'saAfraid huh? important gun. Iof want to to Miller. me be that I find with you him. when HELEN thatRAMIREZ train comes in. Do you want to HELEN know RAMIREZ why I'm Will looks atleaving? No. his eyepatch, Then MILDRED listen. his bloated FULLER Kane boozer's will face, his swaying as hebe Istands. think-a deadThis He'sman man in inhalf is church, aan useless hour. Will.drunk, but Will lets him downAnd He's kindly. nobody's gone toHARVEY church. going to PELL do anything Sure you about it.are. And when You wouldn't he dies,be this running-town dies too. You've WILL I can got KANEfeel nothing it.to I Canall worry am you (smelling about alone handle as inlong athe gun? rat) as I'm I world. around. have Without Youmake to knowyou? athat. living. I'mSo not I'm a-scared going of Miller.else. someplace I'll EYEPATCH take him That's JIMMY all. on anytime. Sure I can. I-MILDRED I used FULLER to be good. Helen turns to I'm Honest. complete going to packing. HELEN go inRAMIREZ aHarvey littlegrabs while. her. As soon (not asimpressed) I dress. I believe you. WILL KANE HELEN RAMIREZ There is a long Butglance And why-as forbetween you, I Will don'tand like Mildred. She drops her eyes. anybody to put HARVEY his hands PELL on me Then unless why I are want EYEPATCH you himgoing? to.JIMMY And You're I don't cutting It ain't like youout just to, with WILL any getting Kane. more. KANE even. It's a chance. (cold) It is what I need. Now Harvey Helen tries is mad. to Thank Please, kiss She you, her. Kane, slams Mrs She let down Fuller. slaps methe get Goodbye. his lid inface. of on the this. suitcase and turns to Harvey. Will EXT. leaves. CHURCH -Mildred DAY closes WILL the KANE door, unhappy at what transpired. All right, Jimmy. HELEN I-RAMIREZ I'll call Will walks upOh, you to the Harvey... if Ichurch, need you. where the service is still in EXT. progress. SAM FULLER'S HOUSE (pressing - DAY a coin in Jimmy'sHARVEY hand) PELL Will INT. walks CHURCHdown -Then Get DAY the yourself why garden are you apath drink, going to the meanwhile, away? neat picket fence. He exits the gate huh. and turns right and continues walking. The scene as before. A raised HELENdais RAMIREZ with the minister Dr Mahin INT. at the SAM HOTEL lectern, FULLER'S LOBBY What the -HOUSE difference DAY choir - DAY standing does it behind make?him, the parishioners seated in front of him. Sam Harvey comes strides out the in back past room. the HARVEY seated There PELL Amy is a and long theglance Hotel between Clerk. him He walks and Mildred. up the It's stairs. He Kane! realizes They It's DR MAHIN she watch Kane! did as I not know he relish goes. it's what she did. Kane. Our text today is from Malachi. INT. HELEN'S HOTEL Chapter ROOM Four. -SAM DAY "For, FULLER behold, the day cometh, (fierce) that HELENshall RAMIREZ burn as an Helen is packing Well, It isn't her what clothes Kane. do you But into want? I'm a suitcase. going Do you to There is a knock at the door. want you tell me to something get killed? about Doyou youand want friend your to be aKane. widow? You're Is that a goodwhat you want? looking boy.HELEN You have RAMIREZ big, broad shoulders. Come in, Sam. But he is a man. It take more than MILDRED the big FULLER broad Harvey walks in. No, Sam. No. shoulders to make a man, Harvey. And you have a long way to go. EXT. SIDE STREET You know DAYsomething? HELEN RAMIREZ I don't think you You're will leaving ever make town. it. Where you AS Will walksgoing? along, Eyepatch Jimmy approaches. They stop and talk. Harvey doesn't Eyepatch likeJimmy this.pleads He grabs with Helen Will. and gets in her face. Helen turns her back on him and continues packing. EYEPATCH HARVEY PELL JIMMY Kane. Let me tell you HELEN something. RAMIREZ You're not I don't going know anywhere. yet. You stay here with me. It's WILL going KANE to be just What's like itthe wasmatter, before.Jimmy?

38. 39. 40. 41. Harvey kisses her, hard. She EYEPATCH HARVEY DR MAHIN doesn't PELL JIMMY kiss back. She confronts him. That doesn't Nothin'. (unfriendly) I-- make I been much looking sense. for You you. afraid, You already I want huh?have. aAfraid gun.You Iof want don't Miller. tocome be with to this youchurch when HELEN that very RAMIREZ train often, comes Marshal. in. Do Andyou when want youto HELEN got know married RAMIREZ why I'm today, Will looks atleaving? No. you hisdidn't eyepatch, Then seelisten. his fit bloated to be Kane married boozer's will face, his swaying as hebe here. stands. a dead What This man could man in be half isso aan useless important hour. drunk, but Will lets him downAnd to kindly. bring nobody's youHARVEY goingnow? here to PELL do anything Sure you about it.are. And when You wouldn't he dies,be this running-town dies too. You've WILL I can got KANEfeel nothing it.to I Can worry am I need all you about alone help. handle as inlong athe gun? as I'm I world. around. have Youmake to knowathat. living. I'mSo not I'm a-scared going The congregation of Miller. someplace mutters. else. I'll EYEPATCH Will take That's stalks him JIMMY all. up on the anytime. aisle and stands before Dr Mahin. Sure I can. I-- I used to be good. Helen turns to Honest. complete packing. HELEN RAMIREZ Harvey grabs her. (not impressed) WILL KANE (CONT'D) I It's believe true you. I haven't WILL KANE HELEN RAMIREZ been a churchBut And going why-as man, for you, and maybe I don't that's likea bad anybody thing. And to put IHARVEY didn't his hands PELL get married on me Then unless here why today I are want because-EYEPATCH you himgoing? to.because JIMMY And You're I don't my cutting It like wife's ain't you aout just to, Quaker. with any getting Kane. more. But Ieven. came It's here a for chance. help because-It is what because I need. there Now Harvey Helen tries is mad. to Please, arekiss people Sheher. Kane, slams here. She let down slaps methe get his lid inface. of on the this. suitcase and turns to Harvey. EXT. CHURCH - DAY WILL DR MAHIN KANE All I'm right, sorry, Jimmy. Marshal. HELEN I-RAMIREZ Say I'll what call you Will walks upOh, you have to the Harvey... if toIchurch, say. need you. where the service is still in progress. (pressing a coin in Will turns and addresses Jimmy'sthe HARVEY hand) congregation. PELL INT. CHURCH -Then Get DAYyourself why are you a drink, goingmeanwhile, away? huh. WILL KANE The scene as before. Maybe some A raised of HELEN youdais RAMIREZ already withknow the minister it, Dr Mahin INT. at the HOTEL lectern, LOBBY What butthe if difference DAY choir you don't, standing does it it looks behind make? like him, the parishioners seated Frank Miller's in frontcoming of him. back on the Harvey strides noon in past train. the HARVEY seated PELL Amy and the Hotel Clerk. He walks up the It's stairs. Kane! They It's DR MAHIN watch Kane! as I know he goes. it's ConsternationKane. Our in the textcongregation. today is from"Frank Malachi. Miller" in many INT. HELEN'S HOTEL Chapter ROOM Four. - DAY "For, behold, the day cometh, that HELENshall RAMIREZ burn as an Helen is packing It oven; isn't her and clothes Kane. all the But into proud, I'm a suitcase. going yea,to andThere is a knock at the door. tell all that you something do wickedly, about shall yoube and your as--"friend Kane. You're a goodlooking boy.HELEN You have RAMIREZ big, broad He halts as the shoulders. Come doors in, burst Sam. But open he isand a man. WillIt stands there. Will removes his hat. take more than the big broad Harvey walks in. shoulders to make a man, Harvey. The parishioners And turn you have in their a long seats way to look go. behind at Will. You know something? HELEN RAMIREZ I don't think you You're will leaving ever DRmake town. MAHIN it. Where you going? Yes? Harvey doesn't like this. He grabs Helen and gets in her face. Helen turns her back on him WILL and KANE continues packing. I'm sorry, Parson. HARVEY I PELL don't want Let to disturb me tellthe you HELEN services. something. RAMIREZ You're not I don't going know anywhere. yet. You stay here with me. It's going to be just like it was before.

39. 40. 41. 42. Harvey kisses her, hard. She HARVEY DR OLDER MAHIN doesn't MAN PELL kiss back. She confronts him. Hold on That doesn't (unfriendly) a minute. make Hold much it. sense. Before You afraid, we Yougo already rushing huh?have. Afraid out into You ofdon't Miller. something come that to this ain't church going HELEN very to RAMIREZ often, be so pleasant, Marshal. Do let's Andyou when be want youto sure HELEN got we know married know RAMIREZ why what I'm today, this No. leaving? is youall didn't about. Then seelisten. fit to be Kane married will be here. a dead Whatman could in be half soan important hour. Hubbub in theAnd to congregation. bring nobody's youHARVEY goingnow? here to PELL do anything Sure you about it.are. And when You wouldn't he dies,be this running-town dies too. You've OLDER WILL I can got KANE MANfeel nothing it.to I worry am I need all (fierce) about alone help.as inlong the world. as I'm I around. have Youmake to What know I want athat. living. to know I'mSo not is I'm a-scared this. going Ain't The congregation of true someplace it Miller. mutters. that else. I'll Will Kane take That's stalks ain't him all. no up onlonger the anytime. aisle and stands before Dr Mahin. marshal? And ain't it true there's Helen turns to personal complete trouble packing. HELENbetween RAMIREZ Harvey him grabs and her. Miller? (not impressed) WILL KANE (CONT'D) I It's believe true you. I haven't HELEN RAMIREZ been a churchMore hubbub. The And going men asman, for whoyou, and volunteered maybe I don't that's surround likea badthe Older man. anybody thing. And to put IHARVEY didn't his hands PELL get married on me Mayor Henderson Then unless here rises why today I from are want because-you his himgoing? front to.because And bench. You're I don't my cutting like wife's you aout to, Quaker. with any Kane. more. But I came here for help because-MAYOR HENDERSON because there Now Harvey Helen tries is mad. to All arekiss right. people Sheher. slams Quiet, here. She down slaps everybody! thehis lidface. of Ifthe suitcase and turns to Harvey. there's a difference of opinion, EXT. CHURCH -let DAYeverybody DRhave MAHIN a say. But let's I'm sorry, do itMarshal. like HELENgrown-up RAMIREZ Say what people. you Will walks upOh, And have to the Harvey... let's to church, say. get all where the the kidsservice out of is still in progress. the building. Will turns and addresses the HARVEY congregation. PELL INT.children The CHURCH -leave, Then DAY why happy are to yoube going let off away? church. WILL KANE The scene EXT. STATION as WAITING before. Maybe some A raised ROOM of HELEN -you DAY dais RAMIREZ already withknow the minister it, Dr Mahin at the lectern, What butthe if difference choir you don't, standing does it it looks behind make? like him, the parishioners The tracks stretch seated Frank empty Miller's in front to the coming of distance. him. back onThe thethree gunmen wait. noon train. HARVEY PELL It's Kane! It's DR MAHIN Kane! I know it's Jack Consternation plays the Kane. Our in mouth the textorgan. congregation. today Ben is from drinks. "Frank Malachi. Jim Miller" gets up. in many voices. Chapter Four. "For, behold, the EXT. TICKET OFFICE day cometh, - DAY that HELENshall RAMIREZ burn as an It oven; isn't andKane. all WILL the But KANE proud, I'm going yea,to and tell all that you (raising something do wickedly, his voice) about shall yoube and your as--" I need friend all the Kane. special You're deputies a good-I looking can get.boy. You have big, broad He halts as the shoulders. doors burst But open he isand a man. WillIt stands there. Will removes The congregation his hat. takelook moreat than each the other. big broad Not keen. One YOUNG MAN rises. shoulders to make a man, Harvey. The parishioners And turn you have in their a long seats way to look go. behind at Will. You know something? YOUNG MAN I don't think you Well, will what ever are DRmake we MAHIN waiting it. for? Yes? Let's go. Harvey doesn't like this. He grabs Helen and gets in her face. He strides forward. A fewWILL moreKANE more follow. I'm sorry, Parson. HARVEY I PELL don't want A gruff OLDERLet to MAN disturb me rises. tellthe youservices. something. You're not going anywhere. You stay here with me. It's going to be just like it was before.

40. 41. 42. 43. Harvey kisses her, hard. She DR MAHIN OLDER YOUNG doesn't MAN kiss back. She confronts him. I sayon Hold (unfriendly) itadon't minute. really Holdmatter it. Before if we there's Yougo already rushing anything have. outpersonal You don't into something between come that Miller to this ain't and church going the HELEN very Marshal to RAMIREZ often, be so pleasant, here. Marshal. We Do let's all Andyou know when be want youto sure who got Miller we know married know why is, what I'm and today, this what leaving? is Miller youall didn't about. is. Then seelisten. What's fitmore, to be Kane we're married will be wasting here. a dead What time. man could in be half soan important hour. Hubbub in theAnd to congregation. bring nobody's you here goingnow? to do anything General hubbub. about Mayor it.Henderson And when points he dies, tothis COY (Harry Harvey), a prosperous man townwearing dies too. a OLDER WILL bowtie I can KANE MANfeel it. I am I need all (fierce) alone help. in the world. I have to make What I want a living. to MAYOR know So HENDERSON is I'm this. going Ain't The congregation someplace it Coy. true mutters. that else. Will Kane That's stalks ain'tall. no uplonger the aisle and stands before Dr Mahin. marshal? And ain't it true there's Helen turns to personal complete trouble packing. COY between Harvey him grabs and her. Miller? Yes. We all know WILL who KANEMiller (CONT'D) is. But It'swe true putIhim haven't HELEN away, RAMIREZ been once. a And churchMore hubbub. The And who going men asman, saved for who him you, and volunteered from maybe I don't hanging? that's surround likeThe a badthe Older man. anybody politicians thing. And to put Iup didn't his hands north! get I say married on this me Mayor Henderson unless is here rises their today I from want mess. because-his him Letfront to. them because And bench. take I don't my care like of wife's it. you a to, Quaker. any more. But I came here for help because-MAYOR HENDERSON because there Harvey Mayor Henderson tries to All arekiss points right. people her. to Quiet, here. She slaps SAWYER everybody! (Tim his Graham) face. If (?), a middleaged man in high there's collar a difference and necktie. of opinion, EXT. CHURCH -let DAYeverybody DRhave MAHIN a say. But let's I'm sorry, do itMarshal. like SAWYER grown-up Say what people. you Will walks upAnd have Well, to the let's to I church, say. say get this. all where the We've the kids been service out of is still in progress. the paying building. good money right along for Will turns and a addresses marshal and the deputies. congregation. Now the INT.children The CHURCH -leave, first DAY time happy there's to be let any off trouble, church. we're supposed WILL toKANE take care of it The scene EXT. STATION as WAITING before. Maybe some ourselves. A raised ROOM of-you Well, DAY dais what already with haveknow the we minister it, Dr Mahin at the lectern, butthe been if paying choir you don't, for standing all itthis looks behind time? like him, I the parishioners The tracks stretch seated Frank say we're empty Miller's in front not topeace the coming of distance. him. officers. back onThe thethree gunmen wait. noon ain't This train.our job. DR MAHIN Jack Consternation More plays hubbub. the Mayor Our in mouth the text Henderson organ. congregation. today Ben is recognizes from drinks. "Frank Malachi. Jim a PORTLY Miller" gets up. GENTLEMAN. in many voices. Chapter Four. "For, behold, the EXT. TICKET OFFICE day cometh, - DAY that PORTLY shall GENTLEMAN burn as an oven; and all WILL theKANE proud, yea, and Jim walks over all tothat the (raising ticket do wickedly, his office voice) shall and bangs be on the window. as--" I need all the special deputies I can get. JIM He halts as the Anything doors burst on theopen train? and Will stands there. Will removes The congregation his hat. look at each other. Not keen. One YOUNG MAN rises. STATION MASTER The parishioners Uh, turn it-- in It's their on time seats asto far look as behind I at Will. know, sir. YOUNG MAN Well, what are DR we MAHIN waiting for? Jim returns to Yes? Let's his gang. go. INT. He strides CHURCHforward. - DAY A fewWILL moreKANE more follow. I'm sorry, Parson. I don't want The A gruff discussion OLDERto MAN continues. disturb rises.the The services. Young Man stands in his pew and states his case.

41. 42. 43. 44. DR MAHIN OLDER YOUNG EZRA MAN Hold I sayon can't (unfriendly) itbelieve adon't minute. really I've Hold heard matter it. some Before if we there's of Youthe go already rushing things anything have. outpersonal that You into have don't something been between come said that Miller here. to this ain't You and church all going the ought very Marshal to to often, be so ashamed here. be pleasant, Marshal. We let's all of Andyourselves. know when be who you Miller sure got we Sure, married know is, we what and paid today, this what this is Miller man, youall didn't and about. is. heWhat's see wasfit the more, to best bewe're married marshal wasting this here.town What time. ever could had. be It so ain't important his Hubbub in thetrouble, to congregation. bring it's you here ours. now? I tell ya, if General hubbub. we Mayor don't Henderson do what's points right, to we're COY (Harry Harvey), a prosperous man going wearing to have a OLDER WILL bowtie plenty KANE MANmore trouble. So I need there (fierce) help. ain't but one thing to What do now, I want and you to MAYOR know all HENDERSON is this. know whatAin't The congregation it true Coy. that mutters. is.that Will Kane stalks ain't no uplonger the aisle and stands before Dr Mahin. marshal? And ain't it true there's personal trouble COY between MAYOR HENDERSON him and Miller? Yes. Go ahead, We all Kibbee. know WILL who KANEMiller (CONT'D) is. But It'swe true putIhim haven't away,been once. a And churchMore hubbub. KIBBEE (Dick Elliott), The who going men saved man, who a him and volunteered thick-set from maybe hanging? that's man surround with The a bad receding the Older hairline, man. stands. politicians thing. And Iup didn't north! get I say married this Mayor Henderson is here rises their today from mess. because-his Letfront them because bench. take my care of wife's it. a Quaker. KIBBEE But I came here This for help whole because-thing's MAYOR HENDERSON been because handled there Mayor Henderson All wrong. arepoints right. people Those to Quiet, here. SAWYER threeeverybody! killers (Tim Graham) walking If (?), a middleaged man in high there's the collar streets, a difference and bold necktie. as brass. of opinion, Why let everybody didn't you arrest DRhave MAHIN them, a say. Marshal? But let's Why I'm didn't sorry, do ityou Marshal. like SAWYER put grown-up 'em Sayin what people. jail you And where havelet's Well, to they I say say. get ought this. allto the We've be? kids Then been out we'd of the only paying building. have good Miller moneyto right worry along about, for Will turns and instead a addresses marshal ofand the the deputies. four congregation. of them. Now the The children leave, first time happy there's to be let any off trouble, church. we're supposed WILL toKANE take care of it EXT. STATION WAITING Maybe(unrepentant) ourselves. some ROOM of-you Well, DAY what already haveknow we it, I but been haven't if paying youanything don't, for all it to this looks arrest time? like them I The tracks stretch for, Frank say we're Mr empty Miller's Trumble. not topeace the coming They distance. officers. haven't back onThe thethree gunmen wait. done noon anything. This train.our There's ain't job. no against Jack Consternation More plays hubbub. the Mayor in mouth the Henderson organ. congregation. Ben recognizes drinks. "Frank Jim a PORTLY Miller" gets up. GENTLEMAN. in many voices. EXT. TICKET OFFICE - DAY PORTLY GENTLEMAN I've been saying WILL right KANE along, we Jim walks over ought to the (raising to ticket have more his office voice) deputies. and bangs If on the window. I need we did,all we wouldn't the special be facing deputies I can get. this thing now. JIM Anything on the train? The congregation Loud arguments among lookthe at congregation. each other. Not Mayor keen. Henderson One YOUNG raises MAN rises. his hands. STATION MASTER Uh, it-- It's on time as far as I know, sir. MAYOR YOUNG HENDERSON MAN Well,awhat Just minute! are Just we waiting a minute. for? Jim returns to Let's Everybody, his gang. go. quiet! Keep it orderly. You had your hand up, Ezra. INT. He strides CHURCHforward. - DAY A few more more follow. EZRA (Tom Greenway), dressed in a black shirt and very The A gruff intense, discussion OLDER stands. MAN continues. rises. The Young Man stands in his pew and states his case.

42. 43. 44. 45. OLDER HENDERSON YOUNG EZRA MAYOR MAN Oh, Hold I say can't we on it can adon't believe minute. be pretty really I've Hold heard sure matter it.he's Before some ifon we the there's of it. go rushing things anything outpersonal that into havesomething been between said that ain't Miller here. (he You and checks all going the ought Marshal his to to be watch) so ashamed here. be pleasant, We Time's let's all of yourselves. know be getting sureMiller who we short. Sure, know is, we what andthis paid what this is all Miller man, and (turns about. is. heWhat's wasDr to the more, Mahin) bestwe're marshal wasting this Parson, town time. have ever you had. gotIt anything ain't his to Hubbub in thesay? trouble, congregation. it's ours. I tell ya, if General hubbub. we Mayor don't Henderson do what's points right, to we're COY (Harry Harvey), a prosperous man going wearing to have a OLDER DR bowtie plenty MAHIN MANmore trouble. Sodon't I there (fierce) know. ain'tThe butCommandments one thing to What do say, now, I want "Thou andshalt to you MAYOR know all not HENDERSON is know kill." this. what But Ain't it hire Coy. that we true is.men thatto Kane go out ain't and nodo longer it marshal? for us. The Andright ain'tand it the truewrong there's personal seem pretty trouble clear COY between MAYOR here. HENDERSON But himif and Miller? Yes. Go you're ahead, Weasking all Kibbee. know me to whotell Miller my people is. Butgo to weout putand himkill, away,and once. maybe Andget More hubbub. KIBBEE (Dick Elliott), The who men themselves saved who a him killed, volunteered thick-set from I'm hanging? man sorry. surround with The Ireceding the Older hairline, man. stands. politicians don't know what up north! to say. I I'm say sorry. this Mayor Henderson is rises their from mess.his Letfront them bench. take care of it. KIBBEEHENDERSON MAYOR Thisright. All whole I'll thing's MAYOR say HENDERSON been this. handled What Mayor Henderson Allpoints wrong. this right. town Those to owes Quiet, SAWYER three Will everybody! killers (Tim Kane Graham) here walking If it (?), a middleaged man in high there's the can collar streets, never a repay difference and bold necktie. with as money. of opinion, brass. Why And let everybody didn't don't ever you forget arrest haveit. them, a say. He's Marshal? But the let's Why didn't do ityou like SAWYER put grown-up 'em in jail people. And where Well, let's they I say get ought this. allto the We've be? kids Then been out we'd of the only paying building. have good Miller moneyto right worry along about, for instead a marshal ofand thedeputies. four of them. Now the The children leave, first time happy there's to be let any off trouble, church. we're supposed WILL toKANE take care of it EXT. STATION WAITING ourselves. (unrepentant) ROOM Well, - DAY what have we I been haven't paying anything for allto this arrest time? them I The tracks stretch for, say we're Mr empty Trumble. not topeace the They distance. officers. haven'tThe three gunmen wait. done This anything. ain't our There's job. no against them sitting on a bench at the Jack More plays hubbub. the Mayor depot. mouth Henderson organ. Ben recognizes drinks. Jim a PORTLY gets up. GENTLEMAN. MRS FLETCHER EXT. TICKET OFFICE (Virginia - DAY Farmer) PORTLY(?), GENTLEMAN young and attractive, stands up. I've been saying right along, we Jim walks over ought to the to ticket have more office deputies. and bangs If on the window. we did, we wouldn't MRS FLETCHER be facing I this can't thing listen now. JIMto any more of Anything this. What's on the thetrain? matter with you Loud arguments people? among the Don't congregation. you rememberMayor when Henderson a raises his hands. decent womanSTATION couldn't MASTER walk down Uh, street the it-- It's in broad on time daylight? as far as I know, you Don't sir.remember MAYOR HENDERSON when this wasn't Just a a minute! fit place Justto a bring minute. up a Jim returns to child? Everybody, his gang. How can quiet! youKeep sit here it orderly. and talk, You had and your talk, hand and up, talk Ezra. like this? INT. CHURCH - DAY An EZRA OLDER (TomGENTLEMAN Greenway), rises. dressed in a black shirt and very The intense, discussion stands. continues. The Young Man stands in his pew and states his case. OLDER GENTLEMAN What are we all getting so excited about? How do we know Miller's on that train, anyway?

43. 44. 45. 46. YOUNG HENDERSON EZRA MAYOR MAN (CONT'D) And I Oh, say can't wedon't I it can believe don't be think pretty really I've we can heard sure matter let he's some ifon that there's of it. happen. the things anything Mind you... that personal have been between said Miller here. (he (turning You and checks all theought to Marshal his Will) to watch) here. be ashamed We Time's all of ...you yourselves. know getting all who know Miller short. Sure, how I is, we feel andabout paid what this Miller man, this and (turns man. is. he He's What's wasa to Dr the mighty more, Mahin) bestbrave we're marshal man. wasting this Parson, A good town man. time. have ever He you had. didn't gotIt anything have ain't tohis to trouble, say? come backit's hereours. today. I And tellfor ya,his if General hubbub. we sake Mayor don't and Henderson do what's the sake of points right, this to we're town, COYI(Harry Harvey), a prosperous man going wishwearing he tohadn't. have a DRbowtie plenty MAHIN more trouble. Sodon't I thereknow. ain'tThe butCommandments one thing to Will is startled do now, say, by "Thou the andnew shalt you MAYOR direction all not HENDERSON know kill." of what the But speech. Coy. that we hire is.men to go out and do it for us. The right and the wrong seem pretty clear COY MAYOR here. HENDERSON But if Yes. Go you're ahead, Weasking all Kibbee. know me to whotell Miller my people is. Butgo to weout putand himkill, away,and once. maybe Andget KIBBEE (Dick Elliott), who saved a themselves him killed, thick-set from I'm hanging? man sorry. with The Ireceding hairline, stands. politicians don't know what up north! to say. I I'm say sorry. this is their mess. Let them take care of it. KIBBEEHENDERSON MAYOR Thisright. All whole I'll thing's saybeen this. handled What Mayor Henderson wrong. this points town Those to owes SAWYER three Willkillers (Tim Kane Graham) here walking it (?), a middleaged man in high the collar can streets, never repay and bold necktie. with as money. brass. And Why didn'tever don't you forget arrest it. them, He's Marshal? the Why didn't best marshal you SAWYER weput ever 'em had. in Maybe jail where the Well, best they I say marshal ought this.we'll to We've be?ever Then beenhave. we'd only So paying ifhave Miller good Miller money comes to right back worry here along about, today, for instead it's a marshal ourof problem, and thedeputies. four not ofhis. them. NowIt's the our first problem time there's becauseany this trouble, is our town. we're We supposed made WILL it towith KANE takeour care own of it hands, ourselves. (unrepentant) out of Well, nothing. what have And if we we I want been haven't to paying keep anything for it decent, allto this arrest keep time? them it I for, growing, say we're Mr Trumble. we've not peace got They to officers. haven't think mighty done clear This anything. ain't here today. our There's job. And we've no against got them to have sitting the courage on a bench to do atwhat the we More hubbub. Mayor depot.Henderson think is right! recognizes No matter how a PORTLY GENTLEMAN. hard it is! All right. There's MRS FLETCHER (Virginia going to be Farmer) fighting PORTLY(?), GENTLEMAN when young Kane and attractive, stands up. and I'veMiller been saying meet. And right somebody's along, we going ought to get havehurt, more that's deputies. forIf sure. we did, Now, we people wouldn't MRS FLETCHER upbe north facing are I thinking this can't thing listen about now.this to any town. moreThinking of this. What's mighty hard. Thinking the matter about with you Loud arguments people? sending among the Don't money congregation. you remember down here. And Mayor when to Henderson a raises his hands. decent put up stores, woman couldn't and to build walk down the street It'll factories. in broad mean daylight? a lot to Don'ttown. this you remember An MAYOR awful HENDERSON when lot.this But if wasn't they're Just a a minute! going fit place to Just read to a about bring minute. up a child? shooting Everybody, How and can quiet! killing youKeep sit inhere it the orderly. and talk, streets, You had and your what talk, hand are and they up, talk Ezra. going liketo this? think then? I'll tell you. They're An EZRA OLDER (TomGENTLEMAN Greenway), going rises. todressed think this in ais black justshirt and very intense, stands. another wide open town. And everything we OLDER worked GENTLEMAN for will be What are wiped out. weIn all one getting day, this so excited town about? will beHow setdo back we five know years. Miller's on that train, anyway? (MORE)

44. 45. 46. 47. EXT. STREET CORNER - DAY MAYOR EZRA HENDERSON (CONT'D) I can't Oh, And wedon't I can believe be think pretty I've we can heard sure let he's some that on Will walks along of the it. happen. andthings comes Mind you... across that have a GROUP been OF said BOYS playing Cowboys and Crooks. here.(turning (he You "Bang, checks all bang, ought tohis Will) bang to watch) bebang." ashamed Time's of ...you yourselves. getting all knowshort. Sure, how Iwe feel paid about this man, this and (turns man. he He's was to BOYa Dr the mighty Mahin) bestbrave marshal man. this Parson, Bang! A good town You're man. have ever He you dead, had. didn't got Kane. It anything have ain't tohis to trouble, say? come backit's hereours. today. I And tellfor ya,his if The boy playing we sake Kane don't andruns do what's the straight sake of right, this intotown, we're Kane and I looks up, terrified. The going wish boys he to run hadn't. have off. DRplenty MAHIN more trouble. Sodon't I thereknow. ain'tThe butCommandments one thing to Kane Will walks is startled on, dogrim say, now, by "Thou and the andconcerned. new shalt youdirection all notknow kill." of what the But speech. that we hire is.men to go out and do it EXT. HOWE'S COTTAGE for us.-The DAYright MAYOR and HENDERSON the wrong (CONT'D) seem Because pretty if he's clear MAYOR not here. HENDERSON hereBut when if Go you're Miller ahead, asking comes, Kibbee. me my to hunch tell ismy there people to won't go out be any andtrouble. kill, and Not maybe one get bit. KIBBEE (Dick Elliott), themselves Tomorrow we'll akilled, thick-set haveI'm a man new sorry. with marshal. Ireceding hairline, stands. don't And ifknow we can what all toagree say. I'm heresorry. to offer him our services, I think we can handle KIBBEE MAYOR anything HENDERSON that comes This All along. right. whole Now,I'll thing's to me say that been this. makes handled What sense. wrong. this To me, town Those that's owes three the Will only killers Kane way here walking outit of the can this. streets, never repay bold with as money. brass. And Why didn't don't (turning ever you forget arrest to Will) them, it. He's Marshal? the Why best Will, didn't marshal I think you we you'd put ever 'em better had. in Maybe jail go where the while best they there's marshal ought still to time. we'll be?ever Then It's have. we'd only So better ifhave Miller forMiller you, comes and... toback worry it's here about, better today, instead it's for us. ourof problem, the four not ofhis. them. It's our problem because this is our Will can hardly town. believe We made his WILL it old with KANE friend's our own desertion of his cause. hands, (unrepentant) out of nothing. And if we I haven't want to keep anything it decent, to arrest keep it them for, Mr Trumble. growing, we've WILL got They KANE to think haven't mighty done anything. clear (bitterly) here today. There's And we've no against got them to Thanks. have sitting the courage on a bench to do atwhat the we depot.is right! No matter how think Will walks away hard down it the is! aisle All right. between There's the silent parishioners. MRS FLETCHER (Virginia going to be Farmer) fighting (?), when young Kane and attractive, stands EXT. CHURCH up. -and DAYMiller meet. And somebody's going to get hurt, that's for The laughing children sure. Now, play people MRS a game FLETCHER up of north tug-of-war are outside the church. They don't I can't thinking even listen about notice to Will this any town. more putThinking on of his hat and leave. this. What's mighty hard. Thinking the matter about with you EXT. STATION WAITING people? ROOM sending Don't-down money you DAYremember here. And when to a decent put up stores, woman couldn't and to build walk down The tracks stretch the street factories. into the in broad It'll distance, mean daylight? a lot empty. to Don'ttown. this you remember An awfulwhen lot.this But if Jack plays the wasn't they're mouthaorgan, going fit place to Ben read drinks, to about bringJim up looks a down the tracks. child? How shooting and can killing you sit inhere the and talk, andwhat streets, talk, are and they talk going liketo this? think then? I'll JIM tell you. They're An OLDER GENTLEMAN going(re rises. to think mouth this organ) is just another Why don't wide youopen put that town.thing And away? everything we OLDER worked GENTLEMAN for will be Jack slowly puts Whatthe wiped are out. mouth weIn all organ one getting day, in his this so pocket. excited town about? will beHow setdo back we five know years. Miller's on that train, anyway? (MORE)

45. 46. 47. 48. EXT. STREET CORNER - DAY WILL MAYORKANE HENDERSON (CONT'D) Oh, I And Listen. wedon't can Thebe think judge's pretty weleft suretown, can let he's that on Will walks along it. andis happen. Harvey comes Mind quittin', you... acrossI'm a GROUP having OF BOYS playing Cowboys and Crooks. trouble (he (turning "Bang, getting checks bang, todeputies. his Will) bang watch) bang." Time's ...you getting all knowshort. how I feel about this man. (turns He's to BOYa MARTIN Drmighty Mahin) HOWE brave man. Parson, Bang! It A good figures. You're man. haveIt's He you dead, didn't got all Kane. anything happened have to too to say? sudden. come back People here got today. to talk And for his The boy playing themselves sake Kane andruns the into straight sake law ofand this into order town, Kane and I looks up, terrified. The before wish boys herun they hadn't. off. do DR anything MAHIN about it. I don't Maybe because know. down The Commandments deep they don't Kane Will walks is startled on, say, care. grim by "Thou They and the concerned. new shalt just direction don't not kill." care. of the But speech. we hire men to go out and do it EXT. is Will HOWE'S troubled. COTTAGE for us. He-seats The DAYright MAYOR himself. and HENDERSON the wrong (CONT'D) seem Because pretty if he's clear not here. hereBut when if A small cottage you're Miller withasking comes, picket WILL me my fence. to hunch KANE tell Will ismy there walks people up to the front door. to What'll won't go out beIany andtrouble. do, kill, and Martin? Not maybe one get bit. themselves Tomorrow we'll killed, haveI'm a new sorry. marshal. I INT. HOWE'S COTTAGE don't And ifknow weDAY can what MARTIN all toagree say. HOWE I'm heresorry. to I offer was hopin' him ouryou services, wouldn't I come thinkback. Martin Howe sits we can in an handle armchair MAYOR anything HENDERSON while that a middle-aged comes SERVANT WOMAN sits atAll along. a table right. Now, nearby. I'll to WILL me say KANE that this. makes What sense. this You To me, know town that's why owes Ithe Will came only Kane back. way here outit of There's a knock can this. at never the door. repay The withservant money. gets And up and lets Will in. don't(turning ever forget MARTIN to Will) it. HOWE He's the best But Will, not marshal I to think commit we you'd ever suicide. better had. Maybe go the while best there's marshal WILL still we'll KANE time. ever It's have. So I better sent if Miller a for kid you, WILL comes to and... find KANE back you. it's here Didn't better today, it's he Sometimes-forcome? us. our problem, sometimes not prison his. It's our problem changes a man. because this is our Will can hardly town. believe We made his MARTIN it old with friend's HOWE our own desertion of his cause. hands, He was here. out of MARTIN nothing. HOWEAnd if we wanthim. Not to keep Thisit isdecent, all planned. keep it Will approaches. growing, Martin we've can't WILL got meet KANE to his think eyes. mighty clear(bitterly) here today. And we've got to Thanks. have the courage WILL KANE to do what we think is You've been right! my friend No matter all my howlife. Will walks away hard You down got it the is!this me aisle All job. right. between You There's made the silent parishioners. goingsend them to be for fighting me. Ever when since Kane I EXT. CHURCH -was and DAYa Miller kid, I meet. wanted Andto somebody's be like goingMartin. you, to get You've hurt, that's been afor lawman The laughing children sure. all your Now, play life. people a game up of north tug-of-war are outside the church. They don't thinking even about notice this Will town. putThinking on his hat and leave. mighty hard.MARTIN Thinking HOWE about EXT. STATION WAITING sending Yeah. Yeah, ROOM money all -down DAY my life. here. It's And to a put uplife. great stores, Youand risk toyour build skin The tracks stretch factories. catching into killers the It'll distance, meanthe and a lot empty. juries to this 'em turn town. loose An awful so they lot. can But come if Jack plays the they're back mouth andorgan, going shootto Ben atread you drinks, aboutJim again. Iflooks down the tracks. shooting you're honest, and killing you'rein poor theyour streets, whole life. what And are inthey the end going you to thinkup wind then? dying I'll JIM alltell alone you. on some They're going(re dirty to think street. mouthFor this organ) what? is just For another nothing. Why don't wide For youa open put tinthat town. star. thing And away? everything we worked for will be Jack slowly puts wiped the out. mouth In organ one day, in his thispocket. town will be set back five years. (MORE)

46. 47. 48. 49. EXT. STREET CORNER - DAY MARTIN MAYORKANE WILL HENDERSON HOWE (CONT'D) And I(to Listen. don't The thejudge's think departed weleft can Will) let that town, Will walks along happen. Harvey So long. andis comes Mind It's quittin', you... across all for I'm anothing, GROUP having OF BOYS playing Cowboys and Crooks. trouble Will.(turning It's "Bang, getting allbang, to for deputies. Will) nothing. bang bang." ...you all know how I feel about Martin looks up this atman. the clock. He's BOYa mighty MARTIN HOWE brave man. Bang! It A good figures. You're man. It's He dead, didn't all Kane. happened have to too CU CLOCK 11;43 sudden. come am [54:47] back People here got today. to talk And for his The boy playing themselves sake Kane andruns the into straight sake law ofand this into order town, Kane and I looks up, terrified. INT. HOTEL The LOBBY before wish boys -he DAY run they hadn't. off. do anything about it. Maybe because down deep they don't Kane Willwalks Amy walks is startled up on, to care. grim the byThey and the concerned. clerk new just who direction don't is whistling care. of the tunelessly speech. and sorting papers. EXT. is Will HOWE'S troubled. COTTAGE He-seats DAYMAYOR himself. HENDERSON (CONT'D) Because if he's AMY not KANEhere when A small cottage Miller Excuse withme. comes, picket What WILL my fence. is hunch KANE MrsWill is there Ramirez' walks up to the front door. What'll won'tnumber? room beIany do,trouble. Martin? Not one bit. Tomorrow we'll have a new marshal. INT. HOWE'S COTTAGE And if weDAY can MARTIN HOTEL all agree CLERK HOWE here to I offer Three. was hopin' him ouryou services, wouldn't I come thinkback. Martin Howe sits we can in an handle armchair anything while that a middle-aged comes SERVANT WOMAN sits atalong. a table Now, nearby. to WILL AMYme KANE KANE that makes sense. You To me, Thank know you. that's why Ithe came only back. way out of There's a knock this. at the door. The servant gets up and lets Will Amy walks in. up the stairs (turning as MARTIN the to Will) clerk HOWE continues his work and whistling. But Will, not I to think commit you'd suicide. better go while there's WILL still KANE time. It's INT. HOTEL CORRIDOR I better sent a for DAY kid you, WILL to find and... KANEyou. it's Didn't better he Sometimes-forcome? us. sometimes prison Amy knocks onchanges Helen'sadoor. man. Will can hardly believe his MARTIN old friend's HOWE desertion of his cause. He was here.MARTIN HELEN RAMIREZ HOWE (O.S.) Not Comehim. in. This is all planned. Will approaches. That's Martin why can't they're WILL meet KANE allhis here. eyes. get INT. HELEN'S HOTEL out, Will. (bitterly) ROOM Get DAY out. Thanks. WILL KANE Another Amy enters. desertion. Helen You've and Will been Sam stands my the friend Gopher and makes all rise myain life. last surprise effort. from Will the occasional walks away You table down got the where me this aisle they job. between have Youbeen made thesitting. silent parishioners. them send for WILL me.KANE Ever since I EXT. CHURCH -Will was DAYayou kid, come IHELEN wanted downRAMIREZ to tothat be like depot you, with Yes? me? Martin. You've been a lawman The laughing children all your play life.a game of tug-of-war outside the church. They don't even notice MARTIN AMY KANE Will HOWEput on his hat and leave. No. Mrs You Ramirez? knowMARTIN how I'm I Mrs feel HOWE Kane. about you, EXT. STATION WAITING Yeah. but I ain't Yeah, ROOMgoing all - DAY mywith life. you. It's Seems a greatalife. like man with You HELEN risk busted RAMIREZ your knuckles skin The tracks stretch catching didn't I know. into need killers the arthritis distance, and the too, empty. juries don't turnNo, it? 'emIloose couldn't so they do nothing can come for Jack plays the back you. mouth andorgan, You'd shoot be AMY worried Ben at KANE you drinks, again. about Jim me. Iflooks down the tracks. you're You'd May I get come honest, yourself in? you're killed poorworrying your whole me. about life. It's Andtoo in one-sided the end you like wind it is. up dying JIM HELEN all alone RAMIREZ on some dirty If you (re street. like. mouthFor organ) what? For nothing. Why don'tFor you WILL aput tin KANE that star. thing away? So long, Martin. Jack slowly puts the mouth organ in his pocket. Will walks out the door.

47. 48. 49. 50. EXT. STREET CORNER - DAY AMY WILLKANE MARTIN KANE HOWE Listen. No, thank (toThe the you. judge's departed left Will) town, Will walks along Harvey So long. andis comes It's quittin', across all for I'm anothing, GROUP having OF BOYS playing Cowboys and Crooks. trouble Will. It's "Bang, getting all HELEN bang, for deputies. RAMIREZ nothing. bang bang." What do you want? Martin looks up at the clock. BOY MARTIN HOWE Bang! It figures. You'reIt's AMY dead, KANE all Kane. happened too CU CLOCK 11;43 sudden. Oh, amplease. [54:47] People It's got just to that talk I'm The boy playing themselves afraid Kanethat runs into if straight Ilaw satand down, into order Kane I and looks up, terrified. INT. HOTEL The LOBBY before wouldn't boys - DAY run they beoff. do anything able to get up about again. it. Maybe because down deep they don't Kane Amy walks walksup on, to care. grim theThey and clerk concerned. just HELEN whodon't is RAMIREZ whistling care. tunelessly and sorting papers. Why? EXT. is Will HOWE'S troubled. COTTAGE He-seats DAY himself. AMY KANE A small cottage It Excuse with wasn't me. picket easy What WILL fence. for is KANE me MrsWill to Ramirez' come walks here. up to the front door. What'll room number? I do, Martin? HELEN RAMIREZ INT. HOWE'S COTTAGE Why? - DAYMARTIN HOTEL CLERK HOWE I Three. was hopin' you wouldn't come back. Martin Howe sits in an armchair AMY KANE while a middle-aged SERVANT WOMAN sits atLook, a table Mrsnearby. Ramirez. WILL AMY KANE KANE Will and I You were Thank know married you. why an I came hourback. ago. We were There's a knock allat packed the door. and ready The servant to leave gets and, up and lets Will Amy walks in. up the and stairs then this as MARTIN the thing clerk HOWE happened continues and his work and whistling. Butwouldn't he not to commit go. I did suicide. everything. I pleaded. IWILL threatened. KANE I just INT. HOTEL CORRIDOR I sent couldn't a DAY kidWILL reach tohim. find KANEyou. Didn't he come? Sometimes-sometimes prison Amy knocks onchanges Helen'sadoor. man. HELEN RAMIREZ And now? MARTIN HOWE He was here.MARTIN HELEN RAMIREZ HOWE (O.S.) Not Comehim. in. This AMY isKANE all planned. Will approaches. That's That Martin man why downstairs. can't they're meet all The his here. clerk. eyes. get INT. HELEN'S HOTEL out, He said Will. ROOM things Get DAY out. you and Will. about I've been trying WILL to KANE understand Another Amy enters. desertion. Helen You've why he and Will been wouldn't Sam stands my the friend go Gopher and with makes all rise me, mya and in life. last surprise effort. from the occasional You now table got where all mecan I this they think job. have of You is been made that sitting. them got it's sendto for be WILL me. because KANE Ever of since you. I was ayou Will kid, come IHELEN wanted downRAMIREZ to tothat be like depot you, with Yes? me? Martin.HELEN You've RAMIREZ been a lawman all your What do you life. want from me? MARTIN AMY KANE HOWE No. Mrs You Ramirez? knowAMY MARTIN how I'mKANE I Mrs feel HOWE Kane. about you, Yeah. but Let I ain't him Yeah, go. He allstill going mywith life. has you. It's a chance. Seems a great like Let him alife. man go.with You HELEN risk busted RAMIREZ your knuckles skin catching didn't I know.need killers arthritis and the too, juries don't turnNo, it? 'emIloose couldn't HELEN so they RAMIREZ do nothing can come for back you. I cannot and help You'd shoot be AMY worried you. at KANE you about again.me. If you're You'd May I get come honest, yourself in? you're killed poorworrying your whole me. about life. It's And AMYtoo in KANE the end you one-sided like wind it Please. is. up dying HELEN all alone RAMIREZ on some dirty If youstreet. like. For what? For nothing. ForHELEN WILL a tin KANE RAMIREZ star. Amy walks in.He So Sam long, isn't leaves, Martin. staying closing for the me. door I haven't behind him. spoken to him for a year. Until Will walks out the door. HELEN RAMIREZ Sit down.

48. 49. 50. 51. WILLKANE MARTIN AMY KANE HOWE Thenthank Listen. No, what (toThe the you. is judge's it? departed Whyleft does Will) town, he stay? Harvey So long. isIt's quittin', all for I'm nothing, having trouble Will. It's getting all HELEN for deputies. RAMIREZ nothing. What If you dodon't you want? know, I cannot Martin looks up explain at the itclock. to MARTIN you. HOWE It figures. It's AMY KANE all happened too CU CLOCK 11;43 sudden. Oh, amplease. [54:47] People It's AMYgot KANE just to that talk I'm themselves afraid Thank you, thatanyway. into if Ilaw sat You've and down, order been I INT. HOTEL LOBBY before wouldn't very -kind. DAY they be able do anything to get up about again. it. Maybe because down deep they don't Amy walks up to care. theThey clerk just HELEN whodon't is RAMIREZ whistling care. tunelessly and sorting papers. Why? (fiery) Will is troubled. What He kind seats of woman himself. are you? How can you leave AMY him KANE like this? Does It the Excuse wasn't sound me.of easy What WILL guns for is KANE frighten me Mrsto Ramirez' come youhere. What'll that room much? number? I do, Martin? HELEN RAMIREZ Why? MARTIN HOTEL AMY KANE CLERK HOWE I Three. No, was Mrs hopin' Ramirez. you wouldn't I've heard come guns. back. My father and AMY myKANE brother were Look, killedMrs by Ramirez. guns. WILL AMY they KANE KANE Will were and onIthe You were Thank right know married you. side, whybut I came an hour thatback. ago. didn't Wehelp were all thempacked any when andthe ready shooting to leave started. and, Amy walks up the and My brother stairs then this as was MARTIN the thing nineteen. clerk HOWE happened continues I watched and his work and whistling. But he himwouldn't not die.to That's commit go. I when suicide. did Ieverything. became a I Quaker. pleaded. I don't I threatened. care who's I just right INT. HOTEL CORRIDOR couldn't or who's - DAY reach wrong. WILL him. There's KANE got to be Sometimes-some better sometimes way for people prison to Amy knocks onchanges live. Helen's Will adoor. man. knows HELENhow RAMIREZ I feel about And it. now? MARTIN HELEN RAMIREZ HOWE (O.S.) Amy turns to go. Not Comehim. in. This AMY isKANE all planned. That's That man why downstairs. they're all The here. clerk. get INT. HELEN'S HOTEL out, He said Will. ROOM things Get HELEN DAY out. about RAMIREZ you and Will. I've Just been a minute. trying Are toyou understand going to Another Amy enters. desertion. Helen why waithe and for Will wouldn't Sam the stands the train go Gopher and with downstairs? makes rise me, a and in last surprise effort. from the occasional now table all where I can they thinkhave of is been that sitting. it's got to be WILL AMYbecause KANE KANE of you. Will Yes. you come HELEN downRAMIREZ to that depot with Yes? me? HELEN RAMIREZ What do you want HELENfrom RAMIREZ me? Why don't you MARTIN AMY wait KANE here? HOWE No. Mrs You Ramirez? knowAMY how I'mKANE I Mrs feel Kane. about you, EXT. STREET OUTSIDE but him Let I ain't MARSHAL'S go. He going still OFFICE with has you. -aDAY chance. Seems likehim Let a man go.with HELEN busted RAMIREZ knuckles Will walks along. didn't I know. Two need menarthritis see him and too, scuttle don't off. They don't want to be deputies. it? No, I couldn't HELEN RAMIREZ do nothing for you. I cannot You'd help be AMY worried you. KANE about me. INT. RAMIREZ SALOON You'd May I get come - DAY yourself in? killed worrying about me. It's AMYtoo KANE one-sided like Gillis chats to it a Please. is. couple of HELEN drinkers RAMIREZ at the bar. If you like. WILL HELEN GILLIS KANE RAMIREZ Amy walks in.He So Sam long, isn't leaves, Martin. staying closing for the me. door I haven't behind him. spoken to him for a year. Until Will walks out today. the door. I am leaving HELEN RAMIREZ on the same train Sit down. you are.

49. 50. 51. 52. MARTIN AMY DRINKER KANE HOWE You're No, Then thank what (to mighty the you. is it? departed broadminded, Why does Will) he Gillis. stay? So long. It's all for nothing, Gillis walks over Will.to It's Harvey all HELEN drinking forRAMIREZ nothing. by the window. His bottle is half What If empty you dodon't by younow. want? know, I cannot Martin looks up explain at the itclock. to you. AMY KANE GILLIS CU CLOCK 11;43 Oh, Now amyou, please. [54:47] Harve, It's AMY I KANE just always that figured I'm afraid Thank you for you, that guts. anyway. ifBut I sat IYou've never down,gave been I INT. HOTEL LOBBY wouldn't very you credit kind. DAYbefor able brains. to getTill up again. now. Amy walks up to the clerkHARVEY HELEN who is RAMIREZ PELL whistling tunelessly and sorting papers. Why? does What (fiery) that mean? What kind of woman are you? How Gillis seats himself can you at leave Harvey's AMY him KANE like table. this? Does It the Excuse wasn't sound me.of easy What guns for isfrighten me Mrsto Ramirez' come youhere. that room much? number?GILLIS Oh, nothing.HELEN Only it RAMIREZ takes a smart Why?to know when man HOTEL AMY KANE to CLERK back away. Three. No, Mrs Ramirez. I've heard guns. My father and AMY HARVEY myKANE brother PELL were Look, If killed I can't Mrs by Ramirez. guns. pick AMY my they KANE Will company were and on when ItheI were drink Thankmarried right in you. side, here, but anIhour that ain't ago. didn't coming Wehelp were in all here thempacked any more. when andthe ready shooting to leave started. and, Amy walks up the and My brother stairs then this as wasthe thing nineteen. clerk happened continues I watched and his work and whistling. he himwouldn't die. That's go. GILLIS I when didIeverything. became a I O-kay. Quaker. pleaded. All I don't I threatened. right. care Hmf. who's The I boy just right INT. HOTEL CORRIDOR couldn't with or who's a tin DAY reach wrong. star. him. There's All right. got If to be that's some better the way wayyou forwant people it.to Amy knocks onlive. Helen's Will door. knows HELENhow RAMIREZ I feel about Gillis gets up And it. innow? a huff and goes back behind the bar. HELEN RAMIREZ (O.S.) Amy turns to go. Come in. AMY KANE GILLIS Thatright, All man downstairs. boys. What're The you clerk. gonna INT. HELEN'S HOTEL He said have? ROOM things -HELEN DAY about RAMIREZ you and Will. I've Just been a minute. trying Are toyou understand going to Harvey Amy enters. poursHelen himself why waithe and for wouldn't another Sam the the train shot. go Gopher with downstairs? He's rise me,about and in surprise to drinkfrom when he thepauses. occasional Henow has table all observed where I can something they thinkhave of is through been that sitting. the window. it's got to be AMYbecause KANE of you. It's Will, walking Yes. past the HELEN saloon. RAMIREZ Yes? HELEN RAMIREZ Harvey watches What himdo for you a while, want HELENfrom RAMIREZ puzzled me? as to what Will is doing there. Then Why don't he realizes you AMY wait KANE what here? Will is up to. He grabs his hat and goes. Mrs Ramirez?AMY I'mKANE Mrs Kane. EXT. STREET OUTSIDE Let himMARSHAL'S go. He still OFFICE has-aDAY chance. Let him go. HELEN RAMIREZ Will walks along. I know. Two men see him and scuttle off. They don't want to be deputies. HELEN RAMIREZ I cannot help AMY you. KANE INT. RAMIREZ SALOON May I come - DAY in? AMY KANE Gillis chats to Please. a couple of HELEN drinkers RAMIREZ at the bar. If you like. HELEN GILLISRAMIREZ Amy walks in.He Well, Sam isn't leaves, I got staying no closing use for for the me. Kane, door I haven't but behind him. spoken I'll say tothis. him for He's a year. got guts. Until today. I am leaving HELEN RAMIREZ on the same train Sit down. you are.

50. 51. 52. 53. Will walks up to the first AMY DRINKER horse. KANE No, thank Then You're what mighty you. is it? broadminded, Why does he Gillis. stay? EXT. LIVERY STABLE - DAY Gillis walks over to Harvey HELEN drinking RAMIREZ by the window. His bottle approaches Harvey is half What If empty you and dodon't by you walks now. want? know, in the I cannot open door. explain it to you. INT. LIVERY STABLE - DAY GILLIS AMY KANE Oh, you, Now please. Harve, It's AMY I KANE just always that figured I'm Harvey walks up afraid Thank you behind for you, that guts. Will. anyway. ifBut I sat IYou've never down,gave been I wouldn't very you credit kind. befor able brains. to getTill up again. now. HARVEY PELL Put a saddleHARVEY HELEN on him, RAMIREZ PELL Kane. Why? does What (fiery) that mean? Will turns around What in kind surprise. of woman are you? How Gillis seats himself can you at leave Harvey's AMY him KANE like table. this? Does It thewasn't sound of easy HARVEY guns forfrighten me PELL to(CONT'D) come youhere. Go that on. much? Saddle GILLIS him up. He'll go a Oh, nothing. long way before HELEN Only heit RAMIREZ tires. takesthat's a smart Why?to man what you know were when AMY thinking, KANE to backwasn't away. it? No, Mrs Ramirez. I've heard guns. My father and AMY HARVEY WILL myKANE brother KANE PELL were Look, If Kind killed I of. can't Mrs by Ramirez. guns. pick my they Will company were and on when ItheI were drink rightmarried in side, here, but anIhour that ain't ago. didn't coming Wehelp were in all here thempacked any more. when and HARVEY the ready shooting PELL to leave started. and, and Scared? My brother then this wasthing nineteen. happened I watched and he himwouldn't die. That's go. GILLIS I when didIeverything. became a I O-kay. Quaker. pleaded. All I don't IWILL right. threatened. care KANE Hmf. who's The I boy just right couldn't with I orguess who's a tin so. reach wrong. star. him. There's All right. got If to be that's some better the way wayyou forwant people it.to live. Will knows HELENhow HARVEY RAMIREZ PELL I feel about Gillis gets up And Sure. it. innow? aIt huff stands and goes to reason. back behind C'mon.the bar. Let me help. Amy turns to go. AMY KANE GILLIS Harvey grabs a That All nearby right, man blanket downstairs. boys. and What're saddle The you clerk. and gonna puts them on the horse. Hehave? He cinches said things theHELEN saddle about RAMIREZ tight. you and Will. I've Just been a minute. trying Are toyou understand going to Harvey pours himself why waithe for wouldn't another theWILL train shot. go KANE with downstairs? He's me,about and to drink when he pauses. HeSeems now hasall observed like I can allsomething think everybody of is through and that histhe window. it's gotwants brother to be AMY is because KANE to getof meyou. out of It's Will, walking town. Yes. past the saloon. HELEN RAMIREZ Harvey watches What himdo for you a while, want HARVEY HELENfrom RAMIREZ puzzled PELL me? as to what Will is doing there. Then Well, Why don't he nobody realizes youwants wait what to here? Will see you is up getto. He grabs his hat and goes. killed. AMY KANE EXT. STREET OUTSIDE Let himMARSHAL'S go. He still OFFICE has-aDAY chance. EXT. turns Will LIVERYand STABLE Let starts him - DAY go. walking out the stable. Will walks along. Two men see him and scuttle off. They don't Will want walks to be up deputies. to a ratherHELEN decrepit RAMIREZ barn with equipment scattered outside I cannot and "TODD'S help you. LIVERY STABLE' hand-painted over INT. the RAMIREZ door. SALOON - DAY AMY KANE Will Gillis opens chats the to Please. door a couple and walks of drinkers inside.at the bar. INT. LIVERY STABLE - DAY HELEN GILLISRAMIREZ He Well, isn't I got staying no use for for me. Kane, I haven't but Will walks in. spoken I'll There say to is this. him harness for He's aon year. got the guts. walls Until and a line of tethered horses. today. I am leaving on the same train you are.

51. 52. 53. 54. Will walks up on.to Harvey the first grabs AMY DRINKER horse. him KANE and spins him around. Then what You're mighty is it? broadminded, Why does he Gillis. stay? EXT. LIVERY STABLE - DAY HARVEY PELL (CONT'D) Gillis walks over What's tothe Harvey matter HELEN drinking with RAMIREZ you? by the Youwindow. His bottle approaches Harvey is half Ifempty were you and ready don't by walks now. toknow, do init the Iyourself. cannot open door. You explain said so.it to you. INT. LIVERY STABLE - DAY GILLIS Now you, Harve, AMY I WILL KANE KANE always figured Harvey walks up Thank you Look, behind for you, Harve. guts. Will. anyway. IBut thought IYou've never about been gave it verycredit you because kind. I was fortired. brains. You Till think now. about a lot of HARVEY things PELL when you're Put a saddle tired. But IHARVEY HELEN on him, can't RAMIREZ do PELL Kane. it. What does (fiery) that mean? Will turns around What in kind surprise. ofHARVEY woman are PELLyou? How Gillis seats himself Why? can you at leave Harvey's him like table. this? Does the sound ofHARVEY guns frighten PELL (CONT'D) you Go that on. much? Saddle GILLIS WILL himKANE up. He'll go a Oh, long I don't nothing. wayknow. before Only heit tires. takesthat's a smart man to what you know were when AMY thinking, KANE to backwasn't away. it? No, Mrs Ramirez. HARVEY I've PELL heard guns. Get My father on that and horse, HARVEY WILL my brother KANE Will. PELL were If Kind killed I of. can't by guns. pick my they company were on when theI drink right in side, here, but WILL Ithat ain't KANEdidn't coming help in here Why's them any it so more. when important HARVEY the shooting PELL to you? started. You Scared? don't My brother care if wasInineteen. live or die. I watched him die. That's GILLIS when I became a O-kay. Quaker.All I don't right. WILLcare HARVEY KANE Hmf. PELL who's The boy right with I C'mon. orguess who's a tin so. wrong. star.There's All right. got If to be that's some better the way wayyou forwant people it.to Harvey grabs Will. live. Will pushes knows HARVEY how him PELL Iaway feelangrily. about Gillis gets up Sure. it. in aIt huff stands and goes to reason. back behind C'mon.the bar. Let me help.WILL KANE Amy turns to go. Don't shove me, GILLIS Harve. I'm tired Harvey grabs a All of nearby being right, blanket shoved. boys. and What're saddle youand gonna puts them on the horse. Hehave? cinches theHELEN saddle RAMIREZ tight. Will walks away. JustHarvey a minute. grabs Are his you sleeve, going spins to him around, Harvey and decks pours himhimself wait withfor one another the punch. WILL train shot. KANE downstairs? He's about to drink when he pauses. HeSeems has observed like allsomething everybodythrough and histhe window. Harvey drags the brother half-conscious wants AMY isKANE toWill get and me out tries of to put him on It'shorse. the Will, walking town. Yes. past the saloon. Will resists. Harvey watchesHarvey him for punches a while, HARVEY HELEN him RAMIREZ puzzled PELL into the asfeed to what trough. WillWill is doing Harvey kicks there. away. Then Well, Why don't he nobody realizes youwants wait what to here? Will see you is up getto. He grabs his hat and goes. killed. They EXT. circle STREET each OUTSIDE other, MARSHAL'S trade punches, OFFICE - and DAY grapple. The EXT. turns Will LIVERYand STABLE starts - DAY walking out the stable. Will walks along. Two men see him and scuttle off. They don't Will want walks to be up deputies. to a ratherHARVEY decrepit PELL barn (CONT'D) with equipment scattered outside Hold and it, "TODD'S where are LIVERY you going? STABLE' hand-painted over INT. the RAMIREZ door. SALOON - DAY WILL KANE Will Gillis opens chats the to I door don't a couple and know. walks ofBack drinkers inside. to the atoffice, the bar. I guess. INT. LIVERY STABLE - DAY GILLIS Well, I got no HARVEY use for PELLKane, but Will walks in. Oh I'll There no. say You're is this. harness getting He'son got the onguts. the walls horse and a line of tethered horses. and you're getting out.

52. 53. 54. 55. Will walks up on.to Harvey the first grabs DRINKER HELEN horse. himRAMIREZ and spins him around. You're I hate this mighty town. broadminded, I always hated Gillis. EXT. LIVERY STABLE it. To-be DAY a Mexican HARVEY PELL woman (CONT'D) in a Gillis walks over What's town to like the Harvey this... matter drinking with you? by the Youwindow. His bottle approaches Harvey is half were empty and ready by walks now. to do init the yourself. open door. You said so. AMY KANE INT. LIVERY STABLE I understand. - DAY GILLIS Now you, Harve, WILLIKANE always figured Harvey walks up youbehind Look, for Harve. guts. Will. HELEN IBut thought I RAMIREZ never about gave it you do? because You credit I was That's fortired. brains. good. You I Till don't think now. about a lotyou. understand of HARVEY things No matter PELL whenwhat you're Put say. tired. you a saddle But IfIKane HARVEY on him, can't was do PELL Kane. my it. man, I What does never leave that himmean? like this. I get Will turns around a gun. inIsurprise. fight. HARVEY PELL Gillis seats himself Why? at Harvey's table. HARVEY AMY KANE PELL (CONT'D) Go on. Why don't Saddle you? GILLIS WILL himKANE up. He'll go a Oh, long I don't nothing. wayknow. before Only heit tires. takesthat's a smart man to what you know were when HELEN thinking, to RAMIREZ backwasn't away. it? He is not myHARVEY man. He's PELLyours. Get on that horse, HARVEY WILL KANE Will. PELL EXT. BARBER SHOP If I-of. Kind can't DAY pick my company when I drink in here, WILL I ain't KANE coming in A battered Will here Why's walks any it up more. so to important HARVEY the barber PELL to you? shopYou Scared? don't care if I live or die. INT. BARBER SHOP - DAY GILLIS O-kay. All right. WILL KANE HARVEY Hmf. PELLThe boy Will walks inC'mon. with I the guess door. a tin so.The star. Barber All right. is busy Ifat the basin. that's the way you want it. Harvey grabs Will. Will pushes HARVEY WILL KANE him PELL away angrily. Gillis gets up Sure. You ingot aIt huff some stands and clean goes to water reason. backIbehind C'mon. can use? the bar. Let me help.WILL KANE Don't shove me, GILLIS BARBER Harve. I'm tired Harvey grabs a All of Why, nearby being right, sure, blanket shoved. boys. and Marshal. What're Sure, saddle you sure. and gonna puts them on the horse. HeSit have? cinches down.the saddle tight. Will walks away. Harvey grabs his sleeve, spins him around, Harvey and Will decks painfully pours himhimself with seats one another himself punch. WILLin shot. KANE theHe's barber about chair to and drink lies when back. he pauses. HeSeems has observed like allsomething everybodythrough and histhe window. Harvey drags the brother half-conscious wants BARBER is toWill (CONT'D) get and me out tries of to put him on It'shorse. the Will, walking town. Run into past some thekind saloon. of trouble, Marshal? Harvey Will resists. watchesHarvey him for punches a while, HARVEY himpuzzled PELL into the asfeed to what trough. WillWill is doing Harvey kicks there. away. Then Well,he nobody realizes WILL wants what KANE to Will see you is up getto. He grabs his hat and goes. killed. No. No trouble. They circle each other, trade punches, and grapple. The EXT. hears younger Will LIVERY turns man, and hammering STABLE Harvey, starts - off DAY seems walking screen. to be outgetting the stable. the upper hand when Will lets fly with a couple of tremendous punches and puts Will walks Harvey downup for tothe a rather count. HARVEY WILL decrepit KANE PELL barn (CONT'D) (CONT'D) with equipment scattered outside Hold and What're it,you "TODD'S where building? are LIVERY you going? STABLE' hand-painted over the After a rest door. to get his breath back, the badly battered Will throws a bucket of water on WILL BARBER the KANE comatose form of Harvey. Will opens the I door don'tand know. walks Back inside. to the office, Harvey stirs.IWill guess. dusts off his hat and leaves. INT. LIVERY STABLE - DAY INT. HELEN'S HOTEL ROOM -HARVEY DAY PELL Will walks in. OhThere no. You're is harness getting on the on the walls horse and a line of tethered Amy sits while horses. and Helen you're stands getting and talks. out.

53. 54. 55. 56. Will walks up on.to Harvey the first grabs HELEN BARBER horse. himRAMIREZ and (CONT'D) spins him around. I hate (shouting) this town. I always hated EXT. LIVERY STABLE Fred. it. ToFred! be DAY a Hold Mexican HARVEY itPELL a woman while, (CONT'D) in will a you? What's town like thethis... matter with you? You Harvey approaches were and ready walks to do init the yourself. open door. You The hammeringsaid stops. so. AMY KANE INT. LIVERY STABLE I understand. - DAY FRED WILL (O.S.) KANE Harvey walks up Hold Look, behind it? Harve. Will. HELEN I thought RAMIREZ about it because You do? That's I was tired. good. I You don't think about a lotyou. understand of BARBER HARVEY things No matter (CONT'D) PELL whenwhat you're You Put just tired. you a saddle say. But stop IfIKane on can't 'till him, was do Imy Kane. tell it. man, you I to start never again. leave him like this. I get Will turns around a gun. inIsurprise. fight. HARVEY PELL EXT. STATION WAITING Why? ROOM - DAY HARVEY AMY KANE PELL (CONT'D) The empty tracks Go on. Why stretch don't Saddle you? into WILL himthe KANE up.distance. He'll go a long I don't wayknow. before he tires. that's Jack, Ben, and what Jimyou unfasten were HELEN thinking, their RAMIREZ spurs. wasn't Getting it? ready for action. He is not myHARVEY man. He's PELLyours. Get on that horse, WILL KANE Will. INT. EXT. BARBER SHOP Kind-of. DAY WILL KANE Will A battered standsWill as Why's the walks Barber it up so to important HARVEY brushes the barber PELL him to off. you? shopHe Youlooks much more presentable. Scared? don't care if I live or die. INT. BARBER SHOP - DAY WILL HARVEY KANE PELL Will walks inThank Ithe C'mon. guess door. you. so.The Barber is busy at the basin. Harvey grabs Will. Will pushes BARBER HARVEY WILL KANE him PELL away angrily. You're Sure. You got It welcome, some stands clean Marshal. to water reason. I can C'mon. use? Let me help.WILL KANE Will flips him Don't a coin. shove me, BARBER Harve. I'm tired Harvey grabs a ofnearby Why, being sure, blanket shoved. Marshal. andSure, saddle sure. and puts them on the horse. HeSit cinches down.theBARBER saddle tight. Will walks away. Oh, Harvey no charge. grabs his sleeve, spins him around, and decks Will painfully him with seats one himself punch. WILLin KANE the barber chair and lies back. Seems like all WILL everybody KANE and his Harvey drags the You brother half-conscious can tell wants BARBER your is to man Will (CONT'D) get heand me can out tries goof to put him on the horse. back town. Run into to work somenow. kind of trouble, Marshal? EXT. Will STREET resists. OUTSIDE HarveyMARSHAL'S punches HARVEY him OFFICE PELL into-the DAYfeed trough. Will kicks Harvey away. Well, nobodyWILL wants KANE to see you get Will walks upNo. killed. to the No trouble. office door. They circle each other, trade punches, and grapple. The He younger Will pulls turns hears man, his and hammering hand-written Harvey, startsoff seems walking screen. notice to be outoff getting thethe stable. door the upper and walks hand inside. when Will lets fly with a couple of tremendous punches and puts INT. Harvey MARSHAL'S down forOFFICE the count. - DAY HARVEY WILL KANE PELL (CONT'D) (CONT'D) Hold it,you What're where building? are you going? Will Afterwalks a rest inside. to getDeputy his breath Sheriff back, Herb the Baker badly isbattered waiting Will throws a bucket of water on WILL BARBER the KANE comatose form of Harvey. I don't Aw, justknow. fixing Back things to the up out office, Harvey stirs.back. IWill guess. dusts Now take offit his easy, hat and Mr Kane. leaves. Just settle back. That's it. INT. HELEN'S HOTEL ROOM -HARVEY DAY PELL The Barber lays Oh a no. damp You're cloth getting over Will's on theface horse and goes to Amy back the sits door. while and Helen you're stands getting and talks. out.

54. 55. 56. 57. Will walks on. Harvey grabs HELEN BARBER HERB him BAKER RAMIREZ and (CONT'D) spins him around. I couldn't hate (shouting) thisfigure town. out I always what was hated Fred. it. ToFred! keeping be you. a Hold Mexican HARVEY Time's itPELL a woman getting while, (CONT'D) inpretty will a you? What's town short. like thethis... matter with you? You were ready to do it yourself. You The hammeringsaid stops. so. AMY KANE WILL KANE I understand. Sure is. FRED WILL (O.S.) KANE Hold Look,it? Harve.HERB HELEN I thought BAKER RAMIREZ about it because You When do? areThat's Ithe wasother tired. good. boys You I don't going thinkto about understand get here. a lot We you. of BARBER gotta things No make matter (CONT'D) when plans. what you're You tired. you just say. But stop IfIKane can't 'till was do Imy tell it. man, you I to start never again. leave him WILLlike KANEthis. I get a gun.aren't There I fight. HARVEY any other PELLboys, Herb. EXT. STATION WAITING Why? just It's ROOM you-and DAYme. AMY KANE The empty tracks Why stretch don't you? into WILL the HERB KANEdistance. BAKER I don't Heh. You're know. joking. Jack, Ben, and Jim unfasten HELEN their RAMIREZ spurs. Getting ready for action. He is not myWILL HARVEY man.KANE He's PELLyours. Get I-No. on that I couldn't horse, get Will. anybody. INT. EXT. BARBER SHOP - DAY WILL BAKER HERB KANE Will A battered standsWill as Why's I the don't walks Barber itbelieve up so to important brushes the it.barber This him to off. you? town shopHe Youlooks much more presentable. don't that ain't care low. if I live or die. INT. BARBER SHOP - DAY WILL HARVEY KANE PELL Will walks inThank C'mon. I the couldn't door. you. The get Barber anybody. is busy at the basin. Harvey grabs Will. Will pushes BARBER WILL BAKER HERB KANE him away angrily. You're You got Then it's welcome, some just clean you Marshal. water and me. I can use? WILL KANE Will flips him Don't a coin. shove me, BARBER WILL Harve. KANE I'm tired ofguess Why, I being sure, so. shoved. Marshal. Sure, sure. Sit down. BARBER Will walks away. Oh, Harvey no charge. grabs HERB his BAKER sleeve, spins him around, and decks Will painfully himYou with seats and one himself mepunch. against in the Miller barber and chair all and lies back. the rest of them? WILL KANE Harvey drags the You half-conscious can tellBARBER your man Will (CONT'D) heand cantries go to put him on the horse. back Run into to work some WILL now. kind KANE of trouble, Marshal? That's right. Do you want out, Herb? EXT. Will STREET resists. OUTSIDE HarveyMARSHAL'S punches him OFFICE into-the DAYfeed trough. Will kicks Harvey away. WILL BAKER HERB KANE Will walks upWell, No. to the Noit trouble. office isn't door. that I want out, They circle each no. other, You see-trade Look, punches, I'll tell and grapple. you The He younger Will pulls hears man, his hammering hand-written Harvey, the truth. seems off Iscreen. notice didn't to be off getting figure theon door the upper and walks hand inside. when Will lets flyanything with a couple like this, of tremendous Will. punches and puts INT. Harvey MARSHAL'S down forOFFICE the count. - DAY WILL KANE (CONT'D) What're you building? WILL KANE Will Afterwalks a rest inside. to Neither getDeputy his didbreath I. Sheriff back, Herb the Baker badly isbattered waiting Will impatiently throws a bucket for him. of water on BARBER the comatose form of Harvey. Aw, just fixing HERBthings BAKER up out Harvey stirs.I back. Will volunteered. dusts Now take off HERB it You his BAKER easy, know hat and Mrdid. I Kane. leaves. Will! Justdidn't You settlehave back. toThat's come to it. me. I INT. HELEN'S HOTEL was ready. ROOM Sure, DAY I-- I'm ready now. The Barber lays But, a damp this cloth isWILL different, over KANEWill's Will. face and goes to Amy back the sits door. while I Helen guess stands I forgot (MORE) and about talks. you, Herb. I'm sure glad you're here.

55. 56. 57. 58. HELENBAKER BARBER HERB RAMIREZ (CONT'D) (CONT'D) This I hate couldn't ain't (shouting) thislike figure town. what I always out you what said hated was it Fred. it. gonna keeping was ToFred! be you. a Hold be. Mexican Time's This itis a woman getting while, justin plain pretty will a you? town like this... short. committing suicide, and for what? Why me? I'm no lawman. I just The hammeringlive stops. here. IWILL AMY gotKANE nothing KANE personal I understand. Sure against is.nobody. I got no stake in this. FRED (O.S.) Hold it? HELENBAKER HERB RAMIREZ Will looks grim. You His When do? arelast That's the hope other good. gone. boys I don't going to understand get here. We you. BARBER gotta No make matter (CONT'D) plans. what You you just say. stop If Kane WILL 'till was KANE Imy tell man, you I to start never I guess again. leave not.him WILLlike KANEthis. I get a gun.aren't There I fight. any other boys, Herb. EXT. STATION WAITING It's just ROOM you HERB -and DAY BAKER me. There's a limit AMY how KANEmuch you can The empty tracks Why stretch ask don't a man.you? Iinto HERB got the a BAKER wife distance. and kids. Heh. about What You'remy joking. kids? Jack, Ben, and Jim unfasten HELEN their RAMIREZ spurs. Getting ready for action. He is not myWILL man.KANE He's yours. No.on Go I-home I couldn't to your kids, get anybody. Herb. INT. EXT. BARBER SHOP - DAY Herb drops his tin star on HERB theBAKER desk and heads for the door. Will A battered He pauses. standsWill as I the don't walks Barber believe up to brushes the it.barber This him off. town shopHe looks much more presentable. ain't that low. INT. BARBER SHOP - DAY HERB BAKER You get someWILL of the KANE other fellers, Will walks inThank Ithe Will, couldn't door. you. and I'll The get Barber anybody. still go isthrough busy at the basin. with it. BARBER WILL BAKER HERB KANE You're You got Then it's welcome, some just WILL clean you Marshal. KANE water and me. I can use? (firm) Will flips him Goaon coin. home, Herb. BARBER WILL KANE Why, I guess sure, so.Marshal. Sure, sure. Herb leaves. Will Sit down. swipes the BARBER stuff off his desk in frustration, then sinks his Oh, head no on charge. the HERB desk BAKER in despair. Will painfully You seats and himself me against in the Miller barber and chair all and lies back. A face peeps round the rest theof corner. them? WILL KANE It's Johnny, the messenger boy. Is that a You sob can hetell hears? BARBER your man (CONT'D) he can go back Run into to work some WILL now. kind KANE of trouble, Marshal? That's right. WILL Do you KANEwant out, Herb? EXT. STREET OUTSIDE What doMARSHAL'S you want?OFFICE - DAY WILL BAKER HERB KANE Will walks upWell, No. to the Noit trouble. office isn't JOHNNY door. that I want out, I no. found You 'em, see--Marshal, Look, I'll like tell youyou He Will pulls hears his hammering hand-written wanted the truth. me off to. Iscreen. notice didn't All but off figure Mrthe Henderson. on door and walks inside. anything like this, Will. INT. MARSHAL'S OFFICE - DAY WILL KANE (CONT'D) I What're found him. you building? WILL Thanks. KANE Will walks inside. Neither Deputy did I. Sheriff Herb Baker is waiting impatiently for him. JOHNNY BARBER You're Aw, just welcome. fixing HERBMarshal, things BAKER uplisten. out Lemme back. I volunteered. fight Now take with HERB ityou. You BAKER easy, know I ain't Mrdid. I Kane. Will! afraid. Justdidn't You settlehave back. toThat's come to it. me. I was ready. Sure, I-- I'm ready now. The Barber lays But, a damp this cloth isWILL different, over KANEWill's Will. face and goes to the back door. I guess I forgot (MORE) about you, Herb. I'm sure glad you're here.

56. 57. 58. 59. BARBER HERB JOHNNY BAKER (CONT'D) (CONT'D) Please I This couldn't ain't (shouting) let me, figure like Marshal. what outyou what said wasit Fred. keeping was gonna Fred! you. be. Hold Time's This itis a getting while, just plain pretty will you? short. committing suicide, WILL KANE and for what? Why me?aI'm You're kid. noYou're lawman. a baby. I just The hammeringlive stops. here. IWILL got nothing KANE personal Sure is.nobody. against JOHNNY I got no stake in this. I'm sixteen.FRED And I (O.S.) can handle a Hold gun, it? too. You HERB oughta BAKER see me. Will looks grim. WhenHis arelast the hope othergone. boys going to get here. WeBARBER WILL gotta KANE make (CONT'D) plans. You You're just fourteen, stop WILL 'till and KANE Iwhat telldo you you to start I guess want to again. not.for? lie WILL KANE There aren't any other boys, Herb. EXT. STATION WAITING It's just ROOM you HERB JOHNNY -and DAY BAKER me. There's I'm big for a limit my age. how Please, much youMarshal. can The empty tracks ask stretch a man. Iinto HERB got the a BAKER wife distance. and kids. Heh. about What You'remy joking. WILL kids? KANE Jack, Ben, and Well, Jim unfasten you're big their for spurs. your age Getting all ready for action. right, but no. WILL GoKANE on. Get outta No.on Go here. I-home Go Ion. couldn't to your kids, get anybody. Herb. INT. BARBER SHOP - DAY Herb pushes Will drops his a reluctant tin star Johnny on HERB theBAKER desk andthe towards heads door. for the door. Will He pauses. stands as I the don't Barber believe brushes it. This him off. town He looks much more Will presentable. glances at ain't thethat clock. low. HERB BAKER CU CLOCK: 11:55 Youam get [67:50] someWILL of the KANE other fellers, Thank I couldn't Will, you. and I'll get still anybody. go through Will sticks an with extra it.gun into his waistband and breaks out a box of ammunition. BARBER HERB BAKER You're Then it's welcome, just WILL you Marshal. KANE and me. EXT. STATION WAITING (firm) ROOM - DAY Will flips him Goaon coin. home, Herb. WILL KANE Ben brings anIextra guessgunbelt so. from the tied-up horses. He joins Herb the other leaves. twoWill in the swipes waiting the BARBER stuff room. off his desk in frustration, then sinks his Oh, head no on charge. the HERB desk BAKER in despair. The three test You their and guns, me against spinning Miller theand chambers, all easing A into face holsters peeps round the etc. rest theof corner. them? WILL KANE It's Johnny, the messenger boy. Is that a You sob can hetell hears? your man he can go INT. MARSHAL'S back OFFICE to work - DAY WILL now.KANE That's right. WILL Do you KANEwant out, Herb? EXT. Will STREET writes OUTSIDE something What doMARSHAL'S you with want? a dipping OFFICE pen DAY and ink holder. HERB BAKER Will CU: "Last walksWill upWell, to and the Testament" itoffice isn't JOHNNY door. that I want out, I no. found You 'em, see--Marshal, Look, I'll like tell youyou He pulls looks his up at hand-written wanted the the truth. clock. me to. I notice didn't All but off figure Mrthe Henderson. on door and walks inside. anything like this, Will. INT. CU CLOCK: MARSHAL'S 11:58OFFICE am [68:37] - DAY WILL KANE I found him.WILL Thanks. KANE Will Thoughtfully, walks inside. Neither he carries Deputy did on I. Sheriff writing. Herb Baker is waiting impatiently for him. JOHNNY EXT. STATION WAITING You're welcome. ROOMHERB - DAY Marshal, BAKER listen. Lemme I volunteered. fight with HERB You you. BAKER know I ain't I did. Will! afraid. You didn't have to come to me. I was ready. Sure, I-- I'm ready now. But, this isWILL different, KANE Will. I guess I forgot No. (MORE) about you, Herb. I'm sure glad you're here.

57. 58. 59. 60. 61. INT. CHURCH - DAY HERB BAKER (CONT'D) JOHNNY I couldn't This Please ain't let me, figure like Marshal. what outyou what said wasit The congregation keeping was pray. gonna you. be.Time's This is getting just plain pretty short. committing suicide, WILL KANE and for what? In the front pew, Why me? You're Mayor aI'm kid. Henderson noYou're lawman. wonders a baby. I justif he did the right thing. live here. IWILL got nothing KANE personal Sure is.nobody. against JOHNNY I got no stake in INT. RAMIREZ SALOON this. I'm sixteen. - DAY And I can handle a gun, too. You HERB oughta BAKER see me. Willdrinkers The looks grim. for Whenonce His arelast are the silent hope othergone. boys as they going line to the bar. get here. WeWILL gotta KANE make plans. Eyepatch Jimmy You're sits alone fourteen, WILL at his and KANE table. what do Gillis you waits. I guess want to lie not.for? WILL KANE INT. MARSHAL'S There OFFICE aren't - DAY any other boys, Herb. It's just you HERB JOHNNY andBAKER me. Will continues There's I'm writing. big for a limit my age. how Please, much youMarshal. can ask a man. IHERB got a BAKER wife and kids. SERIES OF SHOTS Heh. about What You'remy joking. WILL kids? KANE Well, you're big for your age all - The empty street right,one butway no. WILL GoKANE on. Get outta No.on Go here. I-home Go Ion. couldn't to your kids, get anybody. Herb. - The empty street, the other way Herb pushes Will drops his a reluctant tin star Johnny on HERB theBAKER desk andthe towards heads door. for the door. HeThe pauses. empty railroad I don't tracks believe it. This town Will glances at ain't thethat clock. low. - The three waiting gunmen HERB BAKER CU CLOCK: 11:55 Youam get [67:50] someWILL of the KANE other fellers, - The two old-timers I couldn't Will, and onI'll the get porch anybody. still go through Will sticks an with extra it.gun into his waistband and breaks out a box Sam ofand ammunition. Mildred Fuller HERB BAKER Then it's just WILL you KANE and me. EXT. Ex-marshal STATION Martin WAITING (firm) Howe ROOM - DAY Go on home, Herb. WILL KANE Ben Helen brings Ramirez anIextra guessgunbelt so. from the tied-up horses. He joins Herb the other leaves. twoWill in the swipes waiting the stuff room. off his desk in frustration, then - Amysinks Kane his head on the HERB desk BAKER in despair. The three test You their and guns, me against spinning Miller theand chambers, all easing A into face CU CLOCK: holsters peeps11:59 round the etc. rest am the [69:44] of corner. them? It's Johnny, the messenger boy. Is that a sob he hears? INT. TheMARSHAL'S three gunmen OFFICE - DAY WILL KANE That's right. WILL Do you KANEwant out, Herb? Will Will writes Kane something What do you with want? a dipping pen and ink holder. HERB BAKER CU: CU: "Last CLOCK Will 12:00 Well, and[70:00] Testament" it isn't JOHNNY that I want out, I no. found You 'em, see--Marshal, Look, I'll like tell youyou HeThe looks chair up Frank at wanted the the truth. Miller clock. me to. Isat didn't All inbut and figure Mr made Henderson. on his threat anything like this, Will. CUTRAIN A CLOCK: WHISTLE 11:58 BLOWS! am [68:37] [70:00] WILL KANE I found him.WILL Thanks. KANE Thoughtfully, Amy looks outside Neither he carries did on I. writing. JOHNNY EXT. Will STATION looks at WAITING You're the clock welcome. ROOMHERB - DAY Marshal, BAKER listen. Lemme I volunteered. fight with You you. know I ain't I did. Suited Helenup looks andafraid. You ready up didn't for action, have to the comethree to me. gunmen I stare down the track. was ready. Sure, I-- I'm ready now. - The three gunmen But, this lookis at WILL different, each KANE otherWill. and smile The tracks stretch No. empty to (MORE) the horizon. - The empty railroad track with smoke on the horizon

58. 59. 60. 61. 62. INT. MARSHAL'S EXT. HADLEYVILLE CHURCH - DAY OFFICE STATION - DAY HERB JOHNNY DAYBAKER (CONT'D) This ain't Please let me, likeMarshal. what you said it The congregation Will looks thoughtful. was pray. gonna He be.finishes This is the justwill, plainblots it, puts it in an envelope, committing and seals suicide, WILLit. KANE and for what? In the front pew, Why me? You're Mayor aI'm kid. Henderson noYou're lawman. wonders a baby. I justif he did the right thing. On the outside live he writes here. I"To gotbe nothing openedpersonal in the event of my death" against nobody. JOHNNY I got no stake in INT. RAMIREZ SALOON this. I'm sixteen. - DAY And I can handle a - We finally see gun,the too. train You approaching, oughta see me. smoke pouring from Willstack The the drinkers looks grim. for once His last are silent hope gone. as they line the bar. WILL KANE Eyepatch Will walks Jimmy past You're sits the cells. alone fourteen, WILL at Hehis bags and KANE table. what on the do Gillis bars. you waits. I guess want to lie not.for? INT. MARSHAL'S OFFICE - DAY WILL KANE Hey, Charlie. HERB JOHNNY YouBAKER can go home now. Will continues There's I'm writing. big for a limit my age. how Please, much youMarshal. can He opens the cell ask adoor. man. Charlie I got a staggers wife and to kids. his feet. SERIES OF SHOTS What about my WILL kids? KANE Well, you'reCHARLIE big for your age all - The empty street right, Oh. Thanks, one butway no. Marshal. WILL GoKANE on.Sure Get outta Go on Go here. appreciate home on. to your it. Certainly kids, do. Herb. You - The empty street, don't happen the other to know way if the Herb pushes Will drops his asaloon's reluctant tin star open, on the Johnny do towards desk you, and Will? the heads door. for the door. HeThe pauses. empty railroad tracks Will glances at the clock. WILL KANE - The three waiting I said gunmen "go home", HERB BAKER Charlie. CU CLOCK: 11:55 Youam get [67:50] some of the other fellers, - The two old-timers Will, and onI'll the CHARLIE porch still go through Will sticks an with Yes, extra it.gun into his waistband and breaks out a sir. box Sam ofand ammunition. Mildred Fuller Charlie leaves out a sideWILL door. KANE EXT. Ex-marshal STATION Martin WAITING (firm) Howe ROOM - DAY EXT. STREET OUTSIDE Go on home, HOTELHerb. - DAY Ben Helen brings Ramirez an extra gunbelt from the tied-up horses. He joins Herb the other Helen leaves. and Amy twoWill in the are swipes seated waiting the on the stuff room. buggy offwith his desk theirin cases frustration, packed then - Amy on the sinks Kane back. his Sam head theon Gopher the desk stands in despair. by the buggy. The three test their guns, spinning the chambers, easing A into face CU CLOCK: holsters peeps11:59 round etc.am the [69:44] corner. SAM THE It's GOPHER Johnny, the messenger boy. Is that a Sosob long, he hears? Helen. INT. TheMARSHAL'S three gunmen OFFICE - DAY WILL HELENKANE RAMIREZ Will Will writes Kane something What Goodbye, do you with Sam. want? a dipping pen and ink holder. CU: CU: "Last CLOCK Will 12:00 and[70:00] Testament" JOHNNY SAM THE GOPHER I Take found care. 'em, Marshal, like you HeThe looks chair up Frank at wanted theMiller clock. me to. sat All inbut andMr made Henderson. his threat Amy drives off. CUTRAIN A CLOCK: WHISTLE 11:58 BLOWS! am [68:37] [70:00] WILL KANE EXT. MARSHAL'S I OFFICE found him. - DAY Thanks. Thoughtfully, Amy looks outside he carries on writing. Will leaves the office. He JOHNNY looks right. Empty street. EXT. Will STATION looks at WAITING You're the clock welcome. ROOM - DAY Marshal, listen. He looks left. Lemme Amy and fight Helen withapproach you. I ain't in the buggy. Suited Helenup looks andafraid. ready for action, the three gunmen stare down up thethey As track. ride past Helen turns to look at Will. Amy looks - The three straight ahead. gunmen look at WILL each KANE other and smile The tracks stretch No. empty to the horizon. - The empty railroad track with smoke on the horizon

59. 60. 61. 62. INT. MARSHAL'S EXT. HADLEYVILLE CHURCH - DAY OFFICE STATION - DAY JOHNNY DAY Please let me, Marshal. Willtrain The congregation looksis thoughtful. close, pray. puffing He finishes and whistling, the will, the blots bellit, clanging. puts it in an envelope, and seals WILLit. KANE In the The three front gunmen pew, You're wait, Mayor a kid. smiling. Henderson You're wonders a baby. if he did the right thing. On the outside he writes "To be opened in the event of my death" Amy and Helen pull up in the JOHNNY buggy. INT. RAMIREZ SALOON I'm sixteen. - DAY And I can handle a - WeStation The finallyMaster see gun,the too. gets train You their approaching, oughta bagssee down me. smoke for them. pouring from The stack the drinkers for once are silent as they line the bar. The "Sierra Railroad" train WILL slows KANEand stops. Eyepatch Will walks Jimmy past You're sits the cells. alone fourteen, at Hehis bags andtable. what on the do Gillis bars. you waits. EXT. STATION WAITING want to ROOM lie for? - DAY INT. MARSHAL'S OFFICE - DAY WILL KANE The three gunmen Hey,jog Charlie. to Frank's JOHNNY You can carriage, go home now. Will continues I'm writing. big for my age. Please, Marshal. He opens FRANK MILLER the (Ian cell MacDonald) door. Charlie gets staggers down from to the his carriage. feet. He SERIES is a well-dressed OF SHOTS man. WILL KANE Well, you'reCHARLIE big for your age all - The empty street right, Oh. Thanks, one butway no. Marshal. BENGo on.Sure Get outta here. Go appreciate Hello, Frank. on. it. Certainly do. You - The empty street, don't happen the other to know way if the Will pushes asaloon's reluctant open, Johnny JIMdo towards you, Will? the door. - The empty railroad How are tracks you, Frank? Will glances at the clock. WILL KANE - The three waiting I said gunmen "go home", FRANK Charlie. MILLER CU CLOCK: 11:55 Everything am [67:50] ready? - The two old-timers on the CHARLIE porch Will sticks an Yes, extra sir. gun into BEN his waistband and breaks out a box Sam ofand ammunition. Mildred Sure.Fuller Just the way you want it, Charlie leaves Frank. out a side door. EXT. Ex-marshal STATION Martin WAITINGHowe ROOM - DAY EXT. STREET OUTSIDE HOTELJIM - DAY Ben Helen brings Ramirez anYeah. extraWe gunbelt got your from gun the over tied-up here.horses. He joins the other Helen and Amy two are in the seated waiting on the room. buggy with their cases packed - Amy on theKane back. Sam the Gopher FRANK stands MILLER by the buggy. The three test Let's their get guns, started, spinning then. the chambers, easing into CU CLOCK: holsters 11:59 etc.am [69:44] SAM THE GOPHER Frank removesSo his long, jacket Helen. and buckles on the extra gunbelt. INT. He The fixes MARSHAL'S three chaps. gunmen OFFICE - DAY HELEN RAMIREZ Will In Will the writes Kane BG the something Goodbye, Station Master with Sam. a assists dipping Helen pen and and ink Amy holder. on to the train. CU: CU: "Last CLOCK Will 12:00 and[70:00] Testament" SAM THE GOPHER Helen pauses to Take look care. at Frank Miller. HeThe looks chair up Frank at theMiller clock.sat in and made his threat Amy drives Miller looks off. at her. We see his face for the first time CUTRAIN A mean CLOCK: andWHISTLE pock-marked. 11:58 BLOWS! am [68:37] [70:00] EXT. MARSHAL'S OFFICE - DAY Thoughtfully, A Amy looks long glance, outside he then carries Helenon mounts writing. the train and Miller and Willgang his leaves move the off office. on foot Hetowards looks right. town. Empty street. EXT. Will STATION looks at WAITING the clock ROOM - DAY He looks EXT. STREET left. OUTSIDE Amy and MARSHAL'S Helen approach OFFICE -in DAY the buggy. Suited Helenup looks and up ready for action, the three gunmen stare down thethey As Will track. studies ride the pastlayout, Helen turns looking to for lookpotential at Will. ambushes. Amy looks - The three straight ahead. gunmen look at each other and smile The camera tracks rises stretch toempty show him to the as a horizon. small, lone figure in an - The street. empty empty railroad track with smoke on the horizon

60. 61. 62. 63. INT. EXT. He walks CHURCH MARSHAL'S HADLEYVILLE off-in DAY OFFICE the STATION direction - DAY - DAYof the station. EXT.train Will The congregation looksSTREET SIDE is thoughtful. close, pray. DAY puffing He finishes and whistling, the will, the blots bellit, clanging. puts it in an envelope, and seals it. In the The three four front gunmen gunmen pew, approach wait, Mayorsmiling. Henderson via a side wonders street. if he did the right thing. On the outside he writes "To be opened in the event of my death" Amy Will and is walking Helen pull towards up inthe theintersection buggy. where they will hit INT.main the RAMIREZ street. SALOON - DAY - WeStation The finallyMaster see the gets train their approaching, bags down for smoke them. pouring from The sees the Ben drinkers stack a pretty for once bonnet arein silent a shop aswindow. they line He breaks the bar. the The "Sierra glass and grabs Railroad" it. train slows and stops. Eyepatch Will walks Jimmy pastsits the cells. alone at Hehis bags table. on the Gillis bars.waits. EXT.sound The STATION alerts WAITING WillROOM and he - DAY takes cover behind a stoop. INT. MARSHAL'S OFFICE - DAY WILL KANE The three gunmen Hey,jog Charlie. to Frank's FRANK You can MILLER carriage, go home now. Will continues Can't writing. you wait? He opens FRANK MILLER the (Ian cell MacDonald) door. Charlie gets staggers down from to the his carriage. feet. He SERIES is a well-dressed OF SHOTS man. BEN Just want toCHARLIE be ready. - The empty street Oh. Thanks, one way Marshal. BEN Sure At the cornerHello, appreciate Jim peers Frank. around it. Certainly cautiously. do. You He doesn't see - Thehiding Will empty behind street, don't the happen thesame other tobuilding. know way if the Jim motions them forward into the saloon's main street. open, JIMdo you, Will? - The empty railroad How are tracks you, Frank? EXT. MAIN STREET - DAY WILL KANE - The three waiting I said gunmen "go home", FRANK Charlie. MILLER The four headEverything down the main ready? street towards the marshal's - The two office. From old-timers a hidingon place, the CHARLIE porch someone watches them approach. Yes, sir. BEN - Samhave They and walked Mildred Sure. past Fuller Just Will. the He waycalls you want out.it, Charlie leaves Frank. out a side door. - Ex-marshal Martin Howe WILL KANE EXT. STREET OUTSIDE Miller!HOTELJIM - DAY - Helen Ramirez Yeah. We got your gun over here. Helenturn They and and Amy fire. are seated Will shoots on the Ben buggy and with disappears their cases downpacked a - Amy on side the street. Kane back. Sam the Gopher FRANK stands MILLER by the buggy. Let's get started, then. - CU RAILWAY INT. CLOCK: 11:59 CARRIAGE am [69:44] - DAY SAM THE GOPHER Frank removesSo his long, jacket Helen. and buckles on the extra gunbelt. - The He Amy fixes and three Helen chaps. gunmen and the other passengers hear the shots. HELEN RAMIREZ - Will In Amy the jumps Kane BG theand up Goodbye, Station headsMaster Sam. for the assists door. Helen and Amy on to the train. - CU:HADLEYVILLE EXT. CLOCK 12:00STATION [70:00]SAM DAY THE GOPHER Helen pauses to Take look care. at Frank Miller. - The chair Frank Miller sat in and made his threat Amy drives Miller looks off. at her. We see his face for the first time A TRAIN mean andWHISTLE pock-marked. BLOWS! [70:00] EXT. MARSHAL'S OFFICE - DAY - long A Amy looks glance, outside then Helen mounts the train and Miller and Willgang his leaves move the off office. on foot Hetowards looks right. town. Empty street. - Will looks at the clock He looks EXT. STREET left. OUTSIDE Amy and MARSHAL'S Helen approach OFFICE -in DAY the buggy. - Helen looks up As they Will studies ride the pastlayout, Helen turns looking to for lookpotential at Will. ambushes. Amy looks - The three straight ahead. gunmen look at each other and smile The camera rises to show him as a small, lone figure in an - The street. empty empty railroad track with smoke on the horizon

61. 62. 63. 64. INT. EXT. He She walks enters MARSHAL'S HADLEYVILLE off the innearby OFFICE the STATION direction - DAY marshal's - DAYofoffice. the station. INT.train Will The EXT. looksSTREET SIDE MARSHAL'S is thoughtful. close, OFFICE - DAY puffing -He DAY finishes and whistling, the will, the blots bellit, clanging. puts it in an envelope, and seals it. The enters. Amy threegunmen four gunmen Behind approach wait, her on smiling. via theawall sidehangs street. Harvey's gunbelt. On the outside he writes "To be opened in the event of my death" Amy Will EXT. and is walking SIDE Helen STREETS pull towards -up DAY inthe theintersection buggy. where they will hit the main street. - WeStation The Will finallycautiously prowls Master see the gets train down their approaching, side bags streets, down for smoke looking them. pouring for the from the sees Ben remaining stackathree pretty gunmen. bonnet in a shop window. He breaks the The "Sierra glass and grabs Railroad" it. train slows and stops. Will He iswalks outside past a Feed the cells. Store when He bags shots on ring the bars. out and bullets EXT.sound The whizz STATION pastalerts him. WAITING WillROOM and he - DAY takes cover behind a stoop. WILL KANE The three FEED INT./EXT. gunmen Hey, STORE jog Charlie. toDAY Frank's FRANK You can MILLER carriage, go home now. Can't you wait? He opens FRANK Will ducks MILLER the into cell (Ian the door. MacDonald) feedCharlie store gets and staggers down dives from to the behind his a feet. carriage. pile of hay. He is a well-dressed man. BEN There are piles Just ofwant hay one toCHARLIE be side ready. and stabled horses the other side. Above is Oh. a loft Thanks, filled Marshal. BEN with hay. Sure At the cornerHello, appreciate Jim peers Frank. around it. Certainly cautiously. do. You He doesn't see Will climbs hiding the behind don't ladder the happen same to the tobuilding. know loftif and the Jim peers motions through them the forward loft opening. into the saloon's main street. open, JIMdo you, Will? How are you, Frank? EXT. He can MAIN seeSTREET part of - the DAY street, WILL KANE a parked buggy, and a building other side the I road. said "go home", FRANK Charlie. MILLER The four headEverything down the main ready? street towards the marshal's office. He sees a From gunman a hiding (Jack) place, dash CHARLIE someone into cover watches behind them theapproach. building. Yes, sir. BEN They and Will haveJack walked Sure. exchange past Just Will. fire. the He way Jack calls you runs want out. closer it, and takes cover Charliethe behind leaves wagon. Frank. out a side door. WILL KANE EXT. withdraws Will STREET OUTSIDE Miller! into the HOTEL loft. JIM - DAY Jack sees his opportunity and dashes from behind Yeah. the We got buggy your into gunthe over store. here.In the store he Helenturn They and and Amy fire. are seated Will shoots on the Ben buggy and with disappears their cases downpacked a on the side street. back. Sam the Gopher FRANK stands MILLER by the buggy. Let's get started, then. INT. RAILWAY CARRIAGE - DAY SAM THE GOPHER Frank removesSo his long, jacket Helen. and buckles on the extra gunbelt. He fixes Amy and Helen chaps. and the other passengers hear the shots. HELEN RAMIREZ In the Amy jumps BG up theand Goodbye, Station headsMaster Sam. for the assists door. Helen and Amy on to the train. EXT. HADLEYVILLE STATION SAM DAY THE GOPHER Helen pauses to Take look care. at Frank Miller. Amy runs from the train, picking up her skirts. Amy drives Miller looks off. at her. We see his face for the first time meanconductor The and pock-marked. waves and the train moves off. EXT. MARSHAL'S OFFICE - DAY A longlooks Helen glance, straight then Helen aheadmounts towards the her train new life. and Miller and Willgang his leaves move the off office. on foot Hetowards looks right. town. Empty street. EXT. MAIN STREET - DAY He looks EXT. STREET left. OUTSIDE Amy and MARSHAL'S Helen approach OFFICE -in DAY the buggy. Amy runs towards the marshal's office. As they Will studies ride the pastlayout, Helen turns looking to for lookpotential at Will. ambushes. Amy looks straight She stopsahead. at Ben's body lying in the street and looks around. The camera rises to show him as a small, lone figure in an empty She has street. no idea where anyone is. The street is deserted.

62. 63. 64. 65. EXT. She He walks mounts enters HADLEYVILLE off one the in of nearby the STATION the direction horses. marshal's - DAYofoffice. the station. The horses EXT. INT. train SIDE STREET MARSHAL'S is stream close, OFFICE -from DAY puffing -the DAYburning and whistling, building. the Will bell escapes clanging. with them by ducking down in the saddle so he won't be seen. The enters. Amy threegunmen four gunmen Behind approach wait, her on smiling. via theawall sidehangs street. Harvey's gunbelt. The two remaining gunmen see him at the last moment and rush Amy and Will EXT. after is SIDE the Helen walking STREETS fleeing pull towards -up horses, DAY inthe the firing intersection buggy. as they go. where they will hit the main street. The Station Will INT. prowls cautiously MARSHAL'S Master OFFICE gets -down their DAY side bags streets, down for looking them. for the Ben sees athree remaining pretty gunmen. bonnet in a shop window. He breaks the The is glass Amy "Sierra and slumped grabs Railroad" at it. the desk. train Will's slows and last stops. will and testament He isopened lies outside onathe Feed desk. Store when shots ring out and bullets EXT.sound The whizz STATION pastalerts him. WAITING WillROOM and he - DAY takes cover behind a stoop. She hears the gunfire and looks up. The three FEED INT./EXT. gunmen STORE jog toDAY Frank's FRANK MILLER carriage, EXT. STREET OUTSIDE Can't you MARSHAL'S wait? OFFICE - DAY FRANKducks Will MILLER into (Ian the MacDonald) feed store gets anddown dives from behind the a carriage. pile of hay. He is ahorses The well-dressed run past man. with Jim BEN and Frank running behind, firing There at Will are onpiles the Just last ofwant hay horse. one to be side ready. and stabled horses the other side. Above is a loft filled BEN with hay. At the Will slumps, cornerand Hello, Jimfalls peers Frank. from around thecautiously. saddle ontoHe the doesn't street. see Will climbs hiding the behind ladder the to same the building. loft andJim peers motions through them the forward loft The two opening. into the gunmen run main towards street. JIM him, firing as they go. How are you, Frank? EXT. He can MAIN seeSTREET part of - the DAY street, a parked buggy, and a building other side the road. FRANK MILLER The four headEverything down the main ready? street towards the marshal's office. He sees a From gunman a hiding (Jack) place, dash into someone cover watches behind them theapproach. building. BEN They and Will haveJack walked Sure. exchange past Just Will. fire. the He way Jack calls you runs want out. closer it, and takes cover behind the wagon. Frank. WILL KANE Will withdraws Miller! into the loft. JIM Jack sees his opportunity and dashes from behind Yeah. the We got buggy your into gunthe over store. here.In the store he They turn spots Willand up in fire. theWill loftshoots and fires Ben up andat disappears him. down a side street. FRANK MILLER Will fires back Let's andget Jack started, drops. then. INT. RAILWAY CARRIAGE - DAY Frankpeers Will removes outside his jacket from the andloft buckles opening on the again. extra Hegunbelt. sees He fixes Amy nothing. and Helen chaps. and the other passengers hear the shots. From In Amy the jumps a hidden BG up theand Station location headsMaster for the nearby assists Frank door.lights Helen a and kerosene Amy on lantern to the train. and tosses it towards the feed store. It lands short. EXT. HADLEYVILLE STATION - DAY Helenbehind From pausesthe to building look at Frank whereMiller. Jack hid, Jim fires at Will Amythe in runs loft from opening, the train, drawing picking his attention. up her skirts. Miller looks at her. We see his face for the first time meanconductor The Meanwhile and pock-marked. Frank waves tosses andanother the train lantern. moves It off. lands in the hay, and he fires at it to set the kerosene alight. The hay starts A longlooks Helen burning. glance, straight then Helen aheadmounts towards the her train new life. and Miller and his gang move off on foot towards town. EXT.stabled The MAIN STREET horses - start DAY panicking from the smoke and flames. EXT. STREET OUTSIDE MARSHAL'S OFFICE - DAY Amy runs Will dashes towards down the ladder marshal's through office. the smoke and over to Willhorses. the studiesHe the starts layout, untying looking them. for potential ambushes. She stops at Ben's body lying in the street and looks around. Theslaps He camera them rises andto chivvies show him them as to a small, get out lone as they figure mill in about an empty She in fright. has street. no idea where anyone is. The street is deserted.

63. 64. 65. 66. Shemounts He INT./EXT. walks enters off one MARSHAL'S the in of nearby the theOFFICE direction horses. marshal's - DAY ofoffice. the station. Jim runs EXT. INT. The horses SIDEout MARSHAL'S STREET stream ofOFFICE ammunition. -from DAY-the DAYburning He stops building. to reload. Will escapes with them by ducking down in the saddle so he won't be seen. The Amy A shot four enters. rings gunmen Behind outapproach from herbehind onvia thea Jim wall side and hangs street. he drops. Harvey's gunbelt. The two remaining gunmen see him at the last moment and rush Will EXT. after Amy shot is SIDE the walking him STREETS fleeing through towards - DAY horses, thethe window firing intersection using as they thego. where gun Harvey they will hunghit on the main wall street. when he resigned. Will MARSHAL'S INT. prowls cautiously OFFICE -down DAY side streets, looking for the Ben remaining Now sees it's a just three pretty Frank gunmen. bonnet and Will. in a shop window. He breaks the glass Amy isand slumped grabsat it. the desk. Will's last will and testament He lies Frank isopened outside realizes onathe what Feed desk. has Store happened. when shots He retreats ring outbehind and bullets the The whizz banksound and past enters alerts him. the Will marshal's and he takes office cover via the behind side a door stoop. where She the hears cells the are.gunfire and looks up. INT./EXT. FEED STORE - DAY FRANK MILLER EXT. He sneaks STREET upOUTSIDE on Can't Amyyou MARSHAL'S andwait? grabs her. OFFICE - DAY Will ducks into the feed store and dives behind a pile of hay. The Holding horses herrun in past frontwith of him, Jim BEN he andwalks Frankout running the door behind, intofiring the There at middle Will are of onpiles the the Just street last ofwant hay horse. where one to be side Will ready. and see can stabled them. horses the other side. Above is a loft filled with hay. At the Will slumps, cornerand Jimfalls peersfrom around FRANK thecautiously. MILLER saddle ontoHe the doesn't street. see Will climbs hiding the behind ladder the to same the building. loft andJim peers motions through them the forward loft The two opening. into the gunmen run main towards street. him, firing as they go. Will EXT. He can MAIN twists seeSTREET part as he of -lies DAY in the street, the dirt, a parked draws buggy, his gun, and and a building fires other side the road. back. The four head down the main street towards the marshal's office. He Will sees jumps From a gunman upaand hiding (Jack) runsplace, through dash into someone thecover flying watches behind bullets them theinto approach. building. the nearby saddlery where he stumbles and falls to the floor. They and Will haveJack walked exchange past Will. fire.He Jack calls runs out. closer and takes cover behind INT. MARSHAL'S the wagon. OFFICE - DAY WILL KANE Willrushes Amy withdraws toMiller! the into side thewindow. loft. Jack sees his opportunity and dashes from behind the buggy into the store. In the store he Theysees spots She turn Will the and upJim fire. in theWill and loftshoots Frank and in the fires Ben street andat up disappears outside. him. down a side street. Willsees She fires how back they and split Jackup drops. and stalk Will. INT. RAILWAY CARRIAGE - DAY Will peersSADDLERY INT./EXT. outside from DAYthe loft opening again. He sees Amy and Helen and the other passengers hear the shots. nothing. Will lies on the floor. His upper left arm is bleeding. Amy jumps From a hidden up and location heads nearby for theFrank door.lights a kerosene lantern andreloads. He tosses it towards the feed store. It lands short. EXT. HADLEYVILLE STATION - DAY From behind Meanwhile Frank the Miller building positions where Jack himself hid, behind Jim fires theat corner Will Amya in of the runs bank loft from with opening, the a view train, drawing of the picking his attention. saddlery. up her skirts. Jim creeps The Meanwhile conductor Frank up by waves tosses theand side another the oftrain the lantern. marshal's moves It off. lands inalso office, the with hay, and a view he of fires theat saddlery. it to set the kerosene alight. The hay starts Helen looks straight ahead towards her new life. burning. Will fires at them from a window of the saddlery. EXT.stabled The MAIN STREET horses - start DAY panicking from the smoke and flames. Jim and Frank fire back from their corners, catching Will in Amy Will a cross-fire. runs dashes towards down the ladder marshal's through office. the smoke and over to the horses. He starts untying them. She stops Many shotsat are Ben's exchanged. body lying in the street and looks around. He slaps them and chivvies them to get out as they mill about Shefright. in has no idea where anyone is. The street is deserted.

64. 65. 66. 67. Will She He INT./EXT. mounts enters givesMARSHAL'S one theof Jimmy's nearby the shoulder OFFICE horses. marshal's -aDAY manly office. shake of appreciation. He looks around at the cowardly townsfolk and drops his tin INT.runs The Jim star horses MARSHAL'S contemptuously out stream ofOFFICE ammunition. from in-the DAYdirt. burning He stops building. to reload. Will escapes with them by ducking down in the saddle so he won't be seen. Amy A Will shot enters. climbs ringson Behind out the from herbehind buggy onand thehe Jim wall and and hangs Amy he ride drops. Harvey's off, leaving gunbelt. The town the two remaining without agunmen singlesee goodbye him at orthe backward last moment glance. and rush EXT. after Amy shot SIDE thehim STREETS fleeing through - DAY horses, the window firingusing as they thego. gun Harvey hung on the wall when he resigned. THE END Will MARSHAL'S INT. prowls cautiously OFFICE -down DAY side streets, looking for the remaining Now it's just three Frank gunmen. and Will. Amy is slumped at the desk. Will's last will and testament He lies Frank isopened outside realizes onathe what Feed desk. has Store happened. when shots He retreats ring outbehind and bullets the whizz bank and past enters him. the marshal's office via the side door where She the hears cells the are.gunfire and looks up. INT./EXT. FEED STORE - DAY EXT. He sneaks STREET upOUTSIDE on Amy MARSHAL'S and grabs her. OFFICE - DAY Will ducks into the feed store and dives behind a pile of hay. The Holding horses herrun in past frontwith of him, Jim he andwalks Frankout running the door behind, intofiring the There at middle Will are of onpiles the thestreet last of hay horse. where one Will side can and see stabled them. horses the other side. Above is a loft filled with hay. Will slumps, and falls from FRANK theMILLER saddle onto the street. Will climbs the Hi ladder Kane. Come to the on loft out. and Comepeers out or through the lofttwo The opening. gunmen your runfriend towards here him, will firing get as it they the go. way Pierce did. He can Will twists see part as he oflies the in street, the dirt, a parked draws buggy, his gun, and and a building fires other side the road. back. WILL KANE I'll come out. Let her go. He sees Will jumps a gunman up and(Jack) runs through dash into thecover flying behind bullets theinto building. the nearby saddlery where he stumbles FRANK MILLER and falls to the floor. Will and JackSoon exchange as you fire. walkJack through runsthat closer and takes cover behind INT. MARSHAL'S the wagon. door. OFFICE Come - DAY on. I'll hold my fire. Amy Will Frank rushes withdraws opensto the the into door side the and window. loft. walksJack out,sees his his gun opportunity down by his and side. dashes from behind the buggy into the store. In the store he spots She Amy sees squirms Will the up in Jim in Frank's the Frank and loft grip, and ingets fires the street anup arm atoutside. free, him. and claws him in the eyes. Willsees She fires how back they and split Jackup drops. and stalk Will. He struggles with her and pushes her away where she falls Will INT./EXT. into peers the street. SADDLERY outside from DAYthe loft opening again. He sees nothing. Will Franklies turns onand thetakes floor. aim His atupper Will.left arm is bleeding. From a hidden location nearby Frank lights a kerosene lantern and He Tooreloads. tosses late. Will it towards has already the feed brought store. hisIt gun lands up. short. He gets off two shots before Frank can open fire. Frank drops. From behind Meanwhile Frank the Miller building positions where Jack himself hid, behind Jim fires theat corner Will in of Will the a bank walks loft with over opening, ato view Amy drawing of lying the saddlery. his in the attention. dirt and kneels by her. Jim Meanwhile He helps creeps her Frank upup bytosses and theholds side another of herthe close. lantern. marshal's A long, It office, lands longin hug also the ofwith hay, and a relief view he of fires that the she at saddlery. it is to safe. set the kerosene alight. The hay starts burning. Will She hugs fires him atback, them from her wedding a window ring of the prominently saddlery. visible. The stabled horses start panicking from the smoke and flames. Jim Fromand nowhere, Frank fire townsfolk back from rush their out and corners, gather catching round Will Will andin Will a Amy cross-fire. and dashes the down body the of Frank. ladder through the smoke and over to the horses. He starts untying them. Many Jimmyshots the messenger are exchanged. comes riding up in the buggy, still He packed slaps with them Amy's and chivvies cases. [Huh? themThey to get were out loaded as they onto mill theabout in train.] fright.

65. 66. 67. Will He INT./EXT. mounts givesMARSHAL'S one Jimmy's of the shoulder OFFICE horses. -aDAY manly shake of appreciation. He looks around at the cowardly townsfolk and drops his tin The runs Jim star horses contemptuously out stream of ammunition. from in the dirt. burning He stops building. to reload. Will escapes with them by ducking down in the saddle so he won't be seen. A shot Will climbs ringson out the from buggy behind and he Jimand andAmy he ride drops. off, leaving The town the two remaining without agunmen singlesee goodbye him at orthe backward last moment glance. and rush after Amy shot thehim fleeing through horses, the window firingusing as they thego. gun Harvey hung on the wall when he resigned. THE END INT. MARSHAL'S OFFICE - DAY Now it's just Frank and Will. Amy is slumped at the desk. Will's last will and testament lies Frankopened realizes on the whatdesk. has happened. He retreats behind the bank and enters the marshal's office via the side door where She the hears cells the are.gunfire and looks up. EXT. He sneaks STREET upOUTSIDE on Amy MARSHAL'S and grabs her. OFFICE - DAY The Holding horses herrun in past frontwith of him, Jim he andwalks Frankout running the door behind, intofiring the at middle Willof onthe thestreet last horse. where Will can see them. Will slumps, and falls from FRANK theMILLER saddle onto the street. Hi Kane. Come on out. Come out or The two gunmen your runfriend towards here him, will firing get as it they the go. way Pierce did. Will twists as he lies in the dirt, draws his gun, and fires back. WILL KANE I'll come out. Let her go. Will jumps up and runs through the flying bullets into the nearby saddlery where he stumbles FRANK MILLER and falls to the floor. Soon as you walk through that INT. MARSHAL'S door. OFFICE Come - DAY on. I'll hold my fire. Amy Frank rushes opensto the the door side and window. walks out, his gun down by his side. She Amy sees squirms thein Jim Frank's and Frank grip, ingets the street an arm outside. free, and claws him in the eyes. She sees how they split up and stalk Will. He struggles with her and pushes her away where she falls INT./EXT. into the street. SADDLERY - DAY Will Franklies turns onand thetakes floor. aim His atupper Will.left arm is bleeding. He Tooreloads. late. Will has already brought his gun up. He gets off two shots before Frank can open fire. Frank drops. Meanwhile Frank Miller positions himself behind the corner of Will a bank walkswith overato view Amyof lying the saddlery. in the dirt and kneels by her. Jim He helps creeps her upup byand theholds side of herthe close. marshal's A long, office, long hug also ofwith a relief view of that the she saddlery. is safe. Will She hugs fires him atback, them from her wedding a window ring of the prominently saddlery. visible. Jim Fromand nowhere, Frank fire townsfolk back from rush their out and corners, gather catching round Will Will andin a Amy cross-fire. and the body of Frank. Many Jimmyshots the messenger are exchanged. comes riding up in the buggy, still packed with Amy's cases. [Huh? They were loaded onto the train.]

66. 67. Will givesMARSHAL'S INT./EXT. Jimmy's shoulder OFFICE -aDAY manly shake of appreciation. He looks around at the cowardly townsfolk and drops his tin Jim runs star contemptuously out of ammunition. in the dirt. He stops to reload. Will A shot climbs ringson out the from buggy behind and he Jimand andAmy he ride drops. off, leaving the town without a single goodbye or backward glance. Amy shot him through the window using the gun Harvey hung on the wall when he resigned. THE END Now it's just Frank and Will. Frank realizes what has happened. He retreats behind the bank and enters the marshal's office via the side door where the cells are. He sneaks up on Amy and grabs her. Holding her in front of him, he walks out the door into the middle of the street where Will can see them. FRANK MILLER Hi Kane. Come on out. Come out or your friend here will get it the way Pierce did. WILL KANE I'll come out. Let her go. FRANK MILLER Soon as you walk through that door. Come on. I'll hold my fire. Frank opens the door and walks out, his gun down by his side. Amy squirms in Frank's grip, gets an arm free, and claws him in the eyes. He struggles with her and pushes her away where she falls into the street. Frank turns and takes aim at Will. Too late. Will has already brought his gun up. He gets off two shots before Frank can open fire. Frank drops. Will walks over to Amy lying in the dirt and kneels by her. He helps her up and holds her close. A long, long hug of relief that she is safe. She hugs him back, her wedding ring prominently visible. From nowhere, townsfolk rush out and gather round Will and Amy and the body of Frank. Jimmy the messenger comes riding up in the buggy, still packed with Amy's cases. [Huh? They were loaded onto the train.]

67. Will gives Jimmy's shoulder a manly shake of appreciation. He looks around at the cowardly townsfolk and drops his tin star contemptuously in the dirt. Will climbs on the buggy and he and Amy ride off, leaving the town without a single goodbye or backward glance. THE END